Confessions of an anxious ballet pianist day #9: Oh no! What was that?!
You sit at the piano, and watch the teacher address the class, rattling off directions, her hands a blur as she marks movements with her hands at 8x fast forward…
Jonathan Still, ballet pianist
Music, dance, IT, trivia. Not necessarily in that order.
You sit at the piano, and watch the teacher address the class, rattling off directions, her hands a blur as she marks movements with her hands at 8x fast forward…
A short but apposite entry today, because I’m off to record a whole bunch of examples of exactly what this post is about: music for that kind of sissonne exercise…
The music that is harder to find than a black swan Let’s start with a few facts. Although this solo, and the Black Swan pas de deux that it comes…
I’ve already written an entire recent post about one problem with accompanying this variation (The perils of musicality when you’re accompanying a ballet solo) but that’s not the end of…
The other side of my anxiety about not playing pop tunes for class (see yesterday’s post) is anxiety about playing stuff that’s too classical. When I say “classical,” I mean…
I’ve got to be very careful how I put this, for fear of being taken the wrong way (see, I’m even anxious about that). So let’s get one thing out…