Posts Tagged ‘writing’

IT tips #11: Use dummy text to help you write

Sunday, December 11th, 2011

This much I know – it’s much harder to write an article of 250 words than one of 2,500.  The word count of articles I’ve written for Dance Gazette over the last 12 years has gone from 1750, to 1,000, 750, to 500, to 400, and now 250, and it gets more difficult with every reduction.

What I do now for anything under 1500 words is to create a dummy article so that I can see how it’s going to look on the page, and decide how to arrange the paragraphs – a short opener, thick middle and brief conclusion? Five equal paragraphs? 4 of increasing size plus a one line ending? You get the idea.

For long articles, I use the Lorem ipsum generator (lorem ipsum are the first two words of standard dummy text used in publishing). If it’s just a mini task in Word (‘write no more than 50 words of description’) I use Word’s in-built dummy-text generator, one of my favourite party-tricks

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Great Zotero tips

Thursday, June 23rd, 2011

Zotero fans – here’s some great tips, even though they’re from 2008: 12 must know Zotero tips and techniques from The Ideophone. I still think that one of the best short introductions to Zotero is this guide from The Old Bailey

 

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Zotero guide from The Old Bailey

Monday, April 4th, 2011

This is the advantage of following Zotero’s twitter feed - you find out about brilliant resources such as the guide to using Zotero from The Old Bailey (yes, that Old Bailey).  It’s concise, clearly written and laid out, and tells you everything you need to get an overview and get started.

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Zotero book on its way

Monday, April 4th, 2011

Just as I was wondering when there would be such a thing, here’s the news: Jason Puckett, blogger over at Librarian X (tagline: with great power comes great bibliography) is writing  Zotero: A guide for librarians, teachers and researchers. If you can’t wait until the ALA Annual conference (June 2011) when publication is slated, you can get a sneak peak at the chapter overview and the bibliography on the page linked in the last sentence.

There are some great Zotero resources on Jason’s Zotero page, well worth checking out.

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Mark Simpson: “the world’s most perceptive writer about modern masculinity”

Friday, March 26th, 2010

I have been saying this ever since I bought It’s a queer world in 1996, and I say it every time I read another book, another weblog, every time I see him on one of those otherwise inane  100-top-this or 50-worst-that compilation documentaries. But who am I to say? Thankfully, I have the full weight of the ‘science of cool’ website www.scienceofthetime.com to back me up, since they’ve just listed him as No. 1 of their top reads for the weekend on the topic of males, and published this near-perfect eulogy to my hero:

Mark Simpson is probably the world’s most perceptive – and certainly the wittiest – writer about modern masculinity. Mark Simpson is by far the sharpest mind when it comes to changing masculinities. With a worldwide reputation, a long story of excellence and many international publications he is simply world wide leading.[from www.scienceofthetime.com here - nice article, too]

They go on to give an overview of his books and a selection of his best bits to get you salivating. My favourite is still his article, ‘Walk like a man’, which I quoted in another blog post (Why we need Stonewall), and I still pick up and savour It’s a queer world often. His ideas are so singularly perceptive and against the tide, reading him is strangely like being listened to at the same time as you’re listening to him. And as befits someone who thinks and writes so incisively about masculinities, I have to say I find something deeply erotic in his  unique balance of  insight, intelligence, humour, strength, vulnerability, balls and gentleness, gravitas and worldliness, moral courage and healthy filth. Whenever I read his work, I think of the way that Sontag praises Barthes:

He always wrote full out, was always concentrated, keen, indefatigable. [...] it is work that, strenuously unwilling to be boring or obvious, favours compact assertion, writing that rapidly covers a great deal of ground.
(Writing Itself: On Roland Barthes reprinted in Where the stress falls, p. 65)

It’s writing that has a punch and a musicality that inspires me and that I aspire to, even if I rarely achieve it.  Good on you, Mark, and thanks for letting us know.

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How to write

Wednesday, March 17th, 2010

From the Guardian, Ten Rules for Writing Fiction starts off with Elmore Leonard’s 10 rules, and then lists 10 do’s and don’ts from another ten authors. Leonard’s are the most entertaining. Advising against using adverbs, he says ‘I have a character in one of my books tell how she used to write historical romances “full of rape and adverbs”. Annie Enright says “The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.” I like Roddy Doyle’s advice about using a thesaurus:  “Do keep a thesaurus, but in the shed at the back of the garden or behind the fridge, somewhere that demands travel or effort. Chances are the words that come into your head will do fine, eg “horse”, “ran”, “said”.’

In fact, I like all of it. Anything that keeps me from actually writing for a bit longer.

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