Playing for ballet class tips #22: With harmony too, less is more
If you’re improvising or harmonising a melody, there’s a lot to be said for just sticking to simple harmonies, and avoiding chromaticism or excessive modulation for the sake of it.…
Playing for ballet class tip #21: Make friends with a notator
If there’s one kind of person in the ballet universe who can really understand where you’re coming from as a musician, and where you need to go, it’s a notator,…
Playing for ballet class tips #20: Let dancers make the beat
In the last tip, I said that it was a good rule of thumb to divide by half (in your melody line) whatever pulse rate you can detect in a…
Playing for ballet class tips day 19: read the feet, divide the beat
In petit allegro, it’s a useful rule of thumb to listen to the rhythm of the exercise as the teacher sets it, and look very carefully at the feet as…
Playing for ballet class tips #18: take a lesson in 18th century composition
A lot of pianists are frightened of ‘improvisation’ because the term is widely (mis)understood to mean that you play a chord with your left hand and wait for God to…
Playing for ballet class tips #17: Composing and improvising
Today I’m delighted to have a guest blog by Andy Higgs, friend, composer and musician who’s currently company pianist at Ballett am Rhein in Düsseldorf. This all came about because…