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daria_nutcracker.jpgThis is day 16 in my 2007 Advent Calendar. This year, I’m giving the
story behind some of the music that I’ve collected for ballet classes.
All the pieces are on Studio Series Vol. 4 published by RAD

I first heard this piece on an LP that I bought from a mechanical music museum in Cornwall when I was a teenager.  Having a passion for the music made by pianolas, reproducing pianos, orchestrions, fairground organs and so on, I listened to it over & over again, until I knew every section of every song – including this one – by heart. In those pre-iPod days, if you had one album like this you were lucky,
and you listened to it until you’d worn the grooves into a trench.

And so whereas most people only know how to shriek the ‘RAOUL ART THE BOWEL’ bit of the chorus, I’m afraid that right from the start, I knew the entire preamble, which is in fact about three times the length of the chorus, and just as worth listening to. The truth is that it originally never was a chorus, and never was a cockney pub song, but the final section of a brass band piece by the Czech composer Jaromír Vejvoda  called Mod?anská Polka (see my earlier entry for a history of the song).

The motoric jollity of Vejvoda’s music makes for good diagonal turn or fouetté music, and for UK dancers has the additional comic effect of being the kind of thing they sing around the piano at Christmas in the Queen Vic. I might have thought twice about putting it on this album were that the only layer of meaning attached to it, but it so happens that a few years ago I played this for a company class at the National Theatre in Prague and all the Czech dancers who’d been relatively quiet and focused for the barre suddenly turned round with a huge smile. 

It was Daria Klimentová who explained that the reason for this was not because they’d all got satellite TV and tuned into the Eastenders Christmas special every year, but because Škoda lásky (as Roll Out the Barrell is known in Czech – though the Czech song, about ‘wasted love’, isn’t the barrel of laughs that the English lyrics portray is a very famous Czech song, and indeed, in 2000, was voted the most popular Czech song of the 20th century. You play this music with a different kind of love and attention when you know that. It turns out the Daria knows all the Czech words, too, which is one of the less obvious reasons why her picture graces this blog entry.

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Jonathan Still, ballet pianist