Black Swan, the design of everyday things, and the extended mind
I’ve been very nervous of trying out the orchestral reduction I made in January 2015 of the Black Swan female variation for real-life principals in companies in case I became…
Book review: Tia DeNora’s “Music Asylums”
A book review (of Tia DeNora’s Music Asylums: Wellbeing Through Music in Everyday Life) I did ages ago has now been published online in Current Musicology. It might not look…
Tia DeNora, affordances, and more on the lyrical waltz
In a previous post about the so-called “lyrical waltz” (a term sometimes used by some ballet teachers) I took a long time to come to the conclusion that perhaps “lyrical”…
“They would have…” — Coppélia, Scotch snaps and class (the social kind)
The Scotch Snap goes to Poland My recent discovery that one of the interpolations in Coppélia for Franz’s variation is from a “Scottish” ballet (Gretna Green, by Guiraud) encouraged me…
Bugatti Step by Jaroslav Ježek, and the joy of musical journeys
I said it had been a week for finding things: well, it’s not over yet., apparently. The Bugatti Step As this will be a longish ramble about finding music, I’ll…
Grands pas des éventails from Le Corsaire: some piano materials
A link to the piano score of the Grand pas des éventails in Le Corsaire, and interpolated solo from Pygmalion