Monthly Archives: April 2014

More on the rareness of the truly triple waltz

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In my last post, I said “Truly triple waltzes are an impossibility. They shouldn’t exist, and they don’t”. Less than 48 hours later, while I was playing Ich weiß nicht zu wem ich gehöre for a warm-up tendu, I realised I was wrong. There are examples … Continue reading

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Dancing masters, music and memory

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I’m thoroughly enjoying Eric McKee’s book Decorum of the minuet, delirium of the waltz: a study of dance-music relations in 3/4 time. There are books that you grow up with that made the world what it is for you, and other books … Continue reading

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The rarity of truly triple metre

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If you’ve been following this blog recently, you know that I’m a little obsessed with time signature and metre in the 18th & 19th centuries (see Compound errors and  Counting Tchaikovsky). Today, it paid off in company class, when I … Continue reading

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Counting Tchaikovsky

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On the weekend, I was playing the tarantella-ish Prince’s solo from Sleeping Beauty. Then, as every time I play this music, I panicked half way through the introduction – how many duh-da-da’s have I played? How many should there be? Is … Continue reading

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