Judith Espinosa, the fishermen’s wives and the waltz
As allegro was about to begin during a ballet class yesterday, I started to smirk thinking about something I’d read in Derek Parker’s fascinating book, The First 75 Years of…
“Lyrical”—an update on the term “lyrical dance” from Dance Chronicle
Those who remember my post about the “lyrical waltz” and the fuzzy meaning of the term “lyrical” as applied to dance generally, will be delighted to know that there is…
The attentional commons and Leicester Square tube station
Nothing to do with music, except that I have to go to Leicester Square several times a week on my way to piano playing jobs, so when something changes about…
Tchaikovsky’s hairpins
The secret life of hairpins In The Secret Life of Musical Notation, Roberto Poli examines a number of notational conventions—hairpins, sforzandi, rinforzandi, pedals, stretti and rhythmic values—that have perplexed him…
RIP Kevin Richmond
Very sad to hear by chance (through this posting on Ballet.co forums) of the recent passing of the dancer Kevin Richmond, far too young. When I first started playing for…
Learn quadrilles for a day in Charing, Kent, 28th April 2019
Here’s a lovely idea for a Sunday in April—come to Charing in Kent for a day of learning to dance 19th century quadrilles with early dance expert Nicola Gaines. Nicola…