Musicology, ballet teaching and time signature
A proud day for me, my first proper article published in Empirical Musicology Review. “How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance?” came out of…
New metre and rhythm page
After 11 years of having odd articles about rhythm and metre all over my old site at jsmusic.org.uk, I decided it was time to reduce it all down to a…
And now for something completely sextuple
This variation by Mozart on “Ah, vous dirai-je maman”, K.265/300e has turned out to be a real life-saver in class for one of those ballet exercises where you need a…
The rarity of truly triple metre
If you’ve been following this blog recently, you know that I’m a little obsessed with time signature and metre in the 18th & 19th centuries (see Compound errors and Counting…
Counting Tchaikovsky
On the weekend, I was playing the tarantella-ish Prince’s solo from Sleeping Beauty. Then, as every time I play this music, I panicked half way through the introduction – how…
Compound errors
Someone asked me last night what made me want to do a PhD in music in ballet training. I explained that one of the reasons came out of trying to…