Brahms, Tchaikovsky and the polysemic hairpin
Following on from an earlier post about Tchaikovsky's hairpins, today I learned about the Brahmsian hairpin too.
Jonathan Still, ballet pianist
Music, dance, IT, trivia. Not necessarily in that order.
Following on from an earlier post about Tchaikovsky's hairpins, today I learned about the Brahmsian hairpin too.
What is a Spanish waltz? Is there such a thing? No, but here is one all the same, in case you're asked.
I remember inwardly eye-rolling when I heard a teacher many years ago claim excitedly that her pianist “never played the same thing twice.” Call me cynical, but if you’re a…
Great to read Aaron Manela’s masters thesis “Arthur Saint-Léon’s The Little Humpbacked Horse in Context,” which is available online. Here’s the abstract: In this study I examine representations of antisemitism, fantasy,…
One of the oddities about the ballet repertoire is that the more famous and frequently performed the piece, the more tricky its musical history, like the “Black Swan” Pas de…
Nice to see an article about marching music, one of the weird, esoteric topics that perplex ballet pianists like me: a 2018 conference paper byNiels Hansen, Nicholas Shea & David…