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Glance over to your pianist just before you say ‘and…’ to check that they are ready to play, especially if they are reading from printed music. On the other hand, if experience shows that your pianist is usually ready before you are, don’t keep asking “is that all right?” or “are you ready?” – they’ll be eager to start. The ideal is build up a rhythm between yourself and the pianist, so you’re both anticipating each other’s moves to the extent where you can increase the tempo at which a class moves when you need to.

If you find that your pianist is consistently unprepared when you want to start the exercise, it may be that you could be delivering your messages about what kind of music and tempo you want earlier in your marking, to give them more time to prepare themselves.

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Jonathan Still, ballet pianist