Playing for ballet class tips #6: Focus on your outside fingers
One of the occupational hazards of playing for class too much is that you can end up playing in a way that only uses three fingers in each hand. After…
Jonathan Still, ballet pianist
Music, dance, IT, trivia. Not necessarily in that order.
One of the occupational hazards of playing for class too much is that you can end up playing in a way that only uses three fingers in each hand. After…
Apart from fiddle tune books (see tip #3), another great source of music for class is quadrilles. There are just hundreds of them out there for free on the net,…
Time signatures in ballet class: don’t get precious about them There’s no polite way to say this—pianists, don’t get pissy about time signatures in ballet class. In other words, if…
Searching for petit allegro music “There are two parts of the class where you need more music,” the late Anatoli Grigoriev said to me after I’d played for him a…
Nine times out of ten, the secret of being a good dance pianist is to concentrate on what your left hand is doing rather than your right. As pianists, we…
If you play for class a lot, it's easy to get into a habit of being so focused on what the dancers are doing, and what the teacher wants, that…