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“I can’t tell a waltz from a tango” would be a great title for a ballet-related music course, though in all honesty, “I can’t tell a kujawiak from a redowa” would be more apposite.

Songs that reference what might be going in the class while you’re playing for it are pretty rare, though the best example is perhaps the ballet teacher who described her life to me in song, with a rendition of “Little Girls” from Annie, accompanied by a massive eye-roll. 

Coincidentally, Gordon Burns’s novel Alma Cogan  was one of those books I was expecting to dislike, but I loved it. Anyway, if you need a handy tango for class that will make you and maybe one other person every 20 years laugh, “I can’t tell a waltz from a tango” is the one.

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Jonathan Still, ballet pianist