Music in “Where Snowflakes Dance and Swear” by Stephen Manes
I bought Where Snowflakes Dance and Swear when it first came out in 2011: I didn’t particularly want to read it (because I spend enough time in this world at…
Ivor Guest Trainee Pianist at The Royal Ballet (paid 9 month contract)
Delighted to see that the Royal Ballet have launched a 9-month paid position for a trainee pianist at the Royal Opera House, named in memory of Ivor Guest. Please pass…
Judith Espinosa, the fishermen’s wives and the waltz
As allegro was about to begin during a ballet class yesterday, I started to smirk thinking about something I’d read in Derek Parker’s fascinating book, The First 75 Years of…
“Lyrical”—an update on the term “lyrical dance” from Dance Chronicle
Those who remember my post about the “lyrical waltz” and the fuzzy meaning of the term “lyrical” as applied to dance generally, will be delighted to know that there is…
Tchaikovsky’s hairpins
The secret life of hairpins In The Secret Life of Musical Notation, Roberto Poli examines a number of notational conventions—hairpins, sforzandi, rinforzandi, pedals, stretti and rhythmic values—that have perplexed him…
Learn quadrilles for a day in Charing, Kent, 28th April 2019
Here’s a lovely idea for a Sunday in April—come to Charing in Kent for a day of learning to dance 19th century quadrilles with early dance expert Nicola Gaines. Nicola…