Steps in a polonaise rhythm: Rasmussen’s “Experiencing Architecture”
Rhythm in architecture A few years ago I was trying to write some study materials about “rhythm,” and tied myself in knots trying to connect all the different ways the…
Do marches really have to have dotted rhythms?
Nice to see an article about marching music, one of the weird, esoteric topics that perplex ballet pianists like me: a 2018 conference paper byNiels Hansen, Nicholas Shea & David…
Book review: Tia DeNora’s “Music Asylums”
A book review (of Tia DeNora’s Music Asylums: Wellbeing Through Music in Everyday Life) I did ages ago has now been published online in Current Musicology. It might not look…
“They would have…” — Coppélia, Scotch snaps and class (the social kind)
The Scotch Snap goes to Poland My recent discovery that one of the interpolations in Coppélia for Franz’s variation is from a “Scottish” ballet (Gretna Green, by Guiraud) encouraged me…
The mysterious case of the Lyrical Waltz
I’ve just had an email from a teacher, asking me what I understand by the term “Lyrical Waltz.” Short answer, I don’t understand anything by it, but the long answer…
Music theory for (ballet) dancers, the last word for now? Grant’s “Beating Time and Measuring Music in the Early Modern Era”
I’ve just added Roger Grant’s Beating Time and Measuring Music in the Early Modern Era as my top choice for books on music theory for those interested in music-dance relationships…