What Schenker, Nicholas Cook & a food processor taught me about piano fingering
By what turns out to be a happy coincidence, I managed this week to combine reading Nicholas Cook’s Beyond the Score: Music as Performance with an accident in which I…
More on the rareness of the truly triple waltz
In my last post, I said “Truly triple waltzes are an impossibility. They shouldn’t exist, and they don’t”. Less than 48 hours later, while I was playing Ich weiß nicht…
The rarity of truly triple metre
If you’ve been following this blog recently, you know that I’m a little obsessed with time signature and metre in the 18th & 19th centuries (see Compound errors and Counting…
Counting Tchaikovsky
On the weekend, I was playing the tarantella-ish Prince’s solo from Sleeping Beauty. Then, as every time I play this music, I panicked half way through the introduction – how…
Compound errors
Someone asked me last night what made me want to do a PhD in music in ballet training. I explained that one of the reasons came out of trying to…
A list of ballet music surprises
Another list-on-a-page post – this time, it’s a collection of my 2009 Advent Calendar posts which were ‘musical surprises’ from the world of ballet music. The ‘surprises’ are probably one…