And now for something completely sextuple
This variation by Mozart on “Ah, vous dirai-je maman”, K.265/300e has turned out to be a real life-saver in class for one of those ballet exercises where you need a…
More on “truly triple meter” – are Chopin’s waltzes really mazurkas?
I’m not saying that Chopin couldn’t write a waltz, or that his embodied sense of waltzing was too fragile to be able to incorporate it in music. But I wonder…
More on the rareness of the truly triple waltz
In my last post, I said “Truly triple waltzes are an impossibility. They shouldn’t exist, and they don’t”. Less than 48 hours later, while I was playing Ich weiß nicht…
The rarity of truly triple metre
If you’ve been following this blog recently, you know that I’m a little obsessed with time signature and metre in the 18th & 19th centuries (see Compound errors and Counting…
Counting Tchaikovsky
On the weekend, I was playing the tarantella-ish Prince’s solo from Sleeping Beauty. Then, as every time I play this music, I panicked half way through the introduction – how…
Compound errors
Someone asked me last night what made me want to do a PhD in music in ballet training. I explained that one of the reasons came out of trying to…