Music, time and politics in the ballet studio
Just published online, my chapter in the Oxford Handbook of Time in Music, "The politics of musical time in the…
A year of ballet playing cards #51 (DQ): A coda medley
What is a coda in ballet? Here are 10 pages of codas, and links to seven famous ballet codas you…
Brahms, Tchaikovsky and the polysemic hairpin
Following on from an earlier post about Tchaikovsky's hairpins, today I learned about the Brahmsian hairpin too.
More background on the party scene song in The Nutcracker
Since writing about Bon Voyage Cher Dumollet nine years ago, I've found out a lot more. Here are some sources.
Tamara Karsavina on music
In "Theatre Street," Karsavina makes several references to the soundworld of her dance training and rehearsal. Here is a collection…
Nureyev’s Siegfried solo in the White Swan pas de deux
Maybe I’ve just led a sheltered ballet life, but after 30+ years of playing for more rehearsals and casts of…