Black Swan, the design of everyday things, and the extended mind
I’ve been very nervous of trying out the orchestral reduction I made in January 2015 of the Black Swan female variation for real-life principals in companies in case I became…
Tia DeNora, affordances, and more on the lyrical waltz
In a previous post about the so-called “lyrical waltz” (a term sometimes used by some ballet teachers) I took a long time to come to the conclusion that perhaps “lyrical”…
“They would have…” — Coppélia, Scotch snaps and class (the social kind)
The Scotch Snap goes to Poland My recent discovery that one of the interpolations in Coppélia for Franz’s variation is from a “Scottish” ballet (Gretna Green, by Guiraud) encouraged me…
Grands pas des éventails from Le Corsaire: some piano materials
A link to the piano score of the Grand pas des éventails in Le Corsaire, and interpolated solo from Pygmalion
A year of ballet playing cards #54 (Red Joker): Odalisques from Le Corsaire
Download Odalisques piano score (free PDF) Read more about my Year of Ballet Playing Cards It’s that time of year again, ballet summer schools season, when teachers are supposed to…
A year of ballet playing cards #37: A grand polonaise by Nápravník
Download the Polonaise by Nápravník (free pdf) Read more about my Year of Ballet Playing Cards You’d think that if ballet teachers have a mental model of how a polonaise…