A 19th century quadrille generator
I remember inwardly eye-rolling when I heard a teacher many years ago claim excitedly that her pianist “never played the same thing twice.” Call me cynical, but if you’re a…
Donations needed for The Connection at St Martin in the Fields
The Connection at St-Martin-in-the-Fields which provides so much help to the homeless in the centre of London, has had to close due to the current government guidelines. You can probably…
Can’t tell a waltz from a tango? I have just the song for you
“I can’t tell a waltz from a tango” would be a great title for a ballet-related music course, though in all honesty, “I can’t tell a kujawiak from a redowa”…
The Ballet Piano Podcast
I remember saying to someone a few years ago that the distance between you thinking of an idea for a project, and someone else coming up with the same idea…
Fille mal Gardée: the Gorsky pas de deux music for piano
The short version This post started out as a bit of excitement at finding that the source for the Gorsky Fille mal gardée pas de deux male solo was Czibulka’s…
Steps in a polonaise rhythm: Rasmussen’s “Experiencing Architecture”
Rhythm in architecture A few years ago I was trying to write some study materials about “rhythm,” and tied myself in knots trying to connect all the different ways the…