# WordPress MySQL database backup # # Generated: Tuesday 16. February 2010 07:39 UTC # Hostname: localhost # Database: `jonatha6_wrdp1` # -------------------------------------------------------- # -------------------------------------------------------- # Table: `wp_comments` # -------------------------------------------------------- # # Delete any existing table `wp_comments` # DROP TABLE IF EXISTS `wp_comments`; # # Table structure of table `wp_comments` # CREATE TABLE `wp_comments` ( `comment_ID` bigint(20) unsigned NOT NULL auto_increment, `comment_post_ID` bigint(20) unsigned NOT NULL default '0', `comment_author` tinytext character set utf8 collate utf8_bin, `comment_author_email` varchar(100) character set utf8 collate utf8_bin default NULL, `comment_author_url` varchar(200) character set utf8 collate utf8_bin default NULL, `comment_author_IP` varchar(100) character set utf8 collate utf8_bin default NULL, `comment_date` datetime NOT NULL default '0000-00-00 00:00:00', `comment_date_gmt` datetime NOT NULL default '0000-00-00 00:00:00', `comment_content` text character set utf8 collate utf8_bin, `comment_karma` int(11) NOT NULL default '0', `comment_approved` varchar(20) character set utf8 collate utf8_bin default '1', `comment_agent` varchar(255) character set utf8 collate utf8_bin default NULL, `comment_type` varchar(20) character set utf8 collate utf8_bin default NULL, `comment_parent` bigint(20) unsigned NOT NULL default '0', `user_id` bigint(20) unsigned NOT NULL default '0', PRIMARY KEY (`comment_ID`), KEY `comment_approved` (`comment_approved`), KEY `comment_post_ID` (`comment_post_ID`), KEY `comment_approved_date_gmt` (`comment_approved`,`comment_date_gmt`), KEY `comment_date_gmt` (`comment_date_gmt`) ) ENGINE=MyISAM AUTO_INCREMENT=1056 DEFAULT CHARSET=utf8 ; # # Data contents of table `wp_comments` # INSERT INTO `wp_comments` VALUES (74, 101, 'DeJean', 'dejean@tom-john.com', 'http://www.tom-john.com', '79.176.144.250', '2008-03-20 05:02:39', '2008-03-20 05:02:39', 'Hello! I really enjoyed your post, and reading this!\r\n"his choreography is like a searchlight that reveals hidden treasures in music."-- great discription!\r\n\r\nDejean Brown\r\nThe Choreography Of Tom John', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; he; rv:1.8.1.12) Gecko/20080201 Firefox/2.0.0.12', '', 0, 0); INSERT INTO `wp_comments` VALUES (2, 5, 'hampy', 'christopherhampson@ukonline.co.uk', '', '210.54.39.75', '2003-06-30 23:53:03', '2003-06-30 23:53:03', 'Death to all Moths. More moth hating sites please!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (3, 6, 'Daniel', 'danielpauljones@aol.com', '', '81.97.137.34', '2003-06-29 00:18:55', '2003-06-29 00:18:55', 'Well, what a busy bee. Maybe you should try ten pin bowling for relaxation. Or how about composing childrens music for fun? No, that would be too much fun for an adult... ;>\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (4, 13, 'Dr. David Taylor', 'dtaylor48@red.esinet.org.uk', '', '194.72.50.158', '2004-02-03 13:14:52', '2004-02-03 13:14:52', 'Can anyone give me the name of Kevin Whatley\'s agent? I wish to contact him regarding an outstanding young actor for whom I want to find and agent.\n\nDavid Taylor\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (5, 15, 'hampy', 'christopherhampson@ukonline.co.uk', '', '203.79.89.7', '2003-07-04 00:56:49', '2003-07-04 00:56:49', 'I\'ve just spent half an hour playing cat bowling in the public library of Palmerston North! Thank You so much!!!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (6, 18, 'jim P', 'jimprescott15@hotmail.com', '', '172.185.62.234', '2003-07-11 23:24:23', '2003-07-11 23:24:23', 'hey - I went to Macaris today and they recon they will have Kazoos in next week - and hey - what does it mean - return of the Jingleberries ? did they ever go away ??\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (7, 20, 'Ali', 'nightbird18@excite.com', '', '134.146.0.6', '2004-04-05 13:43:56', '2004-04-05 13:43:56', 'Rainmates.. the most horrific thing in the world.... A Chemist shop in Aberdeen sells them. I know as one of colleagues she turned up wearing one recently... and she is still young i.e under 35.... How sad is that!!!!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (8, 20, 'Saz', 'x_Saz_luvs_u_x@hotmail.com', '', '213.40.67.66', '2005-01-03 19:25:57', '2005-01-03 19:25:57', 'WOOOOOOOOOOOOO SUPPPORT FOR RAINMATES\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (9, 20, 'Stevie!!!!', 'femalesos@hotmail.com', '', '81.135.193.119', '2005-01-03 19:44:37', '2005-01-03 19:44:37', 'Total support for the rain mates, as a 17-year-old lady I feel these great inventions should live on throughout many generations!\n\nLetting them die(now how sad is that I ask a fellow comment leaver!)\n\nHair straighteners are a great electrical device that I use more than often, but I ask the question \'why spend precious time perfecting hair when a drop of rain could ruin the desired look?\'\nby simply wearing a rain mate all your problems are solved!\n\n\nYou may think what a sad young girl, but I say the sad people are those that let them go, OAPs are unfortunately not the future but I plan to lead a full fledge petition to save these products!!!!\n\n\n\nPlease help!!!\n\n\n\n\nWoolworth?s sell them!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (10, 20, 'Jean Millar', 'jean.millar@hse.gsi.gov.uk', '', '195.92.40.49', '2005-11-30 13:17:29', '2005-11-30 13:17:29', 'Who does sell rain mates. I seriously am looking for one for a young girl in the office. I have been chosen to buy her "Christmas Santa" pressie and she was slagging them off one day - just the thing I thought but where in Edinburgh can I buy one????\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (11, 20, 'Alan', 'scooter57@hotmail.com', '', '86.131.201.192', '2005-12-22 00:40:56', '2005-12-22 00:40:56', 'Been reading comments on rainmates, I wish they would come back into fashon, they are great\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (12, 20, 'lorne', 'lorhod36@yahoo.com', '', '69.95.53.103', '2006-01-14 12:52:30', '2006-01-14 12:52:30', 'I, too, think they should make a comeback! they\'re practical, and, IMHO, look cute!!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (13, 29, 'PJ', 'pjthum@fredastaire.net', 'http://www.fredastaire.net/', '202.156.2.51', '2003-07-31 06:13:23', '2003-07-31 06:13:23', 'Wow, I wish I had been there!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (14, 41, 'muppet', 'daria@ntlworld.com', 'http://???????', '62.253.64.8', '2003-09-28 10:23:34', '2003-09-28 10:23:34', 'and daria can sing all the words!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (15, 41, 'Ray', 'ray@cornish01.wanadoo.co.uk', 'http://www.jsmusic.org.uk/blog/archives/000079.html', '84.68.201.120', '2005-12-24 11:45:19', '2005-12-24 11:45:19', 'any chance of a link to the music score for the beer barrel polka?\nThanks,\nRay.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (16, 41, 'Jonathan', 'jonathan@jsmusic.org.uk', '', '86.139.17.41', '2005-12-24 12:10:34', '2005-12-24 12:10:34', 'As Škoda lásky/The Beer Barrel Polka is still in copyright, it\'s unlikely that you\'ll find the sheet music for free on the web. However, you can buy the music from a number of online shops including this one:\nhttp://netscape.musicnotes.com/sheetmusic/mtd.asp?ppn=mn0050710\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (17, 43, 'PJ', 'pj@thum.org', 'http://www.fredastaire.net/', '163.1.230.234', '2003-10-24 18:54:52', '2003-10-24 18:54:52', 'Hi Jonathan,\n\nI got an email today informing me that the ENB is touring and coming to Oxford at the end of November, and that they will be performing "Drink To Me Only With Thine Eyes". Will you be playing the piano then?\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (18, 45, 'Lazy Stuff', '', 'http://www.lazystuff.com', '212.67.103.163', '2004-03-31 23:39:13', '2004-03-31 23:39:13', 'Very kind of you to say so...\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (19, 46, 'Hannelore Imig-Jayasundara', 'hanjayas@yahoo.de', '', '212.144.212.231', '2003-11-19 08:27:08', '2003-11-19 08:27:08', 'Dear Jonathan,\nI am looking into your site quite often.Today you introduced the one equipment that every Sri Lankan household has,if poor or rich,the scraper.After living 20 years in Sri Lanka I hated it,because you need a lot of strength to hold the shell.The best thing to open the nut in two halfs is to hit with the back of a heavy knife into the middle of the nut in one hand and this requires a lot of practice but it works.The price there is under 1 pound and I brought one with me to Germany where I am staying at the moment.\nGood luck with your next curry dish,\nHannelore.\nBy the way,you introduced me to IT scills and keyboard shortcuts at London headquarters and I met you at the congregation at Durham this year.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (20, 46, 'Jonathan', '', 'http://www.jsmusic.org.uk', '212.125.73.42', '2003-11-19 12:14:58', '2003-11-19 12:14:58', 'Thank you Hannelore! You\'ve answered my second question, which is how do you cut the coconut in half so that it doesn\'t splinter into pieces (it\'s important when you need nice even halves so that you can make the sound of horses\' hooves!). I tried sawing it in half, but it was a bit hard in the garden in the dark, with only a huge old rusty saw and no Black and Decker Workmate.\n\nCan\'t wait to try the back-of-the-knife technique. I\'ll keep you informed!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (21, 46, 'thinai', 'thinai@123mail.org', '', '217.40.47.53', '2003-11-29 08:40:48', '2003-11-29 08:40:48', 'Instead of a knife, it is much easier to use a decent hammer. Hold the nut in one hand, hit it in the middle, rotate nut, hit in the middle, etc.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (22, 46, 'Jonathan', '', 'http://www.jsmusic.org.uk', '81.128.226.41', '2003-11-30 21:26:22', '2003-11-30 21:26:22', 'Thank you thinai - all helpful suggestions gratefully received. I\'ll give it a go with the hammer technique!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (23, 46, 'E Caldwell', 'caldwelleurydice@hotmail.com', '', '217.45.243.222', '2007-02-12 14:06:52', '2007-02-12 14:06:52', 'Hi\nan you let me know where you got this amazing contraption from(Odiris coconut grater)?\nI tried your link but I could make no sence of where it was leading me I am affraid. This would make my life much easier if i could get one...\nThanx\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (24, 46, 'Jonno S', 'jonathan@jsmusic.org.uk', '', '81.157.210.57', '2007-02-12 19:33:56', '2007-02-12 19:33:56', 'E Caldwell, sorry about the broken link - it used to go to a site which featured this make of coconut scraper in an online catalogue, but it seems to have disappeared now.\n\nI\'m pretty sure that I bought at Niru\'s convenience store at 82 Upper Tooting Road, but if not, it was in one of the shops within a few metres of Niru\'s. Niru\'s is listed in the British Tamil Information Directory, so if you\'re nowhere near Tooting, maybe you could try somewhere else? The guy in Sainsburys assured me that I could go into any of the Sri Lankan shops in Tooting and find one, or find a man who knew where to get one.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (25, 48, 'perfectlymatte', 'perfectlymatte@hotmail.com', 'http://www.matthew-macfadyen.co.uk', '81.77.90.146', '2004-01-14 17:57:20', '2004-01-14 17:57:20', '" ..... Matthew Macfadyen\nFor creating Tom Quinn in Spooks (see above), my hero and role model. Great character, great actor. The voice is enough, let alone the rest."\n\nI so couldnt agree more!!\n\nIf you want to see more of the delish Matthew and talk about him on our forum - why not come on over to the website - Matthew Macfadyen Online!! (that\'s if you are not already there in disguise!)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (26, 49, 'vasco franco', 'franco_vasco@hotmail.com', '', '201.225.75.153', '2004-07-14 02:04:58', '2004-07-14 02:04:58', 'DRAGO MIJE DA SI ZIV. REKLI SU MIDA SI POGINUO U MEKSIKU. DRAGO MIJE D VIDIM TVOJE SLIKE. IMAO SAM 24 GODINE DA TE NE VIDIM, MOJ JONATHAN. NEMAS POJMA KOLIKO SAM NERVOZAN A KOLIKO SAM SRETAN. MOLIM TE PISI MI STO PRIJE JEDNA CEKAM DA BUDEM ZNAO NESTO O TEBI. NEZNAM STA JE BILO S DRAGANOM. CUO SAM DA JE UMRO KAO ONAJ PIJATELJ SILVIO JOZIC, MALI KOJI JE STUDIRAO SPNJOLSKI.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (27, 49, 'Jonathan', '', '', '81.154.5.237', '2004-07-14 07:52:07', '2004-07-14 07:52:07', 'Vasco! Drago mi je da si se pojavio! Koliko dugo sam te tra?io! Pisao sam ti email..\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (28, 65, 'Michelle Groves', 'boomeroo23@hotmail.com', '', '81.19.57.38', '2004-10-21 14:28:34', '2004-10-21 14:28:34', 'Jonathan! You life saver! Because of a tutor\'s illness, a vacant slot has appeared on the ISS timetable for the BADE distance learning students next week. What to do? I know! Let\'s do a session on using the internet for researching dance! OK, I know the basics....but what task can I set them?\n\nWell, the light bulb pinged into action while I was ambling round the 2nd floor at the RAD. Why not use Jonathan\'s crossword to see which pair of students can complete it first, using the interent to look up all those facts which are inevitably on the tip of one\'s tongue?\n\nI\'ll let you know how we get on, but would welcome any suggestions on what the winner\'s prize might be - the opportunity to study a 60 credit module on the life and times of a certain professor\'s vision of dance education perhaps?!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (29, 65, 'Jonathan', 'jonathan@jsmusic.org.uk', 'http://www.jsmusic.org.uk', '81.154.207.145', '2004-10-21 19:54:21', '2004-10-21 19:54:21', 'Nice idea! Perhaps I\'d better make it more difficult. There\'s another little toy within a toy, in that you can give URLs as clues. With the really difficult stuff, I could give a hint.\n\nTo really test them, we can also chuck in some stuff about IT, i.e. how about this for a clue: "(6,6)two or more letters at the end of a web address after the last dot, which indicate which territory or government body the site is registered under".\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (30, 69, 'vasco', 'franco_vasco@hotmail.com', '', '201.225.75.153', '2004-12-16 22:11:40', '2004-12-16 22:11:40', 'BOG, DJONI! GLEDAO SAM TVOJ ALBUM SLIKE IZ PRAHE. DIVNE SU! BAS BIH VOLIO DA IDEM BAREM JEDNOM U ZIVOTU. MORAO SAM DA TE PISEM OVOM PUTOM JER VIDIM DA NECES DA MI SE JAVIS ILI VALJDA SI PREZAUZET. STETA!! MISLIO SAM DA CEMO IMATI VREMEN ZA NAS. SKORO BIT CE BOZIC. SJECAS LI SE DA U 1983 JA SAM BIO U LONDONU STOBOM. PROSLI SU DVADESETAK GODINA ALI UVIJEK SE TOGA SJECAM MOZES MI VJEROVATI ALI JEDINE SLIKE KOJE CUVAM SU TE SLIKE IZ ZAGREBA. DIVNE!!! TOLIKO SMO MLADI TADA. DOBRO, JA SAM SAMO HTIO DA TE ZELIM SRETAN BOZIC, LIJEPI MOJ. A DA U 2005 BUMO MOGLI DA SANJAMO....\nMOZDA NECEMO SE VIDJETI U ZIVOTU TKO ZNA-. BOLESTAN SAM. NASLI SU MI NEKU PIZDARIJU. UMORAM SAM, BOLI ME GLAVA, PONEKAD OSJECAM DA HOCU POVRACATI SVE. UZASNO ME SVE BOLI. POGOTOVO GLAVA. TI SI PRVA OSOBA KOME PRICAM O TOME. HTIO SAM DA NADJEM DRAGANA ALI NISAM USPIO. ZAMISLI! IZ PANAME TRZECI DRAGANA, ALI NASAO SAM TEBI. I TO JE SUPER.\nSADA MORAM DA PISEM RINU. DOBRO, BUDI DOBAR\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (31, 71, 'Steven Vanhetgoor', 'nospam_vanhetgoor@kabelfoon.nl', '', '83.128.11.144', '2006-01-22 12:57:43', '2006-01-22 12:57:43', 'I think you are right in the real meaning of the word palaver (negotiating), I was looking for it, I found some lyrics of Fela Anikolapu Kuti, and I was touched by the beauty, so I was looking for the meaning of the words used in the song. (The name of the song is Trouble Sleep, it\'s on the Album Red Hot & Riot.) I have been listening all morning to this song. "Rat bite him tail" It looks english, so poetic, so real, so full of life.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (32, 71, 'Brownie', 'skulla_funga@hotmail.com', '', '80.254.147.68', '2007-09-10 17:50:01', '2007-09-10 17:50:01', 'What a palaver indeed!! :o)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (33, 72, 'Helen Linkenbagh', 'helenlinkenbagh@aol.com', '', '202.67.65.165', '2004-12-28 23:14:02', '2004-12-28 23:14:02', 'Jonathan....\n\nI will not sit by another minute to let you carry on about how boring this website is! I check here every time I am online to see if you have added another interesting tidbit and through your links page have found all sorts of fantastic stuff.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (34, 73, 'Leigh Ann', 'labpap@aol.com', '', '70.154.70.183', '2007-07-07 18:41:47', '2007-07-07 18:41:47', 'I live in Charleston South Carolina and often frequent an Irish Pub down here in which the band has recently started singing, "Those Were the Days" on the occasional night. Hearing reminded me of how much I love that song, but it also frustrated me. I am so positive that the song has been used in a movie or TV show that I should remember, but cannot for the life of me think of what it is. Do you know??\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (35, 74, 'Jay Corwin', 'georgii@ihug.co.nz', '', '203.173.155.214', '2005-12-20 23:12:30', '2005-12-20 23:12:30', 'Your site is anything but boring. Many thanks for all the links to the music. Pogudin\'s voice is beautiful. Thanks again.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (36, 74, 'Peter Jandl', 'peterjandl@yahoo.com', '', '211.31.162.34', '2006-04-17 03:45:03', '2006-04-17 03:45:03', 'Thanks for the link to Pogudin\'s website. I was looking for the origins of "Those were the days my friend". What a beautiful voice, what beautiful songs.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (37, 80, 'Luke Williams', 'cupid111222333@aol.com', 'http://www.bangoronline.net', '195.93.21.105', '2006-06-11 15:27:11', '2006-06-11 15:27:11', 'Just a post to let you know that at the start of this accademic year I will be launching a new website aimed at Bangor students and local buisinesess. The Idea being that students and buisinesses around bangor can communicate to each other. I\'ts like a free advertising space, where members can post news about events happening around Bangor and review restaurants, pubs and clubs around Bangor. Most of the websites content will be submited in by students letting them put across their point of view. There will also be a forum, personal messages system plus a chatroom which you can use to share files from your computer.\nAlthough we are not marketing the site until the start of the academic year it is up on the web allready. If you would like to have a look or if you have anything to contribute then please visit the site at www.BangorOnline.net\nLuke\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (38, 91, 'Becky', 'beclycat17@hotmail.com', '', '80.2.123.46', '2005-11-08 11:43:22', '2005-11-08 11:43:22', 'It\'s nice to see you\'ve up dated your weblog. Do you know if your friend Daniel will up date his agian, on ballet.co.uk? His were realy good too but he hasn\'t in a while (I realise that he\'s probebaly quite busy but it\'d be nice to know.)\n\nP.s I like you cats I used to have one that looked like them called cookie.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (39, 91, 'Samara', 'vertically_challenged_cellist@hotmail.com', 'http://obnoxious_muso.livejournal.com/', '217.206.146.20', '2006-03-14 14:55:48', '2006-03-14 14:55:48', 'I love your blog! Found it whilst googling "oboe" at work. (I sell advertising space on Classical Music magazine, trying to find new advertisers for our super-duper wind and brass issue). Anyway, hi!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (40, 93, 'Araminta', 's234567@googlemail.com', '', '82.33.62.206', '2007-04-02 12:31:56', '2007-04-02 12:31:56', 'Thank you very much, I have been searching for rain mates for ages and am sending for the rain bonnet today\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (41, 95, 'Dora Lipka Manela', 'manela00@bellsouth.net', '', '74.244.3.37', '2007-08-04 06:14:25', '2007-08-04 06:14:25', 'I read your page about Woitek with great emotion.\nI met him in Rio de Janeiro, where I was a dancer in the 1980s. We connected instantly, and he gave me all the corrections, artistry and love I could hope from a teacher, he also advocated for roles I should do and he encouraged me to dance internationally.\nI am a teacher in the US for years now, and he has been a daily inspiration since the day I was a dancer in his classes.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (42, 95, 'Anna Wooster Pasti', 'fpasti@italstructures.com', '', '83.190.226.35', '2007-11-21 08:31:02', '2007-11-21 08:31:02', 'When I first read the name Woytek the thought passed through my mind, \'is Woytek a very common Polish christian name? Must be because one of the few Poles I have met was called Woytek. I didn\'t think anymore about it until I read your article and saw that Woytek was more or less the same age as I was, and so it was a real possibility that the Woytek I met in Leningrad in 1962/3 (December January) could realistically be the same person !!!\n\nIt happened like this. During the scholastic year 1959/60 Olga Genrikhovna Iordan was sent to teach in Warsaw, and she was there for the best part of the year (and how we her pupils left in Leningrad missed her) In Warsaw she worked both at the school and in the theatre. She returned to teaching our class the following year and graduated us. In the break between tours 1962/3 when I was in Wolly\'s company, I went back to Leningrad to visit O.G. and she had two of her former pupils from Warsaw doing the two year long,Vaganova Academy Teacher\'s Course, which entailed going through the whole 8/9 year ballet programme, not only being able to dance it but more importantly how to TEACH it. I remember I attended the lessons while I was there, and recall that while Woytek and his fellow student a girl whose name eludes me at the moment were envious of me because I had been able to do the whole programme with O.G., I was envious of them being able to do the teachers course with her. However O.G. was a wonderful teacher and her preparation for teachers was a continuation and a deepening of her classes for dancers. She herself was not a physically gifted dancer but had studied (with Vaganova herself) her own body to such depth and sensibility to be able to turn it into a wonderful and original instrument, and this capacity she did her best to instill in her pupils. She would explain every movement each muscle had to do, and then expect you to do it! She claimed the most important attribute a dancer could have was intelligence.Woytek studied classical dance with Alexander Sergeyevich Pushkin. O.G. and he, often worked as a pair, the boys in our class studied with A.S. and when we had rehearsals, both teachers were present, and sometimes when O.G. was off ill, we would join ranks with the boys and do Pushkin\'s class ! Very tiring for us girls but it had the same wonderful dance quality and the exercises were "udobna" (comfortable, helpful, the opposite of spastic!)in the same way. Some of the boys in our class who joined the Kirov were V. Onoshko, N. Astalzof, Baltacheev, V Budarin (who later on became artistic director of the company in Novosibirsk), Koslov and Fieodrov joined the Maly Theatre in Leningrad, so all the boys remained in Leningrad, while some of the girls were sent further a field.\n\n\nThe more I think about it and considering what you wrote in your article it is probable the two Woyteks are the same person! The dance world is such a small world. What a tragedy he died so young. It would have been wonderful to have met up with him again.....\n\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (43, 95, 'anonymous', 'streepeyallison@uams.edu', '', '70.232.38.201', '2007-12-09 03:54:21', '2007-12-09 03:54:21', 'Jonathan:\nBeautiful, not boring website.\n\nOne word to describe Woytek: Elegant.\n\nI was a corps dancer with the Boston Ballet from 1977-1979 and was totally in awe of the man. I think he was light years away from what we could even imagine to accomplish as dancers. The clarity of his technique, the passion of his performance, the detail of his hard work will always remain with me as what a professional dancer does. He was kind, funny, intense. I got to take class with him daily and sometimes right next to him and managed to make him laugh a few times. Also having the good fortune of taking his class...we all worked harder than we ever had and were better dancers than we\'d ever been. There was no one like him. He was the greatest dancer and such a humble person. We were so lucky that he was there and he is greatly missed.\n\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (44, 98, 'Tony', 'antony.gray@onetel.net', '', '213.78.52.250', '2006-09-14 18:08:27', '2006-09-14 18:08:27', 'What a wonderful and accurate picture of this great man. I knew him well at the end of his life and recognise so many things. A biog is coming out in November, let\'s hope it promotes some interest in the music!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (45, 100, 'alex moore', 'alexi.moore@virgin.net', '', '86.159.223.7', '2008-02-24 21:20:59', '2008-02-24 21:20:59', 'Dear Diana\nI understand you will be 80 years young soon and that your wings are growing bigger everyday.\nLove Alex\n\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (46, 101, 'Clair Thomas', 'clairthomas7@hotmail.com', '', '85.27.70.171', '2007-03-01 09:40:52', '2007-03-01 09:40:52', 'Hello Jonathan:\n\nI was trying to get in touch with Chris and came across your page on him. I could really hear your voice in your writing and see your face in my head - I thought after reading your words how wonderful it is in life to meet someone who can touch your existence in such a profound way, making your life richer just by being a part of it. So it sounds like you are both lucky to be enjoying the gift of such a friendship.\n\nYou may remember me vaguely from many moons ago. I danced for a year with ENB and went to RBS with Chris...... we used to fag it together behind the port-a-cabins. I remember being on tour with ENB - I think we were in a Chinese restaurant one night after the show with a group of people - and I had my poetry book out! I cringe now at those heart felt ramblings but still love writing very much.\n\nAnyway to keep it brief, I have just moved to Brussels and will be teaching dance in some form or another here, I ran into Chris (as I do from time to time) and it was lovely to see him. He told me to get in contact as he works over here sometimes. He gave me his e-mail...... unfortunately after several glasses of vin rouge I mislaid it.\n\nIf you could jog my memory Jonathan and accept all my best wishes to you... that would be lovely.\n\nClair Thomas\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (47, 107, 'sasha', 'adminout@hotmail.com', '', '71.247.224.130', '2006-10-13 00:34:18', '2006-10-13 00:34:18', 'yes, know what you mean. I actually do have quite a number of photos of her (on stage during a dress rehearsal; R&J quite dramatic + some others. If I can find them I think you would appreciate them.\n\nInspiring to say the least; and witty and creative and well etc. etc.\n\nI am wondrring where Betty is teaching at present\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (48, 107, 'Jonno S', 'jonathan@jsmusic.org.uk', '', '86.137.165.70', '2006-10-13 07:40:33', '2006-10-13 07:40:33', 'If you can find one that I could use here, I\'d be very grateful. I think Betty is still teaching at the Opera House in London.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (49, 112, 'SuzannePalmer-Holton', 'suzanne@palmerholtonmusic.com', '', '202.63.36.58', '2006-02-13 10:12:14', '2006-02-13 10:12:14', 'I am very sorry to hear Belinda is no longer with us. I remember her very fondly. I was an Early Music student at the RCM in 1978 when Professor Adrian Cruft suggested I might like to go to the College of Contemporary Dance and have some lessons from her. She used to command the students, when they adopted poses not condusive to the Renaissance or Baroque periods, to "stop behaving like gargoyles." She was a wonderfully inspiring lady.\n\nSuzanne Palmer-Holton\nMelbourne, Australia\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (50, 112, 'Brad McDougall', 'ecoboy54@hotmail.com', '', '207.195.1.6', '2007-08-10 18:27:44', '2007-08-10 18:27:44', 'This is the first I\'ve come across this page. I was taking a trip down memory lane and looking up various people whose paths had intersected mine while I lived and worked in London. I had dance with the English Bach Festival back in the \'80s and I too remember her wicked tongue. Thankfully I was never on the end of it...at least not to my knowledge.\n\nHistorical dance aside, Ms. Quirey had very particular ideas on dance style and I was able to benefit from her expertise. I remember that during a rehearsal of "Pygmalion" Belinda entreated the men to move like magnificent ships in full sail. It seemed so impossible to do at the time, not being dressed in our courtly garb but rather tatty rehearsal clothes. Furthermore this was the first production I had worked on with Belinda and I was terrified. However, she was kind to me and the more I thought about it the more I realized how important it was to make an entrance, to take the stage with command and never appologize. This was a great lesson for a young dancer and I will always be in her debt for it.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (51, 115, 'Alan Bergman', 'alanbergman@hotmail.co.uk', '', '172.142.229.110', '2007-07-20 18:00:12', '2007-07-20 18:00:12', 'Yes, the spirt of the music is not only the inspirational essence of the artist, but it is their guide to all achievement at the highest level of their art, be it dance or music.\n\nFor me it was instinctive, but it was nurtured by Mr.B, the teachers of SAB,Vladimirov, Obukhoff,Dubravska and Eglevsky who\'s protege I had the honor and good fortune to have been.\n\nTherefore, I energetically and profoundly endorse your observation that teachers and those who teach teachers should concentrate not only on technique but the spirt of the music.\n\nSimply put, LISTEN TO THE MUSIC HEAR/FEEL IT\'S SPIRT. DO WHAT IT SAYS.\nAlan Bergman\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (52, 118, 'audrey cemah', 'audreycemah@hotmail.com', '', '145.246.240.14', '2006-10-19 12:02:26', '2006-10-19 12:02:26', 'Just came across this by chance and had to comment...My daughter Olivia absolutely loves being taught by Tania Fairbairn. she is taking class with her next week at RBS and is looking forward to it! she says Tania hasa lovely gently way of teaching. bravo Tania!!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (53, 123, 'Lisa Clayton', 'lisakc@mindspring.com', '', '67.101.215.127', '2006-03-22 08:55:52', '2006-03-22 08:55:52', 'That sends shivers down my spine too, but it\'s because this shows Unbegaun was interested in Slovenian, one of the smaller Slavic languages. Coolness! Keep that book.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (54, 134, 'Jonathan', 'jonathan@jsmusic.org.uk', '', '86.139.16.193', '2006-07-29 01:16:47', '2006-07-29 01:16:47', 'It so happens that this is Hardy country after all - as I noticed from the blue plaque on his house in Trinity Road\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (55, 143, 'IH8IE7', 'IH8IE7@microtrash.org', '', '69.130.6.175', '2007-01-17 19:48:01', '2007-01-17 19:48:01', 'The code: IH8IE7.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (56, 147, 'Gordon Stefanik', 'gordonlcs@gmail.com', 'http://jingreed.typepad.com', '58.147.92.125', '2006-10-17 06:12:23', '2006-10-17 06:12:23', 'Thank you for the link to the Robert Fisk article.\nAs a retired professor, whose last decade was spent at a university system in Mexico, I might add that obtuse verbal pompousness has been raised to strange new levels by Mexican academics. I left every faculty meeting with far less hair that I had before it began.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (57, 183, 'Celine Tan', 'email_celine@hotmail.com', '', '86.135.191.27', '2007-01-21 23:58:04', '2007-01-21 23:58:04', 'That is a stunning picture :)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (58, 189, 'Brownie', 'skulla_funga@hotmail.com', '', '80.254.147.68', '2007-03-06 13:48:49', '2007-03-06 13:48:49', 'I agree - I loathe pedestrians, they irritate me! My most joyous encounter with one was a stupid twit of a girl, chatting on her mobile she stepped out onto the road between still traffic but didn\'t notice me filtering to the right of the traffic, I braked swerved, almost lost my footing but the best thing was in her shock she dropped her phone and it smashed - comeuppance!:o)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (59, 190, 'The Herb Rondo', 'leeshiel1300@aol.com', '', '195.93.21.105', '2007-03-06 20:27:00', '2007-03-06 20:27:00', 'Coconut scraper?\n\nHow about: a grape peeler?\nAn apple corer? (haven\'t seen one in years)\nPistachio shell remover? (when you\'re hungry and just can\'t get them down your neck quickly enough!)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (60, 190, 'Jonno S', 'jonathan@jsmusic.org.uk', '', '86.139.20.24', '2007-03-07 06:58:40', '2007-03-07 06:58:40', 'If you haven\'t seen an apple corer in years, you just haven\'t been trying hard enough! Peter Jones have them (of course), as do Smith Brothers in Tooting (where I got mine, and my grapefruit knife, also).\n\nBut for kitchen-things-you-haven\'t-seen-for-years, one of the best online stores around is Wares of Knutsford . Not only do they have a range of things for apples, including, at £23.95 a machine that will core and peel the apple mechanically, they also sell those pulley-operated ceiling airers for drying clothes that I last saw in a scullery in Bournemouth circa 1970.\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (61, 196, 'The Herb Rondo', 'leeshiel1300@aol.com', '', '149.254.192.195', '2007-03-25 22:33:09', '2007-03-25 22:33:09', 'A very big \'WELL DONE!\' Maybe you could market a new anti-perspirant deoderant - \'Mr Chlorine- for men.\'\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (62, 202, 'Yina', 'philistine79@gmail.com', '', '202.65.242.253', '2007-07-15 17:37:15', '2007-07-15 17:37:15', 'Hi,\n\nI would like to know when was Chelsea Reach first being performed & first recorded & who was the pianist.\n\nNeed it to write my thesis, thanks !!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (63, 202, 'Raymond Clarke', 'raymond.in.bristol@googlemail.com', 'http://www.bristol.ac.uk/music/staff/rc/', '86.151.133.250', '2007-11-06 18:57:58', '2007-11-06 18:57:58', 'I\'m glad you remember our piano teacher, Jonathan. I studied with her in Bournemouth from 1975-1981 and she was a really good influence. She was strict too: I remember back in 1978 when I was learning Mozart Concerto No. 21 for a youth orchestra concert my practising had been so bad that she threatened to withdraw me from the concert and substitute you instead!\n\nAs you may know, Trissie Cox died in 1999, aged 91. I went to see her in her nursing home two weeks before her death.\n\nLast time I met you Jonathan was at a party at your place in September 1982 in which I got hopelessly drunk. I remember ringing you up to apologise about it the next day when I\'d sobered up ... I\'m now teaching piano at Bristol & Cardiff Universities.\n\nBest wishes\n\nRay\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (64, 204, 'Adam Lopez', 'mrlopez2681@yahoo.com', '', '68.13.245.41', '2007-11-18 09:09:11', '2007-11-18 09:09:11', 'Hello. I just wanted to thank you for your complement on my wikipedia/amazon articles, and for posting the excerpt from Simon\'s composition!\n\nDo you have any other information on the composer? --Adam :)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (65, 255, 'Brownie', 'sali@rad.org.uk', '', '80.254.147.68', '2007-10-09 16:56:29', '2007-10-09 16:56:29', 'Is that the same as Snickers Man?\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (66, 260, 'Brownie', 'sali@rad.org.uk', '', '80.254.147.68', '2007-11-26 13:40:55', '2007-11-26 13:40:55', 'What a little gem you have given me, as I traipse the stores of Kingston town centre this weekend every shop manager will be asked if they have a licence to play their music. I might even go into Mad House or JD Sports, obviously sporting gloves and ask them.... I am so excited! Thank you Christmas has come early - The Brown Scrooge :o)\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (68, 303, 'gerald', 'dgerald@hotmail.com', '', '155.144.251.120', '2008-01-31 22:55:46', '2008-01-31 22:55:46', 'Here in Australia I was advised that Hoover was bought out, split up and taken over by several companies over the past few years but that the branding was kept. ‘Hoover’ doesn’t make Hoovers any more I was told. Anyway the only way I could get bags to fit my old hoover\nwas to use a generic brand from ‘Godfrey’s’ - our vacuum cleaner specialist\nstore. Or from ‘Target’, equal to your old C&A?, The bags will say something\nlike ‘can be used for the following brands - Hoover Model T20 , Electrolux\nP150 to 250’ etc.\n\nI am no longer faced with this problem as my Hoover conked out and was\nreplaced by a Panasonic.\n\nI now can’t get the Panasonic bags also but use a generic brand from\nGodfrey’s.\n\nTry e-bay. I never do, but it’s the first thing with many people.\n\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (69, 317, 'James Wilkinson', 'jimeli1@yahoo.com', 'http://www.jamesism.com', '87.101.81.14', '2008-02-24 10:31:42', '2008-02-24 10:31:42', 'Oh Jonathan.I see that horrid pile of cigarette butts. Yet I am a HUGE offender. I have tried everything to stop.Pills and patches make me so ill that I cannot function..How did you guys quit??Tell me the secret????\nJames Wilkinson\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (70, 320, 'James R. Wilkinson', 'jimeli1@yahoo.com', 'http://www.jamesism.com', '87.101.81.11', '2008-02-23 08:10:19', '2008-02-23 08:10:19', 'Hello there Jonathan. My name is james Wilkinson. I joined your site, but cannot get in still to leave a comment within. I love your blog.I am an actor, writer, artist now living in Thessaloniki,Greece at the moment.In the 80s I lived and worked in Zurich as a model and actor. I became friends with now deceased dancer Wesley Robinson. He introduced me to Pat Neary the then director of Zurich Ballet. Ahe allowed me to sit in on their rehearsals to do my foot reflexology on the dancers. Last time I saw Patricia she was back in Zurich. I then spoke to her and her husband Bob on the phone a few times but lost contact with them.if you ever see her, please send her best wishes from Jim Wilkinson.\nYour blog is very nice to read....Here is the link to my own website through an initial website with only one of my images of a sculpture I made in Los Angeles last year. After the site downloads it takes you to my BIG website that deals with my life, art and thoughts. I send you best wishes...\nJames Wilkinson\n\nwww.jamesism.com\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (71, 323, 'Helen L', 'helenlinkenbagh@aol.com', '', '203.220.52.53', '2008-03-06 12:23:20', '2008-03-06 12:23:20', 'Heaven!\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (72, 323, 'adam lopez', 'mrlopez2681@yahoo.com', '', '70.189.66.92', '2008-03-09 10:21:55', '2008-03-09 10:21:55', 'Hello Jonathan - I hope all is well, and that you have not forgotten me.\n\nPlease contact me and tell me how everything in your life is going.\n\nThe music is here at my home waiting for a skillful hand....we are desperate! :)\n\nI listened attentively to your latest release of ballet music "Vol. 4". The track titled "Esmeralda" is in need of comment. This rather famous variation, often called "the tambourine variation", is actually taken from Romualdo Marenco\'s score Luigi Manzotti\'s 1878 ballet "Sieba". It was taken to Russia as a "suitcase variation" by the great Virginia Zucchi, and found its way into "La Esmeralda" when Petipa revived the ballet for her in 1886 (Zucchi danced Manzotti\'s "Sieba" to great acclaim at La Scala not long before). The variation is almost always incorrectly attributed aither to Drigo or Pugni.\n\nPlease get back dear sir! --Adam\n', 0, '1', '', '', 0, 0); INSERT INTO `wp_comments` VALUES (195, 453, 'jonathan', 'jonatha6@jonathanstill.com', '', '217.44.225.127', '2008-09-11 18:36:57', '2008-09-11 18:36:57', 'Yes, it\'ll be numbingly cold, and I may not last beyond the end of September, but I\'m going to see what it\'s like. As class A experiences go, it\'s darned cheap.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.4; en-US; rv:1.9.0.1) Gecko/2008070206 Firefox/3.0.1', '', 0, 1); INSERT INTO `wp_comments` VALUES (194, 453, 'Vix', 'victoriajanewatts@mac.com', '', '151.200.150.87', '2008-09-11 13:15:18', '2008-09-11 13:15:18', 'Glad you\'re still at it - the morning swim that is. I skipped my pre-dawn yoga today because I woke at 4.48 am feeling wretched. I\'ll be back there tomorrow though. For the most part, I\'m really enjoying the early start, and it is definitely the best time of day to exercise. Are you gonna do this through the Winter? Won\'t the water be terribly cold?', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_4; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (182, 441, 'Vix', 'victoriajanewatts@mac.com', '', '151.200.150.87', '2008-08-31 23:26:53', '2008-08-31 23:26:53', 'That\'s even crazier than my new regime of 6am yoga. I have to wake up at 5 every day, and drive for 30 minutes to get to class. Love it, even though it\'s having a negative impact on my late night drinking.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_4; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (183, 441, 'jonathan', 'jonatha6@jonathanstill.com', '', '86.138.59.169', '2008-08-31 23:39:34', '2008-08-31 23:39:34', 'I\'m going to join you in your craziness - the advantage of the Lido is that it opens at 6am ALL year round. I found the shock of cold water and fresh air of a morning better than the stuff you can buy in Electric Avenue.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.4; en-US; rv:1.9.0.1) Gecko/2008070206 Firefox/3.0.1', '', 0, 1); INSERT INTO `wp_comments` VALUES (155, 323, 'christina', 'dooling.christina@gmail.com', '', '67.82.245.237', '2008-07-08 23:34:45', '2008-07-08 23:34:45', 'hi, i\'m searching for the variation music you mentioned...la esmeralda or the tambourine variation. i\'ve tried itunes, barnes & noble, and every local shop with a classical selection. any helpful hints? itunes doesn\'t seem to know marenco or manzotti and the only esmeralda they can find is from diane & acteon.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_4; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (161, 323, 'Jennie', 'jenniemarytai@yahoo.com', '', '96.10.21.82', '2008-07-15 17:37:45', '2008-07-15 17:37:45', 'This posting is old, but where did you find this book? I\'ve been looking for it in al the usual places (amazon etc.), but it\'s REALLY expensive. \r\nHelp?', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_3; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.1 Safari/525.20', '', 0, 0); INSERT INTO `wp_comments` VALUES (151, 398, 'Pages tagged "useful"', '', 'http://www.blogbookmarker.com/tags/useful', '67.228.47.154', '2008-06-30 14:41:42', '2008-06-30 14:41:42', '[...] bookmarks tagged useful The Ayn Rand cult saved by 2 others     KingNecroPope bookmarked on 06/30/08 | [...]', 0, '1', 'XML-RPC for PHP 2.2', 'pingback', 0, 0); INSERT INTO `wp_comments` VALUES (162, 323, 'jonathan', 'jonatha6@jonathanstill.com', '', '86.137.162.161', '2008-07-15 20:07:23', '2008-07-15 20:07:23', 'Hi Jennie, \r\nI got mine from Dance Books. I was fortunate enough to have a review copy because I reviewed it for Dance Now. I\'m afraid that wherever you shop, it will be expensive - it\'s a huge book, very nicely produced and also an academic title, so subject to that kind of pricing.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X; en-US; rv:1.8.1.15) Gecko/20080623 Firefox/2.0.0.15', '', 0, 1); INSERT INTO `wp_comments` VALUES (163, 406, 'Vix', 'victoriajanewatts@mac.com', '', '75.42.216.80', '2008-07-20 18:36:48', '2008-07-20 18:36:48', 'I\'m going out of my mind, reading through endless proceedings of the ICKL (International Council of Kinetography Laban/Labanotation) conferences. This cheered me up no end. \r\n\r\nBy the way, ICKL may be my favourite acronym of all time.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_2; en-us) AppleWebKit/525.13 (KHTML, like Gecko) Version/3.1 Safari/525.13', '', 0, 0); INSERT INTO `wp_comments` VALUES (200, 483, 'Vix', 'victoriajanewatts@mac.com', '', '68.239.110.146', '2008-10-16 00:32:34', '2008-10-16 00:32:34', 'Ashamed to say it, because I do get quite staunchly patriotic about the glories of McVities Chocolate HobNobs and Cadbury Chocolate Fingers now that I am living in the US, but the Choco Leibniz is without doubt the best chocolate biscuit for a cup of coffee. It\'s just so darn decadent!\r\n\r\nAnd Dipsy looks beautiful in the photo.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (262, 537, 'Vix', 'victoriajanewatts@mac.com', '', '151.200.61.113', '2008-12-01 01:38:18', '2008-12-01 01:38:18', 'This will be an integral part of my countdown to Christmas!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (202, 483, 'Helen Linkenbagh', 'helenlinkenbagh@aol.com', '', '123.2.39.102', '2008-10-20 10:05:56', '2008-10-20 10:05:56', 'Mmmmm. Leibniz-Keks.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1; .NET CLR 1.1.4322)', '', 0, 0); INSERT INTO `wp_comments` VALUES (443, 764, 'Dan', 'dan_smith10@hotmail.com', '', '94.194.133.192', '2009-02-05 14:43:01', '2009-02-05 14:43:01', 'Well said, I couldn\'t agree with this post more. What is interesting is there doesn\'t seem to be any evidence that Females are better at multitasking. When a survey is conducted asking both genders the question ‘which sex do you think is better at multitasking’ then women come out top but if an actual study is conducted then both genders are equal. \r\n\r\nWhat I find quite often in day to day life very much supports your story about the women with the minesweeping pushchairs. Multitasking is about being aware of multiple things but I constantly come across two women chatting in the entrance of a door way or an escalator or somewhere just as inconvenient for people to get past! It’s almost as if their in a little bubble and nothing else exists when all they need to do is say hello and then take 2 steps to the side and talk as much as they like.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-GB; rv:1.9.0.6) Gecko/2009011913 Firefox/3.0.6', '', 0, 0); INSERT INTO `wp_comments` VALUES (484, 848, 'Vix', 'victoriajanewatts@mac.com', '', '138.88.234.30', '2009-03-25 15:17:41', '2009-03-25 15:17:41', 'Enjoyed this immensely. Reading your blog makes me excited to move back to London.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (263, 537, 'Beck.', 'rebeccagladstone@hotmail.com', '', '88.73.227.39', '2008-12-02 22:26:06', '2008-12-02 22:26:06', 'Yeah for Advent! Love having a bit of JS wit every day. It\'s better than chocolate. Actually- I take that back, but it comes close!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (265, 537, 'jonathan', 'jonatha6@jonathanstill.com', '', '81.157.207.190', '2008-12-03 09:30:53', '2008-12-03 09:30:53', 'You\'re too kind, both of you. And two notators. Spooky!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.4; en-US; rv:1.9.0.4) Gecko/2008102920 Firefox/3.0.4', '', 0, 1); INSERT INTO `wp_comments` VALUES (266, 576, 'Vix', 'victoriajanewatts@mac.com', '', '151.200.61.113', '2008-12-04 13:36:58', '2008-12-04 13:36:58', 'I am enjoying these advent posts even more than I thought I would. Hurrah!', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (471, 534, 'John S', 'jsims@imo.org', '', '91.209.34.2', '2009-03-04 14:31:53', '2009-03-04 14:31:53', 'The house is on Southwark Bridge Road and I pass it twice each day (on the 344 bus). Like you, I have been intrigued about it ... I have searched on the internet, but can find no reference to it, other than yours.\r\n\r\nPerhaps I should just knock on the door ...\r\n\r\nPlease let me know if you find out anything else about this ...\r\n\r\nAll the very best,\r\nJohn', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.1)', '', 0, 0); INSERT INTO `wp_comments` VALUES (432, 755, 'Daniel Jones', 'danieljones34@hotmail.com', 'http://www.soloistmovies.com', '86.136.19.131', '2009-01-27 08:57:37', '2009-01-27 08:57:37', 'Why music? I\'ve always thought music was the organization of sound chaos. Even the sound of a quiet wood can sound like a riot. For example, a friend of mine used to be a sound man for the BBC for many years. He said to me "Did you know that every tree has a different sound?" I said no as I\'ve never listened to isolated trees. But in my imagination, and because of the pleased manner in which he made the statement. It was if as a result of listening to the world through powerful microphones and headphones, he\'d discovered a secret world of hidden music, and all he was doing was listening to one tree at a time.', 0, '1', 'Mozilla/5.0 (Macintosh; U; PPC Mac OS X 10.4; en-US; rv:1.9.0.5) Gecko/2008120121 Firefox/3.0.5', '', 0, 0); INSERT INTO `wp_comments` VALUES (528, 721, 'Jane Ferrier-May', 'jane.ferrier-may@btconnect.com', '', '86.163.152.66', '2009-05-28 17:46:50', '2009-05-28 17:46:50', 'Just thought I\'d google John O\'Brien and I got your site. What wonderful and true things you say about him. What a wonderful teacher he was to me. I first entered his professional ballet class at 15, back in 1970 (gulp) and he has been the love of my life ever since. The things he taught me, about ballet, about life, about myself, simply by being in his classes, have stayed with me always and buoyed me through many extrememly difficult times. I think of him evey day in one way or another and even if I never move another muscle in my life, I will always remain a dancer in my soul because of Johnnie. If you are still in touch with him, do tell him.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-GB; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10', '', 0, 0); INSERT INTO `wp_comments` VALUES (594, 1009, 'Dindy', 'dindywrites@gmail.com', 'http://www.dindynotabene.blogspot.com', '166.204.175.24', '2009-07-11 18:02:28', '2009-07-11 18:02:28', 'Hi Jonathan:\r\n\r\nThanks for including my review and mention of Christopher - he\'s a super guy! You guessed right, I am a knitter - was a closeted knitter until moving to Atlanta as nobody in Miami Beach under the age of 80 knits and my friends and associates would have been stupefied.\r\n\r\nLove your blog!\r\nDindy', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_7; en-us) AppleWebKit/525.28.3 (KHTML, like Gecko) Version/3.2.3 Safari/525.28.3', '', 0, 0); INSERT INTO `wp_comments` VALUES (713, 1009, 'Anna Wooster', 'ANNA.WOOSTERPASTI@POSTE.IT', '', '93.144.3.5', '2009-11-23 10:10:37', '2009-11-23 10:10:37', 'I was surprised to hear that Chris could take his knitting on planes. I used to years and years ago, but now-a-days, knitting needles are counted as \'sharp implements\', at least on the flights I go on. Perhaps he uses special needles, or wooden ones which don\'t show up in the Xray ????\r\n\r\nAll the best,\r\n\r\nAnna', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_6; en-gb) AppleWebKit/525.27.1 (KHTML, like Gecko) Version/3.2.1 Safari/525.27.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (510, 929, 'jonathan', 'jonatha6@jonathanstill.com', '', '81.157.134.145', '2009-05-13 05:49:44', '2009-05-13 05:49:44', 'Thanks for the information. Just to be clear, everyone - please note it\'s the misuse of powerpoint that I detest.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.4; en-US; rv:1.9.0.10) Gecko/2009042315 Firefox/3.0.10', '', 509, 1); INSERT INTO `wp_comments` VALUES (509, 929, 'Dr. Pedro Ricart', 'drricart@gmail.com', 'http://arteppt.blogspot.com', '190.80.199.240', '2009-05-12 23:15:50', '2009-05-12 23:15:50', 'There is a revolution going on with respect to the use of PowerPoint. It was started by Cliff Atkinson with his book "Beyond Bullets Point". Then the revolution was ignited by Garr Reynolds with his blog and book "Presentation Zen". Then came Nancy Duarte with her book Slide:ology. Check those books and blogs and I am sure you will change your approach towards PPt.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.10) Gecko/2009042316 Firefox/3.0.10 (.NET CLR 3.5.30729)', '', 0, 0); INSERT INTO `wp_comments` VALUES (508, 929, 'jonathan', 'jonatha6@jonathanstill.com', '', '212.125.73.42', '2009-05-12 14:57:23', '2009-05-12 14:57:23', 'A lovely quote from Edward Tufte \r\n"PP forces the really inept to have points, some points, any points" (from a posting on the Rocket Science page on Dec 9th 2005). Incidentally, there are some nice pages on dance notation in Tufte\'s book "Envisioning Information"', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.5; en-US; rv:1.9.0.10) Gecko/2009042315 Firefox/3.0.10', '', 0, 1); INSERT INTO `wp_comments` VALUES (507, 929, 'Vix', 'vixwatts@yahoo.com', '', '141.156.45.109', '2009-05-12 12:38:14', '2009-05-12 12:38:14', 'Exactly! And tonight I will be sitting through several pointless powerpoints by students. I feel the despair descending already.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_6; en-us) AppleWebKit/525.27.1 (KHTML, like Gecko) Version/3.2.1 Safari/525.27.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (500, 20, 'Steve', 'changeto_plasticuk@yahoo.co.uk', '', '90.196.135.243', '2009-04-23 14:11:49', '2009-04-23 14:11:49', 'Stumbled acros this thread and I\'m now 4 years too late? The pleated or accordion types can be found on ebay from time to time. I have a few that were donated, against the popular visor bonnet types. Rainwear enthusiasts (like me!) can buy nice versions of rain hoods or bonnets at www.montcler.com & www.plastiqueunique.com in soft opaque vinyl and solid glossy PVC.\r\n\r\nIt\'s all terribly wicked if you like that sort of stuf like I do!!\r\n\r\nSteve', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 6.0; en-GB; rv:1.9.0.9) Gecko/2009040821 Firefox/3.0.9 (.NET CLR 2.0.50727; .NET CLR 3.0.30618; .NET CLR 3.5.30729)', '', 0, 0); INSERT INTO `wp_comments` VALUES (434, 764, 'Vix', 'victoriajanewatts@mac.com', '', '151.200.52.13', '2009-01-27 15:23:37', '2009-01-27 15:23:37', 'This is exactly why making progress on my dissertation is so darned hard! I simply cannot email, watch TV, play online Chess, paint my nails and think about an extended research project all at once. AND, having spent too many years doing all the above (minus the research) for the first couple of hours I feel all jittery when just doing one thing. Which is why, I guess, I\'m commenting on your blog rather than writing up abstracts and copying down useful quotations from "Preservation Politics". :)', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_5; en-us) AppleWebKit/525.18 (KHTML, like Gecko) Version/3.1.2 Safari/525.20.1', '', 0, 0); INSERT INTO `wp_comments` VALUES (699, 147, 'Kate', 'kaatrien@yahoo.com', '', '58.179.53.121', '2009-11-06 09:18:03', '2009-11-06 09:18:03', 'couldnt agree more I love learning ,I understand all the academic jargon they use simply because i\'ve been forced to become an expert at decoding it over the years - what I dont understand is the need for its use and why ideas have to be dressed up and hidden under this nonsense.It\'s actually made me leave university even though I love my field because the ability to express your ideas is so stifled and constricted by this language.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-GB; rv:1.9.0.15) Gecko/2009101601 Firefox/3.0.15', '', 0, 0); INSERT INTO `wp_comments` VALUES (641, 949, 'A. Brannon', 'nettie-49@hotmail.co.uk', '', '86.169.201.252', '2009-08-11 15:31:31', '2009-08-11 15:31:31', 'Read your page with much interest. \r\n\r\nLes Cygne Four were another sensational Adagio Act, which toured the Moss Empires and various theatres in Britain, from 1931 - 1955. Les Cygnes were a family act, involving two men and two women performing daring moves, including the human skipping rope. \r\n\r\nIf anyone has any old programmes/posters with their act I would be interested to obtain them, as some of our originals were destroyed by fire.', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 6.0; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; SLCC1; .NET CLR 2.0.50727; Media Center PC 5.0; .NET CLR 3.0.04506; InfoPath.1)', '', 0, 0); INSERT INTO `wp_comments` VALUES (732, 1242, 'Stephen', 'stephenagus@hotmail.com', 'http://www.meyerbeer.com', '66.192.195.246', '2009-12-16 22:05:00', '2009-12-16 22:05:00', 'Your general argument is correct. The skaters\' ballet of Le Prophete is at the core of Les Patineurs. However it was not mere roller skates that were used but "in line" roller skates. They had only recently been invented and and they became popular in Paris precisely because of this opera, not the other way around.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.15) Gecko/2009101601 Firefox/3.0.15 (.NET CLR 3.5.30729)', '', 0, 0); INSERT INTO `wp_comments` VALUES (818, 1367, 'Philip', 'info@lovebattersea.org.uk', 'http://www.lovebattersea.org.uk', '62.49.5.236', '2010-01-07 10:33:05', '2010-01-07 10:33:05', 'Jonathan, \r\n\r\nVery pleased to see your page on Battersea and would like to add a link to that on our website if that would be fine by you.\r\n\r\nAlso, on Tooting matters, in case you did not know there is a Tooting Local History society and they have a Facebook group:\r\nhttp://ja-jp.facebook.com/group.php?gid=107304007024\r\n\r\nRex Osborn would be able to tell you anything about the place, like the answer (which you now have) to the story behind the carving on Tooting Common. Rex can be contacted on: rosborn@wandsworth.gov.uk.', 0, '1', 'Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/531.9 (KHTML, like Gecko) Version/4.0.3 Safari/531.9', '', 0, 0); INSERT INTO `wp_comments` VALUES (817, 1346, 'David', 'dwl@dsl.pipex.com', '', '88.110.190.91', '2010-01-07 10:00:57', '2010-01-07 10:00:57', 'Why are dusters yellow?\r\n\r\nSo you can hide them in the custard, of course.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-GB; rv:1.9.1.7) Gecko/20091221 Firefox/3.5.7', '', 0, 0); INSERT INTO `wp_comments` VALUES (819, 1367, 'jonathan', 'jonatha6@jonathanstill.com', '', '86.161.9.217', '2010-01-07 13:51:19', '2010-01-07 13:51:19', 'Fine by me, though that Battersea page is quite old now so probably a lot of dead links. I\'ll be cleaning up soon and moving it to my newer site, in which case I\'ll let you know the new link. Thanks for the info about the Tooting Local History society FB group - I\'ve joined! \nIncidentally, just wondered if you\'d seen this picture on my site of my grandfather\'s shop in Garratt Lane - definitely irretrievable history, since it was bombed.', 0, '1', 'Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.0.5) Gecko/2008120122 Firefox/3.0.5', '', 818, 1); INSERT INTO `wp_comments` VALUES (1023, 456, 'Julian', 'info@didcotcarbootsale.co.uk', 'http://www.didcotcarbootsale.co.uk', '82.10.105.53', '2010-02-10 16:23:33', '2010-02-10 16:23:33', 'I run a car boot sale in Didcot Oxfordshire as a volunteer and only just discovered that people make money from them by putting stuff they buy up on ebay. How cool is that!', 0, '1', 'Mozilla/4.0 (compatible; MSIE 7.0; Windows NT 5.2; Trident/4.0; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; User-agent: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; http://bsalsa.com) (Mozilla/5.0 (Windows; U; Windows NT 5.1; en;', '', 0, 0); # # End of data contents of table `wp_comments` # -------------------------------------------------------- # -------------------------------------------------------- # Table: `wp_links` # -------------------------------------------------------- # # Delete any existing table `wp_links` # DROP TABLE IF EXISTS `wp_links`; # # Table structure of table `wp_links` # CREATE TABLE `wp_links` ( `link_id` bigint(20) unsigned NOT NULL auto_increment, `link_url` varchar(255) character set utf8 collate utf8_bin default NULL, `link_name` varchar(255) character set utf8 collate utf8_bin default NULL, `link_image` varchar(255) character set utf8 collate utf8_bin default NULL, `link_target` varchar(25) character set utf8 collate utf8_bin default NULL, `link_category` bigint(20) NOT NULL default '0', `link_description` varchar(255) character set utf8 collate utf8_bin default NULL, `link_visible` varchar(20) character set utf8 collate utf8_bin default 'Y', `link_owner` bigint(20) unsigned NOT NULL default '1', `link_rating` int(11) NOT NULL default '0', `link_updated` datetime NOT NULL default '0000-00-00 00:00:00', `link_rel` varchar(255) character set utf8 collate utf8_bin default NULL, `link_notes` mediumtext character set utf8 collate utf8_bin, `link_rss` varchar(255) character set utf8 collate utf8_bin default NULL, PRIMARY KEY (`link_id`), KEY `link_category` (`link_category`), KEY `link_visible` (`link_visible`) ) ENGINE=MyISAM AUTO_INCREMENT=26 DEFAULT CHARSET=utf8 ; # # Data contents of table `wp_links` # INSERT INTO `wp_links` VALUES (11, 'http://www.expeditionequus.com/', 'Expedition Equus', '', '', 0, 'My niece Becky & friend Zena, travelling to Japan by horse (yes, really)', 'Y', 1, 0, '0000-00-00 00:00:00', '', '', ''); INSERT INTO `wp_links` VALUES (10, 'http://www.ballet.co.uk/weblogs/jones/', 'Daniel Jones\' diary', '', '', 0, 'Daniel Jones\'s weblog on Ballet.co - great friend, great blog', 'Y', 1, 0, '0000-00-00 00:00:00', 'friend colleague muse', '', ''); INSERT INTO `wp_links` VALUES (9, 'http://web.mac.com/hampy2/Site/Hampson_Blog/Hampson_Blog.html', 'Christopher Hampson\'s Weblog', '', '', 0, 'Hampy\'s weblog - great friend, great blog', 'Y', 1, 0, '0000-00-00 00:00:00', 'friend colleague muse', '', ''); INSERT INTO `wp_links` VALUES (8, 'http://www.jsmusic.org.uk/links.html', 'My dance links page', '', '', 0, 'The page where it all began - boring but useful.', 'Y', 1, 0, '0000-00-00 00:00:00', 'me', '', ''); INSERT INTO `wp_links` VALUES (12, 'http://www.jsmusic.org.uk/sitemap.html', 'Ye Olde Sitemappe', '', '', 0, 'Not for the fainthearted - and only for those who are really keen to get at old content', 'Y', 1, 0, '0000-00-00 00:00:00', 'me', '', ''); INSERT INTO `wp_links` VALUES (13, 'http://www.youtube.com/facetrumpet', 'Facetrumpet', '', '', 0, 'Aka Gavin Fitzpatrick & Ewan Wardrup. 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    focus

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    One miilion

    \n

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    \n

    I would like to take a moment to thank the following people  for being a part of my plugin (Sorry if you are not mentioned, it’s hard to maintain this list) :

    \n

    \n

    A Cemal Ekin, Aaron Simpson, Aaron Snyder, Achim Baur, Adam Nisenholz, Aengus Moran, Alakhnor, Alba Bentos Pereira, Alec Hartman, Alex Vainberg, Alice Pechauf, Allan Corfix Lykke, Almost Anything Desktop Publishing, Andreas, Andreas (die-andis), Andreas Oeye, Andrew Basile, Angela Bowman, Anthony Damata , Antoni Planas Vilà, Artical, Bert Spies, Bill Babcock, Bradford Weir, Bruno Loeffler, CTFlatFee.com, Carolin Schwank, Charlie (Jump Media), Christian Hoegl, Christoph Wander, Christopher Weddell, Chuck Coury, Clive Loseby, Colossal Pups, Craig Thompson, Creative Corner, Cynllunio Pentir Design, Cynthia Spangler, DF Design, Dana Burns, Daniel Oliver Habenicht, David Shettleroe, Dean Cowan, Deryck Shepherd, Detlev Danner, Deval Shah, Diana Komaromi, Dietmar Bader, Ditto Design & Duplication Inc., Dixie Reid, Donna Belk, Douglas J Barnum, Elliot Michel Nuñez Jaimes, Elvina Flower, Emanuel Kluge, Enrico Deleo, Evelyn Kolczynski, Fabrizio Parodi, Fadli Fadli, Fias Co Farm, Florian Seuret, Francoise Pescatore, Frank Weichbrodt, Frederic Deghetto, Frederic Stuhldreier, Froling Enterprises, Frontier Digital Media, Gareth Bridger, Gary Verhoff, Geoffrey Gardella, Georg Adamsen, George Branchflower, Ghettomaster, Gianni Centorame, Giansanti Design, Gideon Kiers, Giuliano Cocco, Grupo Probeta, Guy Raif, Hannah Gray, Hans Kiesouw, Hartmut Ulrich, Helene D., Henner Guenter, ILISA International USA, Ideablogger, Ivan Perez, Jörg Gregorius, Jack Scott, James Baumgaertel, Jawad Mir, Jeremy Gilbert, Jes Carlskov, Jesper Haug Karsrud, Jessica Schamma, Jim Nelson, Jo Anne Croff, Joe Pharis, Joern Kretzschmar, John Statler, John Swartz, John Williams, Joris Barault, Joshua Katinger, Julien Bigot, Kay Germer, Kees de Bruin, Kelter, Kunal Mittal, Kurt Perschke, Kyle Meyers, Laaß / Brembs GbR, Lars Haendler, Laurent Momy, Law Choo Kok, Lawrence Wilcox, Leanne Chambers, Lesly St Louis, Lifegames, Lincoln Hardwood and Tool Company, Inc., Lou Zucaro, Luc Dubois, Luc Saint-Elie, MJ Penner Consulting, Marcel Kneuer, Marco Quiner, Marco van de Ven, Marieke van de Pol, Mark Campbell, Marko Toncic, Martin Bahr, Martin Scholz, Mathew Eis, Matthew Barker, Matthew Feldman, Maurice van der Linden, McGillveray Studios, Michael Erhart, Michael Fallon, Michael Kubala, Michael Mertens, Michael Sinclair, Mike, Mike DAmbrose, Milemann, Modo Web Design, Monterey Bay Singles LLC, Mustang Rock inc, My Graphic Friend, Non Eric, Norbert Andre, Olaf Hoyer, Olivia Loh, Overdrive Design Labs, Patrick Hennessey, Patrick Lacho, Patrick Pirker, Paul Rogers, Peter Krabshuis, Petri Teittinen, Philip Van der Vossen, Philippe Vanhoolandt, Rainmaker Interactive LLC, Ramon Cutanda Lopez, Richard Hartmann, Robert Wetzlmayr, Rod, Roderick Bisset, Ronen Hirsch, Ross Calloway, Sabine (Haselina), Sander van Loon, Sandra Longmore, Scott Kyle, Serira Designs, Simon Paarlberg, Simply Charlotte Mason, LLC, SlashGear.com, Stefan Baar, Steve Lieber, Steven Erwin, Stewart Evans, Stuart Hendry, Susan Bates, Tamara Tortosa Andreu, Tammo H C Boersma, Technolene, Teresa Lo, Thomas Bradley, Tim Bowen, Timothy Jack, Tobias Kern, Tonny Kluften, Ttancm, Vincent Poppe, Walther Bans, Wang Qingsheng, WebCart Service, Zack Crowther,  iSight TechnologiesAdrian (Indonesian Translation), AleXander Kirichev (Bulgarian Translation), Alexandr Kindras (Code contributor), Anja (Dutch Translation), Anthony (Chinese Translation), Anty (Code contributor), Bill Jones (Forums contributor), Carlale Chen (Chinese Translation), Christian Arnold (Code contributor), Claudia (German documentation), David Potter (Documentation and Help), Dilip Ramirez (Spanish Translation), Emilio Lauretti (Italian Translation), Emre Güler (Turkish Translation), Felip Alfred Galitó i Trilla (Catalan Translation), Flactarus (Italian Translation), Frederic De Ranter (AJAX code contributor), Gaspard Tseng / SillyCCSmile (Chinese Translation), Gil Yaker (Documentation), Igor Shevkoplyas (Russian Translation), Jan Angelovic (Czech Translation), Janis Grinvalds (Latvian Translation), Joo Gi-young (Korean Translation), KeViN (Sidebar Widget developer), Komyshov (Russian Translation), Kristoffer Thøring (Norwegian Translation), Kuba Zwolinski (Polish Translation), Laki (Slovak Translation), Lazy (German Translation), Lise (French Translation), Luka Komac (Slovenian Translation), Müfit Kiper (Swedish Translation), Manabu Togawa (Japanese Translation), Mattias Tengblad (Swedish Translation), Mika Pennanen (Finnish Translation), Milan Vasicek (Czech Translation), Morten Johansen (Danish Translation), Nica Luigi Cristian (Romanian Translation), Oleg A. Safonov (Russian Translation), Oleinikov Vedmak Evgeny (Russian Translation), Pierpaolo Mannone (Italian Translation), Richer Yang (Chinese Translation), Rina Jiang (Chinese Translation), Robert (German documentation), Rowan Crane (WPMU support), Sebastien MALHERBE (Logo design), Serhiy Tretyak (Ukrainian Translation), Simone Fumagalli (Code contributor), TheDonSansone (Forums contributor), TheSoloist (Chinese Translation), Thomas Matzke (Album code contributor), Vidar Seland (Norwegian Translation), Vincent Prat (Code contributor), Wojciech Owczarek (Polish Translation), Zdenek Hatas (Czech Translation), aleX Zhang (Chinese Translation) and all other supporter, donators and friends !

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:56:"http://alexrabe.boelinger.com/2009/07/31/1-000-000/feed/";}s:5:"slash";a:1:{s:8:"comments";s:2:"19";}s:7:"summary";s:328:"\nToday at 10:34 CEST my plugin NextGEN gallery hit the one million download counter (This is the 3rd plugin at wordpress.org, didn’t count Akismet as plugin). I really never , never expected this… I remember very good my blog post more that two years ago, that I start the work on this plugin. It was a great [...]";s:12:"atom_content";s:12364:"

    One miilion

    \n

    Today at 10:34 CEST my plugin NextGEN gallery hit the one million download counter (This is the 3rd plugin at wordpress.org, didn’t count Akismet as plugin). I really never , never expected this… I remember very good my blog post more that two years ago, that I start the work on this plugin. It was a great expericence to get so much feedback from the whole world for such a little pice of code. 

    \n

    I would like to take a moment to thank the following people  for being a part of my plugin (Sorry if you are not mentioned, it’s hard to maintain this list) :

    \n

    \n

    A Cemal Ekin, Aaron Simpson, Aaron Snyder, Achim Baur, Adam Nisenholz, Aengus Moran, Alakhnor, Alba Bentos Pereira, Alec Hartman, Alex Vainberg, Alice Pechauf, Allan Corfix Lykke, Almost Anything Desktop Publishing, Andreas, Andreas (die-andis), Andreas Oeye, Andrew Basile, Angela Bowman, Anthony Damata , Antoni Planas Vilà, Artical, Bert Spies, Bill Babcock, Bradford Weir, Bruno Loeffler, CTFlatFee.com, Carolin Schwank, Charlie (Jump Media), Christian Hoegl, Christoph Wander, Christopher Weddell, Chuck Coury, Clive Loseby, Colossal Pups, Craig Thompson, Creative Corner, Cynllunio Pentir Design, Cynthia Spangler, DF Design, Dana Burns, Daniel Oliver Habenicht, David Shettleroe, Dean Cowan, Deryck Shepherd, Detlev Danner, Deval Shah, Diana Komaromi, Dietmar Bader, Ditto Design & Duplication Inc., Dixie Reid, Donna Belk, Douglas J Barnum, Elliot Michel Nuñez Jaimes, Elvina Flower, Emanuel Kluge, Enrico Deleo, Evelyn Kolczynski, Fabrizio Parodi, Fadli Fadli, Fias Co Farm, Florian Seuret, Francoise Pescatore, Frank Weichbrodt, Frederic Deghetto, Frederic Stuhldreier, Froling Enterprises, Frontier Digital Media, Gareth Bridger, Gary Verhoff, Geoffrey Gardella, Georg Adamsen, George Branchflower, Ghettomaster, Gianni Centorame, Giansanti Design, Gideon Kiers, Giuliano Cocco, Grupo Probeta, Guy Raif, Hannah Gray, Hans Kiesouw, Hartmut Ulrich, Helene D., Henner Guenter, ILISA International USA, Ideablogger, Ivan Perez, Jörg Gregorius, Jack Scott, James Baumgaertel, Jawad Mir, Jeremy Gilbert, Jes Carlskov, Jesper Haug Karsrud, Jessica Schamma, Jim Nelson, Jo Anne Croff, Joe Pharis, Joern Kretzschmar, John Statler, John Swartz, John Williams, Joris Barault, Joshua Katinger, Julien Bigot, Kay Germer, Kees de Bruin, Kelter, Kunal Mittal, Kurt Perschke, Kyle Meyers, Laaß / Brembs GbR, Lars Haendler, Laurent Momy, Law Choo Kok, Lawrence Wilcox, Leanne Chambers, Lesly St Louis, Lifegames, Lincoln Hardwood and Tool Company, Inc., Lou Zucaro, Luc Dubois, Luc Saint-Elie, MJ Penner Consulting, Marcel Kneuer, Marco Quiner, Marco van de Ven, Marieke van de Pol, Mark Campbell, Marko Toncic, Martin Bahr, Martin Scholz, Mathew Eis, Matthew Barker, Matthew Feldman, Maurice van der Linden, McGillveray Studios, Michael Erhart, Michael Fallon, Michael Kubala, Michael Mertens, Michael Sinclair, Mike, Mike DAmbrose, Milemann, Modo Web Design, Monterey Bay Singles LLC, Mustang Rock inc, My Graphic Friend, Non Eric, Norbert Andre, Olaf Hoyer, Olivia Loh, Overdrive Design Labs, Patrick Hennessey, Patrick Lacho, Patrick Pirker, Paul Rogers, Peter Krabshuis, Petri Teittinen, Philip Van der Vossen, Philippe Vanhoolandt, Rainmaker Interactive LLC, Ramon Cutanda Lopez, Richard Hartmann, Robert Wetzlmayr, Rod, Roderick Bisset, Ronen Hirsch, Ross Calloway, Sabine (Haselina), Sander van Loon, Sandra Longmore, Scott Kyle, Serira Designs, Simon Paarlberg, Simply Charlotte Mason, LLC, SlashGear.com, Stefan Baar, Steve Lieber, Steven Erwin, Stewart Evans, Stuart Hendry, Susan Bates, Tamara Tortosa Andreu, Tammo H C Boersma, Technolene, Teresa Lo, Thomas Bradley, Tim Bowen, Timothy Jack, Tobias Kern, Tonny Kluften, Ttancm, Vincent Poppe, Walther Bans, Wang Qingsheng, WebCart Service, Zack Crowther,  iSight TechnologiesAdrian (Indonesian Translation), AleXander Kirichev (Bulgarian Translation), Alexandr Kindras (Code contributor), Anja (Dutch Translation), Anthony (Chinese Translation), Anty (Code contributor), Bill Jones (Forums contributor), Carlale Chen (Chinese Translation), Christian Arnold (Code contributor), Claudia (German documentation), David Potter (Documentation and Help), Dilip Ramirez (Spanish Translation), Emilio Lauretti (Italian Translation), Emre Güler (Turkish Translation), Felip Alfred Galitó i Trilla (Catalan Translation), Flactarus (Italian Translation), Frederic De Ranter (AJAX code contributor), Gaspard Tseng / SillyCCSmile (Chinese Translation), Gil Yaker (Documentation), Igor Shevkoplyas (Russian Translation), Jan Angelovic (Czech Translation), Janis Grinvalds (Latvian Translation), Joo Gi-young (Korean Translation), KeViN (Sidebar Widget developer), Komyshov (Russian Translation), Kristoffer Thøring (Norwegian Translation), Kuba Zwolinski (Polish Translation), Laki (Slovak Translation), Lazy (German Translation), Lise (French Translation), Luka Komac (Slovenian Translation), Müfit Kiper (Swedish Translation), Manabu Togawa (Japanese Translation), Mattias Tengblad (Swedish Translation), Mika Pennanen (Finnish Translation), Milan Vasicek (Czech Translation), Morten Johansen (Danish Translation), Nica Luigi Cristian (Romanian Translation), Oleg A. Safonov (Russian Translation), Oleinikov Vedmak Evgeny (Russian Translation), Pierpaolo Mannone (Italian Translation), Richer Yang (Chinese Translation), Rina Jiang (Chinese Translation), Robert (German documentation), Rowan Crane (WPMU support), Sebastien MALHERBE (Logo design), Serhiy Tretyak (Ukrainian Translation), Simone Fumagalli (Code contributor), TheDonSansone (Forums contributor), TheSoloist (Chinese Translation), Thomas Matzke (Album code contributor), Vidar Seland (Norwegian Translation), Vincent Prat (Code contributor), Wojciech Owczarek (Polish Translation), Zdenek Hatas (Czech Translation), aleX Zhang (Chinese Translation) and all other supporter, donators and friends !

    \n";}i:4;a:13:{s:5:"title";s:38:"Security update NextGEN Gallery V1.3.5";s:4:"link";s:80:"http://alexrabe.boelinger.com/2009/07/17/security-update-nextgen-gallery-v1-3-5/";s:8:"comments";s:89:"http://alexrabe.boelinger.com/2009/07/17/security-update-nextgen-gallery-v1-3-5/#comments";s:7:"pubdate";s:31:"Fri, 17 Jul 2009 17:49:40 +0000";s:2:"dc";a:1:{s:7:"creator";s:9:"alex.rabe";}s:8:"category";s:30:"NextGEN GalleryNextGEN-Gallery";s:4:"guid";s:36:"http://alexrabe.boelinger.com/?p=349";s:11:"description";s:328:"Since two years I fear this moment that I forgot to check proper my code in NGG, today I need to release the very first security update for a possible XSS vulnerability in NextGEN Gallery. Please update now to version 1.3.5 at wordpress.org or via the auto update routine.\nDownload NextGEN Gallery Version 1.3.5 \nRelease @ [...]";s:7:"content";a:1:{s:7:"encoded";s:441:"

    Since two years I fear this moment that I forgot to check proper my code in NGG, today I need to release the very first security update for a possible XSS vulnerability in NextGEN Gallery. Please update now to version 1.3.5 at wordpress.org or via the auto update routine.

    \n

    Download NextGEN Gallery Version 1.3.5
    \nRelease @ wordpress.org

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:85:"http://alexrabe.boelinger.com/2009/07/17/security-update-nextgen-gallery-v1-3-5/feed/";}s:5:"slash";a:1:{s:8:"comments";s:2:"31";}s:7:"summary";s:328:"Since two years I fear this moment that I forgot to check proper my code in NGG, today I need to release the very first security update for a possible XSS vulnerability in NextGEN Gallery. Please update now to version 1.3.5 at wordpress.org or via the auto update routine.\nDownload NextGEN Gallery Version 1.3.5 \nRelease @ [...]";s:12:"atom_content";s:441:"

    Since two years I fear this moment that I forgot to check proper my code in NGG, today I need to release the very first security update for a possible XSS vulnerability in NextGEN Gallery. Please update now to version 1.3.5 at wordpress.org or via the auto update routine.

    \n

    Download NextGEN Gallery Version 1.3.5
    \nRelease @ wordpress.org

    \n";}i:5;a:13:{s:5:"title";s:12:"Goodbye PHP4";s:4:"link";s:54:"http://alexrabe.boelinger.com/2009/07/14/goodbye-php4/";s:8:"comments";s:63:"http://alexrabe.boelinger.com/2009/07/14/goodbye-php4/#comments";s:7:"pubdate";s:31:"Tue, 14 Jul 2009 07:10:49 +0000";s:2:"dc";a:1:{s:7:"creator";s:9:"alex.rabe";}s:8:"category";s:43:"NextGEN GalleryWordpressNextGEN-GalleryPHP5";s:4:"guid";s:36:"http://alexrabe.boelinger.com/?p=338";s:11:"description";s:283:"I’m currently working on some new extension for NextGEN-Gallery. One target is better support to fetch images via a API similar to FlickR. This idea is born since I have my new QNAP NAS : All my images are now located on my NAS and now I would like to show them in a nice [...]";s:7:"content";a:1:{s:7:"encoded";s:776:"

    I’m currently working on some new extension for NextGEN-Gallery. One target is better support to fetch images via a API similar to FlickR. This idea is born since I have my new QNAP NAS : All my images are now located on my NAS and now I would like to show them in a nice slideshow, search for them, organize them to galleries/albums, access from my NAS WordPress blog and so on…
    \nThe first tests are great, but for an easier implementation (in this case JSON) I need a PHP5.2 installation. I know that WordPress itself wait as long as possible to switch to PHP5 exclusive, but I can’t wait anymore.

    \n

    For Version 1.4.X you need PHP5 for the full power of functions, from today I will not longer support PHP4.

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:59:"http://alexrabe.boelinger.com/2009/07/14/goodbye-php4/feed/";}s:5:"slash";a:1:{s:8:"comments";s:2:"11";}s:7:"summary";s:283:"I’m currently working on some new extension for NextGEN-Gallery. One target is better support to fetch images via a API similar to FlickR. This idea is born since I have my new QNAP NAS : All my images are now located on my NAS and now I would like to show them in a nice [...]";s:12:"atom_content";s:776:"

    I’m currently working on some new extension for NextGEN-Gallery. One target is better support to fetch images via a API similar to FlickR. This idea is born since I have my new QNAP NAS : All my images are now located on my NAS and now I would like to show them in a nice slideshow, search for them, organize them to galleries/albums, access from my NAS WordPress blog and so on…
    \nThe first tests are great, but for an easier implementation (in this case JSON) I need a PHP5.2 installation. I know that WordPress itself wait as long as possible to switch to PHP5 exclusive, but I can’t wait anymore.

    \n

    For Version 1.4.X you need PHP5 for the full power of functions, from today I will not longer support PHP4.

    \n";}i:6;a:13:{s:5:"title";s:33:"Better media handling into core ?";s:4:"link";s:73:"http://alexrabe.boelinger.com/2009/07/07/better-media-handling-into-core/";s:8:"comments";s:82:"http://alexrabe.boelinger.com/2009/07/07/better-media-handling-into-core/#comments";s:7:"pubdate";s:31:"Tue, 07 Jul 2009 15:04:09 +0000";s:2:"dc";a:1:{s:7:"creator";s:9:"alex.rabe";}s:8:"category";s:44:"NextGEN GalleryWordpressmediaNextGEN-Gallery";s:4:"guid";s:73:"http://alexrabe.boelinger.com/2009/07/07/better-media-handling-into-core/";s:11:"description";s:297:"WordPress 2.9 seems to be focus on a better media handling, which is a long awaiting feature for all NGG users. Please vote on the development blog now! You can be sure that I will work on a import filter into the core gallery, when WordPress 2.9 is ready, so that you didn’t loose all [...]";s:7:"content";a:1:{s:7:"encoded";s:520:"

    WordPress 2.9 seems to be focus on a better media handling, which is a long awaiting feature for all NGG users. Please vote on the development blog now! You can be sure that I will work on a import filter into the core gallery, when WordPress 2.9 is ready, so that you didn’t loose all your work and effort which you put on NGG….

    \n

    Hopefully they take a lot of your input, to get the best media gallery system.

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:78:"http://alexrabe.boelinger.com/2009/07/07/better-media-handling-into-core/feed/";}s:5:"slash";a:1:{s:8:"comments";s:2:"10";}s:7:"summary";s:297:"WordPress 2.9 seems to be focus on a better media handling, which is a long awaiting feature for all NGG users. Please vote on the development blog now! You can be sure that I will work on a import filter into the core gallery, when WordPress 2.9 is ready, so that you didn’t loose all [...]";s:12:"atom_content";s:520:"

    WordPress 2.9 seems to be focus on a better media handling, which is a long awaiting feature for all NGG users. Please vote on the development blog now! You can be sure that I will work on a import filter into the core gallery, when WordPress 2.9 is ready, so that you didn’t loose all your work and effort which you put on NGG….

    \n

    Hopefully they take a lot of your input, to get the best media gallery system.

    \n";}i:7;a:13:{s:5:"title";s:35:"Dear hoster : We need more memory !";s:4:"link";s:73:"http://alexrabe.boelinger.com/2009/06/14/dear-hoster-we-need-more-memory/";s:8:"comments";s:82:"http://alexrabe.boelinger.com/2009/06/14/dear-hoster-we-need-more-memory/#comments";s:7:"pubdate";s:31:"Sun, 14 Jun 2009 18:24:50 +0000";s:2:"dc";a:1:{s:7:"creator";s:9:"alex.rabe";}s:8:"category";s:31:"PluginsWordpressmemory_limitphp";s:4:"guid";s:73:"http://alexrabe.boelinger.com/2009/06/14/dear-hoster-we-need-more-memory/";s:11:"description";s:295:"A lot of people update to WordPress 2.8 and get the message :\nAllowed memory size of 33554433 bytes exhausted\nSo, with WP2.8 we reached now the limit of many hosters (32MB), who is the bad boy ? Can we increase the limit ? I faced a similar problem here with my homepage and wrote a simple [...]";s:7:"content";a:1:{s:7:"encoded";s:2918:"

    A lot of people update to WordPress 2.8 and get the message :

    \n

    Allowed memory size of 33554433 bytes exhausted

    \n

    So, with WP2.8 we reached now the limit of many hosters (32MB), who is the bad boy ? Can we increase the limit ? I faced a similar problem here with my homepage and wrote a simple plugin for the WordPress dashboard which shows up the limit and current usage. Just for the notes, a Wordpress 2.3 + NextGEN Gallery and 10 other plugins require 16.32 Mbyte memory.

    \n

    Ok, what is the limit for a fresh WordPress 2.8 installation under PHP 4 and PHP 5 ?

    \n

    PHP4 PHP 5

    \n

    My hoster support currently both version of PHP, interesting that PHP 5 require less memory (1 MB) . Now, what happen if you the include the german language (de_DE) file ?

    \n

    PHP4 + de_de PHP5 + de_de

    \n

    I’m very surprised that the gettext() library need more memory under PHP5 (6.5 MB !). Finally I activated NextGEN Gallery and wordTube (plus the german language files) :

    \n

    PHP4 complete PHP5 complete

    \n

    As you can see my limit of 36 Mbyte is reached with only two plugins, but the most memory is eaten with PHP5 and the gettext translation. I didn’t expect this. Every PHP version react different,  what is your memory usage under WordPress ?

    \n

    UPDATE :  The reason for the higher memory consumption is found (THX to Heiko Rabe) : If you have a 64bit OS, then the memory consumption this more the twice as a 32bit OS.  I’ve updated my test tool,  see the attached screenshot (available since PHP 4.4.0 and PHP 5.0.5 )
    \nos_info

    \n

    You can download this test tool for the dashboard here :

    \n

    Download WP-Memory-Usage
    \nRelease @ wordpress.org

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:78:"http://alexrabe.boelinger.com/2009/06/14/dear-hoster-we-need-more-memory/feed/";}s:5:"slash";a:1:{s:8:"comments";s:3:"132";}s:7:"summary";s:295:"A lot of people update to WordPress 2.8 and get the message :\nAllowed memory size of 33554433 bytes exhausted\nSo, with WP2.8 we reached now the limit of many hosters (32MB), who is the bad boy ? Can we increase the limit ? I faced a similar problem here with my homepage and wrote a simple [...]";s:12:"atom_content";s:2918:"

    A lot of people update to WordPress 2.8 and get the message :

    \n

    Allowed memory size of 33554433 bytes exhausted

    \n

    So, with WP2.8 we reached now the limit of many hosters (32MB), who is the bad boy ? Can we increase the limit ? I faced a similar problem here with my homepage and wrote a simple plugin for the WordPress dashboard which shows up the limit and current usage. Just for the notes, a Wordpress 2.3 + NextGEN Gallery and 10 other plugins require 16.32 Mbyte memory.

    \n

    Ok, what is the limit for a fresh WordPress 2.8 installation under PHP 4 and PHP 5 ?

    \n

    PHP4 PHP 5

    \n

    My hoster support currently both version of PHP, interesting that PHP 5 require less memory (1 MB) . Now, what happen if you the include the german language (de_DE) file ?

    \n

    PHP4 + de_de PHP5 + de_de

    \n

    I’m very surprised that the gettext() library need more memory under PHP5 (6.5 MB !). Finally I activated NextGEN Gallery and wordTube (plus the german language files) :

    \n

    PHP4 complete PHP5 complete

    \n

    As you can see my limit of 36 Mbyte is reached with only two plugins, but the most memory is eaten with PHP5 and the gettext translation. I didn’t expect this. Every PHP version react different,  what is your memory usage under WordPress ?

    \n

    UPDATE :  The reason for the higher memory consumption is found (THX to Heiko Rabe) : If you have a 64bit OS, then the memory consumption this more the twice as a 32bit OS.  I’ve updated my test tool,  see the attached screenshot (available since PHP 4.4.0 and PHP 5.0.5 )
    \nos_info

    \n

    You can download this test tool for the dashboard here :

    \n

    Download WP-Memory-Usage
    \nRelease @ wordpress.org

    \n";}i:8;a:13:{s:5:"title";s:28:"Bugfix release Version 1.3.2";s:4:"link";s:68:"http://alexrabe.boelinger.com/2009/06/10/bugfix-release-version-132/";s:8:"comments";s:77:"http://alexrabe.boelinger.com/2009/06/10/bugfix-release-version-132/#comments";s:7:"pubdate";s:31:"Wed, 10 Jun 2009 18:00:00 +0000";s:2:"dc";a:1:{s:7:"creator";s:9:"alex.rabe";}s:8:"category";s:38:"NextGEN GallerybugfixesNextGEN-Gallery";s:4:"guid";s:68:"http://alexrabe.boelinger.com/2009/06/10/bugfix-release-version-132/";s:11:"description";s:296:"I must apologize the bug release of Version 1.3.x, there are more problems inside as I expected. I will do my best to sort out all issues, please be so kind and open a new thread at the forums when you have still problems with the new version.\nIn this minutes I uploaded  Version 1.3.2, if [...]";s:7:"content";a:1:{s:7:"encoded";s:642:"

    I must apologize the bug release of Version 1.3.x, there are more problems inside as I expected. I will do my best to sort out all issues, please be so kind and open a new thread at the forums when you have still problems with the new version.

    \n

    In this minutes I uploaded  Version 1.3.2, if you want to use the automatic upgrade it can takes a couple of hours until your WordPress installation recognize the new update.

    \n

    Thanks for all the help at the forums !

    \n

    Download NextGEN Gallery Version 1.3.3
    \nRelease @ wordpress.org

    \n";}s:3:"wfw";a:1:{s:10:"commentrss";s:73:"http://alexrabe.boelinger.com/2009/06/10/bugfix-release-version-132/feed/";}s:5:"slash";a:1:{s:8:"comments";s:2:"68";}s:7:"summary";s:296:"I must apologize the bug release of Version 1.3.x, there are more problems inside as I expected. I will do my best to sort out all issues, please be so kind and open a new thread at the forums when you have still problems with the new version.\nIn this minutes I uploaded  Version 1.3.2, if [...]";s:12:"atom_content";s:642:"

    I must apologize the bug release of Version 1.3.x, there are more problems inside as I expected. I will do my best to sort out all issues, please be so kind and open a new thread at the forums when you have still problems with the new version.

    \n

    In this minutes I uploaded  Version 1.3.2, if you want to use the automatic upgrade it can takes a couple of hours until your WordPress installation recognize the new update.

    \n

    Thanks for all the help at the forums !

    \n

    Download NextGEN Gallery Version 1.3.3
    \nRelease @ wordpress.org

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    There are two,three things I would highlight :

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    2. Search for images

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    Version beta-2 of WordPress 2.9 is ready for your testing pleasure. You can download it or use the WordPress Beta Tester plugin and auto-upgrade a test installation. See all changes since beta 1.

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:67:"http://wordpress.org/development/2009/12/wordpress-2-9-beta-2/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:1;a:6:{s:4:"data";s:50:"\n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:17:"A Little Support?";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://wordpress.org/development/2009/11/a-little-support/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:67:"http://wordpress.org/development/2009/11/a-little-support/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 18:59:27 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:4:{i:0;a:5:{s:4:"data";s:7:"General";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:1;a:5:{s:4:"data";s:6:"forums";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:2;a:5:{s:4:"data";s:7:"support";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:3;a:5:{s:4:"data";s:10:"volunteers";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=986";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:314:"Thanksgiving was last week, and I thought about doing a post to thank the people who contribute to WordPress core, since this is a group of people I’m thankful for on a daily basis. I started a draft, and then realized that with 2.9 in beta, we’ll have a release announcement sometime in the next [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:11123:"

    Thanksgiving was last week, and I thought about doing a post to thank the people who contribute to WordPress core, since this is a group of people I’m thankful for on a daily basis. I started a draft, and then realized that with 2.9 in beta, we’ll have a release announcement sometime in the next few weeks (barring unforeseen complications, etc), and all the core contributors will be thanked then. Though I think it’s worth giving thanks every day for the people who make WordPress possible, I don’t like to clutter up anyone’s feed readers with repetitive posts, so I decided to wait until today for my post, and to focus solely on the other group I’d planned to include: support forum volunteers.

    \n

    Forum volunteers don’t get a lot of flashy attention. There aren’t flame wars about whether or not the support forums should be commercial instead of free and community-run. There generally aren’t big arguments and debates over whose point of view is the right one. What the forums do have is amazing volunteers who give their time to help other WordPress users and developers learn. People who only know a little answer easy questions that maybe they’ve only recently learned the answers to themselves. People with more expert skills help troubleshoot larger issues. If someone offers advice that could be better, others will add their solutions to the mix. Of all the WordPress users I’ve met in person, not one person got started without visiting the forums. In many cases, people turn to the forums even before the Codex. In the support forums, I see a lot of what is best about our community, and almost none of that which is not.*

    \n

    Without further ado, here’s my thank you to the volunteers who make the support forums work. Without them, we would be less than what we are today. I’m listing people by their Wordpress.org usernames, since that’s how you see them in the forums.

    \n

    Official WordPress.org Support Forum Moderators

    \n

    These are the people who’ve officially got your back and have been active in the past few months. See them at a WordCamp? Buy them a beer! Otto42jeremyclark13MichaelH, samboll, Chris_K. MichaelH suggested we also recognize Moshu, Podz, Kafkaesqui for past meritorious service.

    \n

    The Honor Roll
    \nThese people are not official moderators, but their knowledge and activity levels have caught the attention of those who are. A big round of thanks to these folks for selflessly sharing their knowledge with other WordPress users.

    \n

    Most active volunteers, nominated by more than one official moderator for recognition (for the reasons given):
    \nalchymyth – “Overall knowledge”
    \napljdi – “Overall knowledge and programming skills”
    \nt31os_ – “Programming skills”
    \nwhooami – “For her security responses” “Knows her stuff”

    \n

    Generally active volunteers, nominated by official moderators for recognition:
    \nesmi, ClaytonJames, numeeja, stvwlf, buddhatrance, songdogtech, alism, alchymyth, Ipstenu, RVoodoo, jdingman, kmessinger, ArnoldGoodway, Shane G., figaro, jonimueller, blepoxp, cais, mfields, designdolphin, doc4, greenshady, mercime, mrmist, bh_WP_fan , henkholland, krembo99, jdembowski, pboosten, adiant, andrea_r, GDHosting, Gangleri.

    \n

    Some newcomers who’ve been getting active:
    \na_johnson, equalmark, WebTechGlobal, kymac.

    \n

    And an additional shoutout to plugin authors who take an active role in moderating threads regarding their plugins, again nominated by official moderators for recognition:
    \nscribu, GDragoN, sivel, MikeChallis, GamerZ, alexrabe, arnee, sociable, takayukister, hallsofmontezuma, joostdevalk, filosofo, roytanck, donncha, Hiroaki Miyashita, manojtd, froman118, error, Viper007Bond, alexkingorg, cavemonkey50, azaozz, aaroncampbell, isa.goksu, flipper, joedolson, redwallhp, eight7teen, orenshmu, WebGeek, Otto42, toddiceton, the_dead_one, mywpplugin, MattyRob, markjaquith, TobiasBg, Txanny, elfin, jolley_small, stastoc, anmari, micropat, frekel.

    \n

    One more time, a huge THANK YOU to everyone who contributes to the support forums at WordPress.org.

    \n

    As we close out 2009 and get closer to 2010, it would be great for us to start thinking about some ways we could make it easier/more rewarding for people to be involved in the forums and other aspects of the open source project. I’ve started a forum thread to discuss some ideas with the thought that we can try a couple after the holidays and see what takes.

    \n

    * I say almost because let’s face it, we all get caught in the traps of trolls sometimes, and patience can be hard to keep when someone is a jerk. So a reminder to all who use the forums: be nice to the people who are trying to help you! \':)\'

    \n

    P.S. While I’m at it, here’s another tip/request. Search the forums for your problem before posting; if it’s already been answered before (often more than once), you’re kind of wasting people’s time by posting it again without trying the previous solutions first. Please respect the time of the volunteers by searching first (and mention in your post what you’ve already tried).

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:63:"http://wordpress.org/development/2009/11/a-little-support/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:2;a:6:{s:4:"data";s:50:"\n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:24:"WordPress Wins CMS Award";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:66:"http://wordpress.org/development/2009/11/wordpress-wins-cms-award/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:75:"http://wordpress.org/development/2009/11/wordpress-wins-cms-award/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 18 Nov 2009 03:48:04 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:4:{i:0;a:5:{s:4:"data";s:7:"General";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:1;a:5:{s:4:"data";s:5:"award";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:2;a:5:{s:4:"data";s:3:"cms";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:3;a:5:{s:4:"data";s:5:"packt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=978";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:294:"I was very excited last week to learn that WordPress has been awarded the Overall Best Open Source CMS Award in the 2009 Open Source CMS Awards. This is a landmark for us, as it is the first time we’ve won this award, and it marks a shift in the public perception of WordPress, from [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:1516:"

    I was very excited last week to learn that WordPress has been awarded the Overall Best Open Source CMS Award in the 2009 Open Source CMS Awards. This is a landmark for us, as it is the first time we’ve won this award, and it marks a shift in the public perception of WordPress, from blog software to full-featured CMS. No small contest, the Open Source CMS Awards received over 12,000 nominations and more than 23,000 votes across five categories.

    \n

    As Hiro Nakamura said when he first bent time and space to land in Times Square: “Yatta!”

    \n

    In addition to winning in the Overall Best Open Source CMS category, WordPress was named first runner-up in the Best Open Source PHP CMS category. This is significant because we weren’t even in the top 5 last year, and now we’re #2, ahead of Joomla! As is stated on the Award site, “WordPress made its way into the top five for the first time. The fact that it was outranked by Drupal by a very slight margin indicates how popular it has become with users as well as developers over the past year.”

    \n

    Every day thousands of new people are embracing WordPress to power not just their blogs but entire sites and communities without compromising on usability or scalability (as would be the case with a legacy CMS). Every member of the WordPress community, from core developer to beginning user, should be proud to be part of this momentum: congratulations to us all!

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:71:"http://wordpress.org/development/2009/11/wordpress-wins-cms-award/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"5";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:3;a:6:{s:4:"data";s:47:"\n \n \n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:33:"Core Contributors at WordCamp NYC";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:59:"http://wordpress.org/development/2009/11/core-wordcamp-nyc/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:68:"http://wordpress.org/development/2009/11/core-wordcamp-nyc/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Tue, 17 Nov 2009 13:14:57 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:3:{i:0;a:5:{s:4:"data";s:8:"WordCamp";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:1;a:5:{s:4:"data";s:14:"#wordpress-dev";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:2;a:5:{s:4:"data";s:17:"core contributors";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=971";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:321:"WordCamp NYC was last weekend, and it was crazy awesome to have so many WordPress users and developers together in one place (final numbers to come, but looks like over 700). One of my favorite moments was right at the end, when someone suggested getting a picture of the core contributors (I’d asked them all [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:1398:"

    WordCamp NYC was last weekend, and it was crazy awesome to have so many WordPress users and developers together in one place (final numbers to come, but looks like over 700). One of my favorite moments was right at the end, when someone suggested getting a picture of the core contributors (I’d asked them all to stand so people could applaud them when we were doing the closing remarks). Some of them were camera shy and kept out of the happysnap, but here’s a handful of the people who make WordPress what it is.

    \n

    Core Contributors at WordCamp NYC
    \nFrom left: Matt Martz (sivel), Jeremy Clarke, Shane Froebel (^BuGs^), Jane Wells, Matt Mullenweg, Mark Jaquith, Beau Lebens, Andy Peatling, John James Jacoby (jjj).
    \nPhoto by Chris Cochran.

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:64:"http://wordpress.org/development/2009/11/core-wordcamp-nyc/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:4;a:6:{s:4:"data";s:44:"\n \n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:32:"WordPress 2.8.6 Security Release";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:74:"http://wordpress.org/development/2009/11/wordpress-2-8-6-security-release/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:83:"http://wordpress.org/development/2009/11/wordpress-2-8-6-security-release/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 12 Nov 2009 19:17:20 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:2:{i:0;a:5:{s:4:"data";s:8:"Releases";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:1;a:5:{s:4:"data";s:8:"Security";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=966";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:354:"2.8.6 fixes two security problems that can be exploited by registered, logged in users who have posting privileges.  If you have untrusted authors on your blog, upgrading to 2.8.6 is recommended.\nThe first problem is an XSS vulnerability in Press This discovered by Benjamin Flesch.  The second problem, discovered by Dawid Golunski, is an issue [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Ryan Boren";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:591:"

    2.8.6 fixes two security problems that can be exploited by registered, logged in users who have posting privileges.  If you have untrusted authors on your blog, upgrading to 2.8.6 is recommended.

    \n

    The first problem is an XSS vulnerability in Press This discovered by Benjamin Flesch.  The second problem, discovered by Dawid Golunski, is an issue with sanitizing uploaded file names that can be exploited in certain Apache configurations. Thanks to Benjamin and Dawid for finding and reporting these.

    \n

    Get WordPress 2.8.6.

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:79:"http://wordpress.org/development/2009/11/wordpress-2-8-6-security-release/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:5;a:6:{s:4:"data";s:41:"\n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:21:"Bug Hunt in Progress!";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:62:"http://wordpress.org/development/2009/11/bug-hunt-in-progress/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:71:"http://wordpress.org/development/2009/11/bug-hunt-in-progress/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 07 Nov 2009 00:50:39 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:1:{i:0;a:5:{s:4:"data";s:11:"Development";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:62:"http://wordpress.org/development/2009/11/bug-hunt-in-progress/";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:273:"Just in case anyone forgot, the first of the November bug hunts for version 2.9 is now in progress, and will last another day. If you’ve got a dev environment set up, please consider pitching in to run some tests and help get us closer to the 2.9 milestone release. \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:355:"

    Just in case anyone forgot, the first of the November bug hunts for version 2.9 is now in progress, and will last another day. If you’ve got a dev environment set up, please consider pitching in to run some tests and help get us closer to the 2.9 milestone release.

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:67:"http://wordpress.org/development/2009/11/bug-hunt-in-progress/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:6;a:6:{s:4:"data";s:41:"\n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:18:"Upcoming WordCamps";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:62:"http://wordpress.org/development/2009/11/upcoming-wordcamps-3/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:71:"http://wordpress.org/development/2009/11/upcoming-wordcamps-3/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Fri, 06 Nov 2009 02:42:53 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:1:{i:0;a:5:{s:4:"data";s:8:"WordCamp";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=960";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:330:"There are six WordCamps coming up before the end of the year, and since I like to make sure people know about it when there’s a WordCamp near them, here’s the list, with some personal commentary thrown in. If you just want the list without my asides, check out the full schedule at WordCamp.org.\nWordCamp Phoenix [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:5769:"

    There are six WordCamps coming up before the end of the year, and since I like to make sure people know about it when there’s a WordCamp near them, here’s the list, with some personal commentary thrown in. If you just want the list without my asides, check out the full schedule at WordCamp.org.

    \n

    WordCamp Phoenix is first up, on November 13. I’d planned on attending this one myself before they changed the date (it was originally scheduled for the 7th), but will sadly have to miss it as it conflicts with WordCamp NYC. If you, like me, can’t make it to Phoenix, be sure to check their web site for information on the live stream they’re planning to provide. If it’s anywhere near the quality of the stream from Portland or Seattle earlier this fall, it’ll be just like being there, but without a t-shirt to show for it (and theirs has stripes, so if you’re local, you should go!). My only consolation in missing this WordCamp is that I’ve seen about half of the speakers before. If you’re going, don’t miss the session by John Hawkins on Building a WordPress Plugin; it got me to write my first plugin in Portland! Matt‘ll be there, will you?

    \n

    WordCamp Victoria is next, on November 14. This is another one I’d love to go to, but can’t because it’s at the same time as New York’s. I would especially have liked to go because it looks like the speakers are all local, and I haven’t seen any of them speak before. Occasionally WordCamps lose a little of the local feeling by focusing on visiting speakers, so it’s nice to see so many Vancouverites on the list. They’ll have a Blogger track and a Technical track running concurrently, so there should a little something for everyone. No word on a live stream, but hopefully they’ll be able to catch some of the presentations on video and post them to WordPress.tv after the event.

    \n

    WordCamp Bangkok is scheduled for November 15. I have to admit that the first thing that catches my eye on their agenda is “WordPress Band.” I’ve known WordCamps to have people performing songs before, but a whole band? Might be a first. I hope they’ll post the video to WordPress.tv, too.

    \n

    WordCamp New York City is the same weekend as the previous three, on November 14-15. In the interest of full disclosure, I need to tell you that I’m one of the organizers of WordCamp NYC, so my informative comment about it here may be a little biased. \':)\' That said, we have over 50 confirmed speakers (both local and visiting), and 2 full days of content in 8 — count ‘em, 8 — tracks. Newbies get a free year of hosting and walked through setting up a WordPress blog in workshop format, while the other tracks have specialized content for Bloggers, CMS Users, Beginning Developers, Advanced Developers, Academic Users, people interested in MU/BuddyPress, and the Open Source Community. Did I mention the theme and plugin contest? Or the awesome shirts? How about the Genius Bar, or the Hacker Room? The additional Unconference sessions? If you’re anywhere near NYC that weekend (and with the Acela, that’s anywhere from Boston to D.C.), you should definitely come. I’ll be there, Matt’ll be there, lead developer Mark Jaquith will be there, lead developer of BuddyPress Andy Peatling will be there, and too many other WordPress luminaries and locals to mention. If we hit 800 registrations by November 12, I’m baking cookies for everyone.

    \n

    WordCamp Peru will be on November 28 in Lima. I was checking out their topics list, and it looks like they’re planning to cover all the usual topics around blog administration, security, increasing traffic, and integration with social media sites. No speaker list yet, but if you’re in Peru, it looks like this will be a nice gathering of WordPress users, and they’re hoping to have around 100 people attend.

    \n

    WordCamp Orlando is the last of the year, on December 5. They haven’t published a speaker list or schedule yet, but I know Matt will be there, Mark Jaquith will be there, and I will be there. I know some other awesome core contributors are planning to come, but I don’t want to jinx anything, so if you’re curious, come see for yourself. Plus, Florida in December!

    \n

     

    \n

     

    \n

     

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:36:"http://wellformedweb.org/CommentAPI/";a:1:{s:10:"commentRss";a:1:{i:0;a:5:{s:4:"data";s:67:"http://wordpress.org/development/2009/11/upcoming-wordcamps-3/feed/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:38:"http://purl.org/rss/1.0/modules/slash/";a:1:{s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:1:"0";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:7;a:6:{s:4:"data";s:62:"\n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:5:{s:0:"";a:7:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:19:"Upcoming Bug Hunts!";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:60:"http://wordpress.org/development/2009/10/upcoming-bug-hunts/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"comments";a:1:{i:0;a:5:{s:4:"data";s:69:"http://wordpress.org/development/2009/10/upcoming-bug-hunts/#comments";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 31 Oct 2009 21:28:00 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:8:"category";a:8:{i:0;a:5:{s:4:"data";s:11:"Development";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:1;a:5:{s:4:"data";s:6:"Events";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:2;a:5:{s:4:"data";s:7:"testing";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:3;a:5:{s:4:"data";s:4:"beta";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:4;a:5:{s:4:"data";s:4:"bugs";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:5;a:5:{s:4:"data";s:6:"sprint";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:6;a:5:{s:4:"data";s:7:"tickets";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}i:7;a:5:{s:4:"data";s:4:"trac";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=953";s:7:"attribs";a:1:{s:0:"";a:1:{s:11:"isPermaLink";s:5:"false";}}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:339:"As we near completion of the 2.9 milestone, it’s that time of dev cycle again, when we ask all you community developers who’ve been putting off contributing to core to dust off your dev environments and help us get closer to being release-ready. How? Bug hunts! Yes, that time-honored tradition (in the time of WordPress, [...]";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:40:"http://purl.org/rss/1.0/modules/content/";a:1:{s:7:"encoded";a:1:{i:0;a:5:{s:4:"data";s:3637:"

    As we near completion of the 2.9 milestone, it’s that time of dev cycle again, when we ask all you community developers who’ve been putting off contributing to core to dust off your dev environments and help us get closer to being release-ready. How? Bug hunts! Yes, that time-honored tradition (in the time of WordPress, anyway) of everyone pitching in to test patches and report the results, working on solutions to major bugs, and helping to clear out Trac has come around again, and we’re scheduling not one, but two bug hunts over the next couple of weeks to ensure that everyone has enough time to prepare and participate.

    \n

    #1 – The first bug hunt of 2.9 will be Thursday through Saturday, November 5-7, 2009. This should give people a few days to plan for it, upgrade their dev environments if they haven’t been following trunk, and figure out how to allot their time. We’re stretching over both weekdays and weekend to try and accommodate everyone’s schedule.

    \n

    #2 - The second bug hunt will be a week later, Saturday through Monday, November 14-16, 2009. This should make it possible for anyone who needs more than a week to set some time aside to participate. This bug hunt will coincide with WordCamp NYC, where a special Hacker Room will be set aside for people to go and work on 2.9 bug tickets alongside regular core contributors including Mark Jaquith and Matt Martz (sivel from IRC).

    \n

    The Goals

    \n

    Test, test, test existing patches! You can see all tickets with patches that need testing by checking this report. When you’ve tested a patch, report your results in the ticket comments, so core committers can see how the patch is faring.

    \n

    Fix known bugs! You can see the bugs that need patches by checking this report. Look for the ones that seem that they’ll affect the most people or have the biggest impact by being fixed. Edge case bugs should be lower priority.

    \n

    Report new bugs! As you’re testing out the development version, if you come across a bug, search trac to see if someone has reported it yet. If so, add a comment with your experience to the ticket so we’ll know it’s affecting more than one person. If no ticket exists yet, create one.

    \n

    Core committers will be around (in the #wordpress-dev channel at irc.freenode.com) both weekends to review patches that have been thoroughly tested, answer questions as needed, and give feedback on patches that need more work before being commit-worthy.

    \n

    If you’ve never participated in a WordPress bug hunt before, but you’d like to get involved, we’d love to have you join us! To prepare, you’ll want to set up a test environment, start using the current development version/maybe install the beta testing plugin, join us in the #wordpress-dev IRC channel, and read up on automated testing.

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    The number one reason people give us for not upgrading to the latest version of WordPress is fear that their plugins won’t be compatible. As part of our continuing efforts to make WordPress core, plugin, and theme upgrades as painless as possible, Michael Adams developed and launched a beta of a new “Compatibility” feature in the plugin directory, powered by your votes. When viewing a plugin in the directory, select a WordPress version and a plugin version from the drop-downs. If there has been feedback about this WordPress / plugin version combination, we’ll show you what percentage of responses marked that combination as compatible vs how many marked it as incompatible.

    \n

    Compatibility: Your Setup: (WordPress Version drop-down) (Plugin Version drop-down). Log in to vote. The Concensus: 44% negative, 56% positive

    \n

    If you log in, you’ll be able to help us gather this information! Just select a WordPress version / plugin version combination and click the “Works” or the “Broken” button. Please note that this shouldn’t be used to report minor issues with a plugin. You should mark a plugin as “Broken” only if its core functionality is truly broken when run on the specified WordPress version.

    \n

    Compatibility: Your Setup: (WordPress Version drop-down) (Plugin Version drop-down). (Broken button) (Works button). The Concensus: No data

    \n

    Right now we’re just in information gathering mode. So get out there and vote! Don’t just vote on broken plugins… cast a “Works” vote for every plugin that works on the version of WordPress you are using. This can help improve the signal-to-noise ratio in our data and prevent a few mistaken “Broken” votes from weighing too heavily.

    \n

    For developers, we’re now including this data in our API. The plugin_information action now returns a “compatibility” member with the multidimensional array format:

    \n

    array( {WP version} => array( {plugin version} => array( {% of reporters who say it works}, {# responses} ) ) )

    \n

    If the API knows which version of WordPress you are using (for example, if you are making this query using the plugins_api() function from with WordPress), the API will only return compatibility information for your version of WordPress.

    \n

    Eventually, we’d like to gather this compatibility feedback from within WordPress, allowing you to vote directly from your plugins admin screen. The ultimate goal is to use this information to inform you of plugin incompatibilities with a new version of WordPress during the upgrade process. For that to be useful we need a large set of high quality compatibility data. Start voting!

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    As you know over the past couple of months we have been working on the new features for WordPress 2.9. We have also been working on trying to make WordPress as secure as possible and during this process we have identified a number of security hardening changes that we thought were worth back-porting to the 2.8 branch so as to get these improvements out there and make all your sites as secure as possible.

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    The headline changes in this release are:

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    We would recommend that all sites are upgraded to this new version of WordPress to ensure that you have the best available protection.

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    If you think your site may have been hit by one of the recent exploits and you would like to make sure that you have cleared out all traces of the exploit then we would recommend that you take a look at the WordPress Exploit Scanner.  This is a plugin which searches the files on your website, and the posts and comments tables of your database for anything suspicious. It also examines your list of active plugins for unusual filenames.  You can read more about this plugin here – “WordPress Exploit Scanner

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    Version beta-2 of WordPress 2.9 is ready for your testing pleasure. You can download it or use the WordPress Beta Tester plugin and auto-upgrade a test installation. See all changes since beta 1.

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    \n
    \n
    \n
    Josh Harrison: wp-config Tips and Tricks
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    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Tue, 01 Dec 2009 04:38:09 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:3;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:56:"WP iPhone: WordPress for iPhone 2.1 now on the App Store";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:34:"http://iphone.wordpress.org/?p=562";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:56:"http://iphone.wordpress.org/2009/12/01/wp-for-iphone-21/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2894:"

    Just a month ago, WordPress for iPhone 2 was released. In that month, it’s been installed on over 55,000 iPhones and iPods. Today, we received word that WordPress for iPhone 2.1 is available now for download on the App Store. No special notes about installation this time — just update and enjoy.

    \n

    New in version 2.1:

    \n\n

    It usually take a few hours for the new version to appear on the App Store. If you don’t see it immediately, hang tight just a bit longer.

    \n

    We’ve already begun working on the next version, too — as always, you can follow our progress on the Making WordPress for iPhone blog.

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    * WordPress for iPhone is Open Source, just like WordPress itself. The absolute fastest way to add the features you want to the app? Do what Jeff did — submit your own code. :)

    \n
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    Feeling Lucky? by Tara Hunt: “It turns out that there IS such thing as lucky people, but it’s not some sort of mystical fate playing its hand at work after all. Instead, ‘lucky people’ are those who are really observant and open to opportunities.”

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 23:00:39 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:5;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:59:"Weblog Tools Collection: WordPress Theme Releases for 11/30";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7274";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:87:"http://weblogtoolscollection.com/archives/2009/11/30/wordpress-theme-releases-for-1130/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1953:"

    Journey

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    Journey

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    Journey is a classic, three column theme with flexible width (800-1200px). With v1.1, Pings/Trackbacks are displayed separately and option pages.

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    iTech

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    itech

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    iTech is high quality, low graphics, Lightweight, fast-rendering professional WordPress Theme, especially good for technology blogs. A tabbed block is added to sidebar for displaying Recent Posts, Popular Posts and Recent Comments. Built in control panel, you can set customized RSS feed, email subscription, twitter subscription and header logo.

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    Blank

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    Blank

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    Blank has no layout but every template is full of html comments to explain the php stuff if you know a bit of css and html

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    Amazing Grace Crimson

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    AGCrimson

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    A simple, neat and clean looking 3 column, fixed width WordPress theme that would be appropriate for a church or Christian ministry website.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 19:45:35 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:6;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:69:"Weblog Tools Collection: Distributed WordPress Admin Account Cracking";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7277";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:98:"http://weblogtoolscollection.com/archives/2009/11/30/distributed-wordpress-admin-account-cracking/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1128:"

    Bojan Zdrnja has published a post on the SANS Internet Storm Center blog today highlighting a distributed WordPress admin account cracking script. The script was discovered by one of the sites readers on a virtual private server (VPS). The acquired script is written in PHP and performs brute force cracking attempts to WordPress admin accounts.

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    While this particular version is relatively simple, the power behind the script and the MySQL database allows the attacker to distribute the attacks not only by sites, but also by passwords tried as well.

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    The article goes into detail explaining how the script works and suggests the typical security precautions such as using strong passwords, changing the admin username and limiting the admin login page to only your IP address. Brute force attacks on WordPress are nothing new but it’s interesting to see this approach using a distributed technique.

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    Hat tip to WPVibe.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 19:37:45 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:7;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:27:"Dev Blog: A Little Support?";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=986";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://wordpress.org/development/2009/11/a-little-support/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:11122:"

    Thanksgiving was last week, and I thought about doing a post to thank the people who contribute to WordPress core, since this is a group of people I’m thankful for on a daily basis. I started a draft, and then realized that with 2.9 in beta, we’ll have a release announcement sometime in the next few weeks (barring unforeseen complications, etc), and all the core contributors will be thanked then. Though I think it’s worth giving thanks every day for the people who make WordPress possible, I don’t like to clutter up anyone’s feed readers with repetitive posts, so I decided to wait until today for my post, and to focus solely on the other group I’d planned to include: support forum volunteers.

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    Forum volunteers don’t get a lot of flashy attention. There aren’t flame wars about whether or not the support forums should be commercial instead of free and community-run. There generally aren’t big arguments and debates over whose point of view is the right one. What the forums do have is amazing volunteers who give their time to help other WordPress users and developers learn. People who only know a little answer easy questions that maybe they’ve only recently learned the answers to themselves. People with more expert skills help troubleshoot larger issues. If someone offers advice that could be better, others will add their solutions to the mix. Of all the WordPress users I’ve met in person, not one person got started without visiting the forums. In many cases, people turn to the forums even before the Codex. In the support forums, I see a lot of what is best about our community, and almost none of that which is not.*

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    Without further ado, here’s my thank you to the volunteers who make the support forums work. Without them, we would be less than what we are today. I’m listing people by their Wordpress.org usernames, since that’s how you see them in the forums.

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    Official WordPress.org Support Forum Moderators

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    These are the people who’ve officially got your back and have been active in the past few months. See them at a WordCamp? Buy them a beer! Otto42jeremyclark13MichaelH, samboll, Chris_K. MichaelH suggested we also recognize Moshu, Podz, Kafkaesqui for past meritorious service.

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    The Honor Roll
    \nThese people are not official moderators, but their knowledge and activity levels have caught the attention of those who are. A big round of thanks to these folks for selflessly sharing their knowledge with other WordPress users.

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    Most active volunteers, nominated by more than one official moderator for recognition (for the reasons given):
    \nalchymyth – “Overall knowledge”
    \napljdi – “Overall knowledge and programming skills”
    \nt31os_ – “Programming skills”
    \nwhooami – “For her security responses” “Knows her stuff”

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    Generally active volunteers, nominated by official moderators for recognition:
    \nesmi, ClaytonJames, numeeja, stvwlf, buddhatrance, songdogtech, alism, alchymyth, Ipstenu, RVoodoo, jdingman, kmessinger, ArnoldGoodway, Shane G., figaro, jonimueller, blepoxp, cais, mfields, designdolphin, doc4, greenshady, mercime, mrmist, bh_WP_fan , henkholland, krembo99, jdembowski, pboosten, adiant, andrea_r, GDHosting, Gangleri.

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    Some newcomers who’ve been getting active:
    \na_johnson, equalmark, WebTechGlobal, kymac.

    \n

    And an additional shoutout to plugin authors who take an active role in moderating threads regarding their plugins, again nominated by official moderators for recognition:
    \nscribu, GDragoN, sivel, MikeChallis, GamerZ, alexrabe, arnee, sociable, takayukister, hallsofmontezuma, joostdevalk, filosofo, roytanck, donncha, Hiroaki Miyashita, manojtd, froman118, error, Viper007Bond, alexkingorg, cavemonkey50, azaozz, aaroncampbell, isa.goksu, flipper, joedolson, redwallhp, eight7teen, orenshmu, WebGeek, Otto42, toddiceton, the_dead_one, mywpplugin, MattyRob, markjaquith, TobiasBg, Txanny, elfin, jolley_small, stastoc, anmari, micropat, frekel.

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    One more time, a huge THANK YOU to everyone who contributes to the support forums at WordPress.org.

    \n

    As we close out 2009 and get closer to 2010, it would be great for us to start thinking about some ways we could make it easier/more rewarding for people to be involved in the forums and other aspects of the open source project. I’ve started a forum thread to discuss some ideas with the thought that we can try a couple after the holidays and see what takes.

    \n

    * I say almost because let’s face it, we all get caught in the traps of trolls sometimes, and patience can be hard to keep when someone is a jerk. So a reminder to all who use the forums: be nice to the people who are trying to help you! :)

    \n

    P.S. While I’m at it, here’s another tip/request. Search the forums for your problem before posting; if it’s already been answered before (often more than once), you’re kind of wasting people’s time by posting it again without trying the previous solutions first. Please respect the time of the volunteers by searching first (and mention in your post what you’ve already tried).

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 18:59:27 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Jane Wells";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:8;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:28:"BuddyPress: BuddyPress 1.1.3";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:28:"http://buddypress.org/?p=711";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:49:"http://buddypress.org/blog/news/buddypress-1-1-3/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:522:"

    The latest BuddyPress 1.1 point release is now available for download.

    \n

    This release fixes a number of remaining issues with the 1.1 release of BuddyPress. Although this is not a critical upgrade, it is still highly recommended to ensure the stability of your installation.

    \n

    Please consult the release history for a complete list of changes in this version.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 15:25:27 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Andy Peatling";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:9;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:56:"WordPress.tv: Last Week on WordPress.tv: Nov 22—Nov 28";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:31:"http://blog.wordpress.tv/?p=105";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:84:"http://blog.wordpress.tv/2009/11/30/last-week-on-wordpress-tv-nov-22%e2%80%94nov-28/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:3802:"

    More WordCamp NYC videos and a great tutorial from the community round out the videos published this past week on WordPress.tv. Here’s what you missed:

    \n

    First, there’s John Hawkins’ talk from WordCamp NYC on how to build your very first WordPress plugin. He’s given this talk at a handful of WordCamps this year, but it’s always packed with great information and serves as a great introduction to building a very basic plugin.

    \n

    Next, Automattician José Fontainhas gives an overview of how to properly provide for internationalization in your WordPress projects, including a brief look at the new GlotPress system. If you’re building something for WordPress, you should take a look at this presentation to learn how easy it is to help the community translate your project. Much of the WordPress community is not English-speaking.

    \n

    The last presentation from WordCamp NYC comes from Serena Epstein and Shannon Houser: a talk titled “WordPress As a Gateway Drug“. It’s about how the use of WordPress in an undergraduate coursework setting has influenced students to continue the creative process even post-graduation. It has a unique style and flavor—check it out.

    \n

    And lastly, we were pointed in the direction of a wonderful example of a tutorial coming out of the WordPress community. In this case, it’s Jesse P. Luna’s howto on using the new WordPress.com geotagging feature. It’s great to see these kinds of things come from dedicated WordPress users like all of you.

    \n

    This is a great moment to remind you that if you have a WordPress feature you think could use a great tutorial, there’s never a better time to create one and send it on to us! If you’ve seen a tutorial or have made one, drop us a line and let us know about it.

    \n

    If you’re looking for a suggestion, here’s one: are you one of the many people who are working with WordPress 2.9-beta? There are some excellent new features coming in 2.9, and there will be lots of WordPress users looking for information on those features. Why not consider whipping up a brief and to-the-point tutorial on one of the new features coming in 2.9?

    \n

    Have a great week!

    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 05:45:15 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:10;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:77:"Weblog Tools Collection: How To Track Outbound Links From Your WordPress Blog";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:106:"http://weblogtoolscollection.com/archives/2009/11/29/how-to-track-outbound-links-from-your-wordpress-blog/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:106:"http://weblogtoolscollection.com/archives/2009/11/29/how-to-track-outbound-links-from-your-wordpress-blog/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2277:"

    As a webmaster we are all concerned about the number of links that are coming into the blog and all the other stats that usually concern the traffic to the blog. However, another important thing we all miss to see is the number of outbound clicks from our blog to other websites.

    \n

    Though this may not sound interesting to many people, it definitely holds some importance when you want to track links to sites other than your own site. One of the reasons I want to track this on my blog, is to understand and know what kind of software or services people download or visit, and then try and customize posts to include software or services that are liked by the readers.

    \n

    Tracking outgoing links from your blog is pretty easy, all you need is a free Google Analytics account and the Google Analyticator WordPress Plugin.

    \n

    outbound_link_tracking

    \n

    Once you have installed and activated the plugin, head to the options page and scroll down to the advanced options till you see Outbound link tracking. From the available options, select “Enabled” and save the settings.

    \n

    Once you do that, wait for a day till the tracking is available in your Google Analytics account. After that you can view the outbound links from your site by visiting Google Analytics and analyze it to understand what your readers are clicking on.

    \n

    outbound_link_tracking_analytics

    \n

    To view the outbound links, visit Google Analytics and click on “Content” in the sidebar. In the available options under Content, click on “Event Tracking” to expand it, and then click on Categories to see the Outbound Traffic from your blog.

    \n

    Hopefully this should be helpful to you to customize your content and suit it to the needs of your users.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 02:49:00 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Keith Dsouza";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:11;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:63:"Weblog Tools Collection: Why are good plugins becoming orphans?";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7265";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:91:"http://weblogtoolscollection.com/archives/2009/11/29/why-are-good-plugins-becoming-orphans/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:4601:"

    Preface

    \n

    The act of adopting an abandoned plugin reminds me of adopting an orphaned child. On the one hand, the new parents are taking on someone who they didn’t help raise thus far, which forces them to “learn” the ways of the new child to communicate well with them. On the other hand, the new parent is left with the fear that there will come a day that the old parent will come to claim their rights on the child.

    \n

    The analogy I brought can go some way in building an intuition about the problem of orphaned plugins, but if we want to go beyond just intuition we need to take a more in-depth look at the subject. I hope such a look will inspire a discussion that will benefit us all.

    \n

    The chase for a faster plugin installation

    \n

    My prime example for an orphan plugin for this post will be the “Improved Plugin Installation” plugin. What is it:

    \n

    This plugin is an improvement to the current WP 2.7 plugin installation methods. It allows you to install one or more plugins simply by typing their names or download URLs in a textarea.
    \nThis means you can install all your favorite WordPress plugins in one go!
    \nFurthermore, a bookmarklet is included which lets you install plugins directly from an external plugin download page. (See screenshots tab)

    \n

    Sounds heavenly. Why? because the “add a plugin” feature that AUTOMATIC introduced, And the already existing, “One Click Plugin Updater” – where both lacking in exactly what “Improved Plugin Installation” came to solve. That is – they didn’t allow for a massive, fast, easy way to upload a lot of (predefined) plugins in one time. This is, to my opinion, the biggest cost effective solution for a bottleneck in today’s WordPress installation, and it was solved! Or was it?

    \n

    After the release of WP 2.8, me and others suddenly discovered that “Improved Plugin Installation” stopped working. 5 Months later, after seeing that no programmer came forward to fix the problem, I published the cry on the forums “An orphan plugin is looking to be updated: “Improved Plugin Installation” “, 5 days have passed, and no one replied.

    \n

    So what do you think should happen next?

    \n

    This question is directed at you, the reader. But with your permission, I will assume my prerogative.

    \n

    The first one is that there is a need for someone (who knows plugin programming) to take on himself to fix “Improved Plugin Installation” for WordPress 2.8+. This conclusion is the easy one.

    \n

    The bigger question here is what is the pattern behind the story. What is missing in our community that we do not adopt orphaned plugins? My personal answer (and I hope for yours as well) is the further improvement of the “Compatibility” section in the WordPress Plugin Directory.
    \nUp until now the Compatibility window gave an action item for just two audiences: The plugin users (don’t download the file) and the plugin authors (Maybe I should fix my plugin). But there is a third audience who are not being addressed. That is the other developers in the community. Imagine that a plugin is voted incompatible (above X consensus level), for T amount of time. I hope that there is a system e-mailing the plugin author letting him know that his plugin is having issues (I don’t know if there is). But what if the problem persists longer? Maybe we should have another page, for other developers to let them know that a plugin is suspect of being abandoned.
    \nMaybe developers should commit, when uploading a plugin, to saying after what amount of time, should the system consider their plugin as an orphaned one – and to go look for someone else to be its parent.

    \n

    I don’t have the right answer, but I hope one of you will.

    \n

    About the author:
    \nTal Galili is passionate for WebActivism, WordPress and Statistics. He was proud to have helped with the organizing of WordCamp Israel 2007 and WordCamp Israel 2008, and is hoping to see another one in 2010. Tal Galili writes (about the web and beyond) in Hebrew, and will start writing (on statistics) in English at Statistics and R

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 30 Nov 2009 01:49:09 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Mark Ghosh";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:12;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:68:"Weblog Tools Collection: Rough Holiday For MediaTemple And Dreamhost";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7262";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:97:"http://weblogtoolscollection.com/archives/2009/11/29/rough-holiday-for-mediatemple-and-dreamhost/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1398:"

    If you are a Dreamhost or MediaTemple customer and I know that many WordPress users are, it’s probably been a rough week for you. Just before Thanksgiving, an exploit was used on a subset of MediaTemple grid servers to redirect websites to a 3rd-party advertising website. Also, some customers passwords were compromised as they were stored in the database via clear text. MediaTemple has since switched to an encryption method of storing passwords in databases.

    \n

    Over the holidays, Dreamhost encountered a fairly large network failure. This happened just before they conducted their largest data center move to date. The network failure caused a number of sites to go offline, including a number of Dreamhost official sites. However, as mentioned in a recent ZDNet article, the nightmare is still ongoing for a few customers, especially those running WordPress who are running into 500 errors. ZDNet published a list of directions from a Dreamhost customer service rep that should get your site back online.

    \n

    Were you affected by either of these mishaps during Thanksgiving?

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sun, 29 Nov 2009 20:35:16 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:13;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:37:"Matt: Micro-blogging vs Mega-blogging";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:21:"http://ma.tt/?p=15820";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:53:"http://ma.tt/2009/11/micro-blogging-vs-mega-blogging/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:3040:"

    I don’t think “mega-blogging” is actually a thing, I just made it up to make the title sound more dramatic. But if mega-blogging were a thing, you would do it with WordPress. Micro-blogging is a thing, ash a lot of people do it with Twitter.

    \n

    TechCrunch drops in this fray with an article comparing the comScore numbers of WordPress.com and Twitter.com, which show an accelerating growth for WP.com and flattening for Twitter. I’ll talk about the data itself later, but first wanted to point out a point many overlook when trying to create a battle between the mediums.

    \n

    New forms of social media, including micro-blogging, are complementary to blogging.

    \n

    One of the many uses of Twitter is to link to and promote your blog posts. (And other people’s blog posts.) As we grow, so do they, and vice versa. I blog when I have something longer to say, like this. I tweet when it’s the lowest friction way to talk to my friends, or get distribution for something longer I did somewhere else.

    \n

    It’s not really a “versus,” it’s an “and.”

    \n

    Whether the Twitter team intended it or not, they’ve built a killer and highly addictive reader platform with dozens of interesting UIs on top of it.

    \n

    Features like WP.me, post by email, Twitter publicize, RSS Cloud, P2, email subscriptions, and more stuff in the cooker is trying to tie these things together more because people who do one are highly likely to do another.

    \n

    As for the accuracy of underlying comScore data I would say they probably are precise but not accurate, meaning that whatever flaws they have in collection now, for example for WP.com they don’t count the custom domains or RSS readers and for Twitter they don’t count API usage or desktop clients, they’re at least self-consistent in how they do things over time. Some months they show us flat our internal stats showed growth, and vice versa. Ultimately it’s not worth anyone outside of comScore arguing how they collect their data, it’s better just to use it as one reference point alongside Quantcast (my fav), Alexa, Google Trends, Nielsen…

    \n

    How tweets get imported into a blog is still an open question for me. I’ve seen lots of ways people have attempted it but when a blog becomes an activity stream it becomes a weak version of all the things it aggregates, less than the sum of its parts, because of the loss of context.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sun, 29 Nov 2009 04:58:30 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:14;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:44:"WordPress.tv: Using WordPress.com Geotagging";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3115";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:62:"http://wordpress.tv/2009/11/29/using-wordpress-com-geotagging/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1411:"

    \n
    \n
    \n
    Using WordPress.com Geotagging
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sun, 29 Nov 2009 04:00:54 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:15;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:76:"WordPress.tv: Serena Epstein and Shannon Houser: WordPress As a Gateway Drug";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3087";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:83:"http://wordpress.tv/2009/11/14/epstein-houser-wordpress-classroom-innovation-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1465:"

    \n
    \n
    \n
    WordPress As a Gateway Drug: Enabling Innovation beyond the Clas
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sun, 29 Nov 2009 02:15:12 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:16;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:58:"Weblog Tools Collection: The Geekier Side Of WordPress 2.9";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7259";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:87:"http://weblogtoolscollection.com/archives/2009/11/28/the-geekier-side-of-wordpress-2-9/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:572:"

    If you’re a developer and need to know some of the geekier bits coming down the pipe in WordPress 2.9, Joost De Valks article should fit the bill. In it, he lists a number of things that developers should pay attention to such as enhancements to wp_query, upgraded TinyMCE editor, performance updates to the options table and much more.

    \n

    WordPress 2.9 is currently at beta 1 stage. If you are one of the beta testers for 2.9, let me know how it’s gone for you so far.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 28 Nov 2009 21:45:32 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:17;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:60:"Weblog Tools Collection: WordPress Plugin Releases for 11/28";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7257";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:88:"http://weblogtoolscollection.com/archives/2009/11/28/wordpress-plugin-releases-for-1128/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2126:"

    New Plugins

    \n

    Lock Pages

    \n

    This plugin lets administrators “lock” any or all pages. “Locking” here basically means preventing non-admins from Editing the page’s slug, Changing the page’s parent, Deleting the page.

    \n

    YOURLS: Short URL Widget

    \n

    Creates a fully configurable widget that outputs the short URL to the current post or page. Requires the YOURLS: WordPress to Twitter plugin.

    \n

    List Pages at Depth

    \n

    This plugin creates a more powerful version of the wp_list_pages() function which allows you to specify a start depth.

    \n

    Updated Plugins

    \n

    Smooth Slider

    \n

    Assign a post as featured posts on a blog and then create a slideshow with them to show at any location on a blog.

    \n

    My Page Order

    \n

    My Page Order allows you to set the order of your pages with an easy to use drag and drop interface. Adds a widget with additional options for easy installation on widgetized themes.

    \n

    My Category Order

    \n

    Gives you manual control over the order of your Wordpress post categories by letting you set an explicit order. Works with subcategories too.

    \n

    My Link Order

    \n

    My Link Order allows you to set the order in which links and link categories will appear on your Wordpress site. Uses a drag and drop interface for ordering. Adds a widget with additional options for easy installation on widgetized themes.

    \n

    WordPress MU Domain Mapping

    \n

    A plugin that allows the users of a WordPress MU site to use custom domains on their blogs.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 28 Nov 2009 20:15:09 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:18;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:59:"Weblog Tools Collection: WordPress Theme Releases for 11/26";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7255";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:87:"http://weblogtoolscollection.com/archives/2009/11/26/wordpress-theme-releases-for-1126/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2113:"

    Connections Reloaded v3

    \n

    connections-reloaded

    \n

    Connections Reloaded is a two column, fixed width theme derived from the Connections theme by Patricia Müller. The theme is gravatar ready, widget ready (with custom widgets) with support for custom header images and SEO titles and a options page for easy customization.

    \n

    BlueBubble

    \n

    BlueBubble

    \n

    Two column, widget ready theme with a ready made jQuery/PHP based contact form and an options page for easy customization

    \n

    BlogStarter

    \n

    BlogStarter

    \n

    BlogStarter is an emptied out WordPress theme that can be used as a starting point for custom themes. Version 2.0 has some great improvements, including compatibility up to WordPress 2.8.6, a cleaned up CSS system, and a re-organized functions.php

    \n

    Be My Guest

    \n

    Be My Guest

    \n

    Be My Guest supports widget, threaded-comments, theme-options and translation is ready. Also including page-navigation with multi level dropdown menu.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 26 Nov 2009 19:00:40 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:19;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:40:"Donncha: WordPress MU Domain Mapping 0.5";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:29:"http://ocaoimh.ie/?p=89495550";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://ocaoimh.ie/89495550/wordpress-mu-domain-mapping-05/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2759:"

    WordPress MU Domain Mapping is a plugin that allows the users of a WordPress MU site to use custom domains on their blogs.

    \n

    It’s been a while since the last release but with the help of Ron Rennick, and many others (kgraeme – you kick ass at finding bugs!) I think the wait has been worth it. Changes since the last release:

    \n
      \n
    1. Works in VHOST or folder based installs now.
    2. \n
    3. Remote login added.
    4. \n
    5. Admin backend redirects to mapped domain by default but can redirect to original blog url.
    6. \n
    7. Domain redirect can be 301 or 302.
    8. \n
    9. List multiple mapped domains on site admin blogs page if mapped
    10. \n
    11. Bug fixes: set blogid of the current site’s main blog in $currentsite
    12. \n
    13. Bug fixes: cache domain maps correctly, blogid, not blog_id in $wpdb.
    14. \n
    15. and lots more bugs fixed and squashed.
    16. \n
    \n

    There are still a few limitations however:

    \n
      \n
    1. Your WordPress MU site should be installed in the root of your server.
    2. \n
    3. It’s not possible to map a path on the new domain.
    4. \n
    5. You cannot map a domain on to the main blog in a folder install of WordPress MU.
    6. \n
    \n

    Grab it from the page above, make sure you read the readme.txt as the plugin needs to be installed and configured correctly. You’ll also need to be familiar with concepts such as CNAME and A DNS records and how to configure your server correctly.

    \n

    Please try it first on a test server. We have gone to extraordinary lengths to try to fix every bug we could but it’s always better to be careful when trying out new software.

    \n

    Related Posts

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 26 Nov 2009 16:08:41 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Donncha";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:20;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:50:"Weblog Tools Collection: Translators – Thank You";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7244";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:75:"http://weblogtoolscollection.com/archives/2009/11/25/translators-thank-you/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:3713:"

    glotpresslogo In somewhat of a tradition, I’d like to take an opportunity to spread my thanks considering Thanksgiving is only a day away here in the U.S. There is plenty to go around but this year, I’d like to especially thank those who translate WordPress, Plugins, and Themes into different languages. While I don’t know the technicalities involved with the translation process, I know the importance these translations have for the WordPress Project. These translations enable WordPress to be used all across the world in their native tongue which is awesome and really expands the reach of the software.

    \n

    The last time I checked, WordPress was available in about 66 different languages. All of these translations are possible thanks to volunteers. These translators are the primary reason why WordPress has an international following. However, there are more than 66 different languages in use across the world today and if you’re interested in translating WordPress into your specific language, check out the following resources.

    \n

    Translating WordPress – Explains how to translate WordPress using POT, PO, and MO files.

    \n

    Installing WordPress In Your Language – This article simply explains how to install WordPress in another language other than English.

    \n

    I18n for WordPress Developers – I18n is an abbreviation for internationalization, or the process of making an application ready for translation. In the WordPress case it means marking strings, which should be translated in a special way. It is called i18n, because there are 18 letters between the I and the n. Explains how to make your plugin, theme, or application built on top of WordPress I18n compliant.

    \n

    Files That Need Direct Translation – This Codex article is in need of editing but it contains a list of files up to WordPress 2.6 that need direct translations applied to them.

    \n

    WP-Polyglots Mailing List – The wp-polyglots mailing list has been created keeping the needs of translators in mind. If you are interested in translating WordPress to suit your locale and language preferences, or would like to get involved in discussions regarding the same, consider joining this list. Also check out the Polyglots mailing list archive.

    \n

    GlotPress – GlotPress is a new project by Nikolay. GlotPress will be a web-based translation tool similar to how WordPress is a web-based publishing tool. To see how it’s already being used, read this recently published post on the WordPress.com blog.

    \n

    Are You Thankful?

    \n

    In 2009, what are you thankful for when it comes to WordPress?

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 25 Nov 2009 23:41:44 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:21;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:99:"Weblog Tools Collection: How To Disable Delete Post Functionality For Everyone Except Administrator";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:128:"http://weblogtoolscollection.com/archives/2009/11/25/how-to-disable-delete-post-functionality-for-everyone-except-administrator/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:128:"http://weblogtoolscollection.com/archives/2009/11/25/how-to-disable-delete-post-functionality-for-everyone-except-administrator/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1905:"

    WordPress has a pretty decent role management in place, which allows you to create users and assign them certain privileges and functionality. However, there are few things which you cannot do right now with it. For example, creating new roles, modifying role privileges and so on.

    \n

    The Role Manager plugin fills in that void and adds a very robust role management interface to WordPress. Though I won’t go into much detail about the plugin, I just wanted to highlight a simple trick, using which you can disable delete functionality for post and pages and retain it with only the administrator of the blog.

    \n

    Disabling delete functionality may be done for several reasons, specifically on multi-author blogs. However, my sole reason for doing this is that “Precaution is better than Cure”.

    \n

    To disable delete functionality for post and pages, install the Role Manager plugin (if you haven’t done it already) and click on the Roles link under the Users menu, in the admin dashboard sidebar.

    \n

    disable_delete_posts_feature

    \n

    Once you are on the Roles page, browse through the roles and click on the green checkmark (if they appear) next to the privileges highlighted in the screenshot above. Don’t do this for the administrator role though.

    \n

    Once all the checkmarks have turned to red cross marks, the delete functionality will be disabled for the respective roles.

    \n

    Role Manager is an excellent plugin and will come in pretty handy for multi-author blogs. I have just highlighted one of the many things you can accomplish with this plugin, so go ahead and give it a try.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 25 Nov 2009 21:15:57 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Keith Dsouza";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:22;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:72:"WordPress.tv: José Fontainhas: Lost in Translation—i18n and WordPress";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3066";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://wordpress.tv/2009/11/14/jose-fontainhas-i18n-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1426:"

    \n
    \n
    \n
    José Fontainhas: Lost in Translation—i18n and WordPress
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 25 Nov 2009 03:15:13 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:23;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:54:"WordPress.tv: John Hawkins: Building Your First Plugin";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3056";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://wordpress.tv/2009/11/14/john-hawkins-plugins-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1379:"

    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Tue, 24 Nov 2009 04:15:12 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:24;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:65:"Weblog Tools Collection: Google To Help Notify You Of New Updates";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7237";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:94:"http://weblogtoolscollection.com/archives/2009/11/23/google-to-help-notify-you-of-new-updates/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2376:"

    googlelogoHere comes yet another way to be notified of new upgrades for WordPress in case you need one. Google has announced that they will be using their processing power to scan the source code of websites to look for the version number of the publishing software they are using and send them a notification through Google Webmaster Tools letting them know that an upgrade is available. In the case of WordPress, the meta tag was moved  to the core of WordPress in 2.5. Therefor, anyone running a version of WordPress from 2.5 and above should have it displayed in their source code unless it was either removed or edited out through an action in the functions.php file such as remove_action(’wp_head’, ‘wp_generator’); Also, some plugins have been created that removes the version info as well, typically security related plugins.

    \n

    Speaking of security, the security through obscurity argument regarding the public display of the version number of WordPress in the source code was over once the code for WordPress was available to the public. Matt Mullenweg mentioned this in his post regarding how to keep WordPress secure.

    \n

    Hide the WordPress version, they say, and you’ll be fine. Uh, duh, the worm writers thought of that. Where their 1.0 might have checked for version numbers, 2.0 just tests capabilities, version number be damned.

    \n

    So, I’m with Google in that including the version number in the source code can do more good than harm. In order to receive these update notifications from Google, you’ll need to have a Google Webmaster Tools account with a site attached.

    \n

    The majority of people in the WordPress community have continuously advised removing this generator from being seen in the source code as a means of security. Will this line of thinking continue, or will we see more people add or leave it in to take advantage of the updates from Google?

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 20:21:02 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:25;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:60:"Weblog Tools Collection: WordPress Plugin Releases for 11/23";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7235";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:88:"http://weblogtoolscollection.com/archives/2009/11/23/wordpress-plugin-releases-for-1123/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2529:"

    New Plugins

    \n

    Additional image sizes

    \n

    With this plugin, users can add and remove intermediate image sizes. The plugin can also make copies of existing images with these new sizes.

    \n

    Online Leaf

    \n

    Online Leaf presents a new standby engine for all WordPress blogs. Once installed, it will detect any user inactivity on the blog and cover the blog with a dark screen, which darkens the colors and hides animations and effects, so that the monitors do not waste energy displaying these untill activity is detected again, which happens when the mouse is moved across the website.

    \n

    Updated Plugins

    \n

    Smooth Slider

    \n

    Smooth Slider is a WordPress Plugin for creating a dynamic slideshow for featured posts on a blog.

    \n

    SEO Ultimate

    \n

    This all-in-one SEO plugin can handle titles, meta, noindex, canonical tags, 404 monitoring, linkboxes, and robots.txt. Version 1.3 adds anchor text customization for the “more” link in posts.

    \n

    WP Super Cache

    \n

    WP Super Cache is a page caching plugin for WordPress that will significantly speed up your website.

    \n

    WP Email Capture

    \n

    This creates a 2 field form (Name & Email) for capturing emails. Email is double opt in, and allows you to forward opt in to services such as ebooks or software. When you are ready to begin your email marketing campaign, simply export the list into your chosen email marketing software or service.

    \n

    Video Sidebar Widgets

    \n

    It enables the user to embed FlashVideo from various video sharing networks into the widgetised sidebar of a WordPress powered blog.

    \n

    GD Press Tools

    \n

    GD Press Tools is a collection of various administration, seo, maintenance and security related tools. This tools can be integrated into the various WordPress admin panels, can perform maintenance operations, change some aspects of WordPress, see detailed server settings and information.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 18:00:27 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:26;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:44:"Donncha: WordPress, Nginx and WP Super Cache";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:29:"http://ocaoimh.ie/?p=89495533";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:58:"http://ocaoimh.ie/89495533/wordpress-nginx-wp-super-cache/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:8765:"

    If you host your own WordPress blog, it’s probably on Apache. That all fine and good. For most sites Apache works wonderfully, especially as it’s so easy to find information on it, on mod_rewrite and everything else that everyone else uses.

    \n

    One of the alternatives is Nginx, a really fast webserver that streaks ahead of Apache in terms of performance, but isn’t quite as easy to use. That’s partly because Apache is the default webserver on most Linux distributions and hosts. Want to try Nginx? Here’s how.

    \n

    Install Nginx. On Debian based systems that’s as easy as\n

    aptitude install nginx
    \n

    Nginx doesn’t talk PHP out of the box but one way to do it is via spawn-fcgi. Here’s where it gets complicated. (Docs summarised from here)

    \n
      \n
    1. Install php5-cgi. Again, on Debian systems, that’s\n
      aptitude install php5-cgi
      \n
    2. \n
    3. Edit /etc/nginx/sites-available/default and add the following chunk of code to the “server” section:\n
      location ~ \\.php$ {\n        include /etc/nginx/fastcgi_params;\n        fastcgi_pass  127.0.0.1:9000;\n        fastcgi_index index.php;\n        fastcgi_param  SCRIPT_FILENAME  /var/www/nginx-default$fastcgi_script_name;\n}
      \n
    4. \n
    5. Install lighttpd for the spawning command.\n
      apt-get install lighttpd
      \n

      You’ll probably get an error at the end of the install if Apache is already running on port 80. Edit /etc/lighttpd/lighttpd.conf and uncomment the line\n

      server.port = 80
      \n

      and change 80 to 81. Now run the apt-get command again and it will install.\n

      /etc/init.d/lighttpd stop
      \n

      will stop lighttpd running. (You don’t need it)

    6. \n
    7. Create a new text file, /usr/bin/php-fastcgi with this:\n
      #!/bin/sh\n/usr/bin/spawn-fcgi -a 127.0.0.1 -p 9000 -u nobody -f /usr/bin/php5-cgi
      \n

      The user “nobody” should match the user Apache runs as to make things easier to transition.
      \nMake it executable with\n

      chmod 755 /usr/bin/php-fastcgi
      \n
    8. \n
    9. Create another new file /etc/init.d/init-fastcgi and make it executable with the chmod command too. Put this in the file:\n
      #!/bin/bash\nPHP_SCRIPT=/usr/bin/php-fastcgi\nRETVAL=0\ncase "$1" in\n    start)\n      $PHP_SCRIPT\n      RETVAL=$?\n  ;;\n    stop)\n      killall -9 php\n      RETVAL=$?\n  ;;\n    restart)\n      killall -9 php\n      $PHP_SCRIPT\n      RETVAL=$?\n  ;;\n    *)\n      echo "Usage: php-fastcgi {start|stop|restart}"\n      exit 1\n  ;;\nesac\nexit $RETVAL
      \n
    10. \n
    11. Start the PHP processes with\n
      /etc/init.d/init-fastcgi start
      \n

      and make sure it starts on every reboot with\n

      update-rc.d init-fastcgi defaults
      \n
    12. \n
    \n

    That’s the PHP part of things. In Debian, the default root is “/var/www/nginx-default” so put an index.php in there to test things out. Stop Apache and start Nginx (if this is a test server only!) and visit your site. Works? Now to get WordPress and WP Super Cache working.

    \n

    Open up /etc/nginx/sites-enabled/default in your editor and comment out the text already there with # characters. Paste the following in. Change paths and domains to suit your site. (via)

    \n
    server {\n        server_name  example.com http://www.example.com;\n        listen   80;\n        error_log   /www/logs/example.com-error.log;\n        access_log  /www/logs/example.com-access.log;\n\n        location ~ \\.php$ {\n                include /etc/nginx/fastcgi_params;\n                fastcgi_pass  127.0.0.1:9000;\n                fastcgi_index index.php;\n                fastcgi_param  SCRIPT_FILENAME  /www/example.com/htdocs$fastcgi_script_name;\n        }\n\n        location / {\n               gzip  on;\n               gzip_http_version 1.0;\n\n               gzip_vary on;\n\n               gzip_comp_level 3;\n\n               gzip_proxied any;\n\n               gzip_types text/plain text/html text/css application/json application/x-javascript text/xml application/xml application/xml+rss text/javascript;\n\n               gzip_buffers 16 8k;\n               root   /www/example.com/htdocs;\n               index  index.php index.html index.htm;\n# if the requested file exists, return it immediately\n               if (-f $request_filename) {\n                       break;\n               }\n\n               set $supercache_file \'\';\n               set $supercache_uri $request_uri;\n\n               if ($request_method = POST) {\n                       set $supercache_uri \'\';\n               }\n\n# Using pretty permalinks, so bypass the cache for any query string\n               if ($query_string) {\n                       set $supercache_uri \'\';\n               }\n\n               if ($http_cookie ~* "comment_author_|wordpress|wp-postpass_" ) {\n                       set $supercache_uri \'\';\n               }\n\n# if we haven\'t bypassed the cache, specify our supercache file\n               if ($supercache_uri ~ ^(.+)$) {\n                       set $supercache_file /wp-content/cache/supercache/$http_host/$1index.html;\n               }\n\n# only rewrite to the supercache file if it actually exists\n               if (-f $document_root$supercache_file) {\n                       rewrite ^(.*)$ $supercache_file break;\n               }\n\n# all other requests go to Wordpress\n               if (!-e $request_filename) {\n                       rewrite . /index.php last;\n               }\n        }\n}
    \n

    I think the gzip settings above will compress cached files if necessary but Nginx can use the already gzipped Supercache files. The version of Debian I use doesn’t have gzip support compiled in, but if your system does, take a look at the gzip_static directive. Thanks sivel.

    \n

    Finally, edit /etc/nginx/nginx.conf and make sure the user in the following line matches the user above:\n

    user www-data;
    \n

    I changed it to “nobody nogroup”.

    \n

    Now, stop Apache and start Nginx:\n

    /etc/init.d/apache stop; /etc/init.d/nginx start
    \n

    WP Super Cache will complain about mod_rewrite missing, and you should disable mobile support.

    \n

    How has it worked out? I only switched on Friday. The server did do more traffic than normal, but I put that down to the floods in Cork. Weekend traffic was perfectly normal.

    \n

    Load on the site is slightly higher, probably because my anti-bot mod_rewrite rules aren’t working now. Pingdom stats for the site haven’t changed drastically and I think the Minify plugin stopped working, must debug that this week. Switching web servers is a huge task. I disabled mobile support in Supercache because I need to translate those rules to Nginx ones. A little birdie told me that he’s going to be writing a blog post on this very subject soon. Here’s hoping he’ll put fingers to keys soon.

    \n

    Have you switched to Nginx? How has your switch worked out for you?

    \n

    Related Posts

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 12:34:53 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Donncha";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:27;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:56:"WordPress.tv: Last Week on WordPress.tv: Nov 15—Nov 21";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:31:"http://blog.wordpress.tv/?p=102";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:84:"http://blog.wordpress.tv/2009/11/23/last-week-on-wordpress-tv-nov-15%e2%80%94nov-21/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:3637:"

    We had another light publishing week here on WordPress.tv last week, but we have the first of a bunch of WordCamp video for you tonight in a special weekend delivery to make up for lost time.

    \n

    The one video we did get out for you was the first video to come out of the excellent WordCamp New York City, and it features an awesome concept that came out of the Google Summer of Code. It’s Daryl Koopersmith’s talk on the Elastic WYSIWYG theme tool; you should check it out.

    \n

    Tonight, we have three more videos, also from WordCamp NYC. First, Matt Martz gives an instructional course on intermediate plugin development. Jim Doran talks to us about using jQuery when you develop for WordPress. And lastly, Allan Cole discusses the increasingly important role child themes take in WordPress development.

    \n

    We have more WordCamp video on the way this week. To stay updated, follow @wordpresstv on Twitter.

    \n

    Last week, I asked for suggestions for future video tutorials, and we received a handful of suggestions that I think are very good. I think you’ll see some information on those topics in the future. This week, I have a different request of the community.

    \n

    We need volunteer transcribers and translators.

    \n

    To get started, we have video coming in soon from WordCamp Kyoto. Almost all of it is (of course) in Japanese—and much of the WordPress community would still love to see those presentations but may not understand the Japanese language. If you are Japanese-speaking and could help us by volunteering to transcribe or translate the video from WordCamp Kyoto, please either leave a comment on this post or drop us a line using this contact form.

    \n

    Thanks, and if you’re celebrating Thanksgiving this week, have a great holiday week. Don’t forget the contest currently going on at WordPress.com—a video contest! There’s some snazzy prizes being given away over there.

    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 05:40:26 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:28;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:61:"WordPress.tv: Jim Doran: Using jQuery in Your WordPress Theme";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3043";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:54:"http://wordpress.tv/2009/11/14/jim-doran-jquery-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1372:"

    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 05:30:21 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:29;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:80:"WordPress.tv: Allan Cole: Children Are the Future—Developing with Child Themes";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3045";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:61:"http://wordpress.tv/2009/11/14/allan-cole-child-themes-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1384:"

    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 05:30:21 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:30;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:57:"WordPress.tv: Matt Martz: Intermediate Plugin Development";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3035";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:56:"http://wordpress.tv/2009/11/14/matt-martz-plugins-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1380:"

    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Mon, 23 Nov 2009 05:00:11 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:31;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:57:"Weblog Tools Collection: So we tried Intense Debate . . .";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7229";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:80:"http://weblogtoolscollection.com/archives/2009/11/22/so-we-tried-intense-debate/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:5251:"

    It was not meant to be. I had high hopes for Intense Debate but the drawbacks outweighed the positives in our case. I was really looking forward to a few of the features that I thought might bring more interactivity to the blog and encourage readers to have meatier discussions. As you notice below, we have turned off Intense Debate and gone back to the original comment form. Below is a list of the some of the features I was really looking forward to and our experiences with them.

    \n

    I would like to preface this discussion by saying that I screwed up the install by adding this blog onto the wrong account and that added to some of our woes. The account bug that followed (we received some help via the support email) was caused by my fat fingering.

    \n\n

    In addition to the good and the bad above, I also received some disturbing feedback which suggested that some people would not comment on a blog that runs Intense Debate. I have no such qualm and would really like to hear from folks who feel this way. Why this angst?

    \n

    In conclusion I have to say that I think Intense Debate was a mixed bag for us. If you are not thoroughly used to the WordPress comments system and do not have tens of thousands of comments, it is worth a shot. The ability to roll back is fantastic for buyers’ remorse and I think there is a lot of potential.

    \n

    UPDATE: And deactivating the plugin was not enough to stop it from acting upon incoming comments. Comments were borked since ID was deactivated yesterday. The plugin files have now been deleted and that seems to allow comments to flow back through. Sorry for the trouble.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sun, 22 Nov 2009 22:58:24 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:10:"Mark Ghosh";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:32;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:59:"Weblog Tools Collection: WordPress Theme Releases for 11/21";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7227";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:89:"http://weblogtoolscollection.com/archives/2009/11/21/wordpress-theme-releases-for-1121-2/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1961:"

    THF204

    \n

    THF204

    \n

    Three column, simple clean theme with two widgetised sidebars.

    \n

    BlackLens

    \n

    BlackLenstheme

    \n

    BlackLens is a black, white and pink theme with a floral decoration in the top right of the page. Its a two column theme with a left sidebar and support for widgets.

    \n

    Filmix

    \n

    Filmix

    \n

    It supports gravatars, is widget-ready, Adsense-ready, dark, modern and clean.

    \n

    Tiki Time

    \n

    Tiki Time

    \n

    3-columns, widget-ready, Adsense-ready, and supports gravatars

    \n

    The Hives

    \n

    The Hives

    \n

    Three column, widget ready theme with a rotating carousel, lifestream and related posts.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 21 Nov 2009 14:12:09 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:33;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:40:"Mark Jaquith: Block-level comments trick";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://markjaquith.wordpress.com/?p=369";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:71:"http://markjaquith.wordpress.com/2009/11/21/block-level-comments-trick/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2993:"

    Block-level comments are useful for commenting out an entire block of code in PHP, CSS, and other code contexts.

    \n
    \n/*\n$this = \'code is deactivated\';\n$and = \'so is this\';\n*/\n
    \n

    The only problem with this is that when you go to re-activate this code, you have to change both the opening and closing comment markers. That’s a pain.

    \n

    While I was at WordCamp NYC last week, I saw Daisy Olsen using a very clever trick in her lightning round talk.

    \n
    \n/*\n$this = \'code is deactivated\';\n$and = \'so is this\';\n/**/\n
    \n

    See what she did there? The closing comment marker is preceded by another opening marker. Because comment blocks can’t be nested, this second opening comment marker is ignored. This enabled her to re-enable this code by removing the opening marker.

    \n
    \n$this = \'code is reactivated\';\n$and = \'so is this\';\n/**/\n
    \n

    Brilliant! I can’t believe I haven’t seen this before. The one downside to this is that you are deleting two characters and destroying the opening marker. Here’s an even better method.

    \n
    \n//*\n$this = \'code is reactivated\';\n$and = \'so is this\';\n/**/\n
    \n

    By adding a slash in front of the opening comment marker, I comment out the comment marker. It only takes one key press, and the corpse of the original opening marker is retained, allowing you to reinstate it with the deletion of a single character.

    \n

    Props to Aleem Bawany for the second trick (he uses //*/ as the closing comment, which works pretty much the same way).

    \n

    What other commenting tricks do you know?

    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 21 Nov 2009 04:49:41 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Mark Jaquith";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:34;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:67:"Weblog Tools Collection: How to Create Micro Blogs Within WordPress";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:96:"http://weblogtoolscollection.com/archives/2009/11/21/how-to-create-micro-blogs-within-wordpress/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:96:"http://weblogtoolscollection.com/archives/2009/11/21/how-to-create-micro-blogs-within-wordpress/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:7322:"

    I recently started out with a microblog on my site, where I wanted to quickly share content I find on the Internet. Before I started out I had an option of using the P2 theme to post quick content on it. However, I shelved the idea since I did and do not have much time to customize the P2 theme to match the look and feel of my current site.

    \n

    This led to a big dilemma since I wanted 3 things:

    \n\n

    Well, i was able to do all of these things without having to add new plugins or create a new blog. Here are the steps I followed to do it. Hopefully many of you will find this useful, and in turn also understand how powerful WordPress is when you want to customize it the way you want it to be.

    \n

    Create Categories & Modify Loops to Segregate Content

    \n

    The first few steps include creating a separate category for the Microblog and segregating content accordingly.

    \n

    Create Category for your Microblog

    \n

    The first thing I wanted to do was to segregate the main content from the micro blog content on the home page, so I went ahead and created a new category called “Microblog”, where I post all the Microblog content.

    \n

    Exclude Microblog Content from Main Loop

    \n

    After creating a separate category, I needed the content from this category to be displayed separately on the site and not with the regular loop. To do that, you will have to edit your template file for the home page, usually index.php in your WordPress theme directory.

    \n

    To do that you will need to add the code given below before checking if posts exist.

    \n
    \n
    \n
       1: query_posts($query_string . \'&cat=-123\'); //excludes micro blog category
    \n
       2: //continue regular WP loop
    \n
       3: if (have_posts()) : 
    \n
       4:   while (have_posts()) : the_post();
    \n
       5:       //display posts 
    \n
       6:   endwhile:
    \n
       7: else : 
    \n
       8:     //show errors 
    \n
       9: endif;
    \n

    \n
    \n

    The code query_posts… instructs WordPress to ignore categories which have an id 123.  Please not that you need to provide the minus(-) symbol before the category id. You will need to specify comma separated values to skip multiple categories.

    \n

    Only Display Microblog Content in The Loop

    \n

    Since I wanted Google to index the content from the Microblog, I wanted to display in on the home page, for this I needed to run another loop, which only displays content from the Microblog.

    \n

    For that you need to add the following code:

    \n
    \n
    \n
       1: query_posts(\'category_name=microblog&posts_per_page=5\'); //only display microblog posts
    \n
       2: if(have_posts()) :
    \n
       3:     while(haveposts()) : the_post();
    \n
       4:         //show posts
    \n
       5:     endwhile;
    \n
       6: else:
    \n
       7:     //show errors
    \n
       8: endif;
    \n

    \n
    \n

    In this case, the query_posts only fetched posts from a particular category we specified as the category_name and skipped the rest of it.

    \n

    Using the above tricks you now have different sections on your blog home page which segregates content based on categories. You can find more information about skipping and querying certain categories by visiting the WordPress Codex entries for The Loop.

    \n

    Creating Different Feeds for Main and Microblog

    \n

    Now that you have been able to separate content from your main blog and the microblog, it is now time to create separate feeds for them. This is much more simpler than segregating content above and only requires few changes in your feed URL.

    \n

    For example if your main feed URL is http://example.com/feed you will have to change it to http://example.com/feed?cat=-123. Similar to the skip rule in the query above, -123 will ignore posts from the category you specify.

    \n

    Creating a separate feed for your Microblog is much more simpler, all you need to do is use the current URL for the Microblog category and add /feed to it. Your Microblog feed will be http://example.com/microblog/feed.

    \n

    Since you are offering multiple feeds, you might also want to add them to your header.php, so browsers with automatic feed discovery can discover all your feeds. To that, remove the regular feed/RSS link tags from your header and add this. Replace the feed URLs with your own.

    \n
    \n
    \n
       1: <link rel="alternate" type="application/rss+xml" title="Techie Buzz RSS Feed" href="http://feeds.techie-buzz.com/techiebuzz" /> 
    \n
       2: <link rel="alternate" type="application/rss+xml" title="Techie Buzz Microblog" href="http://feeds.techie-buzz.com/tbmicroblog" />
    \n

    \n
    \n

    multiple_feeds

    \n

    Doing this will ensure that whenever a user tries to subscribe to you feeds, they will see multiple options as shown above.

    \n

    Posting Quickly to Your Microblog

    \n

    Now that you have your Microblog setup and ready to go, it would be more appropriate that you can quickly post content to it.

    \n

    To do that change your default category for posting to “Microblog” and then drag the Quick Press bookmarklet from your Tools menu to your browser bookmarks bar and start posting. Watch the video below to see how you can use Quick Press to quickly post content to your site.

    \n

    \n

    The above tricks will not create a real Microblog, but it will eventually help you to segregate content and run multiple smaller blogs within your major blog and offer them to subscribers. I would still prefer to use the P2 theme for the above task, however customizing it to match the look and feel is a lengthy process and hopefully it should be quicker in the future.

    \n

    The above tricks might be good or they might not be that good. Do give me your feedback on what you think about it and whether or not your found it helpful.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Sat, 21 Nov 2009 04:01:56 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Keith Dsouza";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:35;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:46:"Weblog Tools Collection: The New P2 Is Awesome";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7215";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:75:"http://weblogtoolscollection.com/archives/2009/11/20/the-new-p2-is-awesome/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1941:"

    During WordCamp New York, I and many others had the chance to view a demo of the new P2 theme that will be released to WordPress.org users in due time. It’s already live for WordPress.com users in case you use that system. The New P2 improves on the first version by adding support for custom post types. For example, the theme has built in content types for a blog post, status updates, quotes, or links. These specific content types can be designed to give each an individual style. The first thing that comes to my mind when I saw this in action was Tumblr which does a great job styling the various types of content you have to choose from. Custom post types will be available in WordPress 2.9.

    \n

    p2posttypes

    \n

    The new P2 has also been reworked from the ground up so that it can be used as a parent theme and then extended with child themes. Andy Peatling says:

    \n

    This will allow theme designers to create awesome new theme designs without having to duplicate all of the existing P2 features. We’ve streamlined the HTML of the theme so that it is much more flexible for creating new designs using CSS.

    \n

    Although it’s not shown in the screenshots, I was told that the new P2 will contain media uploading so that images can be added to posts. This is something that was heavily requested after the first version of P2 was released. For more screenshots and to read Andy’s write up, check out this post on the WordPress.com blog and keep an eye out for the release of the new P2 on the theme repository.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Fri, 20 Nov 2009 21:56:10 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:36;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:79:"WordPress.tv: Daryl Koopersmith: Elastic—Your Theme’s Future WYSIWYG Editor";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://wordpress.tv/?p=3021";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:63:"http://wordpress.tv/2009/11/14/daryl-koopersmith-elastic-nyc09/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1376:"

    \n
    \n
    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Fri, 20 Nov 2009 03:45:14 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:11:"Ryan Markel";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:37;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:27:"Matt: This Week in Startups";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:21:"http://ma.tt/?p=15103";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:43:"http://ma.tt/2009/11/this-week-in-startups/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:281:"

    Last week I was on This Week in Startups with Jason Calacanis and Joel Spolsky. Here’s the show:

    \n

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 17:45:35 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:38;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:43:"Publisher Blog: WordPress and Windows Azure";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:42:"http://publisherblog.automattic.com/?p=701";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:75:"http://publisherblog.automattic.com/2009/11/19/wordpress-and-windows-azure/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:4269:"

    This week I had a unique opportunity to appear at Microsoft’s Professional Developer Conference in Los Angeles, to demo four open source technologies — WordPress, Apache, MySQL, PHP — running on Microsoft’s new EC2 competitor called Azure.

    \n

    WordPress and Windows Azure probably aren’t the first two things you’d think of together. WordPress has been free and open source software from the very beginning, Windows not so much, but we’ve always supported as many platforms as possible and for at least 4 years now you could run WP on Windows and IIS (Internet Information Services).

    \n

    Choice and competition are great for spurring innovation and better for users and I believe open source software is a good thing even if it’s on a proprietary platform. (Just like we have an open source iPhone application, or encourage people to use Firefox on Windows.)

    \n

    If you’re interested, check out the full transcript of the keynote from PDC or watch the video of the keynote.

    \n

    We also created this FAQ in case you had more questions about what was announced.

    \n

    What did you announce about WordPress at Microsoft PDC 09?
    \nAs part of the introduction of the Windows Azure platform, we announced that self-hosted WordPress can be run in an Azure environment on an open source stack of Apache, MySQL, and PHP. Showing MySQL in particular at a Microsoft conference was unusual.

    \n

    Are you moving WordPress.com to Azure?
    \nNo. WordPress.com, which is Automattic’s hosted blogging service, is going to stay on its existing infrastructure. Martin Cron from the Cheezburger Network launched a new blog Oddly Specific on Azure, which some people confused with Automattic.

    \n

    Do you use Azure at all?
    \nYes, we’ve been testing out their blob storage as an alternative to Amazon S3 and Rackspace Cloudfiles. We don’t currently use it in production.

    \n

    Doesn’t this conflict with your open source orientation?
    \nNo. We actually think it’s going to help the spread of open source to have the Free and open Web stack get more support and deployment through Microsoft’s cloud infrastructure, which they’re investing quite a bit in. Besides, as I like to say, once you get a taste of Freedom it’s hard to go back. :)

    \n
    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 17:26:07 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:39;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:59:"Weblog Tools Collection: WordPress Theme Releases for 11/19";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7205";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:89:"http://weblogtoolscollection.com/archives/2009/11/19/wordpress-theme-releases-for-1119-2/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2702:"

    Aureola

    \n

    Aureola

    \n

    A free magazine style WordPress theme to show your content on a smooth layout.

    \n

    BrandNew Folio

    \n

    BrandNew Folio

    \n

    Two column, fixed width theme with support for gravatars, widgets and a customizable homepage.

    \n

    wpClassifieds

    \n

    wpClassifieds

    \n

    wpClassifieds is a free Wordpress theme that transform your wordpress blog into a classified ads site similar to Craigslist or OLX.

    \n

    5 Travel-Inspired WordPress Themes

    \n

    article24-med-iv-cap

    \n

    Five single column and multiple column themes inspired with some things travel.

    \n

    Bold Life

    \n

    Bold Life Theme

    \n

    Bold Life is 2 columns light, widget ready WordPress theme.

    \n

    MiniCard

    \n

    MiniCard is a social network/business card Wordpress theme inspired by Tim Van Damme’s website. The theme lets you add links to all the social networking sites you may be a member of, and post useful information such as bio’s and contact details. It also has built in hCard support and (optionally) lets you offer a vCard for visitors to download your contact information.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 15:56:00 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Perurry";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:40;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:29:"Donncha: WP Super Cache 0.9.8";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:29:"http://ocaoimh.ie/?p=89495507";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:46:"http://ocaoimh.ie/89495507/wp-super-cache-098/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:11159:"

    WP Super Cache version 0.9.8 is now available. WP Super Cache is a page caching plugin for WordPress that will significantly speed up your website.

    \n

    New in this release are 2 translations. The Spanish translation is by Omi and the Italian by Gianni Diurno. Please, if you use their translations, drop by their sites and leave a thank you comment! They’ve been very patient with me as I fixed gettext bugs and added new text. Both have blogged about the translations if you need to know more: Gianni, Omi.

    \n

    The second major feature to go in is an “advanced” section to the debugger. This allows the plugin to check the front page every 5 minutes to make sure everything is ok. It monitors for 2 very rare problems:

    \n
      \n
    1. Very very occasionally, the front page becomes a gzip file that downloads. It happened here once and I examined the cache file. There was nothing wrong with it. It was perfect. I suspect Apache and mod_rewrite got confused somehow but clearing the cache fixed it. The file generated after was exactly the same size as the old one, so no chance it got “double gzipped”.
    2. \n
    3. In certain rare cases, where a blog has a static front page, and uses a permalink structure of /%category%/%postname%/, the wrong page may be cached as the front page. Even if your blog satisfies the two conditions above it may not suffer from this problem. I tried it on this blog for a few days and couldn’t reproduce it at all!
    4. \n
    \n

    Nevertheless, if you’re concerned edit your wp-cache-config.php and add this line:

    \n
    $wp_super_cache_advanced_debug = 1;
    \n

    Reload the admin page and you’ll see this added to the debug section:

    \n
    advanced-debug
    \n

    If activated, it will check your front page every 5 minutes. It’s not activated by default because these errors only happen to a small number of blogs. I’ve also noticed that WordPress seems to randomly forget to run the page checker from time to time. I debugged it and the job simply disappears from the wp-cron system! I’ve no idea why, but reloading the admin page schedules it again.
    \nIf you’re still paranoid, set your cache expiry low so at least the cache files will be recycled quickly.

    \n

    Caching, Minification and CDNs

    \n

    Oh, there’s a new caching plugin on the scene. W3 Total Cache works like Supercache’s half-on mode but can store to memory as well as disk (like Batcache) but also does minification and supports CDNs. I’ve been asked a few times if I’ll support those features too but I don’t see why as other plugins already have that covered (and frankly, I don’t have time to maintain such complex features):

    \n
      \n
    1. WP Minify “integrates the Minify engine into your WordPress blog. Once enabled, this plugin will combine and compress JS and CSS files to improve page load time.” Thaya is very responsive and fixed a bug I reported quickly.
    2. \n
    3. There are any number of CDN plugins for WordPress. I don’t use a CDN so I can’t recommend one but OSSDL CDN Off Linker might be worth a shot. This post on it mentions Supercache plus, a fork of this plugin.
    4. \n
    \n

    Traffic Spikes and Benchmarks

    \n

    I really should collect more of these. A few weeks ago Mark Pilgrim blogged about how his book had been republished by a 3rd party and put up for sale on Amazon. His book was published under the GNU Free Documentation License so that’s perfectly legal to do, even if a little unusual as it can be downloaded from Mark’s website and is for sale by his publisher. The blog post generated a lot of interest and a few days later I received a donation from Mark, followed by a thank you email. I’m a big fan of what Mark does, so if it had been a physical cheque or a letter I’d have framed it!
    \nA few days after that he tweeted the following graph. Nice spike of traffic eh? His server held up fine with help from WP Super Cache.

    \n
    diveintomark.org-dashboard
    \n

    And finally, some benchmarks, in Russian unfortunately but the pages translates well.

    \n\n
    caching-benchmarks
    \n

    Summary of changes in 0.9.8:

    \n\n

    PS. WordCamp Ireland is on in early March next year in picturesque Kilkenny. Here’s Sabrina’s launch post. Sign up! I’ll be going!

    \n

    Related Posts

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 14:20:27 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Donncha";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:41;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:75:"Weblog Tools Collection: WordPress Wins Best Open Source CMS Award for 2009";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:106:"http://weblogtoolscollection.com/archives/2009/11/18/wordpress-wins-best-open-source-cms-award-for-2009-2/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:106:"http://weblogtoolscollection.com/archives/2009/11/18/wordpress-wins-best-open-source-cms-award-for-2009-2/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1168:"

    WordPress has always been one of the best open source software available for blogging and managing websites, corporate or otherwise. To better that, WordPress has been awarded the Best Open Source CMS Award for 2009.

    \n

    We are pleased to announce that WordPress has won the Overall Best Open Source CMS Award in the 2009 Open Source CMS Awards. WordPress has won this Award for the first time in the past four years, earning itself a place in the Hall of Fame category for the Award next year.

    \n
    \n

    Three cheers to the most wonderful platform I have ever used, and will continue to use, thanks to the innovations and continued development of WordPress by the Automattic team.

    \n

    What do you think about this award? Feel free to let your congratulations and thoughts flow through the comments form.

    \n

    Update: WordPress was also named the first runner-up in the Best Open Source PHP CMS Software. Read Matt Mullenweg’s Official announcement here.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 02:50:37 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Keith Dsouza";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:42;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:44:"Weblog Tools Collection: Is Automattic Evil?";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7209";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:72:"http://weblogtoolscollection.com/archives/2009/11/18/is-automattic-evil/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:3265:"

    automatticlogoStick around the WordPress community for a period of time and you’re bound to come across a few folks who say Automattic is an evil company or Matt Mullenweg is evil in the way in which he runs WordPress.org. The more time I spend talking to Matt and with other employees of Automattic, the more I don’t understand where these thoughts and feelings of evilness come from. Sure, there is a decision made from time to time that a vocal group of people disagree with but you can’t make the right decision 100% of the time. Let’s take a closer look at Automattic as it relates to WordPress.

    \n

    When I interviewed Matt at WordCamp New York, one of the things I asked him to address is the notion that Automattic commercially benefits from those who work for free. This indeed happens but on the flip side, Automattic gives a ton back to the project and to the community. For example, I think there is a lot that can be said for the progression of WordPress thanks to the resources that Automattic has been able to provide due to their funding. It’s also worth mentioning that Automattic pays a couple of folks to work on WordPress the majority of their time such as Ryan Boren who is always slaving away committing code and Jane Wells who works on the usability front.

    \n

    It’s not like Automattic hoards the contributions to the project and gives nothing back. Matt said something during the interview that really stuck a chord with me and that is “Automattic is just one member of the WordPress community. We are a huge contributor. Myself, Jane everyone involved tries to give as much back to the WordPress community as possible.” So far, I can’t see anything that portrays the individuals or the company as evil.

    \n

    Throughout the history of Automattic, they have developed and released a number of WordPress plugins to the community. They have also taken some of their paid offerings such as VideoPress and released those to the public as well. The entire VideoPress framework to be exact. They don’t have to do this but they do so because Matt wants Automattic to be an excellent example of an Open Source based company. Not everything is open because hosted services do not have to abide by the GPL since there is no distribution taking place. It’s also worth noting that Automattic has a system in place now so that when they build in a cool new feature for WordPress.com such as Geotagging they also build a plugin to release for the WordPress.org side of things granted, the release isn’t always immediate.

    \n

    Verdict:

    \n

    It’s my opinion that neither Matt Mullenweg or Automattic is evil. They don’t have evil tendencies and they are not out to screw people. If that were the case, I can’t see how WordPress could become the piece of software it is today. So my question to you is, do you think either is evil and if so, why?

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Thu, 19 Nov 2009 01:03:51 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:13:"Jeff Chandler";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:43;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:61:"Alex King: WPWeekly Episode 79 – Alex King And WPHelpCenter";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:27:"http://alexking.org/?p=3790";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:80:"http://www.wptavern.com/wpweekly-episode-79-%E2%80%93-alex-king-and-wphelpcenter";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:909:"

    I enjoyed my podcast with Jeff last night on WordPress Weekly.

    \n

    We discussed the WordPress HelpCenter, the Carrington CMS theme framework and a little about Open Source business models.

    \n

    You can download the MP3 file here.\n

    # | Visit Site »

    \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 18 Nov 2009 18:16:52 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Alex";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:44;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:27:"Donncha: WordPress MU 2.8.6";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:29:"http://ocaoimh.ie/?p=89495504";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:44:"http://ocaoimh.ie/89495504/wordpress-mu-286/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1305:"

    WordPress MU 2.8.6 has just been released and may be downloaded immediately.

    \n

    This is a security release with the same fixes as WordPress 2.8.6 plus quite a few MU specific bug fixes too.

    \n

    Please upgrade as soon as you can.

    \n

    Related Posts

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 18 Nov 2009 15:20:32 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:7:"Donncha";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:45;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:44:"Weblog Tools Collection: How Do You Do That?";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7131";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:72:"http://weblogtoolscollection.com/archives/2009/11/18/how-do-you-do-that/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:5847:"

    Ever wanted to do something in WordPress but just wasn’t sure how? In my experience this happens quite often, mostly with people new to WordPress. But, even the experts run into trouble sometimes. Today I thought I’d start a series of posts which will aim to explain how to do certain things in WordPress. Hopefully this will cover anything from quick tips and simple little functions, all the way up to more complex custom code and the like. So, stick around and you just might learn something. ;)

    \n

    I think I’ll kick off the series with a couple simple ones…

    \n\n

    That’s all for now… I hope it helps!

    \n

    Do you have a question about WordPress? Want to see it answered here on Weblog Tools Collection? If so, please send us an E-Mail or drop a comment here. Your question just might be featured in the series!

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 18 Nov 2009 12:55:08 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"James Dimick";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:46;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:34:"Dev Blog: WordPress Wins CMS Award";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:39:"http://wordpress.org/development/?p=978";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:66:"http://wordpress.org/development/2009/11/wordpress-wins-cms-award/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1515:"

    I was very excited last week to learn that WordPress has been awarded the Overall Best Open Source CMS Award in the 2009 Open Source CMS Awards. This is a landmark for us, as it is the first time we’ve won this award, and it marks a shift in the public perception of WordPress, from blog software to full-featured CMS. No small contest, the Open Source CMS Awards received over 12,000 nominations and more than 23,000 votes across five categories.

    \n

    As Hiro Nakamura said when he first bent time and space to land in Times Square: “Yatta!”

    \n

    In addition to winning in the Overall Best Open Source CMS category, WordPress was named first runner-up in the Best Open Source PHP CMS category. This is significant because we weren’t even in the top 5 last year, and now we’re #2, ahead of Joomla! As is stated on the Award site, “WordPress made its way into the top five for the first time. The fact that it was outranked by Drupal by a very slight margin indicates how popular it has become with users as well as developers over the past year.”

    \n

    Every day thousands of new people are embracing WordPress to power not just their blogs but entire sites and communities without compromising on usability or scalability (as would be the case with a legacy CMS). Every member of the WordPress community, from core developer to beginning user, should be proud to be part of this momentum: congratulations to us all!

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Wed, 18 Nov 2009 03:48:04 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:4:"Matt";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:47;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:60:"Weblog Tools Collection: WordPress Plugin Releases for 11/17";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7127";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:88:"http://weblogtoolscollection.com/archives/2009/11/17/wordpress-plugin-releases-for-1117/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:2264:"

    New Plugins

    \n

    URL Redirector

    \n

    URL Redirector allows you to create shorter URL’s and keeps track of how many times a link has been clicked. It’s useful for managing downloads, keeping track of outbound links and for masking URL’s.

    \n

    Query Multiple Taxonomies

    \n

    A WordPress plugin that allows you to filter posts through multiple custom taxonomies

    \n

    Checkfront Online Booking Plugin

    \n

    Checkfront is an online availability, reservation and booking engine. This plugin connects your Wordpress site to your Checkfront, and provides a powerful embedded booking interface within your site.

    \n

    This plugin requires a Checkfront account (available for free).

    \n

    Updated Plugins

    \n

    WP Archive-Sitemap Generator

    \n

    WP Archive-Sitemap Generator plugin generates simple Archives/Sitemap based on your sites/blogs posts and pages. This is not another XML sitemap plugin, but rather a nice sitemap generator.

    \n

    Twitter Goodies

    \n

    Twitter Goodies plugin will show your tweets under Sidebar Area (Widget), Post and/or Pages. REFRESH AUTOMATICALLY and you have 5 different Color Option.

    \n

    Table of Contents Creator

    \n

    Table of Contents Creator automatically generates a complete table of contents for your site, including pages, posts and forum comments. The table of contents is generated each time the page is displayed therefore ensuring it is always up to date.

    \n

    Merge Tags

    \n

    A simple WordPress plugin that allows you to combine tags easily.

    \n

    Delicatessen

    \n

    A plug-in for finding out who has bookmarked your posts and pages in delicious.com, as well as the tags they used and the notes they wrote about your pages (if there are notes!).

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    WordPress 2.9 Beta 1 is now available for downloads. If you are looking forward to test out the new features in WordPress 2.9, head to the development update blog to find links to download and try out WordPress 2.9 beta 1.

    \n

    WordPress 2.9 is still in beta, you can use it to test it and report bugs back to WordPress development team. However, do not use it on a production blog yet.

    ";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:7:"pubDate";a:1:{i:0;a:5:{s:4:"data";s:31:"Tue, 17 Nov 2009 20:00:18 +0000";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}s:32:"http://purl.org/dc/elements/1.1/";a:1:{s:7:"creator";a:1:{i:0;a:5:{s:4:"data";s:12:"Keith Dsouza";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}}}}i:49;a:6:{s:4:"data";s:13:"\n \n \n \n \n \n \n";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";s:5:"child";a:2:{s:0:"";a:5:{s:5:"title";a:1:{i:0;a:5:{s:4:"data";s:74:"Weblog Tools Collection: How to Create an Author Info Section in WordPress";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"guid";a:1:{i:0;a:5:{s:4:"data";s:40:"http://weblogtoolscollection.com/?p=7119";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:4:"link";a:1:{i:0;a:5:{s:4:"data";s:103:"http://weblogtoolscollection.com/archives/2009/11/17/how-to-create-an-author-info-section-in-wordpress/";s:7:"attribs";a:0:{}s:8:"xml_base";s:0:"";s:17:"xml_base_explicit";b:0;s:8:"xml_lang";s:0:"";}}s:11:"description";a:1:{i:0;a:5:{s:4:"data";s:1064:"
    Author Info

    Author Info Section

    \n

    How to Create an Author Info Section in WordPress: Chris has put together a nice tutorial on how to create an author info section on your WordPress blog. I am sure you have seen these in the past on multi-author blogs. They normally tend to be displayed at thebottom of single posts and Chris provides details, code and styling for various features that can be added to this section. I also think this would make for a very nice and simple plugin. So if you would like to set one of these up for your own blog and increase visitor stickiness, head over to the tutorial.

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    44467 Images, 1360 Galleries and 72 Albums !!!

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    Happy new year ! A user ask in the forums if there are some limits on the amount of albums/galleries/images. And one user answered that he have

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    More pictures here

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    \n

    More pictures here

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    Every time I call or get a call a little popup “Call forwarding active” show up…Really annoying !!!

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    Now, I start google a bit around and get real frustrated. There are hundreds of “fixes” and “solutions” available in some German forums, no one describe the real problem. The most fixes will are only useful for jailbroken iPhone’s (-> ForwardMSGfix) and a couple of ideas are really stupid. No one describe why this problem happened and after one hour I found some notes about the “ShowCallForwarding” flag in the carrier profile.

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    Every time I call or get a call a little popup “Call forwarding active” show up…Really annoying !!!

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    Now, I start google a bit around and get real frustrated. There are hundreds of “fixes” and “solutions” available in some German forums, no one describe the real problem. The most fixes will are only useful for jailbroken iPhone’s (-> ForwardMSGfix) and a couple of ideas are really stupid. No one describe why this problem happened and after one hour I found some notes about the “ShowCallForwarding” flag in the carrier profile.

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    With this information I final found a solution for my iPhone without Jailbreak fixes. I really love the Internet and all it’s output, but forums are sometimes give you a wrong direction. Some people wrote silly things and it takes hours to get to the root of your problems…

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INSERT INTO `wp_posts` VALUES (515, 1, '2008-11-08 18:15:06', '2008-11-08 18:15:06', '', 'maria-s', 0, 'Me & Maria Somaraki somewhere near Old Street', 'inherit', 'open', 'open', '', 'maria-s', '', '', '2008-11-08 18:15:06', '2008-11-08 18:15:06', '', 514, 'http://jonathanstill.com/wp-content/uploads/2008/11/maria-s.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (516, 1, '2008-11-08 19:20:34', '2008-11-08 19:20:34', '', 'barbican-photo', 0, 'A bit of the Barbican. It could be any and every bit of the Barbican. Yuk.', 'inherit', 'open', 'open', '', 'barbican-photo', '', '', '2008-11-08 19:20:34', '2008-11-08 19:20:34', '', 514, 'http://jonathanstill.com/wp-content/uploads/2008/11/barbican-photo.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (525, 1, '2008-11-09 12:18:32', '2008-11-09 12:18:32', '', 'cotoneaster', 0, 'Cotoneaster turning red in the garden ', 'inherit', 'open', 'open', '', 'cotoneaster', '', '', '2008-11-09 12:18:32', '2008-11-09 12:18:32', '', 524, 'http://jonathanstill.com/wp-content/uploads/2008/11/cotoneaster.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (530, 1, '2008-11-13 13:25:43', '2008-11-13 13:25:43', '', 'malta25', 0, 'A Maltese balcony', 'inherit', 'open', 'open', '', 'malta25', '', '', '2008-11-13 13:25:43', '2008-11-13 13:25:43', '', 529, 'http://jonathanstill.com/wp-content/uploads/2008/11/malta25.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (535, 1, '2008-11-23 23:29:15', '2008-11-23 23:29:15', '', 'owl-pussycat', 0, 'A house near Elephant & Castle with an owl & a pussycat', 'inherit', 'open', 'open', '', 'owl-pussycat', '', '', '2008-11-23 23:29:15', '2008-11-23 23:29:15', '', 534, 'http://jonathanstill.com/wp-content/uploads/2008/11/owl-pussycat.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (538, 1, '2008-12-01 00:22:32', '2008-12-01 00:22:32', '', 'river', 0, 'The Thames, last Sunday ', 'inherit', 'open', 'open', '', 'river', '', '', '2008-12-01 00:22:32', '2008-12-01 00:22:32', '', 537, 'http://jonathanstill.com/wp-content/uploads/2008/12/river.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (547, 1, '2008-12-01 08:08:53', '2008-12-01 08:08:53', '', 'marlowe-extract', 0, 'Click to see a real portrait of Sylvia Marlowe', 'inherit', 'open', 'open', '', 'marlowe-extract', '', '', '2008-12-01 08:08:53', '2008-12-01 08:08:53', '', 546, 'http://jonathanstill.com/wp-content/uploads/2008/12/marlowe-extract.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (557, 1, '2008-12-01 22:37:49', '2008-12-01 22:37:49', '', 'milhaud_0001', 0, 'Possibly my favourite chord in the world, by Milhaud. ', 'inherit', 'open', 'open', '', 'milhaud_0001', '', '', '2008-12-01 22:37:49', '2008-12-01 22:37:49', '', 556, 'http://jonathanstill.com/wp-content/uploads/2008/12/milhaud_0001.gif', 0, 'attachment', 'image/gif', 0); INSERT INTO `wp_posts` VALUES (561, 1, '2008-12-02 04:11:49', '2008-12-02 04:11:49', 'My favourite chord of 2008, from Milhaud\'s Saudades do Brasil (No. 12) ©1922 Demets, pub. Eschig', 'milhaud_00011', 0, '', 'inherit', 'open', 'open', '', 'milhaud_00011', '', '', '2008-12-02 04:11:49', '2008-12-02 04:11:49', '', 556, 'http://jonathanstill.com/wp-content/uploads/2008/12/milhaud_00011.gif', 0, 'attachment', 'image/gif', 0); INSERT INTO `wp_posts` VALUES (562, 1, '2008-12-02 04:33:50', '2008-12-02 04:33:50', '', 'horse-chord', 0, 'My idea of what a polytonal chord looks like', 'inherit', 'open', 'open', '', 'horse-chord', '', '', '2008-12-02 04:33:50', '2008-12-02 04:33:50', '', 556, 'http://jonathanstill.com/wp-content/uploads/2008/12/horse-chord.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (563, 1, '2008-12-02 04:34:19', '2008-12-02 04:34:19', '', 'horse-chord1', 0, '', 'inherit', 'open', 'open', '', 'horse-chord1', '', '', '2008-12-02 04:34:19', '2008-12-02 04:34:19', '', 556, 'http://jonathanstill.com/wp-content/uploads/2008/12/horse-chord1.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (569, 1, '2008-12-03 08:37:43', '2008-12-03 08:37:43', '', 'saint-saens_0002', 0, 'An extract from the 2nd Movt. of Saint-Saëns\' 4th piano concerto Op. 44', 'inherit', 'open', 'open', '', 'saint-saens_0002', '', '', '2008-12-03 08:37:43', '2008-12-03 08:37:43', '', 568, 'http://jonathanstill.com/wp-content/uploads/2008/12/saint-saens_0002.gif', 0, 'attachment', 'image/gif', 0); INSERT INTO `wp_posts` VALUES (578, 1, '2008-12-03 23:03:03', '2008-12-03 23:03:03', '', 'band', 0, 'The Guards Association Band playing a you-know-what in Leicester Square, 2004. ', 'inherit', 'open', 'open', '', 'band1', '', '', '2008-12-03 23:03:03', '2008-12-03 23:03:03', '', 576, 'http://jonathanstill.com/wp-content/uploads/2008/12/band1.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (589, 1, '2008-12-05 09:14:07', '2008-12-05 09:14:07', '', 'statue-mime', 0, 'Non plaudite. Modo pecuniam jacite.', 'inherit', 'open', 'open', '', 'statue-mime', '', '', '2008-12-05 09:14:07', '2008-12-05 09:14:07', '', 588, 'http://jonathanstill.com/wp-content/uploads/2008/12/statue-mime.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (595, 1, '2008-12-06 09:32:29', '2008-12-06 09:32:29', '', 'if-in-doubt', 0, 'Yat Sen Chang & Daria Klimentová in Prague', 'inherit', 'open', 'open', '', 'if-in-doubt', '', '', '2008-12-06 09:32:29', '2008-12-06 09:32:29', '', 594, 'http://jonathanstill.com/wp-content/uploads/2008/12/if-in-doubt.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (604, 1, '2008-12-07 13:07:00', '2008-12-07 13:07:00', '', 'gillian-lynne', 0, 'Gillian Lynne choreographing at the Fonteyn Nureyev Young Dancers Competition in 2006', 'inherit', 'open', 'open', '', 'gillian-lynne', '', '', '2008-12-07 13:07:00', '2008-12-07 13:07:00', '', 599, 'http://jonathanstill.com/wp-content/uploads/2008/12/gillian-lynne.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (609, 1, '2008-12-08 11:15:02', '2008-12-08 11:15:02', '', 'agon-count', 0, 'Aunt Agony counting sheep', 'inherit', 'open', 'open', '', 'agon-count', '', '', '2008-12-08 11:15:02', '2008-12-08 11:15:02', '', 608, 'http://jonathanstill.com/wp-content/uploads/2008/12/agon-count.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (618, 1, '2008-12-09 17:29:46', '2008-12-09 17:29:46', '', 'jelly', 0, 'Redcurrant jelly. It\'s only the orange peel and port that make it interesting, in my view', 'inherit', 'open', 'open', '', 'jelly', '', '', '2008-12-09 17:29:46', '2008-12-09 17:29:46', '', 617, 'http://jonathanstill.com/wp-content/uploads/2008/12/jelly.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (622, 1, '2008-12-10 23:16:51', '2008-12-10 23:16:51', '', 'ikea', 0, 'Ikea. It makes me depressed, angry or wistful. But never as happy as the catalogues make out. ', 'inherit', 'open', 'open', '', 'ikea', '', '', '2008-12-10 23:16:51', '2008-12-10 23:16:51', '', 621, 'http://jonathanstill.com/wp-content/uploads/2008/12/ikea.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (626, 1, '2008-12-11 23:18:17', '2008-12-11 23:18:17', '', 'dan-rite-bix', 0, 'Daniel Jones rite-ing wrongs', 'inherit', 'open', 'open', '', 'dan-rite-bix', '', '', '2008-12-11 23:18:17', '2008-12-11 23:18:17', '', 625, 'http://jonathanstill.com/wp-content/uploads/2008/12/dan-rite-bix.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (634, 1, '2008-12-12 08:33:12', '2008-12-12 08:33:12', '', 'plastique-anime', 0, 'Spot the choreographer and dancers from Paris & Atlanta in this plastique animé', 'inherit', 'open', 'open', '', 'plastique-anime', '', '', '2008-12-12 08:33:12', '2008-12-12 08:33:12', '', 633, 'http://jonathanstill.com/wp-content/uploads/2008/12/plastique-anime.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (642, 1, '2008-12-14 09:47:21', '2008-12-14 09:47:21', '', 'krupan-keks', 0, 'Playing a polonaise is like saying this word 64 times in succession', 'inherit', 'open', 'open', '', 'krupan-keks', '', '', '2008-12-14 09:47:21', '2008-12-14 09:47:21', '', 641, 'http://jonathanstill.com/wp-content/uploads/2008/12/krupan-keks.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (646, 1, '2008-12-14 10:24:40', '2008-12-14 10:24:40', '', 'pheasants', 0, 'Pluck these, and stuff their legs inside their bottom, and they\'ll be ready to do ballet.', 'inherit', 'open', 'open', '', 'pheasants', '', '', '2008-12-14 10:24:40', '2008-12-14 10:24:40', '', 645, 'http://jonathanstill.com/wp-content/uploads/2008/12/pheasants.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (655, 1, '2008-12-16 17:25:04', '2008-12-16 17:25:04', '', 'daria-leg', 0, '', 'inherit', 'open', 'open', '', 'daria-leg', '', '', '2008-12-16 17:25:04', '2008-12-16 17:25:04', '', 654, 'http://jonathanstill.com/wp-content/uploads/2008/12/daria-leg.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (658, 1, '2008-12-16 17:29:47', '2008-12-16 17:29:47', '', 'steps_aheadsized', 0, 'Hampson does Bournemouth', 'inherit', 'open', 'open', '', 'steps_aheadsized', '', '', '2008-12-16 17:29:47', '2008-12-16 17:29:47', '', 657, 'http://jonathanstill.com/wp-content/uploads/2008/12/steps_aheadsized.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (663, 1, '2008-12-17 09:00:41', '2008-12-17 09:00:41', '', 'daria-lift', 0, 'Daria Klimentová and Yat Sen Chang', 'inherit', 'open', 'open', '', 'daria-lift', '', '', '2008-12-17 09:00:41', '2008-12-17 09:00:41', '', 662, 'http://jonathanstill.com/wp-content/uploads/2008/12/daria-lift.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (668, 1, '2008-12-18 13:16:38', '2008-12-18 13:16:38', '', 'erina-takahashi', 0, 'Erina Takahashi backstage at the Coliseum after her Sugar Plum on opening night.', 'inherit', 'open', 'open', '', 'erina-takahashi', '', '', '2008-12-18 13:16:38', '2008-12-18 13:16:38', '', 669, 'http://jonathanstill.com/wp-content/uploads/2008/12/erina-takahashi.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (675, 1, '2008-12-19 10:25:12', '2008-12-19 10:25:12', 'A bit of the waltz from Act II of \'L\'Étoile du Nord\' used in Les Patineurs', 'waltz-patineurs_0001', 0, '', 'inherit', 'open', 'open', '', 'waltz-patineurs_0001', '', '', '2008-12-19 10:25:12', '2008-12-19 10:25:12', '', 676, 'http://jonathanstill.com/wp-content/uploads/2008/12/waltz-patineurs_0001.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (682, 1, '2008-12-20 07:05:43', '2008-12-20 07:05:43', '', 'd-patineurs-2', 0, 'The end of the 1st air de ballet from Le Prophète', 'inherit', 'open', 'open', '', 'd-patineurs-2', '', '', '2008-12-20 07:05:43', '2008-12-20 07:05:43', '', 679, 'http://jonathanstill.com/wp-content/uploads/2008/12/d-patineurs-2.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (689, 1, '2008-12-20 23:21:01', '2008-12-20 23:21:01', '', 'kev-prague-edit', 0, 'Kevin Richmond in Prague, summer 2008', 'inherit', 'open', 'open', '', 'kev-prague-edit', '', '', '2008-12-20 23:21:01', '2008-12-20 23:21:01', '', 688, 'http://jonathanstill.com/wp-content/uploads/2008/12/kev-prague-edit.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (697, 1, '2008-12-22 01:00:06', '2008-12-22 01:00:06', '', 'salad-japan', 0, 'A plastic display-salad in Tokyo. It\'s the nearest thing to a snack I had in my photo album. ', 'inherit', 'open', 'open', '', 'salad-japan', '', '', '2008-12-22 01:00:06', '2008-12-22 01:00:06', '', 696, 'http://jonathanstill.com/wp-content/uploads/2008/12/salad-japan.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (703, 1, '2008-12-23 10:16:28', '2008-12-23 10:16:28', '', 'tokyo-teashop-nuts', 0, 'A Nutcracker-themed teashop in Tokyo. Don\'t ask me why. ', 'inherit', 'open', 'open', '', 'tokyo-teashop-nuts', '', '', '2008-12-23 10:16:28', '2008-12-23 10:16:28', '', 702, 'http://jonathanstill.com/wp-content/uploads/2008/12/tokyo-teashop-nuts.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (708, 1, '2008-12-24 16:04:29', '2008-12-24 16:04:29', '', 'maltese-m-and-s', 0, 'What\'s super about supermarkets?', 'inherit', 'open', 'open', '', 'maltese-m-and-s', '', '', '2008-12-24 16:04:29', '2008-12-24 16:04:29', '', 709, 'http://jonathanstill.com/wp-content/uploads/2008/12/maltese-m-and-s.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (720, 1, '2008-12-24 23:40:11', '2008-12-24 23:40:11', '', 'christmas-2008', 0, 'Our Christmas dinner (on 24th evening - the first of three). Audrey, Suresh, Russell, Roger, Irene, Jerri, Me, Keith', 'inherit', 'open', 'open', '', 'christmas-2008', '', '', '2008-12-24 23:40:11', '2008-12-24 23:40:11', '', 721, 'http://jonathanstill.com/wp-content/uploads/2008/12/christmas-2008.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (725, 1, '2008-12-27 08:05:48', '2008-12-27 08:05:48', '', 'nightmusic', 0, 'Boxing Day casting: Me, John, Hampson père, fils & mère.', 'inherit', 'open', 'open', '', 'nightmusic', '', '', '2008-12-27 08:05:48', '2008-12-27 08:05:48', '', 724, 'http://jonathanstill.com/wp-content/uploads/2008/12/nightmusic.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (731, 1, '2009-01-15 01:19:21', '2009-01-15 01:19:21', '', 'maria-blackfriars', 0, 'This has nothing to do with the post, but in the spirit of Mendelssohn, it expresses something about the poetic content', 'inherit', 'open', 'open', '', 'maria-blackfriars', '', '', '2009-01-15 01:19:21', '2009-01-15 01:19:21', '', 730, 'http://jonathanstill.com/wp-content/uploads/2009/01/maria-blackfriars.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (756, 1, '2009-01-20 18:07:26', '2009-01-20 18:07:26', '', 'wheel-eye', 0, 'The London Eye. A metaphor for music?', 'inherit', 'open', 'open', '', 'wheel-eye', '', '', '2009-01-20 18:07:26', '2009-01-20 18:07:26', '', 755, 'http://jonathanstill.com/wp-content/uploads/2009/01/wheel-eye.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (771, 1, '2009-01-27 11:58:31', '2009-01-27 11:58:31', '', 'multi-tasking', 0, 'What your brain looks like multi-tasking, I bet. ', 'inherit', 'open', 'open', '', 'multi-tasking', '', '', '2009-01-27 11:58:31', '2009-01-27 11:58:31', '', 764, 'http://jonathanstill.com/wp-content/uploads/2009/01/multi-tasking.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (774, 1, '2009-01-28 08:12:30', '2009-01-28 08:12:30', '', 'giraffe', 0, 'On the way home from Giraffe, facing the Savoy. What a view. ', 'inherit', 'open', 'open', '', 'giraffe', '', '', '2009-01-28 08:12:30', '2009-01-28 08:12:30', '', 773, 'http://jonathanstill.com/wp-content/uploads/2009/01/giraffe.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (789, 1, '2009-02-02 16:56:07', '2009-02-02 16:56:07', '', 'snow-tooting', 0, 'Snow White', 'inherit', 'open', 'open', '', 'snow-tooting', '', '', '2009-02-02 16:56:07', '2009-02-02 16:56:07', '', 788, 'http://jonathanstill.com/wp-content/uploads/2009/02/snow-tooting.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (816, 1, '2009-02-14 01:06:02', '2009-02-14 01:06:02', '', 'ioe-february', 0, 'The Institute of Education, London at twilight today', 'inherit', 'open', 'open', '', 'ioe-february', '', '', '2009-02-14 01:06:02', '2009-02-14 01:06:02', '', 815, 'http://jonathanstill.com/wp-content/uploads/2009/02/ioe-february.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (831, 1, '2009-02-22 17:39:26', '2009-02-22 17:39:26', 'Double Dream', 'kingsplace', 0, '', 'inherit', 'open', 'open', '', 'kingsplace', '', '', '2009-02-22 17:39:26', '2009-02-22 17:39:26', '', 832, 'http://jonathanstill.com/wp-content/uploads/2009/02/kingsplace.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (835, 1, '2009-02-22 18:45:03', '2009-02-22 18:45:03', 'Tooting sky on Saturday 21st', 'tooting-sky-feb2009', 0, '', 'inherit', 'open', 'open', '', 'tooting-sky-feb2009', '', '', '2009-02-22 18:45:03', '2009-02-22 18:45:03', '', 836, 'http://jonathanstill.com/wp-content/uploads/2009/02/tooting-sky-feb2009.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (842, 1, '2009-03-11 08:04:00', '2009-03-11 08:04:00', '', 'ayr8', 0, 'The beach in Ayr', 'inherit', 'open', 'open', '', 'ayr8', '', '', '2009-03-11 08:04:00', '2009-03-11 08:04:00', '', 841, 'http://jonathanstill.com/wp-content/uploads/2009/03/ayr8.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (845, 1, '2009-03-18 07:22:23', '2009-03-18 07:22:23', '', 'canary-wharf', 0, 'Canary Wharf at sunset on Sunday', 'inherit', 'open', 'open', '', 'canary-wharf', '', '', '2009-03-18 07:22:23', '2009-03-18 07:22:23', '', 846, 'http://jonathanstill.com/wp-content/uploads/2009/03/canary-wharf.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (849, 1, '2009-03-21 08:57:11', '2009-03-21 08:57:11', '', '15032009457', 0, '', 'inherit', 'open', 'open', '', '15032009457', '', '', '2009-03-21 08:57:11', '2009-03-21 08:57:11', '', 848, 'http://jonathanstill.com/wp-content/uploads/2009/03/15032009457.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (861, 1, '2009-03-31 17:16:08', '2009-03-31 17:16:08', '', 'telephoneboxsized', 0, '', 'inherit', 'open', 'open', '', 'telephoneboxsized', '', '', '2009-03-31 17:16:08', '2009-03-31 17:16:08', '', 860, 'http://jonathanstill.com/wp-content/uploads/2009/03/telephoneboxsized.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (862, 1, '2009-03-31 17:17:10', '2009-03-31 17:17:10', '', 'griffiths', 0, 'Ensbury Park, Bournemouth, or what\'s left of it. ', 'inherit', 'open', 'open', '', 'griffiths', '', '', '2009-03-31 17:17:10', '2009-03-31 17:17:10', '', 860, 'http://jonathanstill.com/wp-content/uploads/2009/03/griffiths.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (866, 1, '2009-04-01 00:14:19', '2009-04-01 00:14:19', '', 'chris-birthday-resize', 0, 'How to choreograph a birthday offering. ', 'inherit', 'open', 'open', '', 'chris-birthday-resize', '', '', '2009-04-01 00:14:19', '2009-04-01 00:14:19', '', 865, 'http://jonathanstill.com/wp-content/uploads/2009/04/chris-birthday-resize.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (870, 1, '2009-04-06 20:32:53', '2009-04-06 20:32:53', '', 'cycle-store', 0, 'Cycle Shop and General Stores in Long Hanborough', 'inherit', 'open', 'open', '', 'cycle-store', '', '', '2009-04-06 20:32:53', '2009-04-06 20:32:53', '', 869, 'http://jonathanstill.com/wp-content/uploads/2009/04/cycle-store.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (874, 1, '2009-04-06 21:05:12', '2009-04-06 21:05:12', '', 'shop-detail', 0, '', 'inherit', 'open', 'open', '', 'shop-detail', '', '', '2009-04-06 21:05:12', '2009-04-06 21:05:12', '', 869, 'http://jonathanstill.com/wp-content/uploads/2009/04/shop-detail.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (881, 1, '2009-04-20 20:07:34', '2009-04-20 20:07:34', '', 'identikat', 0, 'Dipsy & Lala on the lookout. Can you tell them apart? ', 'inherit', 'open', 'open', '', 'identikat', '', '', '2009-04-20 20:07:34', '2009-04-20 20:07:34', '', 880, 'http://jonathanstill.com/wp-content/uploads/2009/04/identikat.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (895, 1, '2009-05-04 09:52:17', '2009-05-04 09:52:17', '', 'myjam2', 0, 'This is my jam. And marmalade.', 'inherit', 'open', 'open', '', 'myjam2', '', '', '2009-05-04 09:52:17', '2009-05-04 09:52:17', '', 894, 'http://jonathanstill.com/wp-content/uploads/2009/05/myjam2.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (903, 1, '2009-05-04 10:42:08', '2009-05-04 10:42:08', '', 'water', 0, 'Message from Neptune', 'inherit', 'open', 'open', '', 'water', '', '', '2009-05-04 10:42:08', '2009-05-04 10:42:08', '', 902, 'http://jonathanstill.com/wp-content/uploads/2009/05/water.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (914, 1, '2009-05-06 07:37:26', '2009-05-06 07:37:26', '', 'rebbeccas-pocket', 0, 'Rebecca\'s Pocket. 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Gotta be done when you\'re in Singapore', '04092009571', 0, '', 'inherit', 'open', 'open', '', '04092009571', '', '', '2009-09-08 08:58:42', '2009-09-08 08:58:42', '', 1081, 'http://jonathanstill.com/wp-content/uploads/2009/09/04092009571.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1086, 1, '2009-09-08 09:00:21', '2009-09-08 09:00:21', '', '14', 0, 'The Jalan Besar stadium pool, my favourite pool in the world so far', 'inherit', 'open', 'open', '', '14', '', '', '2009-09-08 09:00:21', '2009-09-08 09:00:21', '', 1081, 'http://jonathanstill.com/wp-content/uploads/2009/09/14.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1095, 1, '2009-09-11 05:42:56', '2009-09-11 05:42:56', '', 'me-and-wenyang-and-joni', 0, '', 'inherit', 'open', 'open', '', 'me-and-wenyang-and-joni', '', '', '2009-09-11 05:42:56', '2009-09-11 05:42:56', '', 1091, 'http://jonathanstill.com/wp-content/uploads/2009/09/me-and-wenyang-and-joni.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1106, 1, '2009-09-21 20:11:17', '2009-09-21 20:11:17', '', 'tokyo-090910', 0, 'The Kabuki-za theatre in Ginza, Tokyo', 'inherit', 'open', 'open', '', 'tokyo-090910', '', '', '2009-09-21 20:11:17', '2009-09-21 20:11:17', '', 1105, 'http://jonathanstill.com/wp-content/uploads/2009/09/tokyo-090910.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1113, 1, '2009-10-11 09:21:57', '2009-10-11 09:21:57', '', 'chris-marathon', 0, 'In training', 'inherit', 'open', 'open', '', 'chris-marathon', '', '', '2009-10-11 09:21:57', '2009-10-11 09:21:57', '', 1111, 'http://jonathanstill.com/wp-content/uploads/2009/10/chris-marathon.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1127, 1, '2009-11-25 08:33:21', '2009-11-25 08:33:21', 'From http://www.adigitaldreamer.com/gallery/displayimage.php?album=18&pos=15 - apparently free and royalty free, so if it\'s not, I\'ll take it down. 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No music anywhere. ', 'parma-arch', 0, '', 'inherit', 'open', 'open', '', 'parma-arch', '', '', '2009-12-14 00:16:59', '2009-12-14 00:16:59', '', 1232, 'http://jonathanstill.com/wp-content/uploads/2009/12/parma-arch.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1246, 1, '2009-12-16 09:18:34', '2009-12-16 09:18:34', '', 'treeinbrum', 0, 'Christmas tree in \'The Mailbox\' in Birmingham. It\'s huge. 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', 'inherit', 'open', 'open', '', 'chstill_best', '', '', '2009-12-25 04:36:48', '2009-12-25 04:36:48', '', 1330, 'http://jonathanstill.com/wp-content/uploads/2009/12/chstill_best.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1338, 1, '2009-12-30 08:31:45', '2009-12-30 08:31:45', '', 'gugelhupf', 0, 'My first Gugelhupf (Dec. 2009, added retrospectively)', 'inherit', 'open', 'open', '', 'gugelhupf', '', '', '2009-12-30 08:31:45', '2009-12-30 08:31:45', '', 284, 'http://jonathanstill.com/wp-content/uploads/2007/12/gugelhupf.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1345, 1, '2009-12-31 08:04:46', '2009-12-31 08:04:46', '', 'studioseries6-small', 0, 'Studio Series 6: Excursions', 'inherit', 'open', 'open', '', 'studioseries6-small', '', '', '2009-12-31 08:04:46', '2009-12-31 08:04:46', '', 0, 'http://jonathanstill.com/wp-content/uploads/2009/12/studioseries6-small.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1347, 1, '2009-12-31 10:16:55', '2009-12-31 10:16:55', '', 'Dusters. Why are they yellow?', 0, '', 'inherit', 'open', 'open', '', 'duster', '', '', '2009-12-31 10:16:55', '2009-12-31 10:16:55', '', 1346, 'http://jonathanstill.com/wp-content/uploads/2009/12/duster.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1356, 1, '2010-01-01 19:24:42', '2010-01-01 19:24:42', '', 'newyear2010-40', 0, 'The fields near Icomb', 'inherit', 'open', 'open', '', 'newyear2010-40', '', '', '2010-01-01 19:24:42', '2010-01-01 19:24:42', '', 1352, 'http://jonathanstill.com/wp-content/uploads/2010/01/newyear2010-40.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1361, 1, '2010-01-02 23:21:05', '2010-01-02 23:21:05', '', 'violin', 0, 'Taio and his violin', 'inherit', 'open', 'open', '', 'violin', '', '', '2010-01-02 23:21:05', '2010-01-02 23:21:05', '', 1360, 'http://jonathanstill.com/wp-content/uploads/2010/01/violin.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1368, 1, '2010-01-03 01:07:28', '2010-01-03 01:07:28', '', 'Man Holding Ram (1988) by Mark Folds', 0, 'Man Holding Ram (1988) by Mark Folds', 'inherit', 'open', 'open', '', 'dsc04817', '', '', '2010-01-03 01:07:28', '2010-01-03 01:07:28', '', 1367, 'http://jonathanstill.com/wp-content/uploads/2010/01/DSC04817.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1373, 1, '2010-01-04 14:10:28', '2010-01-04 14:10:28', '', 'disc06', 0, 'The cover of Pogudin\'s album Panikhida Khristal\'naya. The image is direct-linked to the relevant page on his website.', 'inherit', 'open', 'open', '', 'disc06', '', '', '2010-01-04 14:10:28', '2010-01-04 14:10:28', '', 74, 'http://jonathanstill.com/wp-content/uploads/2004/12/disc06.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1377, 1, '2010-01-05 07:52:00', '2010-01-05 07:52:00', '', 'suspension', 0, 'Oh the suspense!', 'inherit', 'open', 'open', '', 'suspension', '', '', '2010-01-05 07:52:00', '2010-01-05 07:52:00', '', 1376, 'http://jonathanstill.com/wp-content/uploads/2010/01/suspension.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1453, 1, '2010-01-14 09:26:14', '2010-01-14 09:26:14', '', 'vicky', 0, 'Chris (L) & VIcky (R), Czech dog. 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Pure gold, no doubt. ', 'inherit', 'open', 'open', '', 'golf-greatest-hits', '', '', '2010-01-28 22:53:14', '2010-01-28 22:53:14', '', 1514, 'http://jonathanstill.com/wp-content/uploads/2010/01/golf-greatest-hits.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (1521, 1, '2010-01-30 11:29:45', '2010-01-30 11:29:45', '', 'courgetttes', 0, 'Misleading? 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', 'inherit', 'open', 'open', '', 'canarywharf', '', '', '2010-02-15 16:21:56', '2010-02-15 16:21:56', '', 1587, 'http://jonathanstill.com/wp-content/uploads/2010/02/canarywharf.jpg', 0, 'attachment', 'image/jpeg', 0); INSERT INTO `wp_posts` VALUES (985, 1, '2009-06-17 06:04:25', '0000-00-00 00:00:00', '', 'Track changes', 0, '', 'draft', 'open', 'open', '', '', '', '', '2009-06-17 06:04:25', '0000-00-00 00:00:00', '', 0, 'http://jonathanstill.com/?page_id=985', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (987, 1, '2009-06-17 06:13:52', '0000-00-00 00:00:00', 'track-changes\r\n\r\n', '', 0, '', 'draft', 'open', 'open', '', '', '', '', '2009-06-17 06:13:52', '2009-06-17 06:13:52', '', 0, 'http://jonathanstill.com/?page_id=987', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (793, 1, '2009-02-05 16:16:47', '2009-02-05 16:16:47', 'Introduction\r\n\r\nAny discussion of metre, rhythm and music in the context of dance, particularly\r\nof ballet, must approach the subject from two angles - the\r\nprescription\r\nof\r\nmetre (how music is written, e.g. time signature) and the perception of\r\nmetre (how music "goes", or is perceived to go).  Dancers, when they\r\ndance,  rely on their perception of metre and rhythm rather\r\nthan following a musical score.  Furthermore, choreography imposes\r\nanother level of metrical and phrasal organisation on what is heard\r\n\r\nwhich may be related to, but is not the same as, the metrical and phrasal\r\norganisation of the music.\r\n\r\nEven when dance notation refers to a musical score during recording\r\nor reconstruction, it is only as a framework on which to build the choreographer\'s\r\nscheme of counts and phrases.  Since choreographers usually work by\r\nlistening\r\nto\r\nmusic rather than reading it, these counts  and phrases will be based\r\non their perception of music -  how it goes - not how it is written.\r\n{top}\r\n\r\nHaving listened to the music in this way, choreographers do not always\r\nthen set out to mirror what they hear in movement. For example,  Balanchine\'s\r\nchoreography to metrically unambiguous music sometimes imposes a metrical\r\nor phrasal scheme which runs counter to that of the music (e.g., the female\r\nvariation in Tchaikovsky Pas de Deux). Conversely, on music\r\nwhich is - at least on paper - metrically very ambiguous, he sometimes\r\noffers a scheme which is simpler and less ambiguous (e.g. the opening of\r\n\r\nSymphony\r\nin Three Movements).\r\n\r\nAt the interface between music and dance, then, metre is both a perceptual\r\nprocess and a decision-making one, not necessarily an absolute or objective\r\nquality inherent in the music itself. Paradoxically, this both begs the\r\nquestion "so why teach it at all?" while at the same time giving a very\r\ngood reason to teach it.  For if metre is not perceived in the same\r\nway by individuals in a group, and is not necessarily explicit in the music,\r\nthen part of teaching ballet - which relies greatly on coherence between\r\nmusic and movement in groups - must be to "manage" the perception of metre[2].\r\n\r\nThis is not necessary in a social group where agreement about the perception\r\nof metre is mediated through social dance forms or singing, or in the case\r\nof Western, classically trained musicians, through time signature.\r\nSimilarly, metrical groupings which come easily or "naturally" to some\r\npeople through enculturation are perceived as unusual or difficult to others;\r\nfor example, additive metre is common in the folk music of south-eastern\r\nEurope, but not in western Europe, and compound duple metre is common in\r\nEnglish children\'s songs but not in Japanese ones [reference]. {top}\r\n\r\nThe teaching of ballet, then, poses two challenges with regard to metre.\r\n\r\nOne is that nineteenth century ballet has left us with a multiplicity of\r\nsocial and national dance forms such as the mazurka, polonaise, polka,\r\ncachucha and tarantella whose metrical/rhythmic patterns and other characteristics\r\nsuch as tempo or closure, can no longer be assumed to be transmitted socially\r\nor culturally.   The other is that the metrical information needed\r\nto "decode" Western art music in any more depth than as background-music\r\nis (at least in England) only infrequently transmitted through education.\r\n\r\nThis is not to suggest that we should all start dancing the polka again\r\n(although it might help if we did it enough), or to advocate the sort of\r\nmusic-appreciation classes which  idolized the music of Mozart, Beethoven\r\nand Brahms while deeming anything popular or non-European unworthy.\r\nOn the contrary, it is to propose a form of musical education for ballet\r\nstudents which teaches what it needs to teach without implying to the student\r\nthat metre is absolute or objectively measurable .  In practice, this\r\nmeans teaching the basic components of metre - pulse, tactus, duple, triple,\r\ncompound and additive metres - and using these terms as analytical tools\r\nto aid both the perception of metre and the learning of steps or movements\r\nwhich have to be performed in particular metres.{top}\r\n\r\n
    \r\n

    Defining terms

    \r\nTo those who find the whole subject of metre and rhythm difficult to grasp,\r\nit will be of little comfort - and perhaps come as no surprise -\r\nthat the Harvard Dictionary of Music has this to say about rhythm:\r\n
    "It would be a hopeless task to search for a definition of\r\nrhythm which would prove acceptable even to a small minority of musicians\r\nand writers on music." [Apel, 1945]
    \r\nThat being the case, a course such as this which aims to enable students\r\nto apply rhythmic or metrical principles to the practice or analysis of\r\ndance has to agree some terms of reference at the outset, even when the\r\nuse of those terms may be disputed.  The same problem faced Grosvenor\r\nCooper and Leonard Meyer when they wrote The Rhythmic Structure of Music\r\n[Cooper\r\n& Meyer, 1960], and this led them to set out their interpretation\r\nof terms such as tempo, rhythm and metre in the first chapter, "Definitions\r\nand Principles."\r\n\r\nAdopting these principles, without necessarily swallowing them whole,\r\nis a good enough place to start - one can then, at least, be clear about\r\n\r\nwhose\r\nterms are being used.  Moreover,\r\nThe Rhythmic Structure of Music\r\nis\r\na much-cited text in musical analysis, and familiarity with its concepts\r\nwill be helpful when reading work by other authors.  Above all, Cooper\r\nand Meyer\'s exposition of\r\nmetrical organization (of which later)\r\nis far friendlier to dance than those catechistic primers on time signature\r\nwhich so often form the central part of books on music for dancers. {top}\r\n

    \r\n\r\n
    Pulse and tempo

    \r\nCooper and Meyer (1960) define a pulse as "a series of regularly recurring,\r\nprecisely equivalent stimuli".  This might be a dripping tap or the\r\nticking of a watch, or indeed a heartbeat. The average resting pulse-rate\r\nof a human being is between 60 - 80 beats per minute (bpm).  The "pulse-rate"\r\nin music is called tempo. That pulses are regular and\r\nequivalent  (that is, equivalent in pitch or volume) is essential\r\nin distinguishing pulse from metre.{top}\r\n

    \r\n\r\n
    Metre

    \r\nMetre is the term used to describe patterns of pulses defined by the prominence\r\nof some pulses (by means of accent, for example) over others.  A ruler\r\nwith 300 millimetre tick marks but without longer marks every 10 millimetres\r\nto denote centimetres and every five to denote half-centimetres would be\r\nvery difficult to use.  Similarly, the accentuation of certain pulses\r\nalong the continuum helps us to group pulses.\r\n\r\nIn music or any other "metric context" as Cooper & Meyer put it,\r\npulses are referred to as "beats"; accented ones are called strong beats\r\nand\r\nunaccented ones weak beats. Research indicates that our brains seek\r\nout patterns even when they are not present; in this sense, metre is not\r\njust something inherent in the music, it is a means of processing incoming\r\nstimuli.\r\n\r\nMoreover, not only is metre "not just something" inherent in the music,\r\nit is arguably not an objective, measurable quality of the music at all.\r\nVijay\r\nIyer (1998) argues:\r\n
    "[...]  meter is not necessarily inherent\r\nin any audio signal. It is a perceptual and cognitive construction, derived\r\nfrom some perceived periodic patterning of perceived accents (including,\r\nparadoxically, accents imposed by the imagined meter itself) but also from\r\nsome set of assumptions about meter.{top}
    \r\n

    Rhythm

    \r\n"Metre" and "rhythm" are easily confused terms in music.  Cooper and\r\nMeyer\'s definition of rhythm relies on a flexible interpretation of the\r\nterm "accent".  Rhythm, they say, is "the way in which one or more\r\nunaccented beats are grouped in relation to an accented one" (1960, p.\r\n6) and give the following list of  terms from Greek prosody:\r\n\r\niamb - */\r\n\r\nanapaest **/\r\n\r\ntrochee /*\r\n\r\ndactyl /**\r\n\r\namphibrach */*\r\n\r\nI have followed Kirby-Smith\'s\r\nmethod of using an asterisk (*) to denote the unaccented syllable, and\r\nan oblique (/) for the accented one, since the traditional symbols are\r\ndifficult to reproduce on a webpage). Kirby-Smith (University of North\r\nCarolina) has made table\r\nof poetic metres which is a very handy reference to metrical terminology,\r\nand also helps to understand the relationship of \'line\' to \'phrase\'.\r\n\r\nBut their definition of accent is based on the polarity between arsis\r\nand\r\nthesis,\r\n\r\nterms\r\nwhich are interpreted in different ways, depending on what you are talking\r\nabout (Willett, 1998). The principal interpretations\r\nare as follows:\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    Arsis*Thesis* or Basis\r\n\r\n"Accent" \r\n\r\nType**
    UpbeatDownbeatStress
    UnstressedStressedStress
    UnaccentedAccentedStress
    WeakStrongStress
    \r\n\r\nLiftPlacementStress
    ShortLongDurational
    High toneLow toneTonic
    AnacrusisCrusisStress
    \r\n* Confusingly, arsis and thesis are now defined the other\r\nway round.  I have retained the original Greek definitions. If you\r\nuse these terms, it is a good idea to define them first!\r\n\r\n**"accent type" defined by Cooper and Meyer in footnote\r\n9, p.7\r\n\r\nIt seems that if one thing definitely distinguishes rhythm from metre,\r\nit is that rhythmic patterns usually exhibit differences in duration\r\n- i.e. the way beats are spaced. These durational differences\r\ncan be  achieved  by pauses in the sequence of beats, or by shortening\r\nor lengthening of individual "beats".\r\n\r\nRhythm operates within the framework of metre.  Metre without rhythm\r\nis a bit like going to book shop and saying "Can I have a book that\'s seven\r\ncentimetres thick please?"  Even though we often talk about "rhythmic\r\naccuracy" or "keeping rhythm", rhythm is usually everything that happens\r\napart \r\nfrom the main beats of the metre.  Thus, a really expressive jazz\r\nsinger will be usually ahead of the beat (i.e. earlier - which is why it\'s\r\nsometimes called backphrasing), using subtle microtimings that give an\r\nillusion of being totally free of constraint, while remaining within a\r\nmetric framework.\r\n\r\nIf you\'ve ever sat and watched a small boat moored to a quayside, drifting\r\nout, turning, lifting, coming back in, drifiting out again but never going\r\nout to sea because it\'s moorings are secure, that is the relationship which\r\nrhythm holds to metre in musical performance.\r\n\r\nA good example of rhythm with no apparent metre is experienced when\r\nlistening to morse code (for fun, visit the virtual\r\nmorse code generator - type in words and hear them played back in Morse).\r\n\r\nThe code is based on the difference between long and short syllables (dits\r\nand dahs), which is one of the reasons operators talk about such things\r\nas "iambic paddles".\r\n

    Dance Rhythms

    \r\nCare should be taken not to confuse the rhythm of a dance step with the\r\nrhythm of the music that goes with it.  For example, you will often\r\nhear people say "a polka goes di-dit dah dah, di-dit dah dah".  Now\r\nhowever true that may be of the step that you do when dancing a\r\npolka, it neednt\' be true of the music.  It is only a few polkas that\r\nimitate the rhythm of the step - a sort of musical onomatopoeia.\r\n\r\nLikewise, it would be a very boring waltz that only mirrored the action\r\nof the feet - unless you want to satirize the waltz rhythm as in "oom pah\r\npah oom pah pah that\'s how it goes" from Oliver.\r\n\r\nYou will realize by now that what we often call a "dance rhythm" is\r\nin fact the metre, tempo and rhythmic characteristics of the music which\r\ngenerally accompanies a dance style/form/genre.\r\n\r\nMany composers have taken popular dance rhythms (lets call them that\r\nfor short) and made dance pieces out of them.  These can sometimes\r\nbe quite unsuitable for real dancing, since they are designed to be listened\r\nto and judged on their musical merits (and thus provide immortality and\r\nadulation for the musical performer and the composer).   They\r\nare sometimes called things like "Concert Waltz" or "Polka de Concert"\r\nor "Grande Polonaise".  One of the things that concert music is supposed\r\nto do is to develop thematic material , have different colours - dynamics\r\nor scoring, and delay enjoyment to fill up a large chunk of a concert programme.\r\nMost of these things are inimical to social dancing.\r\n

    \r\n\r\n
    The relationship\r\nbetween time signature and metre

    \r\nSince we are about to examine the time signature in relation to metre,\r\nit is useful to see how Iyer develops his argument about metre to discuss\r\ntime signature:\r\n
    Indeed, indicated meters appear in most Western\r\nsheet-music scores because of the composer\'s desire to exploit these assumptions,\r\nto allow the implications of a time signature to shape the perfomer\'s understanding\r\nand subsequent rendering of the piece. [...] we tend to speak of the meter\r\nof a piece objectively, because it is simply the time signature written\r\nto the left of the first bar of written music.
    \r\n
    Iyer, 1998 (Chapter\r\n5, "On the Perception of Meter")
    \r\nIyer may be right that the composer wishes to exploit assumptions\r\nabout metre by using a time signature, but those assumptions are in turn\r\nsubject to other conventions of period, place and common practice.\r\nKirnberger\'s advice to composers in The Art of Strict Musical Composition\r\n(1776)\r\nis of little help to composers who do not regularly go out on a saturday\r\nnight to dance the loure, or  sarabande.\r\n
    "[...] Further more, he [the composer] must have\r\nacquired a correct feeling for the natural tempo of every meter, or for\r\nwhat is called tempo giusto.  This is attained by diligent\r\nstudy of all kinds of dance pieces.  Every dance piece has its definite\r\ntempo, determined by the meter and the note values that are employed in\r\nit.  Regarding meter, those having larger values like alla breve,\r\n3/2 and 6/4 meter, have a heavier and slower tempo than those of smaller\r\nvalues, like 2/4, 3/4 and 6/8 meter and these in turn are less lively than\r\n3/8 or 6/16 meter. Thus, for example, a loure in 3/2 meter has a slower\r\ntempo than a minuet in 3/4 meter, and the latter is in turn slower than\r\na passepied in 3/8. Regarding note values, dance pieces involving sixteenth\r\nand thirty-second notes have a slower tempo than those that tolerate only\r\neigth and at most sixteenth notes as the fastest note values in the same\r\nmeter.  Thus for example, a sarabande in 3/4 meter has a slower tempo\r\nthan a minuet, even though both are written in the same meter." \r\n
    (Strunk, p. 767)
    \r\nAlthough it is probably still safe to say that 3/2 and 6/4 tend conventionally\r\nto connote a slower, statelier tempo than 3/4 or 6/4, time signatures on\r\nthe whole do not imply tempo, only metre.  Even in Kirnberger\'s day,\r\na 3/4 was faster or slower depending on the dance  you were writing.\r\n\r\nIt is more than a little ironic to be quoting a teacher of musical composition\r\nwho advised his pupils to study "all kinds of dance pieces" in a course\r\nfor dancers about metre.{top}\r\n\r\nJust for fun, an extract from Georg Muffat in 1695:\r\n
    "[...] 3/2 requires a very slow movement, 3/4\r\na gayer one, yet uniformly somewhat slow in the sarabandes and airs; then\r\nmore lively in the rondeaux, and finally the most lively but without\r\nhaste in menuets, courantes and many other dances, as also in the fugues\r\nand overtures. The remaining pieces, such as are called gigues and canaries,\r\nneed to be played the fastest of all, no matter how the measure is marked"
    \r\n
    \r\n
    Preface to the First Florilegium (1695),\r\nGeorg Muffat (Strunk 1998, p. 647)
    \r\nI imagine a dancing master at this point saying "I don\'t care how the measure\r\nis marked, it\'s fast!"\r\n

    Time signature

    \r\nTime signature is an indication given at the beginning of a piece of Western\r\nmusic to tell the musician how the music is metrically organized. They\r\nare by no means indispensible:  both Stravinsky and Satie wrote piano\r\nmusic without time signatures for example.  In improvisatory sections,\r\ncomposers such as Ligeti and Part have used timings in seconds rather than\r\ntime signatures and barlines.\r\n\r\nJohann Kirnberger confident assertion in 1776  that "the measure\r\n[bar] consists of two, three, or four equal beats; besides these, there\r\nis no other natural type of measure [bar]" is a useful working assumption\r\nfor non-additive time signatures.  That is to say, whatever numbers\r\nmay be present in the time signature, they all denote metres which are\r\nbasically duple, triple or quadruple,\r\n\r\nThe time signatures most commonly in use, and the metres they imply\r\nare shown in the table below. The terms "simple" and "compound" are misleading.\r\nJust as one has to learn that, contrary to all expectations, "mano" is\r\nfeminine in Italian even though it ends in "o",  there is nothing\r\nin the words simple or compound in this context which could remind us that:\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    Simple dupleCompound dupleSimple tripleCompound tripleSimple quadrupleCompound quadruple
    2/46/83/4\r\n\r\n9/84/412/8
    \r\n\r\n1+2+1++ 2++1+2+3+1++2++3++1+2+3+4+1++2++3++4++
    \r\n:Cooper and Meyer, talking of metre say this:\r\n\r\n"We are inclined to think of there being only one metric\r\norganization, the one designated in the time signature and measured by\r\nthe bar lines.  This is because tonal harmony and homophony, with\r\ntheir emphasis on vertical coincidence, and dance music, with its basic\r\nmotor patterns, have for the past two hundred years made for the dominance\r\nof what we have called the "primary metric level"." [3]\r\n
    (Cooper &\r\nMeyer, 1960, p. 5)
    \r\nIn practice, this means that whatever the time signature may say,\r\nthere may well be other intended or perceived metrical patterns in music\r\nwhich subvert or contradict the time signature.  Add to this a choreographer\'s\r\nmetrical or phrasal patterns, and time signature becomes - to the dancer\r\n- almost immaterial.\r\n\r\nIf you are really keen to guess the time signature from listening to\r\nmusic, the following warnings should be issued:\r\n\r\n

    Hypermetre

    \r\n"Hypermetre" is used to describe to higher-order levels of metrical organisation\r\nthan may be evident from merely looking at the time-signature in a piece\r\nof music.  Dancer\'s counts are frequently hypermetric.  {top}\r\n

    Hemiola

    \r\nHemiola is a metrical device or phenomenon where a group of 6 beats is:\r\n\r\nHemiola can be effected at more than one architectonic level.  Tchaikovsky\'s\r\n"Waltz\r\nof the Snowflakes" from The Nutcracker, for example, exhibits\r\nalmost perpetual hemiola at a higher architectonic level than the time\r\nsignature (i.e. the melody is effectively in 3/2, whereas the time signature\r\nis 3/4).\r\n\r\nBecause the fun of hemiola is to keep shifting the listener\'s perception\r\nof metre within an established metre, it is not usually "written\r\nout" - for example, Tchaikovsky was fond of introducing  hemiola at\r\nthe end of phrases in waltzes (Act I waltz from Sleeping Beauty,\r\nWaltz of the Flowers from Nutcracker, male "Bluebird" variation\r\nfrom Sleeping Beauty, final waltz from The Nutcracker)\r\nbut he never changes the time signature from 3/4 to 3/2 to reflect this.\r\n\r\nOne reason not to "write out" hemiola is that since hemiola needs both\r\n3/4 and 3/2 or 3/4 and 6/8 to be happening together, someone in the orchestra\r\nwould lose out, by their part being written in the "wrong" time signature.\r\nThe other is that if the orchestra began to think in 3/2 rather\r\nthan 3/4, the chances are that the music would simply sound slower.\r\nWith the continuation of the 3/4 pulse underneath the 3/2, one tends to\r\nperceive the music as faster.  However, hemiola is effectively polymetre,\r\nq.v.\r\n\r\nThe best example of hemiola is the triple run.  In a triple run,\r\nthe "down-up-up down-up-up" provides the 2 X 3 metre (6/8) while the the\r\nbinary opposition of your feet (left-right left-right left-right)\r\nas you do it organises that compound duple metre simultaneously into simple\r\ntriple metre (3 x 2 = 3/4).\r\n

    Polymetre

    \r\nThe term polymetre is used to describe music where different metres coexist.\r\nIt is either explicit in a musical score - different time signatures on\r\ndifferent staves - or implicit by the grouping and accenting of notes in\r\ndifferent parts. {top}\r\n

    Mixed metre

    \r\nVery common since Stravinsky - rather than a piece beginning and ending\r\nin a single metre or time signature, the metre changes from one bar to\r\nthe next. Don\'t confuse mixed metre with additive metre - because unlike\r\nadditive metre, mixed metre is not cyclical.  {top} \r\n

    Additive or asymmetrical metre

    \r\nAsymmetrical or additive metres (also known as irrational time signatures)\r\nconsist of stacked groupings of dissimilar metrical groups.  Whereas\r\n9/8 (3+3+3) is a fairly common metre in Western music, a common Turkish\r\nmetre, for example is 2+2+2+3, but this would be notated as 2+2+2+3, not\r\n9/8, because Western musical notation assumes that each beat of the bar\r\nhas equal value.  5/4 or 5/8 and 7/4 or 7/8 are relatively common\r\nassymetric time signatures which imply additive rhythm (3+2, 2+3 and 4+3,\r\n3+4 respectively) while not explicitly stating the subdivision - this is\r\nusually done by means of phrasing or other boundary markers. {top}\r\n

    Polyrhythm (cross-rhythm)

    \r\nPlaying two rhythms together. Much Latin American and African music is\r\npolyrhythmic.  Western music of the 19th century (and beyond) privileges\r\nmelody above nearly every other aspect of musical composition, but is not\r\ninterested in complex rhythmic or metric devices.  Other musics do\r\nnot make the distinction so clearly between melody and accompaniment -\r\nrhythmic complexity and diversity is an important  feature of musical\r\nexpression. and competence.{top}\r\n\r\nGershwin\'s song I Got rhythm is an example of polyrhythm (or\r\nis it polymetre - this is one of the grey areas of rhythm and metre).\r\nThe metric organisation is simple quadruple metre, but the rhythm of the\r\ntune itself is based on an additive metre:\r\n\r\nTune:\r\n12312312312312|1212312312312312\r\nAccompaniment: 1+++2+++3+++4+++|1+++2+++3+++4+++\r\n\r\nTo show the relationship of the additive metre to the principle\r\n\r\nhttp://www.robotwisdom.com/jorn/jazz.html\r\n\r\nThe pattern of beats in I Got Rhythm is interesting in another\r\nrespect.\r\n\r\nSome examples of compound metres/hypermetre\r\nin the calendar\r\n\r\n1. The Year. The year divided into seasons and months is an example\r\nof a compound  quadruple metre.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    Year
    Spring\r\n\r\nSummerAutumnWinter
    \r\n\r\nJanFebMarAprilMayJuneJulyAugSeptOctNovDec
    \r\n2. A season (or quarter year) is an example of both a simple\r\ntriple and compound duple metre. Three months divided into 3 lots of four\r\nweeks gives you a simple triple metre (i.e. subdivisions are made binarily).\r\n\r\nThree months divided into fortnights gives you blocks of 3 fortnights\r\n(e.g. the weeks before and after half term). This is a classic example\r\nof hemiola.{top}\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    JanuaryFebruaryMarch1
    Wk 1/2Wk 3/4Wk 5/6Wk 7/8Wk 9/10Wk 11/12Si
    123412341234\r\n\r\nSii
    \r\n3. A fortnight\r\n\r\nA week has 7 days - is that a group of 2+2+3, or is it 7 equally spaced\r\ndays (i.e. no accented days like Friday night)? What about weekends - do\r\nyou feel a push towards saturday.  Is Sunday slower than saturday?\r\nIf Monday is the beginning of the week, how come we drift into it slowly\r\nand unenthusiastically? Is the metronomic society getting you down?{top}\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
    \r\n\r\nWeek 1Week 2
    Mo\r\n\r\nTuWeThFrSaSuMoTuWeThFrSaSu
    \r\nRandom thoughts about rhythm and metre\r\n\r\nCircadian rhythms\r\n\r\nThe organisation of time is not just a musical issue.  Without\r\nalarm clocks, windows, electric lights and other external signals, the\r\nhuman body\'s  natural circadian rhythms - when you wake up, when you\r\ngo to bed - would lead you to get up later and later every day, since our\r\nnatural day-length is nearer to 25 hours than 24. (see Basics\r\nof Sleep Behaviour at UCLA medical school).  Not only that, calendars\r\nhave to do the opposite - which is why we have months of unequal length,\r\nand add one day every four years (called intercalation).{top}\r\n\r\nNotation\r\n\r\nIf you have ever laughed at the old joke "dear Auntie Jane, I\'m\r\nwriting this slowly because I know you cannot read very fast" , you\r\nwill have grasped an important point about musical notation: writing and\r\nperforming music are different processes, often separated both chronologically\r\nand geographically (i.e. a Japanese student in the 21st century plays a\r\npiece by Mozart, written in Austria in the 18th century).{top}\r\n\r\nHow fast is a week?\r\n\r\nOur perception of the passing of time is affected both by our response\r\nto external events and our mood.  Ten minutes spent waiting for a\r\nbus in the rain in February seems longer than ten minutes walking along\r\na beach with someone you love on a summer evening. {top}\r\n\r\n
    \r\n\r\nRecommended reading:\r\nhttp://www.stetson.edu/departments/human/handbook/PDF/Basic%20Elements.pdf\r\n\r\nhttp://www.stetson.edu/departments/human/handbook/handbook_text.html\r\n\r\nGlossary\r\nof french terms used in 17th century french music \r\n\r\nIndiana\r\nUniversity\'s graduate meter/rhythm revision page\r\n\r\n
    \r\n\r\nIf you\'re really interested...\r\n\r\nA\r\nrepresentation of musical rhythm \r\n\r\nA\r\nLook at Some Phenomena Underlying Timing and Rhythm\r\n\r\nCalendars \r\n

    Footnotes

    \r\n1. "Metre management" occurs\r\nparticularly with new scores for choreographic works.  Unable to rely\r\non socially mediated perceptions of metre or phrasing such as social dance\r\nforms (it is often these very conventions which composers in the Western\r\nart music tradition seek to subvert), dancers have to be acculturated to\r\nthe composer\'s metrical scheme.  The most obvious example of enforced\r\n"metrical acculturation" is the choreographing of Stravinsky\'s Rite\r\nof Spring [quotation and reference].\r\n
    top
    \r\nMore interesting is the case of Prokofiev\'s Romeo &\r\nJuliet (1939) which, according to Ulanova [reference], caused dancers\r\nin the first production considerable problems.  Not only could they\r\nnot hear the music adequately (leading Prokofiev to say "they don\'t need\r\nmusic, they need a drum" [reference]) they also felt that Prokofiev\'s music\r\ndid not portray characters in the way they expected or wanted it to [quotation,\r\nreference]. \r\n
    top
    \r\n2. There are countless examples in Western\r\nart music where what is perceived as a duple metre may be constructed\r\n(written,\r\ncomposed, notated) in triple metre.  A typical example of this is\r\nthe last movement of Schumann\'s Piano Concerto, where a theme sounding\r\nrather like a light march is in fact notated in 3/4 time. \r\n
    top
    \r\nLikewise, "Snowflakes" in Tchaikovsky\'s Nutcracker\r\nis written in 3/4 but the first main theme is so disassociated metrically\r\nfrom the time signature that it is not only difficult to determine the\r\nmetre, but the perceived metre is also slower than the metre implied by\r\nthe time signature. This abates when the choir enter - their melody coincides\r\nwith the waltz time in the time signature -  but not not for long.\r\n
    top
    \r\n3. Though dance music may be responsible\r\nfor the perceived coincidence between metre and time signature, it is ballet,\r\nparticularly since the beginning of the 20th century but also even in the\r\n19th century, which challenges this in practice. \r\n

    References

    \r\nApel, W. (1945) Harvard Dictionary of Music.\r\nCambridge, Mass: Harvard University Press, p.639\r\n\r\nCooper, G., Meyer, L. B. (1960) The\r\nRhythmic Structure of Music.\r\nChicago: University of Chicago Press,\r\npp. 1 - 11\r\n
    top
    \r\nIyer, V. (1998)  Microstructures of Feel, Macrostructures\r\nof Sound:Embodied Cognition in West African and African-American Musics.\r\nDissertation,\r\nUniverisity of California, Berkeley, found at\r\nhttp://cnmat.cnmat.berkeley.edu/People/Vijay/%20THESIS.html\r\n\r\n[last\r\naccessed March 4th 2001]\r\n\r\nStrunk, O. (1998) ed. Source Readings in Musical\r\nHistory, revised edition. New York: W.W. Norton & Company\r\n\r\nWillett, S. (1998) "Ancient Rhythmicians and Modern\r\nProsodists: Searching for the Location of Meter" in Versification: an\r\ninterdisciplinary journal of literary prosody. Vol 2.  http://sizcol1.u-shizuoka-ken.ac.jp/versif/97MLA_Willett.html\r\n[last\r\naccessed 17th March 2001]', '', 0, '', 'private', 'open', 'open', '', '793', '', '', '2009-02-05 16:16:47', '2009-02-05 16:16:47', '', 0, 'http://jonathanstill.com/?page_id=793', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (2, 1, '2008-02-25 03:17:53', '2008-02-25 09:17:53', 'I\'m not the racing driver, not the vicar, and not the composer of Under the Bodhi tree, I\'m Jonathan Still the ballet pianist who lives in Tooting, amongst other possible descriptions.\r\n\r\nI wish I\'d called this site a renaissance cabinet of curiosities, but I didn\'t - it started off as what it says on the tin, a rather boring but useful page of links about dance & stuff, and instructions about IT for students. I got bored of that, and became a blogger instead, and this is the result.\r\n\r\nI\'ve moved over to this new domain & new name, because my previous hosts didn\'t seem to be able to cope with Movable Type (and I was beginning to hate Movable Type anyway). So here I am, with Wordpress & Siteground, a much happier marriage, frankly.', 'About me', 0, '', 'publish', 'open', 'open', '', 'about', '', '', '2008-03-09 17:34:11', '2008-03-09 17:34:11', '', 0, '', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (340, 1, '2008-03-16 13:41:50', '2008-03-16 13:41:50', 'Coming soon', 'Archives', 0, '', 'publish', 'open', 'open', '', 'archives', '', '', '2008-03-16 13:41:50', '2008-03-16 13:41:50', '', 0, 'http://jonathanstill.com/archives/', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (445, 1, '2008-09-01 06:27:52', '2008-09-01 06:27:52', '\r\n\r\nMet up with Chris to go and see Martin Creed\'s work No. 850 at Tate Britain. His blog and pictures of it are eloquent. For me, No. 850 ponders the whole concept of time and space and the musical work. Having just read Raymond Monelle\'s The Sense of Music, my taste for such questions was particularly well-oiled. Fab to go with Chris who\'s a choreographer & a runner too, for expert commentary & conversation from all sides of the art and running spectrum.', 'Work No. 850', 0, '', 'publish', 'open', 'open', '', 'work-no-850', '', '', '2008-09-01 06:28:17', '2008-09-01 06:28:17', '', 0, 'http://jonathanstill.com/?page_id=445', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (791, 1, '2009-02-05 16:12:50', '2009-02-05 16:12:50', '', 'Articles', 0, '', 'publish', 'open', 'open', '', 'articles', '', '', '2009-02-05 16:12:50', '2009-02-05 16:12:50', '', 0, 'http://jonathanstill.com/?page_id=791', 0, 'page', '', 0); INSERT INTO `wp_posts` VALUES (361, 1, '2008-05-02 21:36:48', '0000-00-00 00:00:00', '', 'Ballet? Nein danke', 0, '', 'draft', 'open', 'open', '', '', '', '', '2008-05-02 21:36:48', '2008-05-02 21:36:48', '', 0, 'http://jonathanstill.com/?p=361', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (880, 1, '2009-04-20 20:11:10', '0000-00-00 00:00:00', '[caption id="attachment_881" align="alignleft" width="200" caption="Dipsy & Lala on the lookout. Can you tell them apart? "]Dipsy & Lala on the lookout. Can you tell them apart? [/caption]\n\nI had a strange musical revelation in the Wyvale Garden centre a couple of weeks ago (you could say a funny thing happened to me on the way to the florum, I guess).', 'Schemas, higher-order abstraction and garden centres', 0, '', 'draft', 'open', 'open', '', '', '', '', '2009-04-20 20:11:10', '2009-04-20 20:11:10', '', 0, 'http://jonathanstill.com/?p=880', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (1108, 1, '2009-09-30 16:58:10', '0000-00-00 00:00:00', 'Bowman, W. D. (1998) Philosophical perspectives on music. New York; Oxford: Oxford University Press.\n\nClarke, D. (2003) \'Musical Autonomy Revisited\' in Clayton, M., Herbert, T. & Middleton, R. (eds) The Cultural Study of Music: a critical introduction. New York; London: Routledge, pp. 159-170.\n\nClarke, E. F. (1999) \'Rhythm and timing in music\' in Deutsch, D. (ed.) The psychology of music. 2nd ed. San Diego: Academic Press, pp. 473-500.\n\nCook, N. (1998) Music: a very short introduction. Oxford: Oxford University Press.\n\nDahlhaus, C. (1989) The Idea of Absolute Music. (Lustig, R., Trans.) Chicago: University of Chicago Press.\n\nDalby, B. (2005) \'Toward an Effective Pedagogy for Teaching Rhythm: Gordon and Beyond\'. Music Educators Journal, 92 (1), 54-60.\n\nDavies, S. (2004) Musical Works & Performances: A Philosophical Exploration. Oxford: Oxford University Press.\n\nFilz, R. (2005) Rhythm Coach: Rhythm workouts for instrumentalists, singers, dancers. . Vienna: Universal Edition.\n\nGembris, H. & Davidson, J. W. (2002) \'Environmental influences\' in Parncutt, R. & McPherson, G. (eds) The science and psychology of music performance: Creative strategies for teaching and learning. Oxford: Oxford University Press, pp. 17-30.\n\nGoodridge, J. (1998) Rhythm and timing of movement in performance:  drama, dance and ceremony. London: Jessica Kingsley.\n\nGoodridge, J. (1999) Rhythm and Timing of Movement in Performance. London: Jessica Kingsley\n\nGreen, L. (2003) \'Music Education, Cultural Capital, and Social Group Identity\' in Clayton, M., Herbert, T. & Middleton, R. (eds) The Cultural Study of Music: a critical introduction. New York\n\nLondon: Routledge, pp. 263-273.\n\nGreen, L. (2008) Music, informal learning and the school: a new classroom pedagogy. Aldershot: Ashgate.\n\nHallam, S. (2006a) Music psychology in education. London: Institute of Education.\n\nHallam, S. (2006b) \'Musicality\' in McPherson, G. (ed.) The child as musician: A handbook of musical development. Oxford: Oxford University Press, pp. 93-110.\n\nHamilton, A. (2007) Aesthetics & Music. London: Continuum Press.\n\nHanslick, E. (1986) On the musically beautiful. (Payzant, G., Trans.) Indianapolis: Hackett Publishing Company.\n\nHargreaves, D. J. (1986) The developmental psychology of music. Cambridge: Cambridge University Press.\n\nIyer, V. (2002) \'Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music\'. Music Perception, 19 (3), 387-414.\n\nJones, M. R. (2009) \'Musical Time\' in Hallam, S., Cross, I. & Thaut, M. H. (eds) The Oxford Handbook of Music Psychology. Oxford: Oxford University Press, pp. 81-92.\n\nJordan, S. (2000) Moving music: Dialogues with music in twentieth-century ballet. London: Dance Books.\n\nJuslin, P. N. (2005) \'From mimesis to catharsis: expression, perception, and induction of emotion in music\' in Miell, D., MacDonald, R. & Hargreaves, D. J. (eds) Musical communication. Oxford: Oxford University Press, pp. 85-115.\n\nJuslin, P. N., Friberg, A., Schoonderwaldt, E. & Karlsson, J. (2004) \'Feedback learning of musical expressivity\' in Williamon, A. (ed.) Musical excellence: Strategies and techniques to enhance performance. Oxford: Oxford University Press, pp. 247-270.\n\nKemp, A. E. (1996) The musical temperament: Psychology and personality of musicians. Oxford: Oxford University Press.\n\nKerr-Berry, J. A. (2001) \'Application of Dalcroze Eurhythmics to dance training: Grasping mixed meter\'. Journal of Dance Education, 1 (3), 106-114.\n\nKirkland, G. (1986) Dancing on my grave. London: Hamish Hamilton.\n\nLamont, A. (2009) \'Music in the school years\' in Hallam, S., Thaut, M. H. & Cross, I. (eds) The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 235-243.\n\nLarge, E. E. (2008) \'Resonating to Musical Rhythm: Theory and Experiment\' in Grondin, S. (ed.) Psychology of Time. Oxford: Elsevier Science, pp. 189-231.\n\nLevitin, D. (2008) This is your brain on music: understanding a human obsession. London: Atlantic Books.\n\nLevitin, D. (2009) The world in six songs: How the musical brain created human nature. London: Aurum Press Ltd\n\nLondon, J. (2004) Hearing in time: psychological aspects of musical meter. Oxford: Oxford University Press.\n\nMacPherson, A. C., Collins, D. & Obhi, S. S. (2009) \'The Importance of Temporal Structure and Rhythm for the Optimum Performance of Motor Skills: A New Focus for Practitioners of Sport Psychology\'. Journal of Applied Sport Psychology 21 (Supp.1), S48-S61.\n\nMcPherson, G. (2006) The child as musician: A handbook of musical development. Oxford: Oxford Unversity Press.\n\nMerker, B. H., Madison, G. S. & Eckerdal, P. (2009) \'On the role and origin of isochrony in human rhythmic entrainment\'. Cortex, 45 (1), 4-17.\n\nNorth, A. & Hargreaves, D. J. (2008) The social and applied psychology of music. Oxford: Oxford University Press.\n\nParncutt, R. (1994) \'A perceptual model of pulse salience and metrical accent in musical rhythms\'. Music Perception, 11, 409-464.\n\nParncutt, R. & McPherson, G. (2002) The science and pscychology of music performance: Creative strategies for teaching and learning. Oxford: Oxford University Press.\n\nPatel, A. D. (2008) Music, language, and the brain. Oxford: Oxford University Press.\n\nPatel, A. D., Iversen, J. R., Bregman, M. R. & Schulz, I. (2009) \'Experimental Evidence for Synchronization to a Musical Beat in a Nonhuman Animal\'. 19 (10), 827-830.\n\nRAD (2007) Handbook for Teachers: Vocational Graded Examinations [online] Available at: http://www.rad.org.uk/05exams/documents/Vocational_handbook_Aug_07.pdf (accessed 29th May 2009)\n\nRAD (2009) \'New beginnings with a bang\'. Dance Gazette, 2009 (1), 6-7.\n\nRoss, A. (2008) The rest is noise : listening to the twentieth century. London: Fourth Estate.\n\nSacks, O. (2007) Musicophilia: tales of music and the brain. London: Picador.\n\nSmall, C. (1998) Musicking: the meanings of performing and listening. Hanover, NH: University of New England.\n\nStorr, A. (1997) Music and the mind. London: HarperCollins.\n\nSubotnik, R. R. (1987) \'The Challenge of Contemporary Music\' in Alperson, P. (ed.) What is Music? University Park, Pennsylvania: Pennsylvania State University Press pp. 361-396.\n\nTafuri, J. (2008) Infant musicality: new research for educators and parents. (Hawkins, E., Trans.) Farnham: Ashgate\n\nTalbot, M. (ed.) (2000) The musical work: reality or invention? Liverpool: Liverpool University Press.\n\nThaut, M. H. (2005a) \'Rhythm, human temporality, and brain function\' in Miell, D., MacDonald, R. & Hargreaves, D. J. (eds) Musical Communication. Oxford: Oxford University Press.\n\nThaut, M. H. (2005b) Rhythm, music, and the brain : scientific foundations and clinical applications. New York: Routledge.\n\nThaut, M. H. (2005c) Rhythm, music, and the brain: scientific foundations and clinical applications. New York: Routledge.\n\nThaut, M. H., Kenyon, G. P., Hurt, C. P., McIntosh, G. C. & Hoemberg, V. (2002) \'Kinematic optimization of spatiotemporal patterns in paretic arm training with stroke patients\'. Neuropsychologia, 40 (7), 1073-1081.\n\nYoung, S. (2009) Music 3-5. London; New York: Routledge.', '', 0, '', 'draft', 'open', 'open', '', '', '', '', '2009-09-30 16:58:10', '0000-00-00 00:00:00', '', 0, 'http://jonathanstill.com/?p=1108', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (1581, 1, '2010-02-14 18:48:21', '0000-00-00 00:00:00', '', 'At', 0, '', 'draft', 'open', 'open', '', '', '', '', '2010-02-14 18:48:21', '0000-00-00 00:00:00', '', 0, 'http://jonathanstill.com/?p=1581', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (5, 1, '2003-06-28 06:20:59', '2003-06-28 06:20:59', 'Not quite sure how I managed it, but I installed Movable Type on my server this morning, and this is my first entry with it.\nOnce I\'ve sorted out how to make it all work, you should be able to find everything that used to be here, such as Dance Links and IT Skills pages . If you get really stuck and hate this page altogether, you can always get the old homepage back again\n', 'Welcome', 0, '\n', 'publish', 'open', 'closed', '', 'welcome', '', '', '2003-06-28 06:20:59', '2003-06-28 06:20:59', '', 0, 'http://jonathanstill.com/?p=5', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (6, 1, '2003-06-28 07:31:25', '2003-06-28 07:31:25', 'A busy week ahead at the Academy, with daily trips to English National Ballet (thank goodness for bikes - otherwise I\'d be travelling for about 6 hours a day), and up to Durham for Congregation on Wednesday. Mark Morris\'s ballet to Virgil Thomson piano Etudes Drink to Me Only With Thine Eyes is on again at the Sadler\'s Wells and a few weeks later in Athens at the Herodes Atticus Then it\'s back to London for 4 days, before going to Prague and the International Ballet Masterclasses\n', 'If you could see me now...', 0, '\n', 'publish', 'open', 'closed', '', 'if-you-could-see-me-now', '', '', '2003-06-28 07:31:25', '2003-06-28 07:31:25', '', 0, 'http://jonathanstill.com/?p=6', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (7, 1, '2003-06-29 09:24:42', '2003-06-29 09:24:42', 'As Daniel (1, 2, 3, 4, 5 ) says, ten-pin bowling would be a good idea. As for children\'s music, after the swannee whistle, it has to be the theremin. I warned you I was going to get one...\n', 'Bowling for Wimbledon', 0, '\n', 'publish', 'open', 'closed', '', 'bowling-for-wimbledon', '', '', '2003-06-29 09:24:42', '2003-06-29 09:24:42', '', 0, 'http://jonathanstill.com/?p=7', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (8, 1, '2003-06-29 14:43:51', '2003-06-29 14:43:51', 'Just came across this - Mark Morris By Mark Morris - which is one in a series of weeklong diaries of the great and the good hosted by MSN, called \'Slate\'. Morris\'s was in 2000, but it\'s a good read: my favourite lines so far are "Charlotte Church makes me nervous" and "I left my apartment once today, for about 20 minutes, to buy a dead chicken", both on Wednesday 19th January.\n', 'Mark Morris blogs for a week', 0, '\n', 'publish', 'open', 'closed', '', 'mark-morris-blogs-for-a-week', '', '', '2003-06-29 14:43:51', '2003-06-29 14:43:51', '', 0, 'http://jonathanstill.com/?p=8', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (9, 1, '2003-06-29 17:39:20', '2003-06-29 17:39:20', '\nIf, like me, you haven\'t had a garden of your own until very recently, you\'ll understand why I had to rush out and take a picture of my very fragrant and flourishing sweet peas. It\'s also compensation for the fact that having planted everything that smells beautiful near the house, including lavender for the benefit of those who hate moths (you know who you are), I now find that everyone close to me has hay fever so badly that they look at me as if I was armed if I have a flower in my hand.\n', 'Sweet Peas Are Made of This', 0, '\n', 'publish', 'open', 'closed', '', 'sweet-peas-are-made-of-this', '', '', '2003-06-29 17:39:20', '2003-06-29 17:39:20', '', 0, 'http://jonathanstill.com/?p=9', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (10, 1, '2003-06-30 12:33:13', '2003-06-30 12:33:13', 'From the terrific Metafilter comes a link to the Battleground God quiz on The Philosphers Magazine, in which you argue with the server about the existence and nature of God in 17 questions. Contradict yourself in your answers, and you get a screenful of explanation about why and how you are being illogical. Rather more difficult than the Jesus Test. You might need Anthony Weston\'s excellent Rulebook for Arguments, which together with the Silva Rhetoricae are my two favourite sites on the net for reliable, old-fashioned learning like grandmother used to make.\n', 'Call yourself a philosopher?', 0, '\n', 'publish', 'open', 'closed', '', 'call-yourself-a-philosopher', '', '', '2003-06-30 12:33:13', '2003-06-30 12:33:13', '', 0, 'http://jonathanstill.com/?p=10', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (11, 1, '2003-06-30 20:01:46', '2003-06-30 20:01:46', 'hollyhock\r\nI rather liked the effect of having random flowers on this otherwise rather stark page, so here comes the hollyhock. I wonder how many people that bought posters of Georgia O\'Keefe\'s flowers knew how she felt about her subject: "I hate flowers," she said apparently, "I only paint them because they\'re cheaper than models and they don\'t move".', 'Say IT with flowers', 0, '', 'publish', 'open', 'closed', '', 'say-it-with-flowers', '', '', '2009-05-10 20:24:46', '2009-05-10 20:24:46', '', 0, 'http://jonathanstill.com/?p=11', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (12, 1, '2003-07-01 08:12:54', '2003-07-01 08:12:54', 'Another one for the moth-hating community (by popular request): this time the Insect Vac or Moth Killer. It\'s not often you read advertising blurb that contains the words \'attractive\', \'ornamental\' and \'quickly shred the insect apart\' in the same paragraph. From the same, exhaustive catalogue (this company just hates insects) an electrified tennis raquet for delivering death by AA battery to anything with wings. The resemblance to a raquet is only coincidental, and you should not be violent with this thing, oh no: "The device is not intended to "swat" at insects", says the author, "Instead, it is used to "fry" them and all it takes is a gentle touch", a use of the word gentle which I find more than a little disturbing. Word has it that the RSPB has developed a \'splatometer\' which you stick on the front of your car to see how many insects of which variety you have slaughtered, thus ending arguments about whether there are less insects about than there used to be. Does anyone argue about that?\n', 'Time to shred your wings', 0, '\n', 'publish', 'open', 'closed', '', 'time-to-shred-your-wings', '', '', '2003-07-01 08:12:54', '2003-07-01 08:12:54', '', 0, 'http://jonathanstill.com/?p=12', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (13, 1, '2003-07-02 07:02:02', '2003-07-02 07:02:02', ' Daniel and I cringe and wonder whether anyone would dream of sending condolences by e-card, in a conversation about the status of email compared to the letter (will we one day buy The Collected Emails of Famous Author X, for example?). Only one way to find out... and the answer is that top of the list comes a pet bereavement e-card, complete with a choice of literary quotations about eternity and the dog, and Haustiertotenlieder embedded as midi-files. If it\'s your pet that\'s gone before, and you can\'t cope, perhaps you need to enrol on the Coping With Pet Loss E-mail Course. But to show grieving friends you really care, send them a \'more kleenex\' card.\n\nAll of which shows that being able to guess how weird other people are is a good starting point for Googlewhacks (although our version is slightly different - it uses inverted commas, is competitive, and has a complex scoring system). Nonetheless, I would never have guessed the existence of the collocation time porn. Like many other terms at Wordspy, once you\'ve heard it, you wonder how you ever lived without it.\n', 'Aufwiedersehen, Pet', 0, '\n', 'publish', 'open', 'closed', '', 'aufwiedersehen-pet', '', '', '2003-07-02 07:02:02', '2003-07-02 07:02:02', '', 0, 'http://jonathanstill.com/?p=13', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (14, 1, '2003-07-03 08:39:04', '2003-07-03 08:39:04', 'The pet death business is larger and stranger than I thought: you can even take a Hoegh Pet Casket Factory Tour in Michigan, Hoegh being the Microsoft of the pet death trade, as this page of special offers shows.\n\nFor predictably Teutonic precision about measurements and the various types of pet which would fit into each casket - from XS (hamsters, mice, small birds) to L (large cats/medium to large dogs up to 13kg) see the Kaleidon animal coffin catalogue from Lippstadt in Germany. For those nostalgic for the good old days of coffin manufacture, the Pet Casket Store makes caskets which are "reminiscent of a bygone era". But then caskets themselves are so last year. If you can\'t bear to part with your pet\'s mortal coil, Anthony Eddy\'s Wildlife Studio offers the "largest Freeze-dry service in North America". \'Wildlife\' seems an odd word to use to describe freeze-dried cats, which makes me wonder whether Eddy\'s original idea for a business took an unexpected but profitable turn.\n', 'Auf Wiedersehen Pet II', 0, '\n', 'publish', 'open', 'closed', '', 'auf-wiedersehen-pet-ii', '', '', '2003-07-03 08:39:04', '2003-07-03 08:39:04', '', 0, 'http://jonathanstill.com/?p=14', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (15, 1, '2003-07-03 18:48:16', '2003-07-03 18:48:16', 'Somehow I just knew that there was such a thing as Cat Bowling\n', 'Cat Bowling', 0, '\n', 'publish', 'open', 'closed', '', 'cat-bowling', '', '', '2003-07-03 18:48:16', '2003-07-03 18:48:16', '', 0, 'http://jonathanstill.com/?p=15', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (16, 1, '2003-07-04 09:19:48', '2003-07-04 09:19:48', ' From the Hendon & Finchley Times, invaluable advice on Keeping Your Pets Safe from Al Qaeda. Here\'s something I wouldn\'t have thought of if the bomb dropped: "In the event of an instruction to stay at home, remember to lock your cat flap". The author also recommends you should "keep some medicine in the kitty", a phrase I would have avoided in an article about pets.\n', 'Don\'t let your cat flap', 0, '\n', 'publish', 'open', 'closed', '', 'dont-let-your-cat-flap', '', '', '2003-07-04 09:19:48', '2003-07-04 09:19:48', '', 0, 'http://jonathanstill.com/?p=16', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (17, 1, '2003-07-05 01:22:15', '2003-07-05 01:22:15', ' The more I hear Alastair Campbell whinge about the media, the more I want to bury my head in The Framley Examiner. There is an uncanny, though not surprising similarity between the Campbell story and the "Bush asks Congress for $30bn to help fight war on criticism" spoof in The Onion. See also Anti-war demo numbers exaggerated explains Blair from the wonderful Rockall Times.\n', 'God Bless Framley', 0, '\n', 'publish', 'open', 'closed', '', 'god-bless-framley', '', '', '2003-07-05 01:22:15', '2003-07-05 01:22:15', '', 0, 'http://jonathanstill.com/?p=17', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (18, 1, '2003-07-06 13:25:03', '2003-07-06 13:25:03', ' I am the first person to celebrate the wonderfulness of the web, and the fact that you can buy almost anything from anywhere at the touch of a button, but I wonder sometimes if shopping in the real world is suffering as a result.\r\n\r\nWay back in 1997, Chris Hampson and I wondered where old ladies buy rain-mates (scroll down the page to find the answer), and now Daniel Jones and I have a similar problem with the Kazoo. You can forgive the wonderful Macari\'s in Charing Cross Road for being fresh out of them, because a) they sell everything else including three types of theremin [cherubim, seraphim and theremin?], b) their shop is as much fun as their website, and c) one of the guys behind the counter is in the Return of the Jingleberries. Likewise, Foote\'s in Golden Square get my vote for having an Acme Siren Whistle in stock, and the two guys in the percussion department have an endearingly postmodern attitude to music and salesmanship which worked a treat on me (who else would ask you if you\'re sure you wouldn\'t like a duck-warbler to go with that siren whistle?).\r\n\r\nHarrods: No Kazoos There \r\nBut what do you make of the fact that you can\'t get a kazoo in the whole of Denmark Street, where po-faced guitar-snobs tell you you need to go to Chalk Farm for \'that comedy stuff\'? Or that Harrods, once famous for stocking everything you could ever want, not only don\'t sell them (in music or toys), but can\'t tell you where to get one either?\r\n\r\nHunting the shoppoleth\r\nHence, I\'m coining the word \'shoppoleth\', (from shop and shibboleth), meaning any item whose disappearance from your local shop signifies the rise of the virtual world at the expense of the real one. Likewise, if you can buy a shoppoleth near you, it signifies that everything is all right with the world for a bit. An extreme example would be the cobbler\'s last that I saw in Woolworths (of all places) in Berlin in 1993. If you can buy a last at your local shop, rejoice.\r\n\r\nKazoo Watch\r\nMeanwhile, if you live in the UK and your local shop sells kazoos, please add their name to the roll of honour (comments) below. Likewise, any more sites like Miserable Melodies which features such things as the Temple City Kazoo Orchestra playing Whole Lotta Love are welcomed.', 'Theremins and Shoppoleths', 0, '', 'publish', 'open', 'closed', '', 'theremins-and-shoppoleths', '', '', '2009-12-31 13:42:36', '2009-12-31 13:42:36', '', 0, 'http://jonathanstill.com/?p=18', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (19, 1, '2003-07-07 22:01:08', '2003-07-07 22:01:08', ' In these post-Soviet days, it\'s quite a surprise to see something that looks every bit like a statue of Lenin towering over a miniaturized public outside the Dominion Theatre in Tottenham Court Road.\n\nThere is such a surfeit of signs here - the name of the theatre, the architecture, the literal \'elevation\' of Freddie Mercury to beyond stardom and into history, the gilding of the statue which ennobles but also disguises; the physical stance, the microphone threatening the public like a weapon. It makes you want Umberto Eco to come and write an essay on it, if you liked his Travels in Hyperreality as much as I did.\n', 'Power, Dominion and Freddie Mercury', 0, '\n', 'publish', 'open', 'closed', '', 'power-dominion-and-freddie-mercury', '', '', '2003-07-07 22:01:08', '2003-07-07 22:01:08', '', 0, 'http://jonathanstill.com/?p=19', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (20, 1, '2003-07-08 11:33:16', '2003-07-08 11:33:16', ' This rain-mate business (see below) is beginning to really bother me. How could something that helped define a generation just disappear, or rather, not appear at all on the net? Interesting that the web-searcher\'s bible, the tutorial at Berkeley on finding things on the net, has been updated to include a recommendation to use Teoma as a \'second opinion\' search enginge (after Google). As it happens, Teoma did bring up more relevant sites on the rain-mate than Google, including one which tells me that it was invented in 1950.\n\nAs with kazoos, please let me know (via comments) if your local shop sells rainmates. The next shoppoleth is the eyebath. Those included with Optrex products don\'t count - it has to be an off-the-shelf, stand-alone eyebath.\n', 'Who makes rain-mates?', 0, '\n', 'publish', 'open', 'closed', '', 'who-makes-rain-mates', '', '', '2003-07-08 11:33:16', '2003-07-08 11:33:16', '', 0, 'http://jonathanstill.com/?p=20', 0, 'post', '', 7); INSERT INTO `wp_posts` VALUES (21, 1, '2003-07-09 11:09:02', '2003-07-09 11:09:02', 'I agree with just about everything in this short diatribe about the internet (via Metafilter). Ironically, though, if it weren\'t for the Internet, I wouldn\'t have read it. What\'s more, the site is itself guilty of all the things that make the internet as unreliable as the author says, starting with the fact that there is no named author. Great little discussion piece, though...\n', 'Thoughts on the Internet', 0, '\n', 'publish', 'open', 'closed', '', 'thoughts-on-the-internet', '', '', '2003-07-09 11:09:02', '2003-07-09 11:09:02', '', 0, 'http://jonathanstill.com/?p=21', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (22, 1, '2003-07-10 19:37:14', '2003-07-10 19:37:14', '\n\nYou think you\'re overweight? Check this out: the world\'s largest pre-schoolers. Dzhambulat Khotokhov is four years old and weighs 123 pounds (56 kilos).\n\nGreat article by Jakob Nielsen (all hail the Nielsen Norman group) called Information Foraging: Why Google Makes People Leave Your Site Faster, who says "...basic laziness is a human characteristic that might be survival-related (don\'t exert yourself unless you have to)". Quite agree - strange that when applied to something like piano technique we call this "economy of movement", yet if a student dares to do the same with their brain, we call it laziness (well, I don\'t - and nor do programmers, I suspect, if you look at what brute force) means to them).\n', 'Information Foraging', 0, '\n', 'publish', 'open', 'closed', '', 'information-foraging', '', '', '2003-07-10 19:37:14', '2003-07-10 19:37:14', '', 0, 'http://jonathanstill.com/?p=22', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (23, 1, '2003-07-11 09:14:51', '2003-07-11 09:14:51', 'By chance, came across this most eloquent description of a night with ENB at the Coliseum. I\'m really taken by his view of Drink:\n\n"...Mark Morris\' Drink To Me Only With Thine Eyes, can be compared to the sound of water washing over rocks- soothing, peaceful, and refreshing. It accomplishes quite the same effect as the minature fountains that people place in their homes..."\n', 'Private Fountains', 0, '\n', 'publish', 'open', 'closed', '', 'private-fountains', '', '', '2003-07-11 09:14:51', '2003-07-11 09:14:51', '', 0, 'http://jonathanstill.com/?p=23', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (24, 1, '2003-07-14 14:55:41', '2003-07-14 14:55:41', 'Nice to see, after all the time that I\'ve been saying that weblogs are the way forward, that some really juicy ones in one of my subject areas is turning up, such as elearnspace blog (e-learning resources and news) and -=(in between)=- "A weblog on scholarly online publishing, open access, and library related technology".\n', 'Serious weblogs', 0, '\n', 'publish', 'open', 'closed', '', 'serious-weblogs', '', '', '2003-07-14 14:55:41', '2003-07-14 14:55:41', '', 0, 'http://jonathanstill.com/?p=24', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (25, 1, '2003-07-15 01:00:40', '2003-07-15 01:00:40', ' Snapping away with my lovely Olympus digital camera on Sunday, I wondered why suddenly my pictures looked like postcards or the type of thing you used to get on jigsaw puzzles. Then I realized it was because the sky is perfectly clear and blue, something that only happens on postcards and jigsaw puzzles. As a child, that land where trees are bottle green, the sky is electric blue and roses the colour of Colgate hang over the door of spotless white thatched cottages seemed as foreign to me as outer space. No wonder: Sunday was one of the only times I\'ve ever seen it.\n\nClick for a bigger castle\n', 'Castles in the air', 0, '\n', 'publish', 'open', 'closed', '', 'castles-in-the-air', '', '', '2003-07-15 01:00:40', '2003-07-15 01:00:40', '', 0, 'http://jonathanstill.com/?p=25', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (26, 1, '2003-07-17 11:21:48', '2003-07-17 11:21:48', ' A lovely weekend in Dorset, and first swim in the sea of the year at Swanage. Pedalos are such a great, efficient way of getting around (and more fun than an exercise bike if you want the exercise), I wondered where you might get one. I\'ve found out - and they do a fleet of pedalo swans as well!\n\nI can see a wonderful opportunity for an open air Swan Lake using Metroleisure swans at, well - why not Swanage? Or Hyde Park?\n', 'Beside the seaside...', 0, '\n', 'publish', 'open', 'closed', '', 'beside-the-seaside', '', '', '2003-07-17 11:21:48', '2003-07-17 11:21:48', '', 0, 'http://jonathanstill.com/?p=26', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (27, 1, '2003-07-19 02:24:07', '2003-07-19 02:24:07', 'LBC are running a competition with Intel and Dell where you can win a laptop . Don\'t get too excited - my reason for mentioning it is that their blurb goes like this:
    "we\'re giving away an Intel? Centrino? mobile technology laptop that enables you to work anywhere, anytime"
    \nNow call me old-fashioned (don\'t you dare) but who in their right mind 20 years ago would have been delighted to have won something that meant they could work anywhere, anytime. What kind of freedom is it to have a £1,000+ bit of gear which means you could in principle never be at leisure?\nWordspy has already listed the term teleworkaholic syndrome, meaning the tendency of people who work from home overwork because they feel they have to justify their situation.\n\nNot for the first time, I\'ve spent a whole morning playing what I call an email fugue this week. An email fugue is a state in which a number of different people email each other about a project or problem, adding information, suggesting solutions and expressing feelings or ideas, at the end of which everyone has the feeling that they have achieved something, but have nothing to show for it. The act of writing, sending and receiving feels like work, but isn\'t - no hole has been dug, nothing moved, nothing built. Is this really what we need always-on networks and laptops for?\n', 'Playing the Email Fugue', 0, '\n', 'publish', 'open', 'closed', '', 'playing-the-email-fugue', '', '', '2003-07-19 02:24:07', '2003-07-19 02:24:07', '', 0, 'http://jonathanstill.com/?p=27', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (28, 1, '2003-07-23 08:17:11', '2003-07-23 08:17:11', 'This \'work anywhere with wireless hot spots\' thing is still bugging me, so I had to investigate Intel\'s site to see where I could take my laptop and share in the public bandwidth.\n\nIt looks impressive to begin with - the database of places includes Japan and Bournemouth. So I fill in the details, hoping to find that I could be eating the best biryani in Tooting and collecting my emails at the same time.\n\nWireless? Brainless. The database - which is not searchable once you\'ve got to the \'town\' level - is in alphabetical order, so you have to scroll through 10 pages of entries like "212 Picadilly", "Bagelmania", "Caffe Nero (Frith Street" and so on until you find somewhere you recognise.\n\nNow who creates a database of locations without using postcodes? Or decides where they\'re going today on the basis of what letter the place begins with?\n', 'Wireless Hot Spots', 0, '\n', 'publish', 'open', 'closed', '', 'wireless-hot-spots', '', '', '2010-01-07 13:57:02', '2010-01-07 13:57:02', '', 0, 'http://jonathanstill.com/?p=28', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (29, 1, '2003-07-30 12:20:17', '2003-07-30 12:20:17', 'Just back from the very wonderful Odeon of Herod Atticus where ENB performed Double Concerto, Drink to me only with thine Eyes and Rite of Spring at the Athens Festival.\n\n As much as I am amazed by modern technology, I am much more in awe of the stunning acoustics of this open air theatre which is almost 2000 years old; well, 1839 years old in fact, according to this short history.\n', 'Athens', 0, '\n', 'publish', 'open', 'closed', '', 'athens', '', '', '2003-07-30 12:20:17', '2003-07-30 12:20:17', '', 0, 'http://jonathanstill.com/?p=29', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (30, 1, '2003-08-02 12:12:21', '2003-08-02 12:12:21', 'Well, I\'m here at last in beautiful Prague, ready for the International Ballet Masterclasses. It really is the most wonderful place.\n\nNiece-with-a-fleece Becky and Laura have finally found an internet café where they can upload piccies, so their BLT travelog now has gorgeous pictures of their travels, including this priceless signpost for a Swiss town\n\nNow it\'s up to me to find a café with a USB port and a nice man so I can do the same.\n', 'Aha Praha!', 0, '\n', 'publish', 'open', 'closed', '', 'aha-praha', '', '', '2003-08-02 12:12:21', '2003-08-02 12:12:21', '', 0, 'http://jonathanstill.com/?p=30', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (31, 1, '2003-08-04 17:25:53', '2003-08-04 17:25:53', ' It\'s thirty five celsius and rising here in Prague, and the masterclasses have started at last. All lots of fun - I just wish I could upload some pictures. I can\'t, so here\'s another one of Athens instead!\n', 'Hot enough 4 ya?', 0, '\n', 'publish', 'open', 'closed', '', 'hot-enough-4-ya', '', '', '2003-08-04 17:25:53', '2003-08-04 17:25:53', '', 0, 'http://jonathanstill.com/?p=31', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (32, 1, '2003-08-18 09:13:18', '2003-08-18 09:13:18', 'Funny how once you learn a new word, you begin to see it everywhere. Until Dan bought one in Athens, I had never heard of a Hacky Sack or Footbag . Then, blow me down if I don\'t arrive in Prague and discover that I\'m just in time for the International Hacky Sack Championships 2003. Hakisak, which is what Czechs call it, is exactly how I imagined it was spelt the first time I heard it. I was surprised to find out, then, that it\'s not a rare Tuareg word that\'s thousands of years old, but comes from the original name of the game, Hack the Sack. invented in 1972 by John Stalberger and Mike Marshall. The Hacky Sack trademark was eventually sold to Wham-O, who also own the Frisbee trademark.\n\nOh, and the online Hacky Sack game is fun too.\n', 'Hakisak', 0, '\n', 'publish', 'open', 'closed', '', 'hakisak', '', '', '2003-08-18 09:13:18', '2003-08-18 09:13:18', '', 0, 'http://jonathanstill.com/?p=32', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (33, 1, '2003-08-21 09:36:14', '2003-08-21 09:36:14', ' Does someone remember planting this in Tooting...\n', 'Girassol', 0, '\n', 'publish', 'open', 'closed', '', 'girassol', '', '', '2010-01-07 13:57:02', '2010-01-07 13:57:02', '', 0, 'http://jonathanstill.com/?p=33', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (34, 1, '2003-08-23 21:56:39', '2003-08-23 21:56:39', '\r\nSo nice to see that even a humble tin of tomatoes can be educational, as witnessed by this delightful example. This is the learning route:\r\n1. Go to Asda because it\'s there\r\n2. Buy tinned tomatoes, because you never know when you might need them\r\n3. Buy one can of Tarantella Tomatoes, because the label\'s nice\r\n4. Look for a handy link about Tarantellas and tomatoes on the web to pad out this weblog entry\r\n5. Be gobsmacked as I find this magnificent page on Italian music [update in 2009: sadly offline now] , including the Tarantella\r\n\r\n6. Find out that Naxos has released a CD by Alessandra Belloni called Tarantelle & Canti d\'Amore, which, given the dearth of tarantella CDs in my collection, will be next on my Amazon wish-list.\r\n7. Wonder how long it would have taken me to find out the information above on the web, had I not added the word \'tomato\' to my search term "tarantella".\r\n8. Decide to see if I can match the picture on the can (left) to one of the 19th century prints in the RAD library, and then do a joint history of the tomato and the tarantella, since the history of recipe-travel is another pet subject of mine.', 'Dance Education and the Tomato', 0, '', 'publish', 'open', 'closed', '', 'dance-education-and-the-tomato', '', '', '2009-12-11 09:34:51', '2009-12-11 09:34:51', '', 0, 'http://jonathanstill.com/?p=34', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (35, 1, '2003-08-25 10:29:57', '2003-08-25 10:29:57', ' Walking past the car park of the Muththumari Amman Temple yesterday, I noticed that the wonderful chariot that was the centrepiece of last year\'s chariot festival on August Bank Holiday was there again. Sure enough, there was another procession today, with all the terrific live music, dancing and costumes.\n\nAll this reminds me that it must be a year since I discovered the very wonderful Tooting web site, because the webmaster approached me for permission to have some piccies for his (I presume it\'s a he) site. Do visit it, it\'s as near to my dream of what a community web site should be. There\'s even an interview with me on it, as one of Tooting\'s biggest fans. My favourite question was "how can we encourage dancing in Tooting". A year on, and the dancing just seems to increase without any encouragement at all.\n\nBut then, Tooting is as near to Utopia as you can get, a point on which most of us who live here agree, so don\'t listen to the guys from clickwalla when they say that Tooting "may lack the colour of Southall or Wembley".\n', 'Glorious Tooting', 0, '\n', 'publish', 'open', 'closed', '', 'glorious-tooting', '', '', '2010-01-07 13:57:01', '2010-01-07 13:57:01', '', 0, 'http://jonathanstill.com/?p=35', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (36, 1, '2003-08-25 21:30:55', '2003-08-25 21:30:55', 'From Inc.com via elearnspace, an article - not a moment too soon - called More Power than Point, about the problem with PowerPoint, or rather how PowerPoint has, according to some, become the problem with American business. Russell Wild coins the very lovely phrase "bullet point coma" in another article in Financial Planning. But best of all is Edward Tufte\'s analysis of the cognitive style of PowerPoint [this is just a bullet-point resum? of the article by Aaron Swartz), and in particular his complete analysis of a single PowerPoint slide from Boeing about the possibility of tile damage on the Columbia Space Shuttle. Also not to be missed is Peter Norvig\'s PowerPoint version of the Gettysburg Address.\n\nI\'m relieved to find that I\'m not the only one who finds PowerPoint crass, pointless and even sinister, insofar as its main function is to establish and promote hierarchies even where none existed before. In my experience, people in offices only make organization charts and speak in bullet points and jokey clip-art because that\'s what Powerpoint can do. When I first saw it, I couldn\'t see the point of it, or who would want it.\n\nThen, gradually, I met them, Powerpoint-crazed managers who believed that, to paraphrase Elizabeth in Pride and Prejudice, Powerpoint would turn their idle jottings and Ricky Gervais-style aphorisms into "...something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb"; or in Powerpointese:\n\n

    Idle Jottings < Power!

  • Amaze whole room\n
  • Words handed down: posterity\n
  • "Eclat"\n
  • = Proverb\n\n(Slide 1 of 42 )\n\n24/09/03: Another article about this subject Absolute PowerPoint by Ian Parker, from the New York Times, May 28 2001.\n', 'Powerpointlessness', 0, '\n', 'publish', 'open', 'closed', '', 'powerpointlessness', '', '', '2003-08-25 21:30:55', '2003-08-25 21:30:55', '', 0, 'http://jonathanstill.com/?p=36', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (37, 1, '2003-08-28 07:15:25', '2003-08-28 07:15:25', ' It\'s not often that I get really excited about a web site, but the BBC\'s free online courses in journalism and production have just blown me away. I can\'t quite believe it - ready made courses, designed for their own staff training needs, free to the public. My own favourites are Minidisc for Radio, the The BBC news styleguide and Image Production for the Web, not to mention all the ones on video production. A really remarkable resource, worth hundreds if not thousands of pounds. If this is what the licence fee is going on, I\'m happy to pay it.\n', 'Free training from the BBC', 0, '\n', 'publish', 'open', 'closed', '', 'free-training-from-the-bbc', '', '', '2003-08-28 07:15:25', '2003-08-28 07:15:25', '', 0, 'http://jonathanstill.com/?p=37', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (38, 1, '2003-08-29 06:56:19', '2003-08-29 06:56:19', ' Here, late at night in the Tooting sound laboratory, Dan searches for the ideal means of creating the sound of splashing in puddles after a hard day in the studio.\n\nThe art of Foley has fascinated me ever since I met an entertainer on a cruise ship whose day-job was making the sound of beer being poured into glasses for TV adverts. Until I met him, I had always assumed that you\'d just pour beer into a glass, but no, in fact this doesn\'t sound like beer at all. After years of this, the poor guy couldn\'t speak normally any more; worse still, his act bombed, so to speak, when he decided to finish his show to the mainly American passengers with a re-enactment of Pearl Harbour using only his mouth and a microphone.\n\nIt was a revelation to me that the art of sounding real was to use anything but the actual object you were trying to recreate. Ray Brunelle\'s history of sound effects makes you realise how many comedy shows you heard on the radio without ever questioning that the sound of canaries meant that you\'d banged your head, or that everyone makes the sound of a slide-whistle when they fall down a wall. But the real find was this \'how to\' guide for radio sound effects. The answer, it seems, to making the perfect splash, is to make an x-shape with two bits of plywood on the end of a stick, and pull it out of a bucket of water, not plunge it in.\n', 'Splish Splash', 0, '\n', 'publish', 'open', 'closed', '', 'splish-splash', '', '', '2003-08-29 06:56:19', '2003-08-29 06:56:19', '', 0, 'http://jonathanstill.com/?p=38', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (39, 1, '2003-09-21 15:00:28', '2003-09-21 15:00:28', 'On the trail of that bizarre case involving Mike Batt (composer of the Wombles signature tune) and Peters Edition, in which Peters demanded a quarter of Batt\'s royalties for a track of one minute\'s silence, because - in attributing it to Batt/Cage - he had infringed Cage\'s copyright in 4\'33" (it was settled out of court when Batt paid a six-figure sum to Peters), I discovered something even more bizarre.\n\nBatt happens also to have written Heartlands, the theme tune to the Conservatives\' 2001 election campaign. OK, that\'s nothing strange - who cares as long as he got paid?\n\nBut what is weird is the puff about the track on the Conservatives\' website (Bond man composes Conservative theme), which claims that the music "aims to embody the core values and basic principles of the Conservative Party". Batt himself says "?I wanted the music to have gravitas, to be orchestral but also modern, to have compassion and warmth of spirit, but at the same time, strength of purpose.\'\n\nI\'m a great admirer of Philip Tagg\'s work and thought, in particular his analyses of library music, and why people use the music they do and for what purpose. But if you aren\'t, and you find Tagg\'s perspective all a bit leftish and anti-establishment, think again - here is the Conservative Party of all people telling you that Tagg is absolutely right. Not only can music be used to manipulate you to vote, it can even communicate a political agenda. The track in question is here - I presume this is the more "dynamic variation for use on the campaign trail". Altogether, not a wise move on the part of the Conservatives, since if you work backwards - and use a musicological analysis to try and understand what \'the core values and principles\' of Conservatism might be, you could start claiming all kinds of things for Conservatism which I am sure they neither intended nor would wish to publicize if they did.\n', 'The bizarre world of Conservatism', 0, '\n', 'publish', 'open', 'closed', '', 'the-bizarre-world-of-conservatism', '', '', '2003-09-21 15:00:28', '2003-09-21 15:00:28', '', 0, 'http://jonathanstill.com/?p=39', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (40, 1, '2003-09-27 11:27:35', '2003-09-27 11:27:35', ' Forgive the trip down memory lane, but it is now 20 years since I took the picture on the left, in someone\'s house in Villefranche-sur-Saône, on my way to be a student in Zagreb. That was a year after working in the same town in the Théâtre de Villefranche on Malcolm Williamson\'s La Mer Rouge with what seemed like hundreds of children, and people who became good friends at the time - Carole, Philippe (Pharoah), Thierry (Moses), Olivier, Madeleine (set designer), and the family of Arlette Picard.\n\nThe point is, we\'ve all got little bits of other people\'s history in our photograph albums, but they are histories that we\'ll probably never be able to put back together again. I can\'t think how it would work, but it strikes me that the web is the perfect medium for putting historical jigsaws like this together.\n\nAnd Thierry, Olivier et al, if you\'re reading this, get in touch!\n', 'Villefranche-sur-Saône revisited', 0, '\n', 'publish', 'open', 'closed', '', 'villefranche-sur-saone-revisited', '', '', '2003-09-27 11:27:35', '2003-09-27 11:27:35', '', 0, 'http://jonathanstill.com/?p=40', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (41, 1, '2003-09-28 00:26:31', '2003-09-28 00:26:31', 'Amazing what you can turn up from a simple question. Is Roll Out the Barrel still in copyright? Like me, you may have thought it was one of those diehard Edwardian music hall songs that everyone knows, but nobody can trace. It\'s not, as a bit of research shows.\n\nFirst stop, ASCAP, and the remarkable ACE on the web directory, where you can search for a song title, and find out who\'s registered as composer, lyricist and performer.\n\nOnce you\'ve got the significant contributors to the song from there, it\'s no more than a hop skip and a jump to find that Roll Out the Barrel was originally composed by Jaromír Vejvoda (1902 - 1988), a Czech composer from Zbraslav who wrote it in 1927 (without words) as Mod?anská polka. Seven years later in 1934, it acquired Czech words by Vašek Zeman, where it becomes Škoda lásky, and English words by Lew Brown and a title by Wladimir Timm, becoming - at last - the Beer Barrel Polka. In 1935, it\'s a massive hit in Europe for German accordeonist and bandleader Will Glahé (1902 - 1989) who gets a gold disc for it in 1938 as Rosamunde with German words by Klaus Richter. In 1939, Glahé and his Musette Orchestra sell a million copies of the song in America, and the now famous Beer Barrel Polka, is covered by the Andrews Sisters whose first big hit the year before was - interestingly - the Yiddish song Bei mir bist du schoen. Go to Exordia.com for more of the 1939 US hit parade.\n\nIt was sung by soldiers in WWII, and also reputed to be Eisenhower\'s favourite song. It has been a hit in fifteen countries and 36 languages, including a Danish version called Hvor er min kone. And in a recent poll in the Czech republic, it\'s now been voted the most popular Czech song ever.\n\nSo one of those songs that we think of as quintessentially English (or American) is in fact a tune written by a Czech composer, with lyrics by someone who was born in Odessa. How\'s that for cultural diversity?\n\nQuite by chance, this weekend happens to be is the occasion of the annual Vejvodova Zbraslav Festival, an international festival of brass band music which takes place in Zbraslav, the area of Prague where Vejvoda was born. Cheers, Jaromir, I\'m glad I made it in time.\n', 'History of a song & Vejvodova Zbraslav', 0, '\n', 'publish', 'open', 'closed', '', 'history-of-a-song-vejvodova-zbraslav', '', '', '2003-09-28 00:26:31', '2003-09-28 00:26:31', '', 0, 'http://jonathanstill.com/?p=41', 0, 'post', '', 3); INSERT INTO `wp_posts` VALUES (42, 1, '2003-09-30 20:07:07', '2003-09-30 20:07:07', 'You\'d think I made it up, wouldn\'t you? Well I didn\'t.\n\nTaming a Tartar; or, Magic & mazourkaphobia, "an operatic, romantic, magical, semi-burlesque, terpsichorean burletta, in two acts, founded on the grand ballet spectacle, called \'Le diable à quatre\'" is one of the works by Charles Selby (1802? - 1863) held in the Templeman Library of the University of Kent at Canterbury. Selby was something of a wag with titles, like his 1857 Tragedy in the Seven Dials (I\'ve seen a few of those in my time), or Phantom Breakfast: a farce in one act (it\'s the only breakfast I seem to get).\n\nI think I would have liked one of Selby\'s shows. It\'s around this time of year that I get mazurkaphobia, and if \'Taming a Tartar\' was only semi-burlesque, you wonder what Selby got up to when he really went for it.\n', 'Magic and Mazurkaphobia', 0, '\n', 'publish', 'open', 'closed', '', 'magic-and-mazurkaphobia', '', '', '2003-09-30 20:07:07', '2003-09-30 20:07:07', '', 0, 'http://jonathanstill.com/?p=42', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (43, 1, '2003-10-08 19:39:32', '2003-10-08 19:39:32', '\nA beautiful evening in Tooting. Whenever I see a sky like this, I think of Verlaine\'s poem Le ciel par-dessus le toit .\n', 'Le Ciel par-dessus le toit', 0, '\n', 'publish', 'open', 'closed', '', 'le-ciel-par-dessus-le-toit', '', '', '2010-01-07 13:56:14', '2010-01-07 13:56:14', '', 0, 'http://jonathanstill.com/?p=43', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (44, 1, '2003-10-26 11:07:10', '2003-10-26 11:07:10', 'Although no great fan of art house movies, I make an exception for Das Experiment, which was on BBC4 last night (although I confess that I\'d watch anything with Moritz Bleibtreu in it).\n\nThe film is based on Mario Giordano\'s novel Black Box which in turn is a fictional extension of the now famous Stanford Prison Experiment in which it took \'ordinary people\' only five days to turn so nasty once they\'d been assigned the role of prison guard that they had to stop the experiment before it got right out of hand. As Bleibtreu says in an interview about the film, "...it\'s not about these people. It\'s about the roles that you put them in... " (source).\n\nDas Experiment is a mass of complex issues, beginning of course, with \'what would you do given the power?\', undertones of homo-eroticism/homophobia, neo-nazism and other specifically German or European ones (such as Tarek\'s \'otherness\' in the German context of the film: see Steffen Hantke\'s article ). Bleibtreu himself raises even more questions, about the ethics of journalism in this interview; as a journalist, says Bleibtreu, Tarek should not have become part of the story he was reporting by provoking the issue (although for me, Tarek was a hero - he\'s got the looks, the ethics, the girl and the maverick intelligence, and there is something very crown-of-thornsish about all those electrodes.\n\nInteresting that he also dismisses the idea that he might have visited a prison as research for the film, because \'...acting is acting, and life is life. I can spend a couple of weeks in jail three times over, but I\'ll still know that I\'m doing to prepare for a role. That\'s not comparable with standing in front of a judge and getting 15 years.\' Makes a healthy change from all that luvvie \'research\'.\n\nIt also makes \'reality TV\' look very lame and sick. You thought Big Brother was bad? The broadcast of the BBC\'s attempt at re-running the Stanford experiment was delayed because some participants didn\'t like the way they\'d been portrayed at an early preview of the programme (!). As if they didn\'t realize that being on reality television is a form of genuine imprisonment.\n\nThe Stanford Experiment - where are they now? \nIt should not be surprising that the man in charge of the Stanford experiment, Philip Zimbardo would by now be an expert on the psychology of terror, manipulation and man\'s inhumanity to man. His article (written in January this year, hence before the war started) The Political Psychology of Terrorist Alarms is a fascinating study of the way that America\'s terrorist alerts since 9/11 have cowed people into a state of generalized anxiety which in turn brings about changes in the way they think and feel about the world around them. He ends the article with this excerpt from Goering\'s statement at the Nuremberg War Crimes Trial:\n\n"Why of course the people don\'t want war... That is understood. But, after all, it is the leaders of the country who determine the policy and it is always a simple matter to drag the people along, whether it is a democracy, or a fascist dictatorship, or a parliament, or a communist dictatorship.\n\n[...]\n\nVoice or no voice, the people can always be brought to the bidding of the leaders. That is easy. All you have to do is to tell them they are being attacked, and denounce the peacemakers for lack of patriotism and exposing the country to danger. It works the same in any country."\n\nThe ellipsis is mine, not Zimbardo\'s - you can find the missing bit in this short article about Goering\'s statement.\n', 'Das Experiment', 0, '\n', 'publish', 'open', 'closed', '', 'das-experiment', '', '', '2003-10-26 11:07:10', '2003-10-26 11:07:10', '', 0, 'http://jonathanstill.com/?p=44', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (45, 1, '2003-11-08 21:26:32', '2003-11-08 21:26:32', 'My favourite thing on the web for a long time - this page which claims to be able to hypnotise you. It\'s so simple, yet so darn effective, the person who had the idea should get some kind of award.\n\nBut then lazystuff is a great site altogether, a wonderful place to waste time (they\'ve got a top 50 of timewasting sites) on the web doing things like flying a virtual paper plane or discussing Old School Sweets (\'Web\'s largest collection of old-school British Sweets\').\n', 'Wundaweb', 0, '\n', 'publish', 'open', 'closed', '', 'wundaweb', '', '', '2003-11-08 21:26:32', '2003-11-08 21:26:32', '', 0, 'http://jonathanstill.com/?p=45', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (46, 1, '2003-11-09 21:56:05', '2003-11-09 21:56:05', 'Of the hundreds of reasons that I love Tooting, one of them has to be the unrivalled expert knowledge of the local inhabitants about things that remain but blurred questions in the minds of others.\n\nFor example, have you ever wondered if there\'s an easy way to get the flesh (meat?) out of a coconut? Probably not; but if, like me, you have an urgent piece about horses to finish, then you need to know how to prepare your coconut shells for sampling.\n\nSo, in Sainsburys, I choose my checkout carefully, and ask the guy behind the till (as the coconut goes through) if he has any useful hints and tips about getting the stuff out of the coconut.\n\n\nAs I suspected, he did have a solution. Apparently, there is a machine you can buy in any of the Sri Lankan shops in Upper Tooting Road, which gets the white stuff out, and costs around a fiver. So this afternoon, I went down to the Sri Lankan shops and asked. Sure enough, out came the Odiris coconut grater, for ?6.49. It looks like a combination between a lemon squeezer, a hand mincer and those things that came out of the wheels in James Bond\'s Aston Martin.\n\nIt works like a dream, and is lethal. It\'s the most obvious thing, and everyone should have one, but I guess the Health & Safety Executive would rather you didn\'t. Which is why I love Tooting and everyone in it. Software designers should all come to Tooting, to understand how important it is to solve problems that people have, rather than create solutions which solve an imaginary problem.\n', 'Coconuts', 0, '\n', 'publish', 'open', 'closed', '', 'coconuts', '', '', '2010-01-07 13:56:14', '2010-01-07 13:56:14', '', 0, 'http://jonathanstill.com/?p=46', 0, 'post', '', 6); INSERT INTO `wp_posts` VALUES (47, 1, '2003-11-30 21:19:49', '2003-11-30 21:19:49', ' So that\'s it for a while - on Wednesday we did the last performance (for the foreseeable future, at least) of Mark Morris\'s Drink to me only with thine eyes in the New Theatre, Oxford. Packing away my tails on the weekend, I felt just a little wistful. The weird thing about performing is that it\'s a strain to keep yourself on the edge, but at the same time, on the edge is a great place to be. It\'s been a great year, lovely to be working with fabulous dancers and the famously wonderful ENB crew; I don\'t know a more supportive lot of people anywhere. There aren\'t many pieces like Drink, so it\'ll be a hard act to follow. As it was the last show for a while, I was going to ask Daria Klimentová for some photos for the album (the one on the left is hers, too) - but I didn\'t have to, she was there before the show went up, and hopefully I\'ll have a nice souvenir for the wall (as well as Daria\'s 2004 Dance Calendar)\n', 'Farewell Drinks', 0, '\n', 'publish', 'open', 'closed', '', 'farewell-drinks', '', '', '2003-11-30 21:19:49', '2003-11-30 21:19:49', '', 0, 'http://jonathanstill.com/?p=47', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (48, 1, '2003-12-08 07:15:53', '2003-12-08 07:15:53', 'According to the BBC, "Education Secretary Charles Clarke and Higher Education Minister Alan Johnson will hold six \'seminars\' to explain why they back the controversial proposals" [full story].\n\nWhat\'s the point of sending 50% of people to University, if the concept of debate and seminar has been publicly eroded in this way?\n', 'Fee \'Seminars\'', 0, '\n', 'publish', 'open', 'closed', '', 'fee-seminars', '', '', '2003-12-08 07:15:53', '2003-12-08 07:15:53', '', 0, 'http://jonathanstill.com/?p=48', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (49, 1, '2003-12-18 00:12:03', '2003-12-18 00:12:03', 'Every so often I find myself drifting off into places like Friends Reunited and entering old school and college friends\' names into Google to see where everyone went. My old friend Vasco Franco, who I met in Zagreb, used to do much the same think by going through all his old letters and photos once a month - he claimed it was the full moon that brought it on.\n\nAnd so one thing led to another, and I went in search of pictures of the place that was my home for a year in Zagreb 20 years ago, Studentski Dom Stjepan Radi?, Horva?anski Zavoj. Eventually, I found a whole album of pictures of it. Apart from the fact that the street name has changed to Jarunska 2, it doesn\'t look much different, even if it does look a lot cleaner than I remember it, and the idea of having a computer in your room in those days would have been laughable.\n\nThe picture in the link above is of the post boxes, our first stop in the morning. Hundreds of them all arranged in a huge red wall. Getting a letter - or still better, a parcel - would make our day. Looking at the picture brought it all back. I often wonder what became of everyone - Friends Reunited doesn\'t reach that far, and we were such a disparate band of people from all over the world. Can anyone tell me what happened to Dragan ?ordevi?, the medical student from Split? Or Ahmed my room-mate, a Lebanese dentist? Or for that matter, all the Ethiopian doctors, Sudanese vets, Chilean film theorists, Cuban economists, Spanish sports physiotherapists? It seems like another age and another planet.\n', 'Memories of the Sava', 0, '\n', 'publish', 'open', 'closed', '', 'memories-of-the-sava', '', '', '2003-12-18 00:12:03', '2003-12-18 00:12:03', '', 0, 'http://jonathanstill.com/?p=49', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (50, 1, '2004-01-01 13:48:09', '2004-01-01 13:48:09', 'Here, in no particular order, is my line up:\n\n1. Robin Cook\nFor moral courage, logic and rhetoric. His resignation speech in March 2003 was one of the most moving and lucid speeches I\'ve ever heard. My favourite paragraph: "We cannot base our military strategy on the assumption that Saddam is weak and at the same time justify pre-emptive action on the claim that he is a threat"\n\n2. Clare Short\nFor moral courage - whatever people say, it probably took her more courage to stay on having threatened to resign, and then do it a couple of months later, than to go immediately. Her parting shots deserve a mention, too, my favourite being her accusation that Tony Blair was "increasingly obsessed with his place in history".\n\n3. Thomas Sutcliffe\nFor some of the best writing in the English language. His television reviews for The Independent are masterpieces of the form, beautifully crafted, incisive and witty. I missed his work so much when I lived in Germany that I\'d buy the Indie, read the TV review and throw the rest away. Shame on the paper for not putting them online, but here\'s one I found earlier.\n\n4. The Guardian online\nNow probably the best news site there is anywhere on the web, it just grows and grows, and it\'s still free. Whoever it was that managed to persuade the bosses at the Guardian to realize the vision deserves a medal.\n\n5. David Wolstencroft \nFor Spooks, one of the best dramas on TV in decades. It\'s fast (compared to things like Inspector Morse or Poirot, where it would be quicker to read the book), sassy, cool and exciting, great scripts, fantastic actors, terrific storylines, all in the space of an hour. I watched the Bush visit episode again just to enjoy the wonderful moment when Tom Quinn finally puts down the occupational psychologist in the last five minutes with enough dry, rational venom to kill an elephant.\n\n6. Matthew Macfadyen\nFor creating Tom Quinn in Spooks (see above), my hero and role model. Great character, great actor. The voice is enough, let alone the rest.\n\n7. Connie Hyde\nFor being one of the best (i.e. most awful) villains of 2003 as Cathy Bradford in The Bill. There\'s something terrifying true-to-life about her simpering, manipulation and obsessiveness, and the sickly-sweet smiles that are the other side of her murderous character. I\'ve loved hating her in 2003, and just hope she doesn\'t get Brandon\'s kids.\n\n8. Roberta Taylor \nFor Gina Gold in The Bill, one of the best additions since the fire. The Bill lives on a knife-edge between panto and copusoap, and Gina brings some lovely old-fashioned irony to her part which saves it from falling into either. My favourite line was outside the station when one of her coppers was about to be hung out to dry, and they both knew it. "Oh blii-imey" she said. The delivery was worthy of Maggie Smith at her best. Lovely stuff.\n\n9. Metafilter \nFor doing just what it says on the tin - filtering the web down to just a few sites a day which are representative of all that is whackiest and most wonderful out there. Whenever people ask me \'where did you find this!?\', the answer is usually metafilter.\n\n10. Andrew Roberts \nFor being the nicest person on the end of a business telephone. If you want a lesson in customer service, ring up Discus Group next time you need some CDs duplicated. Helpful, friendly, and no job is too small.\n\n11. Movable Type\nFor great software design. Movable Type is what runs this weblog. It\'s clean, it\'s easy to use, free, powerful and intelligent, and it runs weblogs all over the world.\n\n12. Jane Moore\nFor being the funniest woman on radio in 2003. I so enjoyed her dry sense of humour (my favourite remark: "Shock and awe? It\'s been more like bits \'n\' bobs, really, hasn\'t it"), her deadpan delivery and quiet humanity that I\'d choose to go to work earlier so I could listen to her LBC show in the car. Her tone was natural, she never sounded more awake or gung-ho than her listeners, so that listening to her was like having a hungover breakfast with your best and funniest friend. She\'s off the air now, having another baby, but I hope she\'s back.\n\n13. Clive Bull \nFor being the perfect radio host to fall asleep to (in the nicest sense of the word). Rather like Jane Moore, he\'s got the perfect pitch for the time of day, in tone and content, so when he and Steve Allen discuss Iceland microwavable dinners, I feel that all is well with the world, and I drift off nicely. I\'ve found myself watching the clock at bedtime, to make sure that I don\'t miss too much of the show. By contrast, I have to turn off the temporary replacement, Jeremy Beadle, as he\'s so annoying it keeps me awake.\n', 'JS New Years Honours List', 0, '\n', 'publish', 'open', 'closed', '', 'js-new-years-honours-list', '', '', '2004-01-01 13:48:09', '2004-01-01 13:48:09', '', 0, 'http://jonathanstill.com/?p=50', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (51, 1, '2004-01-16 23:55:39', '2004-01-16 23:55:39', 'At great expense to you and me, BBC4 have broadcast Cage\'s 4\'33" \'played\' by the BBC Symphony Orchestra. As you will know from a previous entry, Cage made a lot of money out of silence, even posthumously. We can\'t touch Cage, of course, because he\'s holy, canonized by the higher education/music publishing/concert promoter fraternity, but isn\'t this rather similar to the GM food scare? That pharmaceutical companies would begin to copyright carrots, for example, so that you\'d have to pay a licence fee to grow a carrot that had been genetically modified?\n\nJohn Cage, how very, very modern. And yet oh-so-modern JC made his money out of that oh-so-19th century concept of the musical work and copyright. The only thing 20th century about 4\'33" is clocks, time management and lawyers.\n\nI didn\'t watch it. I was too busy listening to Schumann\'s Sphinxes from Carneval.\n', '4\'33" - isn\'t it time we shut up about it?', 0, '\n', 'publish', 'open', 'closed', '', '433-isnt-it-time-we-shut-up-about-it', '', '', '2004-01-16 23:55:39', '2004-01-16 23:55:39', '', 0, 'http://jonathanstill.com/?p=51', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (52, 1, '2004-04-20 09:28:40', '2004-04-20 09:28:40', '... Catherine, after the lovely Catherine Smith, who, determined to make me pay more than I intended for a flower pot, spotted these delightful things on special offer at Homebase (?4.99 reduced from ?9.99).\n\nFeatured inside is a white clematis picked by Michelle, who claims they \'grow like weeds\' (the other pot has a blue Daniel Deronda variety, which is a lot more interesting than the novel), and some trailing lobelia, which I hope soon to see cascading down the sides.\n\nComing soon - that Scabeous, and the pampas grass\'s new hairstyle.\n', 'I name this pot...', 0, '\n', 'publish', 'open', 'closed', '', 'i-name-this-pot', '', '', '2004-04-20 09:28:40', '2004-04-20 09:28:40', '', 0, 'http://jonathanstill.com/?p=52', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (53, 1, '2004-05-31 06:49:28', '2004-05-31 06:49:28', 'A few weeks ago, just when the panic about obesity seemed to be reaching a tabloid roar, the Guardian published an article which threw a lot of ice-cold water over the subject. The article (an extract from his forthcoming book) by Paul Campos called The Big Fat Con Story. You can argue that Campos\'s argument is eventually as sensationalist as the fat-journalists\', but his voice needs hearing: for one thing, take the BMI (body mass index). It\'s a cultural construct, and has different implications for men than for women. "If Jennifer Aniston had the same BMI as her husband Brad Pitt," Campos argues, "she would weigh approximately 55lb (nearly four stone) more than she does".\n\nThe most disturbing part of the article is about the crudely evangelical approach of obesity warriors, who want to change the way black and Hispanic women view their own bodies - apparently, these groups are less neurotic about their weight than others, and are happy to be curvy. As a result, some diet companies allegedly target black and Hispanic women, because until they can get these women to be eating-disordered, they\'re losing out on a big part of the potential market. There\'s more - much, much more, in the article.\n\nWhat worries me, though, is how this article seems to have just been forgotten, to the extent that if you read today\'s Guardian article (Charity slams growing \'fat divide\') you won\'t see a single link to it on the page. The obesity panic is getting obese itself, putting on more and more weight as it sits unchallenged on the media sofa, unexcercised by reason, debate or different perspectives. Hurrah for the Guardian, I thought when Campos\'s article came out - but why didn\'t they or other papers follow through?\n\nBecause, I suspect, this would water down the story and make the headlines less interesting - a point, ironically, which Campos makes himself. I had hoped that the British broadsheets would make a better stand than this.\n', 'Why do articles go missing?', 0, '\n', 'publish', 'open', 'closed', '', 'why-do-articles-go-missing', '', '', '2004-05-31 06:49:28', '2004-05-31 06:49:28', '', 0, 'http://jonathanstill.com/?p=53', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (54, 1, '2004-06-02 15:56:52', '2004-06-02 15:56:52', 'Just the beginning - but I\'m finally getting my act together and making a page of links for music shops (eventually to include sheet music and instruments). As with my other links, this is just a handy one-stop page so that you can find your favourite shops easily when you\'re searching for a price or item.\nHere it is - The Music Resources Page\n', 'Music shops in London', 0, '\n', 'publish', 'open', 'closed', '', 'music-shops-in-london', '', '', '2004-06-02 15:56:52', '2004-06-02 15:56:52', '', 0, 'http://jonathanstill.com/?p=54', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (55, 1, '2004-06-20 15:52:35', '2004-06-20 15:52:35', ' Last Saturday (12th June) was a "West End at War" weekend in Leicester Square, with all kinds of goings on to celebrate and remember D-Day. The Guards Association Band played wonderful 40s swing and dance numbers, and some people - including these two ladies pictured left - couldn\'t keep still when they heard the music.\n\nThe reason for going was to see my niece, who\'s as a member of the FANY, was there to recruit new members, and be part of the fun (in 1940s FANY uniform). For more pics of the day, see the FANY Gallery. After 18 months of wondering whether I\'d be able to make it work or not, I\'ve finally installed a photo gallery on my site (courtesy of Menalto Gallery). Work? It\'s a dream. And having suffered a computer crash and a camera theft in the recent past, on the web is probably the safest place for the pics.\n', 'Dancing in Leicester Square', 0, '\n', 'publish', 'open', 'closed', '', 'dancing-in-leicester-square', '', '', '2004-06-20 15:52:35', '2004-06-20 15:52:35', '', 0, 'http://jonathanstill.com/?p=55', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (56, 1, '2004-06-25 00:36:18', '2004-06-25 00:36:18', 'Some of you may know about Blandine\'s Wonderful World of Ballet, a site that was second to none in many ways. Sadly, Blandine passed away two years ago, and it is only now that the pieces of her life are beginning to fit together.\n\nBlandine\'s webmaster contacted me some time ago to see if we could keep the site alive, but unfortunately there was no funding. The Blandine estate could not support the website, but I\'m delighted to say there was a work around - we\'ve managed to negotiate hosting Blandine on my site, until her finances recover. Most appropriate, and I don\'t know why we didn\'t do it earlier.\n', 'A home for Blandine', 0, '\n', 'publish', 'open', 'closed', '', 'a-home-for-blandine', '', '', '2004-06-25 00:36:18', '2004-06-25 00:36:18', '', 0, 'http://jonathanstill.com/?p=56', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (57, 1, '2004-06-30 07:32:20', '2004-06-30 07:32:20', ' Please do your bit for humanity, and vote for Michelle to go from Big Brother on Friday. I couldn\'t bear to see the lovely Marco or Nadia removed by the other humourless lot. Shell may say it\'s all about chicken nuggets, but there are dark undertones in what\'s going on in there at the moment - when Ahmed said he hated Marco, you knew he meant it, and why; Jason\'s snipe at Marco over Nadia\'s smoking was scary. Don\'t let them get away with it, vote Michelle out!\n\nThe image is from www.thisisbigbrother.com\n', 'Save Marco!', 0, '\n', 'publish', 'open', 'closed', '', 'save-marco', '', '', '2004-06-30 07:32:20', '2004-06-30 07:32:20', '', 0, 'http://jonathanstill.com/?p=57', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (58, 1, '2004-08-05 08:52:16', '2004-08-05 08:52:16', 'Looking through the activity log of this weblog, I see a number of people searching for things about music and dance. The best place to find this is on the general search page for the whole site, not the weblog search.\n\nI\'m not spying on visitors, I just wanted to see how many spammers had been blocked automatically by MT-Blacklist . Quite a few, it seems - MTB is a fantastic plugin, and saves hours of painful de-spamming.\n', 'Search me!', 0, '\n', 'publish', 'open', 'closed', '', 'search-me', '', '', '2004-08-05 08:52:16', '2004-08-05 08:52:16', '', 0, 'http://jonathanstill.com/?p=58', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (59, 1, '2004-08-06 01:55:29', '2004-08-06 01:55:29', ' Wir sind so weit, as the Germans would say - it\'s time to vote Nadia as the undisputed queen of Big Brother.\n\nBefore anyone calls me shallow for being a BB fan, I have very deep and meaningful reasons as to why Nadia should win. While Jason has consistently shown himself to be a complete wimp (even I can take a cold shower, for gawds sake), Nadia has shown moral courage. She has managed to keep her \'secret\' out of the house all these weeks, and pursued her own dream of being accepted - that\'s determination, focus & willpower for you. But more than that, what I love about her is that she gets angry and upset, but within 5 minutes she knows that she is upset, and laughs about it. She is well sorted, and knows what\'s her problem, and what belongs to other people.\n\nShe also laughs a lot (and I\'m a great believer in Deus Ludens).\n\n\nMay she win, and may you never visit this site again if you don\'t vote for her!\n', 'Go, Nadia!', 0, '\n', 'publish', 'open', 'closed', '', 'go-nadia', '', '', '2004-08-06 01:55:29', '2004-08-06 01:55:29', '', 0, 'http://jonathanstill.com/?p=59', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (60, 1, '2004-08-30 11:51:40', '2004-08-30 11:51:40', ' It\'s August Bank Holiday, so it\'s time for the wonderful Tooting Chariot Festival again. It starts at the Muththumari Amman Temple at the end of the street, and makes its way to Mitcham throughout the day.\n\nThis is now the third year that the weather has been exactly the same on August Bank Holiday - cold, windy and overcast, which makes me suspect that whoever runs the weather must also enjoy a statutory day off, and just flick a switch on Sunday night called \'August Bank Holiday\'.\n\nAs always, I followed the procession with my trusty camera, and you can view the results in my Tooting Chariot Festival gallery.\n', 'Tooting Chariot Festival 2004', 0, '\n', 'publish', 'open', 'closed', '', 'tooting-chariot-festival-2004', '', '', '2010-01-07 13:56:13', '2010-01-07 13:56:13', '', 0, 'http://jonathanstill.com/?p=60', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (61, 1, '2004-09-05 20:57:04', '2004-09-05 20:57:04', ' For some reason - perhaps because I\'m about to stop smoking again, and just waiting for all the \'you know it makes sense\' comments - I\'ve been listing in my head all the good IT advice that people never heed, even though not taking it is about as stupid as continuing to smoke. If you\'re a smoker, and someone starts telling you how stupid it is, feel free to ask them if they do any of the things below - unless they score 100%, you can tell them they\'re stupid too.\n\nSo, in no particular order, here\'s my list of IT tips no-one ever listens to:\n\n1. Learn to touch-type\n2. Read the manual\n3. Read the Help menu\n4. Use keyboard shortcuts\n5. Learn how to search the web and databases efficiently\n6. Develop an efficient filing system on your computer\n7. Clear your inbox and tidy your folders regularly\n8. Don\'t use your computer to do things you could do quicker by hand\n9. Use a firewall and antivirus software\n10. Don\'t forward \'humorous\' emails - unless you actually want your colleagues to think you\'re a bit sad and annoying.\n\nAll further suggestions or contributions to this list gratefully received.\n\nThe picture is of a cow at Prague airport.\n', 'IT advice no-one ever listens to', 0, '\n', 'publish', 'open', 'closed', '', 'it-advice-no-one-ever-listens-to', '', '', '2004-09-05 20:57:04', '2004-09-05 20:57:04', '', 0, 'http://jonathanstill.com/?p=61', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (62, 1, '2004-10-03 09:02:41', '2004-10-03 09:02:41', '\nIt\'s not often that I get goosebumps sitting in a library, but I came pretty near to it yesterday on a trip to the University of London Library. I have been looking for months for the Czerny piano studies on which Riisager\'s ballet Etudes was based. I had traced about half of them, but some - in particular those that I like most - I simply could not find. Having trawled through all the online, digitized scores, I kept coming across the same old books over and over again (the School of Velocity). Then I spent a day walking round London\'s music shops - the same story.\n\nMy last hope (and I\'d nearly given up) was a library, and Senate House appeared to have some Czerny I hadn\'t heard of on the stacks. Possibly one of the nicest people ever to sit behind a stack service desk fetched me four enormous volumes of Czerny from somewhere in the bowels of Malet Street.\n\nAnd there they were, those elusive etudes, in a set of books that from their good condition appeared not to have been opened since 1838 when they were published. This was a different Czerny to the one I knew from being a piano student, and it was suddenly easy to see how Riisager got the inspiration for Etudes. Dance permeates these studies to the extent that you\'d think Czerny must have done the 19th century equivalent of clubbing every night and come home so loved-up and buzzing that he just had to write exercises the way other people put on their favourite trance album. Saint-Saëns did him an enormous disservice by caricaturing him in Carnival of the Animals with the exercises in thirds. He might have been born in Austria, and associated with Beethoven, but he was Czech - his father came from Nymburk in Bohemia, which explains a lot about the good-naturedness of his music. It also explains why there\'s a Czerny Piano competition in Prague.\n\nThink about it - these books are 166 years old, and still in perfect condition. It took less than 5 minutes to get them from the stack shelves, and probably about half an hour to flick through about 1500 pages to find what I wanted. By conrast, I have already lost innumerable music files that I created using version 1 of Logic on my Atari only 12 years ago, and even with broadband, you can\'t \'flick\' through a digitized score.\n\nAll of which reminds me of an article I read in July this year by Bruce Stirling of Wired Magazine. He wrote a piece in the Daily Telegraph called Delete Our Cultural Heritage?. His point is that the world is suffering \'a silent phenomenon of "digital decay"\'; whereas books last centuries, the rapid obsolescence of computers and electronic storage methods means that things that we created only 10 years ago may be irretrievable unless they have been printed out, filed and catalogued - and as Stirling says, can you be bothered? It\'s not until you come across an endangered species such as the Czerny pieces, that you realise that future generations may have less to remind them of the 20th century than they do of the 19th.\n', 'The joy of libraries and my Czech mate Czerny', 0, '\n', 'publish', 'open', 'closed', '', 'the-joy-of-libraries-and-my-czech-mate-czerny', '', '', '2004-10-03 09:02:41', '2004-10-03 09:02:41', '', 0, 'http://jonathanstill.com/?p=62', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (63, 1, '2004-10-11 00:35:57', '2004-10-11 00:35:57', ' I often feel extraordinarily privileged to have such illustrious friends in the ballet world, particularly when I want an answer to a simple question, and can just pick up the phone and ask someone whose knowledge and experience is of such an order that it would be like asking Einstein to change a fuse on your vacuum cleaner.\n\nBut it has always been my experience with geniuses that they put their great minds to the most humble of subjects; thus my composition teacher, Malcolm Williamson, for example, in time off from being the Master of the Queen\'s Musick, offered suggestions as to how I could improve the music I had written for the RAD Intermediate syllabus, and surprised my parents by knowing all the details of an argument my grandmother had had with one of her oldest schoolfriends. Wayne Sleep once lent me a pair of his socks when I had none to wear in the pit.\n\nLast night, however, I felt - as Tony Blair would say - the hand of history on my shoulders, when I was trying desperately to accomplish skip change of step from instructions on the Internet. I was trying to write a paragraph on why one piece of music was more suitable than another for this step, when I realised I didn\'t really understand what I was talking about.\n\nI googled \'Skip change of step\' and tried to follow the instructions on the screen. Try as I might, I couldn\'t do it. I considered ringing colleagues at the RAD, but then decided this would be like asking a plumber friend if they\'d help you out with your blocked toilet on a Saturday night.\n\nThen chance intervened. As I hobbled round the room, my mobile rang, and there on the screen was the name \'Chris Hampson\'. If anyone should understand skip change of step, a choreographer should. Before he could even utter a word, I was in full flow "Look, how do you do skip change of step?". I explained my dilemma, and that I couldn\'t interpret the instructions on the internet.\n\n"Read them out to me," Chris said, "And I\'ll try and do it".\n"I hope you\'re not anywhere public" I replied\n"Just so you know how public I am," Chris responded "I\'m outside the National Theatre in Norway at the premiere of the Taming of the Shrew."\n"So", I said, beginning to feel the index finger of ballet history on my shoulder, "Take a little hop on the left foot...."\n"OK. Yup. Yup. OK, got it."\nMiraculously, I also got it too. What the instructions didn\'t tell you is that it\'s your left foot which propels you, not your right.\n"Oh, the ballet master of Royal Swedish Ballet\'s here now. He\'s doing it with me."\nWell, of course he is. The ballet master in question, the extremely lovely Krzysztof Nowogrodski, formerly of BRB, the PDTD course, and now in Sweden, was there with Mr Hampson, practising skip change of step at a premiere outside a theatre in Oslo, from instructions on the internet conveyed by mobile phone from Tooting. As if that were not all, I even got corrections "Oh no, it\'s all very small in Scottish Dancing" said Chris wisely, as I explained how I had been trying to jump the step (impossibly) with the non-working leg.\n\nSo when you read your guidebook to the Alternative Music for Grades 1 -5 have some respect - I suspect that it\'s rare that so much balletic weight has ever been brought to bear on the first exercise in RAD Grade 1.\n', 'Skip, change of step', 0, '\n', 'publish', 'open', 'closed', '', 'skip-change-of-step', '', '', '2004-10-11 00:35:57', '2004-10-11 00:35:57', '', 0, 'http://jonathanstill.com/?p=63', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (64, 1, '2004-10-12 07:28:35', '2004-10-12 07:28:35', 'That old party game \'name five famous Belgians\' is a little unfair on the Belgians. A more difficult game is \'name five Italian ballets\', I\'ve discovered. Until, that is, I found this wonderful catalogue of Italian Ballet Plot Synopses, 1816-1933 . I first came across Manzotti & Marenco when I read Giannandrea Poesio\'s paper on Galop, gender and politics in the Italian ballo grande\n(20th annual conference of the Society of Dance History Scholars, 1997). Before that I had never heard of Amor, Excelsior and Sport, let alone the others. The only time I have ever seen any of Romualdo Marenco\'s music is when the archivist Jane Pritchard lent me her precious copy of the score for Excelsior. An Italian wiki entry on Marenco shows just how prolific he was, and if the other scores as much fun as Excelsior, he must count as one of the most underrated and under-acknowledged ballet composers around. I\'m only sorry I missed the 3rd international conference on Romualdo Marenco e il ballo grande italiano. There isn\'t a single item by Marenco on either Naxos or Amazon, apart from the DVD of Excelsior, and I am still trying to find a recording on an Italian site.\n', 'Italian ballets', 0, '\n', 'publish', 'open', 'closed', '', 'italian-ballets', '', '', '2004-10-12 07:28:35', '2004-10-12 07:28:35', '', 0, 'http://jonathanstill.com/?p=64', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (65, 1, '2004-10-21 00:06:18', '2004-10-21 00:06:18', 'My new toy - a crossword creator that can create do-it-online crosswords as well as the paper stuff. Go on, make my day, play with my first attempt at an online crossword.\n', 'My first online crossword', 0, '\n', 'publish', 'open', 'closed', '', 'my-first-online-crossword', '', '', '2004-10-21 00:06:18', '2004-10-21 00:06:18', '', 0, 'http://jonathanstill.com/?p=65', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (66, 1, '2004-10-22 08:12:11', '2004-10-22 08:12:11', 'Together with the very much alive use of the vocative case in South East European languages, ablaut is one of those subjects that makes me go all tingly, so I was delighted to find It\'s Ablaut Time, the weblog of David Mortensen . Anyone who regards the agentive nominalization of verb-particle combinations as a \'relatively amusing construction\', and something to chat about over coffee with friends, or who writes papers called "Chain-shift, schmain-shift: Anti-Identity and Tone Sandhi in Hmong, A-Hmao, and Jingpho" is a-ok in my book. Long may he prosper.\n', 'L\'après-midi d\'un phone', 0, '\n', 'publish', 'open', 'closed', '', 'lapres-midi-dun-phone', '', '', '2004-10-22 08:12:11', '2004-10-22 08:12:11', '', 0, 'http://jonathanstill.com/?p=66', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (67, 1, '2004-12-04 08:10:30', '2004-12-04 08:10:30', 'A very handy report on Choreographer and Composer Collaboration by Van Stiefel, from Princeton University Center for Arts and Cultural Policy Studies. It\'s so complete, it could be an undergraduate text book on the subject (and boy, do we need one of those).\n', 'Choreographers & composers', 0, '\n', 'publish', 'open', 'closed', '', 'choreographers-composers', '', '', '2004-12-04 08:10:30', '2004-12-04 08:10:30', '', 0, 'http://jonathanstill.com/?p=67', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (68, 1, '2004-12-04 15:35:23', '2004-12-04 15:35:23', 'At last! This will be of interest to nobody except other Tootingese, but Kinetika have at last published the swimming timetable for Tooting Leisure Centre online. Having a corporate website that doesn\'t provide information that the public might want to access is, well, typical of the dumb way that people use computers and the net. I guess I could now take down my Tooting Swimming Times page now after so many years, except that it\'s still more useful as a quick guide to when the pool\'s open to the public than the official one. It\'s too much to ask that Kinetika publish updates so that the public know if there\'s a gala on and the pool\'s closed. It would take them 5 minutes to update the site, whereas the number of hours wasted by members of the public turning up to a pool that\'s closed runs into hundreds.\n\nOne day I\'m also going to challenge them on their policy of having a \'ladies\' swimming\' on a Saturday afternoon, but no equivalent for men. Surely we men should get a discount, or do we have to accept that this is just a kind of Feminist Tax? What have I ever done to women that I have subsidise their leisure activities?\n', 'Tooting swimming times', 0, '\n', 'publish', 'open', 'closed', '', 'tooting-swimming-times', '', '', '2010-01-07 13:56:13', '2010-01-07 13:56:13', '', 0, 'http://jonathanstill.com/?p=68', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (69, 1, '2004-12-12 01:17:40', '2004-12-12 01:17:40', ' I meant to go christmas shopping today, but ended up taking my films to Boots instead. Well, it needed doing. I went to Prague three times this year, and I still haven\'t seen the pictures. The more I go there, the more I understand why all those composers kept going back in the 19th century - it is the most affable, beautiful, humane and cultured (in the nicest sense of the word) city I know of. So here is my very personal photo gallery of Prague 2004 (a trip in February which I\'ll call \'the Rudolfinum moment\', the Premiere of Chris\'s Giselle in April, and the ballet masterclasses in Augst). I\'m itching to go back now...\n', 'Prague gallery', 0, '\n', 'publish', 'open', 'closed', '', 'prague-gallery', '', '', '2004-12-12 01:17:40', '2004-12-12 01:17:40', '', 0, 'http://jonathanstill.com/?p=69', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (70, 1, '2004-12-19 07:48:19', '2004-12-19 07:48:19', 'Just how exciting is all the hype about Google\'s venture into online books? Is it really the dawn of a new era?\n\nWhat seems to be missing from all the journalistic screaming is the fact that huge numbers of books and other materials have been available online for some time now. Some of my favourites:\n\n\n

    Spell to kvell...\n\nBut how useful is it to have all these texts, if you can\'t spell, type, research, filter, or evaluate? A classic example of this is the difference that accents & diacritical marks make on searching. In a recent search for information on the lovely Daria Klimentova, I decided to see what came up if I spelt her name with the proper Czech accents, i.e. Daria Klimentová. As I suspected, a totally different set of pages, including an encyclopedia entry on Daria from the beautifully designed and webbified ?eský hudební slovník osob a institucí (Czech Musical Dictionary of People & Institutions) from the - as their logo has it - Universitas Masarykiana Brunensis, the Masaryk University in Brno, another beautifully designed site. How would I know that Brunensis was Latin for \'of Brno\', unless I had a smattering of Latin grammar, geography and the metathesis of medial liquid diphthongs in Slavic languages?\n\nA free lunch?\nAnd in the end, apart from the limitations of Google\'s offerings imposed by the humanoids that read the stuff, what will or what can Google actually deliver? Are all those academic publishers who have invested thousands on online journal subscription services suddenly going to stop charging between $10 - $25 dollars an article, or forget about charging universities an institutional rate based on the number of enrolled students?\n\nWhat\'s on the menu, then?\nAnd what of a field like mine, which involves a notation/recording system other than text? As I wrote in another weblog entry, it\'s darned difficult to find some of Czerny\'s lesser-known works, unless you can be bothered to go to a library, request them from the stack service and search through almost a thousand pages by hand. Similarly, when I tried to get hold of a copy of Tchaikovsky\'s 50 Russian Folksongs for piano duet by conventional means, I found that Peters Edition still publish them, but - inexplicably - only 36 of the original 50, and with the titles only in German translation - which is no use at all if you want to cross-reference collections.\n\nI found the full set with the original titles by looking through 60+ volumes of the complete works of Tchaikovsky at the University of London library. I only knew they were there because I saw them on the shelves as I was leaving, having failed to find them in the catalogue ; I only knew when I had found them because I read Russian and music notation.\n\nMy point? It takes minutes to flick through hundreds of pages of a physical book, but - even with broadband - hours to do the same online. Catalogues, even in University libraries, are unreliable and inaccurate, prone as they are to the errors and limitations of the person who inputs the records. Materials for study are in multiple languages, formats and notation systems, which you have to know and understand if you want to do anything more than read text in English.\n\nScholarship? Не пудри мне мозги!"\nMy rant is about the suffocating domination of English texts in what laughably passes as \'scholarship\', particularly in my own field, and an insidious acceptance in some areas of Anglo-American academia that this is OK. By contrast, in Central & Eastern Europe, a knowledge of five European languages is not uncommon, and some of the people I studied with in Croatia had a reading knowledge of 12 languages at undergraduate level. A friend in Prague who speaks fluent English, German, Czech, Italian and French had her PhD dissertation proposal thrown out by the Academy of Performing Arts in Prague because she wanted to look at the Tchaikovsky ballets, but didn\'t speak Russian, and would therefore not have access to the relevant texts. You can guess where she went instead, of course.\n\nInformation vs. Intelligence\nI\'ve been using the net for nearly 10 years, and I still find that having billions of documents available online is no more useful than having a billion pounds in Albanian lek when you need to feed a parking meter, unless you have some knowledge and understanding about the subject in your head, critical skills, advanced literacy skills, advanced IT skills and a few languages: information does not equal intelligence.\n\nThe congress of libraries\nBut none of this is any use unless you have intellectual curiosity, determination and patience. Ironically, it seems to me that high information at high speed kills off the very passion for knowledge that is needed to process and use it. Furthermore, the thing that used to be at the heart of academic life - dialogue, debate, congress, conference - is also at risk. Webchat and video-conferencing are no substitute for real dialogue. It\'s great that you can access libraries online without moving from your seat, but not great if this becomes a substitute for travel and knowledge of an experiential kind.\n\nStudy? No thanks\n\'Study\' is becoming as boring as it sounds - you, a computer terminal and a lot of words on a screen. I hope I am not still marking papers when essays become little more than a newsfeed from a bunch of anglophone websites, written by students who\'ve never had the opportunity to get drunk, travel or sleep with each other, and thus are unable to put the subject, themselves and the whole notion of \'study\' in perspective.

    \n', 'Google, Gutenberg & Research', 0, '\n', 'publish', 'open', 'closed', '', 'google-gutenberg-research', '', '', '2004-12-19 07:48:19', '2004-12-19 07:48:19', '', 0, 'http://jonathanstill.com/?p=70', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (71, 1, '2004-12-21 10:14:56', '2004-12-21 10:14:56', 'All of the last entry in my weblog brings me on to my next rant: the meaninglessness of \'eurocentrism\'.\n\n\nThe quickest and easiest way to avoid responsible scholarship is to dismiss a subject as \'Eurocentric\'. Study ballet from an anthropological, psychological, feminist or sociological perspective, or smother it with cultural theory, and you can avoid all the things that make it difficult, like music & movement notation, knowledge of the repertoire, texts in multiple languages, or - dare I say it - dancing itself. You can sit in a luxury bath of texts in English, sculpting literary foam into a myriad new forms and subjects, and talking de haut en bas about eurocentricity. Throw in a few references to Indian classical dance, African People\'s Dance, a tribe in Papua New Guinea and (for the sake of postmodernity) trance & hiphop, and you\'ll look smart and chic, and no-one could call you - heaven forbid - Eurocentric.\n\nBut as the example of my pentilingual Prague friend below illustrates, this just wouldn\'t pass for scholarship in many European countries; the concept and term \'Eurocentricity\' is itself an instance of precisely the kind of blinkered generalization that it purports to describe. As Europe expands, the term becomes even more nonsensical. Did all the people who used the word five years ago experience a paradigm shift in May this year, and write cards to their friends saying "Oh by the way, when I say eurocentric from now on, I am now mentally including Estonia, Czech Republic, Hungary, Latvia, Lithuania, Poland, Slovakia, Slovenia, Cyprus and Malta"?\n\nOr do they, in a kind of post-Engelsian way, view these nations as \'non-historic\', places to get a cheap holiday and cheap beer, but not worthy of study, and incapable of contributing to respectable scholarship because they don\'t publish in English?\n\nNationalism and racism\nThe trouble is, we don\'t really have a word that is as immediately pejorative as \'racist\' when it comes to this kind of thing. In one of the most bizarre pieces of educational writing I\'ve ever seen, an unnamed author says

    "Sometimes the meaning of words is changed in a racist way. If we then use these words we are ourselves being racist. For example, \'palaver\' (see Programme 1, \'Empire\') is an African language word for a meeting. In English this word is often used to describe unnecessary fuss or pointless chatter. It is therefore insulting to African culture."

    \n\n

    From a Channel 4 \'Activities\' page on Migration\n\nI use the word \'palaver\' all the time, but until this morning, had no idea that this made me and many of my friends into racists. Channel 4\'s \'educational\' activity sheet, in my view, commits many more crimes against national cultures than me using the word palaver. For one thing, although I\'m no expert, I understand that Africa has between 800-1,000 different languages in different language groups, and I would imagine that, as the second-largest continent in the world, \'African culture\' is not just a blanket-term, but a whole darned king-size duvet of a term, not to mention the fact that \'culture\' as an abstract phenomenon is a difficult thing to insult.\n\nAnd what about the word \'palaver\'? Is it really an \'African language word for "meeting"\'? The etymology in most sources I can find is Latin parabola via Portuguese (with metathesis) palabra, most probably 1735 sailors\' slang for a \'negotiating with the natives\'. If you want to claim that the word is at all racist, the whole point is that it is not an African language word at all, but a Portuguese one that describes a visitor\'s experience of the country.\n\nJohnny Foreigner is still alive and well\nDespite the internet, the expansion of Europe, low-cost travel and \'education, education, education\', this kind of ignorance and generalization in the English speaking world seems to be getting worse. I recently introduced my friend and colleague the dancer Oxana Panchenko to one of my students, a second-generation Ukrainian from Canada who was writing a dissertation on Ukrainian folk dance. Before I\'d finished the introduction, the student said to Oxana \'Where are you from?\'.\n"From Russia" said Oxana.\n"Hang on", I said, worried that the whole point of the introduction was lost, "I thought you were Ukrainian!".\nShe laughed\n"Well, yes, I am, but we [i.e. Ukrainians] don\'t bother anymore in this country. We just say we\'re Russian. Ivan Putrov says the same. People here think that Ukraine is in Russia anyway, so there\'s no point".\n\nThe situation is worse for other East Europeans. Many years ago, when the brilliant Croatian dancer Irena Pasari?; first danced with ENB, some well-heeled guest with big hair and court-shoes at a reception asked where she was from. When Irena said \'Croatia\', the other woman\'s reply made it clear that she had assumed Irena was an asylum seeker fresh from Sangatte who had gatecrashed the party to steal a few sandwiches in between cleaning jobs. It didn\'t occur to her that she might have chosen to come to England, bought her own ticket, or indeed, that the director of the company might have asked her to come because she was a world-class ballerina.\n\nGlobal schmobal\nThe view from Croatia, Slovenia, the Czech Republic, Ukraine, Poland, France, Spain or any other country in Europe is not the same as the view from England or America. How on earth can you talk about something being \'eurocentric\' if you are unable to read about or experience those perspectives? Is it any more worthy to be \'global\' in your thinking, when your understanding of non-European culture is as crass and superficial as that demonstrated in the Channel 4 activity sheet above?\n\n\nIt is bad enough that eurocentrism assumes that European or Western values are the same wherever you go from Belfast to Brno. But if eurocentrism, defined by Western academics is "a worldview that believes European or Western values to be superior" then isn\'t an abhorrence of eurocentrism itself a eurocentric concept, and therefore a ridiculous case of circular reasoning?\n\nPresumably, too, as I am a European, the views I have expressed above are also Eurocentric. I would welcome comments by non-Europeans which will help me to overcome this problem.\n', 'J\'accuse: the eurocentricity of eurocentrism', 0, '\n', 'publish', 'open', 'closed', '', 'jaccuse-the-eurocentricity-of-eurocentrism', '', '', '2010-01-07 13:56:13', '2010-01-07 13:56:13', '', 0, 'http://jonathanstill.com/?p=71', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (72, 1, '2004-12-23 11:34:35', '2004-12-23 11:34:35', ' Another year where I\'ve been completely hopeless at sending Christmas cards, so here - for the two or three people who read this site - is something just as lovely, a gallery of images from last night\'s performance by ENB of Christopher Hampson\'s Nutcracker at the Coliseum. Sarah Frater of the Evening Standard seemed to think Gerald Scarfe had run out of inspiration when it came to the Sugar Plum Fairy\'s costume, I thought it was rather lovely myself.\n\nIt\'s been a fantastic year, one way and another, I hope it has for you. Please come back and visit often.\n', 'Happy Christmas ', 0, '\n', 'publish', 'open', 'closed', '', 'happy-christmas', '', '', '2004-12-23 11:34:35', '2004-12-23 11:34:35', '', 0, 'http://jonathanstill.com/?p=72', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (73, 1, '2004-12-29 20:04:26', '2004-12-29 20:04:26', ' When the choreographer Christopher Hampson had to change the music for his piece Canciones four days before the premiere because City Ballet of London couldn\'t get permission to use de Falla\'s Siete Canciones Populares Españas for a ballet, I was so angry that I fantasized about bringing a case called \'The People of Spain vs. Publisher X\', or putting the decision to the Spaniards in a referendum.\n\nWhat vexed me was that these songs were, as the title suggests, based on public domain material. In an absolutely fair world, the \'folk\' from whom these \'folksongs\' came should have been party to the decision. Furthermore, if royalties were payable to The Folk for their contribution to the songs, then The Folk would have had a financial interest in the public performance of those songs.\n\nUnlike the de Falla estate (or whoever it was who initiated the refusal), they might have been glad of the few pence owing to them, rather than saying sniffily \'We don\'t want ballet done to our songs!\'.\n\nJust when I had calmed down (about five years later) I came across a similar problem with another concert-hall composer and his folk song arrangements. I have been struggling with the morality of the question ever since - can copyright, designed to protect author\'s rights, really be so exploitative?\n\n[NB: 26/05/07 - on checking, half these links are dead now - but I\'m leaving them in for historical accuracy, and for the sake of those who might want to follow them up]\nThen I found this article in the South African Sunday Times from 2000 called \'Where has all the money gone?\'. The article is mainly about the case of \'The Lion Sleeps Tonight\' from the Lion King (Margo v. Weiss), but along the way, the author mentions the American folk singer Pete Seeger who feels it is wrong for songwriters to claim all the royalties from folk songs, and tries to put the money back somewhere, even if it\'s a rather oblique target:\n\n

    \nHe [Seeger] has directed, for example, that royalties from the version of We Shall Overcome he recorded in 1959, with extra verses he penned, be directed to US trade union benefits - an arrangement that still continues. Elsewhere, he wants royalties from Where Have all the Flowers Gone? sent to a Russian folk-song archive - because he got the idea for the song from the Mikhail Sholokhov novel, And Quiet Flows the Don.

    [from SA Sunday Times, 27/08/2000]

    \n\nI\'m glad that someone in Russia is getting some money from Russian \'folk songs\'. Consider how much cash has been made from the 1960s hit Those were the days my friend (Mary Hopkin, 1968), and then ask yourself how much of it found its way to the family of Boris Fomin 1900-1948 who wrote the song on which it was based (called Дорогой длинною, with words by the poet Konstantin Podrevskii). Anglophone sites talk vaguely and shamelessly about this as a \'Russian folk song\' or \'gipsy song\'. To anyone except the anglophones, the provenance is clear (see Willy P\'s diary on the subject, for example).\n\nThe absolute proof is in this recording of Дорогой длинною by Aleksander Vertinskii (track 3), from the wonderful Vertinsky website. [NB: 26/05/07: I\'ve updated this link because the Vertinskii site has changed address - but the direct link to the track is yielding a 404 page - but the link just given points to the album tracklisting, and hopefully the site-owners will repair the link soon]. Boris Fomin\'s grandson DJ Fomin is alive and well and dj-ing in Moscow and could buy some fantastic new gear with the royalties. The Copyright Term Extension Act put all kinds of Russian music (including the Rite of Spring) back into copyright in the USA, so I wonder how long it will be before the unrepresented Russians like the Fomin estate are able to collect in the way that \'classical\' composers do?\n\nAnother \'folk\' song which people seem happy to copy and post all over the net without fear of copyright infringement is Poliushko-pole, made famous by the Red Army Choir. Once again, this isn\'t a folk song, but was written by Viktor Gusev to music by Lev Knipper in 1934.\n\nMore copyright fun...\n\n', 'Copyrighting the public domain', 0, '\n', 'publish', 'open', 'closed', '', 'copyrighting-the-public-domain', '', '', '2004-12-29 20:04:26', '2004-12-29 20:04:26', '', 0, 'http://jonathanstill.com/?p=73', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (74, 1, '2004-12-31 20:10:13', '2004-12-31 20:10:13', '[caption id="attachment_1373" align="alignleft" width="186" caption="The cover of Pogudin's album Panikhida Khristal'naya. The image is direct-linked to the relevant page on his website."]The cover of Panikhida Khristal\'naya[/caption]\r\n\r\nIn my search for the authors of Dorogoi Dlinnoyu (see last entry) I have listened to scores of different recordings, and discovered that Aleksandr  Vertinskii wrote some of the most beautiful songs, in addition to making Fomin\'s song famous.\r\n\r\nBut the real find of the day, indeed of the year, is the singer Oleg Pogudin whose album of Vertinskii\'s songs, Panikhida Khrustal\'naya is one of the most beautiful things I\'ve heard in a long time. Pogudin\'s voice is warm, clear and soulful, like stroking velvet. He makes each song sound like a masterpiece.\r\n\r\nWhat makes the album even more stunning is the brilliant accompaniment of Igor\' Ur\'yash. He\'s a fanstastic pianist, and his accompanying is probably the best I\'ve ever heard in this genre. If I was Pogudin, I\'d want to sign him for life. Both of them can do the \'caf?\' sound to perfection, but with a subtlety, technique and depth that is breathtaking, and their partnership is so well attuned that they sound like a single voice.\r\n', 'The wonderful voice of Oleg Pogudin', 0, '', 'publish', 'open', 'closed', '', 'the-wonderful-voice-of-oleg-pogudin', '', '', '2010-01-04 14:13:15', '2010-01-04 14:13:15', '', 0, 'http://jonathanstill.com/?p=74', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (75, 1, '2005-01-01 23:38:30', '2005-01-01 23:38:30', '\n\n\n

    HAPPY NEW YEAR!

    \n', 'Farewell 2004/Happy New Year', 0, '\n', 'publish', 'open', 'closed', '', 'farewell-2004happy-new-year', '', '', '2005-01-01 23:38:30', '2005-01-01 23:38:30', '', 0, 'http://jonathanstill.com/?p=75', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (76, 1, '2005-01-16 12:00:57', '2005-01-16 12:00:57', '\nAs one of the things that makes Upper Tooting an earthly paradise is its freedom from supermarkets from the Bec to the Broadway, I thought I\'d give a friendly push to the newly opened Dadu\'s online store. Dadu\'s is just one of the shops that I can walk to within 2 minutes - but for the benefit of those not lucky enough to live in Tooting, here\'s why it\'s so great.\n\nThink about the last time you bought whole black peppercorns, and then compare these prices:\nDadu\'s online: ?4.49/1kg\nSainsbury\'s refill: [you\'ll have to go to the site to look, since Sainsbury\'s have a disclaimer saying that the information on their site may not be reproduced without prior consent]\n\nSo Sainsbury\'s own brand costs well over £20/kg (compared to £4.49) and Schwartz\'s (£1.55/35g) costs over £40/kg. It\'s tempting to think that the money must be in the packaging - but in fact, you save almost nothing by buying Sainsbury\'s refill - it\'s cheaper to buy the 100g jar.\n\nAlaric the Goth demanded a ransom which included 3,000lbs (1364kg) of black pepper to end his siege of Rome in AD 408. Depending on where the Romans did their shopping to pacify Alaric, this would have cost them about ?6,000 at Dadu\'s or ?30,000 at Sainsburys. It makes you wonder whether Alaric, being (roughly-speaking) German, was used to buying his pepper from Schwartz, in which case he might have thought that 3,000lbs of the stuff was worth around £60,000. Quite a serious mistake to make if you want the money to buy AK47s or pay local warlords to come over to your side.\n', 'Tooting and the wonder of Dadu\'s', 0, '\n', 'publish', 'open', 'closed', '', 'tooting-and-the-wonder-of-dadus', '', '', '2010-01-07 13:56:12', '2010-01-07 13:56:12', '', 0, 'http://jonathanstill.com/?p=76', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (77, 1, '2005-01-19 08:16:49', '2005-01-19 08:16:49', 'As I\'m currently enthralled, entranced, lost & totally wrapped up in the world of Wolfram Fleischhauer\'s novel Die Frau mit den Regenhänden, I was delighted to find that there is now a Wolfram Fleischhauer site, with interviews, and the research background to all his novels. I\'m a big fan - as you might infer from my review of Drei Minuten mit der Wirklichkeit.\n\nIn the \'Recherche\' section about Die Frau mit den Regenhänden, Fleischhauer writes this:\n\n
    "Sie kennen dieses Gefühl vielleicht aus eigener Erfahrung: es gibt Erlebnisse, die uns verstummen lassen, sei aus Trauer, aus Glück, aus Scham oder einfach aus Betroffenheit. Und da gibt es ja diesen Satz von Wittgenstein, der mich schon immer zum Widerspruch gereizt hat: wovon man nicht sprechen kann, darüber muß man schweigen.\n\nDas mag vielleicht für eine bestimmte philosophische Schule richtig sein. Aber für Erzähler ist genau des Gegenteil geboten: wovon man nicht sprechen kann, darüber muß man schreiben. Genau davon muß man erzählen: vom Unsagbaren, vom Unsäglichen.\n\nÜber die Beschäftigung mit diesem Stoff habe ich gelernt, warum ich der Literatur immer den Vorzug gegenüber der Philosophie gegeben habe. Ich bin überzeugt, daß es eine Wahrheit über die Welt gibt, die jenseits jeglicher Philosophie angesiedelt ist, eine Wahrheit eben, die nur über Kunst erfahrbar ist."
    \n\nIt\'s beautiful German which loses in translation, but roughly speaking it means this:\n\n
    "Perhaps you know this feeling from your own experience: there are things which leaves us dumbstruck, be it through sadness, happiness, shame or simply shock. And there\'s this sentence by Wittgenstein which always struck me as a paradox: \'whatever cannot be spoken of, one should keep silent about\'.\n\nThat might be right for a certain school of philosophy. But for writers, the exact opposite is in order: "whatever cannot be spoken of, one must write about". This is precisely what you have to write about - the unspeakable, the inexpressible.\n\nIn dealing with this material, I\'ve discovered why I\'ve always preferred literature to philosophy. I\'m convinced that there is a truth about the world which resides beyond any philosophy; a truth, indeed, that you can only experience through art".
    \n\nThose paragraphs, like everything else I\'ve read by Fleischhauer, leave me dumbstruck, too. Perhaps his theory goes some way to explaining why it is often the most unsatisfying, pretentious and self-serving "art" that gets talked about the most. The good stuff just leaves you with a feeling that something changed inside you while you were experiencing it.\n\nWolfram Fleischhauer books from Amazon.de\n', 'Wolfram Fleischhauer', 0, '\n', 'publish', 'open', 'closed', '', 'wolfram-fleischhauer', '', '', '2005-01-19 08:16:49', '2005-01-19 08:16:49', '', 0, 'http://jonathanstill.com/?p=77', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (78, 1, '2005-01-23 23:16:22', '2005-01-23 23:16:22', 'From the BBC news site: "Academics give lessons on Blogs".\n\nThat\'s news is it? If there\'s anything newsworthy in there at all, it\'s that academics (not students, of course, who\'ve been at it for years) have been so dreadfully slow to catch up with a technology that puts essays to shame. And what about Wikis? Oh dear oh dear.\n', 'Shock horror - academics increasingly using blogs!', 0, '\n', 'publish', 'open', 'closed', '', 'shock-horror-academics-increasingly-using-blogs', '', '', '2005-01-23 23:16:22', '2005-01-23 23:16:22', '', 0, 'http://jonathanstill.com/?p=78', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (79, 1, '2005-02-05 20:01:15', '2005-02-05 20:01:15', 'Another day at the University of London Library [see earlier post on Czerny], this time, to retrieve some dances from Tchaikovsky\'s opera Cherevichki which were used in Cranko\'s Onegin. I only know that because on a recent trip to Westminster Music Library, where everything that I had found in their online catalogue was missing from the shelves - not on loan, just missing - I came across a vocal score of this opera, which I had never heard of before, and flicking through it found a good deal of Onegin, note for note. You could find this information from a review of Onegin in the Boston Phoenix, but only by typing in The Slippers (the English translation of "Cherevichki", or Vakula the Smith (an earlier opera on which it is based) or The Caprices of Oksana (the alternative title).\n\nSenate House Library is the opposite of Westminster - it has wonderful things on the shelves that don\'t appear in the catalogue, such as all 61+ volumes of Tchaikovsky\'s complete works, including every sketch for a song that the great man ever wrote on the back of his bus ticket, and of course, Cherevichki. The catalogue also claims to have very little Moniuszko - however, looking for the collected works of Corelli on some shelves which seemed to have been catalogued according to the qwerty keyboard rather than the alphabet, I tripped over the collected works of Moniuszko, another victim of musical shoplifting (which Delibes admitted): the Friends dance in Coppélia is almost a direct lift of Moniuszko\'s song Poleć, pieśni, z miasta.\n\nI\'d read about this, and a colleague found a version of the song in 1950s Anglo-Polish songbook - which enabled us to provide more information for the Guidebooks we were writing for the RAD\'s Alternative Music for Grades 1-5. However, it was only today that I could finally say I knew that the song came from the Third \'Home Songbook\' (Śpiewnik domowy) with words by Edmund Wasilewski, and is No. 3 of Trzy Krakowiaki. The only place I\'ve found anything else about this is from BalletMet\'s page on Coppélia, where it\'s claimed the St Léon thought that the piece was a folk song, only later discovering it was by Moniuszko. Delibes\' version is so similar to Moniuszko\'s, right down to the melody in thirds, the grace notes, the accompaniment and the little ritardandi at the ends of the phrase, that I\'m forced to question how much either St L?on or Delibes could really have believed it was a folk tune.\n\nBut so what? Well, Moniuszko is a huge Polish composer, and you can buy his works anywhere in Poland, or from an online bookstore. The first page of the score of Coppélia tells us that the story is set in Galicia, as is his opera Kassya, which contains even more remarkable Polish folk music [For more on this, see The Life of Zygmunt Stojowski]. So why don\'t we think of and study Coppélia as a \'Polish\' ballet, rather than see the Mazurka in Act I as a kind of character divertissement in an otherwise French ballet? (Heaven knows what people make of it if they see Osbert Lancaster\'s ghastly designs for the ROH version - thank goodness I grew up with Desmond Heeley\'s for Ronald Hynd).\n\nIn most articles about the ballet, there are more mentions of Delibes\' use of leitmotiv than his interest in Polish music, even though leitmotiv is by no means the most prominent feature of Coppélia. But then leitmotiv is something convenient to hang music on - it\'s a solid, teutonic, musicological term that gives music credibility, and can easily be taught to GCSE students who need a keyword that can be given a straight 2 marks by an examiner, whereas Poland is out of sight and out of mind in academia - too small, too weird (all those accents & consonant clusters), too confusing historically, too inaccessible for monolingual researchers.\n\nThe new Europe, the Internet, cheap airfares, Solidarność, the end of the Iron Curtain, dance as an academic subject, globalization - it ought to be so simple to address these little unwritten histories, fill in the gaps, improve our understanding of what such great and popular works like Coppélia are, and where they come from.\n\nWhat do we get? More and more shallow, dismissive scholarship based on secondary sources in English, or still worse, that complete cop-out, the \'self-ethnography\'. In the middle is that nod to multiculturalism of studying Indian and African dance - which makes me wonder whether this is not much more than 19th century exoticism & colonialism revisited. Why not study the Krakowiak and Obertas, as well as Kathak? What\'s the problem - is Poland not exotic enough? Or is it an insidious form of racism - we don\'t understand them, so they obviously don\'t have any culture?\n\nBiography of Moniuszko (English)\nList of Moniuszko\'s works (Polish)\n', 'Institutional Racism & Swanilda\'s Friends', 0, '\n', 'publish', 'open', 'closed', '', 'institutional-racism-swanildas-friends', '', '', '2005-02-05 20:01:15', '2005-02-05 20:01:15', '', 0, 'http://jonathanstill.com/?p=79', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (80, 1, '2005-02-13 09:31:10', '2005-02-13 09:31:10', 'No sooner had the thought crossed my mind, while I sat in Senate House Library last week, that great collections such as these may soon be endangered by investment in online learning, than news of staff cuts at Bangor University Library emerged. [Note: if this link doesn\'t work, then this is just more proof of the ephemerality and inadequacy of the online world].\n\nOne of the lines of reasoning from the consultancy document is this: "With neither students nor staff working regular office hours, and many students working off campus, technology is the most flexible answer to their needs, it adds"\n\nTechnology, when it comes to research, can be quite inflexible. These are the things it cannot do: \n\nPersonally, I don\'t think that University Library provision should be driven by solely what are perceived as \'student needs\' but by the needs of the subject, the nature of the material to be studied, and the needs of research and study as a discipline, but I acknowledge that this is uneconomic in a world where the government wants 50% of the relevant population to be graduates.\n\nIt may seem a strange argument, but I think being able to touch, feel & smell the materials that you are studying is an important part of the mind\'s engagement with them, quite apart from the fact that it\'s easier, most of the time, than reading on a screen.\n\nBefore anyone accuses me of being luddite, I\'m a big fan of IT, online resources & internet-based research - but not at the expense of technologies and resources which may be better equipped to deal with the problems at hand.\n', 'Bangor University Library - worrying news?', 0, '\n', 'publish', 'open', 'closed', '', 'bangor-university-library-worrying-news', '', '', '2005-02-13 09:31:10', '2005-02-13 09:31:10', '', 0, 'http://jonathanstill.com/?p=80', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (81, 1, '2005-03-06 22:28:07', '2005-03-06 22:28:07', 'At the post-results party at college when I got my degree results, most of my tutors congratulated me on my first, except for the poor guy who took me for 19th century Russian literature. "Anyone with his views on Russian literature doesn\'t deserve to get a first" he said of me - no doubt referring to the time when I said that I couldn\'t see the point of Anna Karenina: the whole rambling 700-odd pages could have been avoided if she\'d only done her duty and stuck by her man.\n\nI\'ve long lost the rather moralistic views that I held in those days, but my view of the novel hasn\'t changed. Tolstoy creates problems for his characters that are devices to keep the storyline going, and 20 years on, I can\'t help feeling that in real life - even in the 19th century - people generally deal with their problems rather better than this. (If you don\'t believe me, read this condensed plot of Anna Karenina and rewrite the scenarios yourself. For example, here\'s one from the novel - "[...]Anna and Vronsky go to Italy, where they lead an aimless existence. Eventually, the two return to Russia, where Anna is spurned by society..." says the plot.\n\nMy version would go "Anna and Vronsky go to Italy, where they thoroughly enjoy their aimless existence. Occasionally, they have doubts and consider going back to Russia, but it is not long before they remember how cold it is there, the tedium of social responsibility and how Anna would probably be spurned by society. Besides, they\'d miss their friends and the mediterranean fruit & vegetables, so all in all, Italy\'s just fine, thanks. Anna enrols on an \'Italian for beginners course\' at the local WI, and Vronsky\'s fake orthodox icon business begins to really take off in the summer, so they can afford to have the kitchen retiled. Their happiness is complete".\n\nMy point is, if you\'re going to use a device to move on a storyline, at least make it believable; and if you\'re paid lots of money to devise plots, then avoid ones that have been done to death. "Nice-person-commits-uncharacteristic-murder-friends-help-to-cover-up" is so hackneyed now, I can\'t believe that Coronation Street would try it on.\n\nKaty\'s brilliant as a character, and so are Angela & Tommy - all played by brilliant actors. So how dare anyone give them such a crap plot to deal with? Come on, if you were Katy, and you hit out at your dad like that, wouldn\'t you rush out and call the ambulance in seconds? Or Martin?\n\nThe real crime on Corrie is plot-abuse. If I were the script editor, I\'d ban anyone from trying to conceal a murder, unless they were on their own. And the whole point about that is, that because you\'re on your own, you have a chance of concealing it - and then it\'s a big surprise when the truth comes out.\n\nI will only offer forgiveness to the Corrie team, if they manage to frame Gail Platt for the murder. Remember, you heard it here first.\n', 'The real crime on Coronation Street', 0, '\n', 'publish', 'open', 'closed', '', 'the-real-crime-on-coronation-street', '', '', '2005-03-06 22:28:07', '2005-03-06 22:28:07', '', 0, 'http://jonathanstill.com/?p=81', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (82, 1, '2005-04-03 17:16:01', '2005-04-03 17:16:01', 'Longham Congragational Chapel - now United Reformed Church, near Hampreston in DorsetI finally made the effort to park my car in Longham Post Office on the way back to London this morning and photograph Longham United Reformed Church, something I\'ve meant to do for years.\n\nIt\'s not that it\'s beautiful or even picturesque - on the contrary, it\'s a rather bland and frumpy adornment to a small roundabout in the middle of nowhere in particular, which reminds me only of traffic jams on a Sunday evening.\n\nWhat shouts out "photograph me!" every time I pass, however, is the foundation plaque just below the tower, with the year 1841 on it. Ever since my job has involved memorizing the first-production dates of ballets, I\'ve become a little obsessed with buildings that were constructed in the same year. 1841 was, of course, the year of the first production of Giselle, and down the road there are two cottages built in 1870, the year of Coppélia. My local pub, significantly, served its first pint in the year of the Nutcracker.\n\nMy fascination with ballets and buildings comes from a sense of failure with regard to history: I give up on most history books after a dozen pages, and on music or dance history books after the introduction. The kind of sentence which is destined to make me pick up a Ruth Rendell instead goes something like this:\nThe wave of Romanticism which swept Europe in the early 19th century gave rise to a number of phantasmagorical ballets and operas, including Giselle. Tired of the inexorable pace of the industrial revolution, audiences sought escape in the realms of fantasy, Germanic forest-glades, fairies and love beyond-the-grave.\n\nWhenever I read stuff like this, I imagine Romanticism as a kind of airborne disease which could strike you or your next-door neighbour at any time; one minute you\'d be weaving carpets or mending shoes, the next you\'d be calling in sick and booking tickets to Robert le Diable. It\'s because the idea is so absurd that I have such difficulty with history books - I can no more believe in Romanticism as something which \'happened\' or \'swept\' than I can believe that postmodernism is a \'condition\' that affects anyone outside of the universities which promulgate it as a subject.\n\n1841.jpgBuildings, on the other hand, I can cope with. I look at Longham United Reform Church with its handy 1841 date stamp, and I feel I know something about the year they laid the foundation stone. Does this look like a village which was swept by Romanticism? Did the architects tear up the plans mid-way and say "sod it, let\'s build it like a faux-ruined castle in a Germanic landscaped garden - now where\'s that Caspar David Friedrich book?" It seems not - for all the Romanticists pining for nature and sylphs, there were also many rather less volatile people around in 1841, building congregational chapels in rural English villages and singing Wesleyan hymns.\n\nI\'d much rather have been at the première of Giselle in Paris than at the laying of the foundation stone of Longham congregational chapel - but I reckon it\'s worth noting that the two happened in the same year. Any historians who want my readership will need to explain this clearly as they go, for bumbling yokels like me who need buildings to remind them of what the historians gloss over.\n', '1841 and all that', 0, '\n', 'publish', 'open', 'closed', '', '1841-and-all-that', '', '', '2005-04-03 17:16:01', '2005-04-03 17:16:01', '', 0, 'http://jonathanstill.com/?p=82', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (83, 1, '2005-04-09 07:39:19', '2005-04-09 07:39:19', 'The BBC reports that a Jeremy Jaynes, apparently the world\'s eighth most prolific spammer has been sentenced to 9 years in jail. All we need is for a few more jail sentences like this and perhaps the spam will stop.\n\nI hate spammers, and would like to see them banged up as terrorists. My particular problem is with \'comment spam\', which I have to spend a few minutes of every day clearing out of this weblog. If it weren\'t for MT-Blacklist which automatically filters out thousands of such things for me even before they arrive, I would have certainly had to ditch this site altogether.\n\nThe same is probably true for thousands of others who use blogging as a way of exercising their right to free speech, and prefer to read the kind of news collected by Metafilter rather than endless scribble about the pope, Jordan, prince Charles, Michael Jackson or Wayne Rooney.\n\nAll it needs is for a few more spammers to be jailed, and be banned from ever using a computer again pour encourager les autres and the problem would probably disappear in a matter of weeks. If 70% of emails are spam, as the BBC report suggests, then personal and commercial productivity would benefit, as well as our right to communicate unimpeded, yet I don\'t see spam-busting on the agenda of any of the political parties. Jaynes apparently shored up $750,000 per month from his spamming activities. How difficult can it be to follow the money and shop more of these people?\n\nAlthough the UK joined with the US & Australia in an anti-spam pact last year, the onus to fight spam still rests with companies and individuals, who have to shell out for spam-filtering software, and deal with what remains manually. Meanwhile we have an information commissioner and a Freedom of Information Act, neither of which seems to be stopping the problem at source through the threat of litigation or sentencing.\n', 'Man gets 9 years for spamming: hooray!', 0, '\n', 'publish', 'open', 'closed', '', 'man-gets-9-years-for-spamming-hooray', '', '', '2005-04-09 07:39:19', '2005-04-09 07:39:19', '', 0, 'http://jonathanstill.com/?p=83', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (84, 1, '2005-04-09 08:46:24', '2005-04-09 08:46:24', 'Labour take over a shop on the corner of Hereward & Upper Tooting Road, and ruins the landscape Now you all know how much I love Tooting, and especially the terrific range of sweet shops, grocers and greengrocers. The glory of this area is its freedom from chain-stores and supermarkets, and the unique, colourful displays that each shop has. Even the pound shops look quaint. This is a high-street that looks like its owned by its community.\n\nUntil the other day, that is, when one of the largest shops on Upper Tooting Road was taken over by the labour party, and turned into a political campaign on a street corner.\n\nThis ugly, pointless, loud display is the worst thing to have blotted the Tooting landscape in the 15-odd years that I\'ve lived here, and shame on the Labour party for ruining my local high street in such an opportunist, heavy-handed and thoughtless way.\n\nWhatever Labour\'s intentions, this bit of street-spam says to me that Labour have no understanding of local issues, no thought for the community, no interest in preserving the high street, no sense of decorum; it\'s humourless, colourless, top-heavy, loud-mouthed and insensitive.\n\nWhat annoys me is not the politics - I probably lean further to the left than anywhere else - but the lack of imagination and creativity. If a greengrocer can display apples and oranges in an appealing way, surely local MPs & councillors should learn a few tricks from their constituents, and present policies with similar panache?\n\nFortunately, you can report a gripe on the Wandsworth Labour Party page. "Has a streetlight been broken for ages? A fly-tip still not been cleaned up? Pavement uneven or road potholed? Abandoned car getting vandalised? Let us know and we\'ll get the council to sort it out!" they ask. Unfortunately, they don\'t offer to sort things out when a national political party turns one of your local shops into an enormous billboard, covered in slogans and posters.\n\nDisclaimer: I use street-spam to mean any form of \'vertical litter\', whether legal or illegal, not in the specific sense of illegal bill-posting used by Citizens Against Ugly Street Spam.\n', 'Labour party street-spam in Tooting', 0, '\n', 'publish', 'open', 'closed', '', 'labour-party-street-spam-in-tooting', '', '', '2010-01-07 13:56:12', '2010-01-07 13:56:12', '', 0, 'http://jonathanstill.com/?p=84', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (85, 1, '2005-04-13 09:16:32', '2005-04-13 09:16:32', 'At last, I\'ve found it online, a version of the board which all my favourite Cubans practise turning with. For those who thought I was making it up, this TurnBoard? is what I was talking about\n', 'Ballet turn board', 0, '\n', 'publish', 'open', 'closed', '', 'ballet-turn-board', '', '', '2005-04-13 09:16:32', '2005-04-13 09:16:32', '', 0, 'http://jonathanstill.com/?p=85', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (86, 1, '2005-04-13 13:16:17', '2005-04-13 13:16:17', 'Possibly the most amazing discovery I ever made on the web - Musipedia. I needed to find the name of a folk song that I know by ear, but couldn\'t remember the title of for a copyright clearance form. Not thinking for a moment that I\'d be able to sort this out, I tried the Musipedia site, putting in the basic melodic contour using D for Down, U for Up and R for repeat, and hey presto, the first tune that it found was exactly what I was looking for - Mason\'s Apron. Amazingly, you can also whistle or sing the tune to the computer rather than using Parson\'s Code.\n\nI tried three other tunes, all with equally accurate results. I can see this becoming something of an obsession...\n', 'Musipedia - name that tune!', 0, '\n', 'publish', 'open', 'closed', '', 'musipedia-name-that-tune', '', '', '2005-04-13 13:16:17', '2005-04-13 13:16:17', '', 0, 'http://jonathanstill.com/?p=86', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (87, 1, '2005-04-20 08:53:11', '2005-04-20 08:53:11', 'For a bit of balance on the whole Pope issue, try Hans K?ng\'s Hoffnungskrise am Ende eines allzu langen Pontifikats. The article is hosted on the website of \'we-are-church\' , a group that the new pope did not have much time for. Or rather, he had time to write two letters to the Austrian Bishops\' conference in 1997 about them, in which he says of the group "they propagate among believers an unacceptable democratic model of the church" (sie propagieren unter den Gläubigen ein unannehmbares demokratisches Kirchenmodell).\n\nI have no anti-catholic axe to grind - but I do find it extraordinary the way that the British media, politicians & royalty are all clamouring round the vatican and trying to lather the public up into a vague religious frenzy, when the pope - and particularly Ratzinger -would be banned from working in almost any organization in Britain or Europe for the extremity of his views.\n\nIf Ratzinger was what the press describe as a \'muslim cleric\', he\'d be termed an extremist - but because he\'s Western, he\'s called "uncompromising". Ironic, then, that Charles should have postponed the \'royal wedding\' to go to the pope\'s funeral, for as an article in the Los Angeles Times ( Royals, gays and the double standard)points out, under such uncompromising traditional values, Charles & Camilla would have had no more chance of getting married than a gay couple.\n', 'Soft-soaping the pope', 0, '\n', 'publish', 'open', 'closed', '', 'soft-soaping-the-pope', '', '', '2005-04-20 08:53:11', '2005-04-20 08:53:11', '', 0, 'http://jonathanstill.com/?p=87', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (88, 1, '2005-06-16 21:51:29', '2005-06-16 21:51:29', 'The most exciting news I\'ve heard in a long time - Dance Books have just announced the release of a 9-CD set of "Music to the Bournonville Ballets", including Napoli, A Folk Tale, Kermesse in Bruges, La Sylphide, Flower Festival, Far from Denmark and a few other things. Before that, the most exciting thing in my life was the online score repository of Bournonville ballets at the Royal Library in Copenhagen, so all hail Denmark & their very joined-up ballet/musical thinking.\n', 'Now that\'s what I call...Bournonville', 0, '\n', 'publish', 'open', 'closed', '', 'now-thats-what-i-callbournonville', '', '', '2005-06-16 21:51:29', '2005-06-16 21:51:29', '', 0, 'http://jonathanstill.com/?p=88', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (89, 1, '2005-08-06 17:51:29', '2005-08-06 17:51:29', 'It\'s that time of year again, and I\'m in Prague for the International Ballet Masterclasses. I\'d intended to keep a daily weblog, with photos, but I remembered the shower gel and forgot the USB cable this time, so it didn\'t happen. However, I have been taking some pictures of this great city, which you\'ll find in my Prague 2005 album.\n', 'Beautiful Prague...', 0, '\n', 'publish', 'open', 'closed', '', 'beautiful-prague', '', '', '2005-08-06 17:51:29', '2005-08-06 17:51:29', '', 0, 'http://jonathanstill.com/?p=89', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (90, 1, '2005-08-28 09:21:45', '2005-08-28 09:21:45', 'cats.jpg Here they are, for all those who wanted to see pictures. The very lovely Dipsy & Lala, aged about 6 months. It\'s taken this long, because they won\'t keep still, or they camouflage themselves so well you can\'t see them in the pictures.\n\nI guess this puts me in a \'this is my cat\' site category (no pun intended). There are a few other things on this site, however, in case you were wondering. My aim for the autumn is to sort it out a bit and put an index to the useful bits on the front page. For cat lovers however, here\'s the cat gallery.\n', 'Dipsy & Lala', 0, '\n', 'publish', 'open', 'closed', '', 'dipsy-lala', '', '', '2005-08-28 09:21:45', '2005-08-28 09:21:45', '', 0, 'http://jonathanstill.com/?p=90', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (91, 1, '2005-11-07 23:26:57', '2005-11-07 23:26:57', 'telephone.jpg\r\nI\'ve been chastised for the lack of recent updates to this weblog by a person I might describe best as an e-colleague, who I met again recently at the Sound Moves conference in Roehampton. In a perfect world, such a conference would have provided the perfect motivation for a weblog entry, but the world, or my particular idiosphere at least, is not perfect, and the needs of my cats, work & other loved ones have taken precedence.\r\n\r\nIt\'s not just that, though. Weblogs are about minutiae - petty annoyances, nagging doubts, itches that need to be scratched; news that doesn\'t reach the news, tierces de picardie which colour the cadences of everyday life. Sadly, or fortunately, depending on how you look at it, there have been too many grandes lignes and not enough passing notes in my life of late.\r\n\r\nUntil Sunday morning, that is, when something petty enough to be bloggable occurred. Drifting in and out of consciousness, I overheard someone speaking in reverent, hushed tones about a comparative study of repressed homosexuality in a potential gendered reading of Tchaikovsky\'s orchestration.\r\n\r\n\'Gendered reading\' is academic-speak for "That\'s so GAY!". Click here for an insight into the kind of thing I mean. Academics don\'t speak like this, of course, because a) it\'s too obvious what you\'re saying and b) because it doesn\'t have the right tone to be taken seriously. One might even say that it\'s not orchestrated properly. What one needs in order to make a remark like this is to take the rhythm, accent and large tessitura away, score it for flute, clarinet, oboe and bassoon in octaves, and accompany it with light strings so that it sounds classical and austere, yet still a little cheeky. If doing \'gendered readings\' of a symphony is ok, why not analyse the delivery of academic papers in the same terms?\r\n\r\nWell, why not? The main reason, it seems to me, is because academics like to think of themselves beyond the reach of \'performance practice\'. Even though academics choose their words as carefully as a composer might choose orchestral colour, and cannot help but have those words modulated by their speaking voice, it\'s only the content, not the delivery that gets evaluated. When they write a paper, or read one, there isn\'t a gaggle of other academics waiting around the corner to pick over their sentence structure or delivery for signs of gayness\r\n\r\nBut yes, you guessed it folks, your taxpayer\'s money is going to someone out there who\'s looking for signs of gayness in Tchaikovsky\'s orchestration, albeit phrased in a way that the taxpayer will be incapable of understanding, or at least find acceptable. Why? Answers on a postcard, please.', 'Tchaikovsky & the pink oboe', 0, '', 'publish', 'open', 'closed', '', 'tchaikovsky-the-pink-oboe', '', '', '2008-03-09 17:38:20', '2008-03-09 17:38:20', '', 0, 'http://jonathanstill.com/?p=91', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (92, 1, '2005-11-14 09:12:15', '2005-11-14 09:12:15', 'An old restaurant in Ljubjlana where I had lunch on Sunday Just back from the very beautiful city of Ljubljana where I was lecturing on a seminar on music for ballet teaching. On Friday I learned a new word, Martinovanje, which - to cut a long story short - is the day in Slovenija where they celebrate the day that all that grape juice starts turning into wine. My host said that we \'have to baptise the new wine\' which sounded like a very good idea to me, and about 11.00 on Friday night, in a scene that could have been straight out of Giselle, we processed into an ancient wine cellar and did just that.\n\nAs part of the post-seminar proceedings, I\'ve posted a page of useful links for teachers/pianists which, even if you weren\'t at the seminar, you might find interesting.\n', 'Ljubjlana, Music & Dance & a Martinovanje', 0, '\n', 'publish', 'open', 'closed', '', 'ljubjlana-music-dance-a-martinovanje', '', '', '2005-11-14 09:12:15', '2005-11-14 09:12:15', '', 0, 'http://jonathanstill.com/?p=92', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (93, 1, '2005-11-30 07:00:33', '2005-11-30 07:00:33', 'bonnetdepluie.jpg Little did I know, when Christopher Hampson and I went in search of the rain-mate 8 years ago (see this old entry), that of all the blog topics that might have inflamed the public interest, this would be the one. No less than five people have left comments about the rain-mate which is a massive figure, when you consider that commenters on my pages average about one a year, and that\'s usually someone I know being kind.\r\n\r\nThe most recent comment made me determined to give it another go, and this time, I may have sussed it. It seems that they may not be called Rain Mates any more, though this 2002 painting of the same name suggests that it\'s what many of us still call them. I tried every thing in Google - rain hat, rain hood, rainwear, rain friend and so on - without even a glimmer of success. The missing link, I now know, is the word \'bonnet\'. They\'re called rain bonnets, even though bonnet isn\'t a word that I or anyone I know uses. The makeupshop sells them for 99p, or you could import them from the Shuairimei Rain Gear Factory (website here). Francophones are certainly excited by the bonnet de pluie de grand-maman - "Ce vieux classique ne démord pas, il colle. Le bonnet de pluie se vend encore", apparently. You could have fooled me. I have to point out that none of these look like the rain mates I remember - strange, concertina like things with strings, which never quite returned to the magical fold-up state that they began life in. As an alternative, I do like the look of this 50s inflatable sun/rain hat.\r\n\r\nThe reason I can be bothered to search for rain-mates, is because the limits of the web fascinate me. MSN\'s recent attempt to get people thinking about MSN rather than Google, the MSN Search Supremo competition is a classic case of web hype - see what MSN and the web can do for you - here\'s a question, now go search for the answer. The quizzmaster feeds you a load of football trivia questions which are pretty easy to answer from the web, even if you know nothing about football.\r\n\r\nBut this conceals the real problem with searching, which is that you need those darned key words to make any sense of the web, and the individual who\'s just bought a computer & internet access doesn\'t have partial trivia in their head, they have questions like "What was the name of that guy who was in thingy you know that programme that used to be on in the 70s or 80s looked a bit like your mate from work whatsisname?". So it is with rain mates: even when you have a precise term in your head, if this term is not shared by the collective cybermind, you\'re stuffed. I have to confess, most grudgingly, that the site which repels me most in the world, Ask Jeeves actually came up with \'rain bonnets\' and \'pleated rain bonnets\' immediately as possibly search refinements for \'rain mate\'. I should learn to be kinder.', 'The Rain-mate revisited', 0, '', 'publish', 'open', 'closed', '', 'the-rain-mate-revisited', '', '', '2009-12-31 13:45:33', '2009-12-31 13:45:33', '', 0, 'http://jonathanstill.com/?p=93', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (94, 1, '2005-12-01 00:01:01', '2005-12-01 00:01:01', 'As a dance musician, hardly a day goes past when I don\'t call on the wisdom & inspiration of some of the fantastic people I\'ve known & worked with in the last 20 years in the dance world. I\'ve been toying with the idea of doing web-tributes/appreciations of some of these people for ages, as a way of both giving thanks, and also redressing the epistemological balance. So here it is, my Advent 2005 calendar of dance inspirations. \n\nThey\'re in no particular order, some will be 2 lines long, others 200. I\'m sure it won\'t be a definitive list, and of course, it\'s a very personal one.\n', 'My 2005 advent calendar: dance inspirations', 0, '\n', 'publish', 'open', 'closed', '', 'my-2005-advent-calendar-dance-inspirations', '', '', '2005-12-01 00:01:01', '2005-12-01 00:01:01', '', 0, 'http://jonathanstill.com/?p=94', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (95, 1, '2005-12-01 01:03:03', '2005-12-01 01:03:03', 'This portrait of Woytek Lowski is taken from the Teatr Wielki site and directly linked to it. This is part of my dance inspirations advent calendar.\n\nWhen I met Woytek in the late 80s/early 90s there wasn\'t a ballet star around that didn\'t adore and revere him. Fluent in English, Polish, Russian, French (and Italian?), a graduate of the Vaganova Academy, dancer with Béjart , and an enthusiastic connoisseur of all kinds of culture from opera to The Golden Girls, he was intelligent, kind, funny, learned, sensitive - you name it, he had it. Like many central europeans I\'ve known, he had an integrity and honour that saw straight through pretension & dishonesty, and respected talent & hard work. I didn\'t realise at the time that the world wasn\'t full of Woyteks - I thought every ballet company had one. It was only when he died, far too young, in 1995, that I realised how fortunate I had been to work with him so closely.\n\n\nGod only knows what he would make of the dance teaching world now, preoccupied as it is with health & safety, certification, litigation and Pilates rather than those old fashioned things, music, dance and sister arts. I didn\'t realise for years that he would get up every morning at 7.30 to write out his class in full in a notebook, and I didn\'t realise for years after that this was rather unusual.\n\nFirst meetings\nIt was an extraordinary first meeting - I was freelancing at ENB school, and the schedule had no time for introductions, so we just got on with the class. With the best and most musical teachers, class becomes a kind of conversation without words between teacher & accompanist, and so it was with Woytek. We got to know each other through musical sign-language, so that when - much later - we actually had a chance to exchange words with each other, there were all kinds of things we were bursting to say.\n\nWoytek was committed to hard work and not wasting time, and he could sometimes be quite dark, silent & serious, but nevertheless, more than anything else, he taught me the value of humour in class. Really hard work needs good humour and motivation, and tragedy is most effective when offset by comic relief. In other words, when exercises are strenuous, the last thing you want is strain in the music. If you want to make people responsive to quiet, pensive music, then make them laugh first. He also came up with the pithiest summary of what class music needs to be about - "When the exercise is simple, you can have difficult music. When it is hard, you need simple music". It meant a lot to me to have the opportunity to credit Woytek with this in the introduction to the RAD\'s A Dance Class Anthology \n\nRepertoire\nI owe countless bits of repertoire to Woytek; it was he, for example, who introduced me to Shostakovich\'s music for Panov\'s The Idiot. I didn\'t realise - until he fell about laughing when I played it - that the Russian folksong Stenka Razin is what you hear drunks singing at chucking-time. His love of Brel, Piaf, Dietrich and others encouraged me to expand my repertoire of chansons, and for Woytek I grudgingly listened to some opera and grudgingly admitted that some of it was quite nice.\n\nReading exercises\nWorking with him also helped me to \'read\' exercises. With Woytek, the onus was on the pianist to assess the musical needs/qualities of the exercise, and on the dancer to adapt the dynamics & articulation of the exercise to whatever music came out of the piano. It wasn\'t musical laziness or ignorance on his part - far from it, he could have set the whole class 10 times over on different music if he had wanted. It was, on the contrary, part of how he saw the role of the dancer in class - not as a passive recipient of prefabricated routines, but as an interpreter of material. On occasions it would drive some dancers nuts - but it always made sense in the end.\n\nThose pesky boys\nHe taught me a lot about playing for boys\' classes (as attuned as I am to current trends in ballet-world political correctness, I still can\'t bring myself to call them \'men\'s\' classes). For his book, The Art of Teaching Classical Ballet we devised and recorded a tape which went with the sample class, and this exemplified many of the things that Woytek wanted class music to be. But we also sat in an Italian restaurant in Balham one night and devised two other classes of music, one for boys, one for pointe, which we never came to record. The boys\' one was full of typical Woytek humour - music to make you feel masculine, princely and macho one moment, and then music to make you get-over-yourself in case you should take it all a bit too seriously. We dreaded boys\' classes at ENB, because we both knew just how moody a studio full of male dancers can be in the morning - and the straight ones are the worst. It would always work in the end, because we made it work, but the effort needed was always at least double what it takes for a girls\' class.\n\nWhich brings me to one of my favourite Woytek stories. For a few weeks in the early 1990s, ENB seemed to have completely run out of plastic spoons, or else someone had ordered 10,000 sporks by accident. One morning, Woytek & I were standing in the kitchen area, waiting while another teacher made themselves a cup of coffee. She cursed as - like a hundred people before her - she took the spork out of the instant coffee jar, and watched as the granules dropped through the bloody spork back into the coffee jar. "This", said Woytek, laughing and pointing at the offending spork, "is like teaching boys\' class!".\n\nLink to King Douglas\'s portrait of Woytek at Boston Ballet, 1974\n', 'Woytek Lowski (Wojciech Wiesio??owski ) [1939-1995]', 0, '\n', 'publish', 'open', 'closed', '', 'woytek-lowski-wojciech-wiesiollowski-1939-1995', '', '', '2005-12-01 01:03:03', '2005-12-01 01:03:03', '', 0, 'http://jonathanstill.com/?p=95', 0, 'post', '', 3); INSERT INTO `wp_posts` VALUES (96, 1, '2005-12-02 14:42:34', '2005-12-02 14:42:34', 'This is Dec. 2nd in my dance inspirations advent calendar. Opened already: December 1st\n\nMy mate Gilly! Links directly to her Pilates studioOn January 1st 2006 it will be 20 years to the day that I met Gillian (Gilly) Cornish at the Commonwealth Institute in London, and in some ways, if it hadn\'t been for her, I probably wouldn\'t be doing what I do now.\n\nThe occasion was the RAD annual \'Assembly\' (now called a conference), and I was there because I started my first ever job in dance on 1/01/1986 at the RAD. With typical Australian friendliness, Gilly was the first person to grab my arm, say "you must be the new guy", give me a cup of coffee, and fill me in on who was who and explain to me the curious world I\'d just entered. To say that Gilly kept me sane is an understatement - we became best mates within days, if not minutes of meeting, and our barbecues, sunday lunches and bottles of wine were not only fun, but they were where I learnt about playing for dance. Having worked with ABT & Festival as a choreologist, she really knew her stuff, and like many notators, knew how to explain dance to musicians. She taught me all kinds of vital things about the quality of music needed for different areas of class; how to recognise when dancers were just dealing with their own problems, rather than having a problem with you.\n\n\nIt was through those hours, days of conversations with Gill that I realised this was how you learned to be a good dance musician - outside the studio, through conviviality and curiosity. I\'ve continued that \'conversation\' for 20 years with dozens of other dancers, notators and choreographers. Though Gilly moved back to Australia many years ago, and now runs Gillian Cornish Pilates, she\'s one of the magic connectors between nearly all the people who\'ll turn up in this advent calendar, especially Woytek Lowski & John O\'Brien, both of whom I had my first opportunity to talk to at length at one of her famous barbecues; a great friend, and a real \'force multiplier\' when it came to learning to love and understand dance & dancers. She also taught me Pilates, but that\'s a whole other story!\n', 'Gillian Cornish', 0, '\n', 'publish', 'open', 'closed', '', 'gillian-cornish', '', '', '2005-12-02 14:42:34', '2005-12-02 14:42:34', '', 0, 'http://jonathanstill.com/?p=96', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (97, 1, '2005-12-03 07:13:04', '2005-12-03 07:13:04', 'This is Dec. 3rd in my dance inspirations advent calendar. Opened already: December 1st 2nd \njohnny_smaller.jpg In the late summer of 1986, I decided that the RAD wasn\'t for me after all. I have to be grateful to one of their examiners, to whom I poured my heart out over several G&T\'s on the train back from Newcastle after a gruelling exam tour - she said "Resign now while it still bothers you. If you stay a few months longer, you\'ll \'sear\' yourself to the pain, start to lose your drive and end up one of those people who \'get by\' in their job because they\'ve taught themselves not to care any more". It was brilliant advice: I took it, and resigned.\n\nDue to some emergency or other, in my last couple of weeks at the RAD I was asked to play for John O\'Brien, whose classes up until then had been considered too complex or fast for someone as green as me, but this was an emergency and the view was, we\'d both have to cope as best we could with each other under the circumstances.\n\nCope?! We had a ball. From the minute he started the class, I felt that if only all ballet had been like this, I would have stayed in it. John seemed to need music for his class, rather than that strange recipe of metre & anxiety that other teachers demanded. His exercises felt like dancing, rather than exercises. His manner, his voice, his rhythm and his warmth as a human being were totally different to anything I\'d experienced, and - darn it - they\'d saved this one til last, once I\'d decided to leave.\n\n\nAs it turned out, a few weeks after I\'d left, John called me at home, and asked me if I\'d be willing to play for some of his classes outside the RAD. So began a period of three years, in which I ended up playing for nearly every class that John taught. It was a fabulous working relationship, and a wonderful friendship which has lasted ever since. It was with John that I found my \'voice\' as a dance accompanist, a notion that I hardly understand myself, but it\'s true. He is one of the greatest teachers and coaches I have ever known in any field, because coaching is his natural state - if you met him in the street, you\'d go away feeling as if you had improved at saying \'hello\'. His teaching and his classes seemed to leave everyone involved - from the participants to the pianist to the doorkeeper to those just watching - a better person physically, emotionally & spiritually. As extravagant as that claim may sound, I think there are probably thousands of students or class members who would agree wholeheartedly with it.\n\njohnny_me_smaller.jpgJohn\'s holistic approach to teaching, dancing, music and everything else helped me to develop as a musician in a way that now seems second-nature, but without him I would never have become that person. The structure of his continuous barres combined with the natural phrasing and rhythmic sense of his voice gave me a framework in which to explore thousands upon thousands of pieces of music and see how they worked or didn\'t work. The emotional and spiritual warmth of his classes were a safe environment in which to explore the outer limits of self-expression in music. For five minutes before every class and sometimes in the middle too, he would help me to optimise my posture and sort out (or rather prevent - I\'ve never had any) back problems. Our knowledge and experience of each other\'s work enabled us to play with what we did, and challenge each other to an extent that would be mind-boggling to an onlooker. He coached me a few times for performances, and to this day, I still use what I learned from him - not tricks or methods, but ways of connecting better with your own ability and identity, using what you have to the maximum.\n\nThere are thousands of people who passed through John\'s classes in dance or body conditioning, and you can easily spot those who he\'s coached. They all have that mysterious connection between music, technique & the person within that makes the great dancer. The classes and exercises that John has developed bear the hallmark of genius, and you could write dissertations on why they are good, and what theories & knowledge underpin them. People don\'t, though, and sometimes I lie awake at night wondering whether this is the paradox at the heart of great dance teaching - it is embodied knowledge, and it\'s in the body that it belongs and flourishes, so you can\'t extrude it from the body (into a book, for example) without taking away the thing that makes it work. I don\'t know, but I do know that unlike so many others, John hasn\'t turned himself into a book or a video, and knowing him, there\'s probably a good reason why.\n', 'John O\'Brien', 0, '\n', 'publish', 'open', 'closed', '', 'john-obrien', '', '', '2005-12-03 07:13:04', '2005-12-03 07:13:04', '', 0, 'http://jonathanstill.com/?p=97', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (98, 1, '2005-12-04 18:48:34', '2005-12-04 18:48:34', 'This is Dec. 4th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd Malcolm Williamson in France in 1982\nMy first experience of Malcolm Williamson\'s music was as a bassist in the Hampshire County Youth Orchestra. We played the Suite from Our Man in Havana which to me was the most exciting piece I\'d played in. It was sexy, brash, ballsy, clever, dancy, and with a kind of emotional soar in it that left you tingling on the edge of your seat. There was this thrilling modulation in the middle-eight of one of the numbers which was so weird, remote & sudden, you wondered how on earth he was going to get out of it again and back to the tune. The journey back to the home key was a bit like a turbulent flight - sudden plunges which were terrifying and thrilling at the same time. I loved this music so much, I wanted to eat it until it made me sick, and then go back for more.\n\nSo when, about 6 years later, I was working for the publishers Josef Weinberger, and they said Malcolm Williamson was coming in for a meeting, I did the sensible thing, rushed out of the building and hid in the café across the road until he\'d gone. I was so in awe of the man, I thought I might just self-combust if I was introduced to him, or just stand their tongue-tied and gaga.\n\n\nA few months later, I was between jobs and near Weinberger\'s offices, so I decided to pop back in with a bag of apple danishes for my former colleagues. Bag in hand at the door of the boss\'s office, I waited while he finished a phone call.\n"Well, I\'d love to help if I could, Malcolm" he was saying "But I don\'t know where I\'m going to find you a musical assistant who can go to France and who\'d be able to...oh now wait a minute".\nHe put his hand over the phone, and said to me "Do you want to go to France and be Malcolm Williamson\'s assistant for a month? And can you leave tomorrow?"\n\nOf course I bloody did. The next day, I left for France with someone from the BBC, and drove to Angoulême, followed by Villefranche-sur-Saône. We arrived at the hotel late evening, had dinner, and then near to midnight, Malcolm produced the manuscript of his new work, Le Pont du Diable. My job? Learn it in bed, and then teach it, in French, to about 100 schoolkids the next morning.\n\none_thing.jpg\nA friendship began on that trip which changed me forever. For one thing, it was as a result of this friendship that I became a musician, rather than a spy or a linguist. Malcolm became my role model in so many ways, and having such a plum job with such an amazing person at such close & intense quarters so early in my career gave me a massive injection of confidence which has lasted me a lifetime. He was ruthless and merciless when it came to matters of honesty, integrity, truth and moral courage, and I learned one big lesson from him - if you hide nothing, you can be fearless. As a composition teacher, he was outstanding. I treasure the scraps of paper that he made notes on in our lessons, pithy, sage advice such as You may say one thing twice, but beware of saying two things only once written in his unmistakeable spidery handwriting.\n\nBut it was Malcolm, too, who taught me a great deal about ballet. When I got that first job at the RAD, it was the composer of The Display and Sun into Darkness who gave me my first lessons in dance history, the history of ballet music, the structure of a grand pas de deux and so on. He evaluated my first attempts at composition: a few exercises now in the RAD Advanced 1 syllabus of which I am ashamed now, not least because they\'re not very suitable for dancing. Through Malcolm, I got to know not just who was who in the present ballet world, but also that of the immediate past - through endless stories about Ashton, Sitwell, \'Bobby\' Helpmann and others, I learned more than I could ever have known from a book (and a few things I probably shouldn\'t know along the way).\n\nOne thing that geniuses have in common, I\'ve noticed, is that they will apply their singular skills & critical abilities to the smallest or most recondite of problems or situations. Malcolm would talk engagedly about Cardinal Hume, the local vicar, the Queen, the postmistress, Mrs Thatcher, Benjamin Britten and his cleaning lady with no differentiation in tone or interest. So it was, too, that he commented in depth - and he was possibly the only well-known composer to do so - on the compositional and aesthetic problems affecting the writer of ballet class syllabus settings. The trouble was, he said, that dance music in eight-bar phrases implied so many formal and structural inevitabilities, that musical parody was one of the few devices which remained for a contemporary composer in this genre. But Prokofiev and Shostakovich had virtually exhausted the possibilities of this, and done it so well that it wasn\'t really much of an option any more. There\'s a whole book to be written on the implications of that statement, but that\'s for another time.\n', 'Malcolm Williamson (1931-2003)', 0, '\n', 'publish', 'open', 'closed', '', 'malcolm-williamson-1931-2003', '', '', '2005-12-04 18:48:34', '2005-12-04 18:48:34', '', 0, 'http://jonathanstill.com/?p=98', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (99, 1, '2005-12-05 07:11:10', '2005-12-05 07:11:10', 'Kevin Richmond (L) & Jacqui Barratt (R) on stage at the opera house in Budapest, Hungary in 1992 (I think). The quality\'s dreadful, but I love the picture This is Dec. 5th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th \n\nHow different life might have been if Jackie hadn\'t been doing the Professional Dancer\'s Teaching Certificate at the RAD in 1986 when I had my first job there. I played for some of her classes, we got on, she liked the way I played, I liked the way she taught, and one Sunday afternoon, she invited me to meet some people from ENB (or Festival Ballet, as it was then), including one of the pianists. Sooner or later, I was invited to play for a company class, and over the next three years, I freelanced at ENB and fell in love with the company, its dancers, and everything it stood for.\n\nIs it any wonder? After class one day, I stayed to watch Lynn Seymour rehearsing Anastasia since I had a couple of hours to kill. One evening, Peter Schaufuss asked me if I would mind terribly staying on another hour so that he and Lynn could rehearse Romeo & Juliet. One legend after an other walked in and out of those studios, and although it was often years before I realised just how lucky I was to have been there, there was a constant electrical charge from all the talent & artistry.\n\n\nThen in 1990, both Jackie & I joined the company full-time, she as ballet mistress, me as pianist, and - as with most of the stories in this tale, we became best mates, and a great professional team. She was a brilliant ballet mistress, who managed to keep the respect of dancers, choreographers, directors and management all at once, a juggling act that few manage successfully.\n\nJackie\'s expert analytical eye could trace the root of many a problem in the studio, which was great for dancers, of course, but also for me as an accompanist. She is one of only very few people who know instantly/instinctively when a problem is with the dancer rather than the music, or vice versa. If she doesn\'t know, she will get dancer & musician together and analyse & discuss it until she does know, always with the utmost diplomacy and respect to everyone involved.\n\nHer acute observation and analytical skills meant that she was often able to highlight why something did or didn\'t work for class, and she cared enough to discuss it afterwards, or while the class were stretching. As with all the best teachers, she herself responded constantly to the music during class (as opposed to those who ignore the music themselves, but command their dancers to respond to it), often turning to me during an exercise with a smile and a compliment when it was something she particularly liked or was particularly suitable. Her marking was impeccable - clear, rhythmic, elastic, expressive and fun. Once the exercise had started, she could establish a good tempo with her voice within a couple of counts, a rare but essential skill.\n\nShe was one of the most efficient, practical, intelligent and professional people I\'ve worked with, indeed, she taught me the meaning of most of those words in the context of the theatre, all done with the greatest warmth and sense of humour. I\'ve lost count of the number of times we cried laughing on tour, and one of the first classes she taught, she made me corpse at the piano. I hope her students at the Royal Ballet School realise what a gem they\'ve got.\n', 'Jackie Barratt', 0, '\n', 'publish', 'open', 'closed', '', 'jackie-barratt', '', '', '2005-12-05 07:11:10', '2005-12-05 07:11:10', '', 0, 'http://jonathanstill.com/?p=99', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (100, 1, '2005-12-06 22:07:02', '2005-12-06 22:07:02', 'whodasmall.jpgThis is Dec. 6th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th\nSometime in the spring of 1987, I was playing for an evening professional open class at the Urdang studios in Covent Garden. I noticed the most wonderful dancer at the barre - wonderful, because she seemed to respond to the slightest nuance in the music, with tenutos, staccatos, phrasings & rubatos all equisitely played out in her movement. She knew even the most esoteric tunes, and a lot of them made her laugh.\n\n\nAt the end of the class, she rushed up to talk to me, and said how much she\'d enjoyed the music, and would I like to play for a summer school in Cambridge that she was organising, and could she have my phone number. She seemed just a little, well, batty; so I gave her my phone number, and didn\'t too much expect to hear any more. But then about a week before the summer school was due to start, the phone rang, and she gave me my travel directions, and arranged to pick me up from Cambridge station.\n\nThat was the beginning of a remarkable friendship, and some remarkable partnerships that arose through Pussy\'s unstoppable enthusiasm for getting people together. "There\'s a person you must meet..." crops up in just about every conversation, and she\'s right every time. Over the years, I\'ve come to realise that Pussy is the epicentre of all that is happening, wacky, lovely & exciting in the dance world, and not in the least bit batty. You can\'t maintain that kind of physical and mental discipline and curiosity without being 115% sane.\n\nI first saw her in Matthew Hawkin\'s Percy Circus (1988), where, as I remember it, she appeared in white body paint and comedy breasts banging a big bass drum (or was she dressed as an enormous flower?). She\'s become a household name for her role in Bound to Please (photo here)& Strange Fish , and there\'s a documentary about her called Dancing under the Dust Cover which I\'d love to see. I believe she\'s off to Australia in the new year to play Edna in Stephen Daldry\'s An Inspector Calls, which she played many times in London.\n\nI have learned so much from her; sometimes the names, places and experiences tumble out of her like a magicians string of flags, and it takes a while (and a dance encyclopedia) to unravel them all afterwards. Her passion for music is not in competition with her love of dance, it\'s part of it. Without her introductions, I would never have done all kinds of exciting things, and without her lively erudition about dance and theatre, would never have appreciated a thousand others. Beyond all of that, she is a loyal friend and supporter, who makes more effort than almost anyone I know to turn up to parties, performances and special occasions, always with some terrific present perfectly matched to the occasion. I still have a beautiful polished stone which she gave me in 1987 "for throwing at choreographers". I\'ve never had to use it, but the knowledge that Pussy thought I might need to use it has made me smile and keep sane through many a production.\n\n(The photograph is from a recent trip to Glastonbury. We couldn\'t resist a photograph of the menu from The Who\'d a thought it?")\n', 'Pussy (Diana Payne Myers)', 0, '\n', 'publish', 'open', 'closed', '', 'pussy-diana-payne-myers', '', '', '2005-12-06 22:07:02', '2005-12-06 22:07:02', '', 0, 'http://jonathanstill.com/?p=100', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (101, 1, '2005-12-07 04:00:00', '2005-12-07 04:00:00', 'chris.jpg This is Dec. 7 th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th\nI\'ve been dreading the day when I get to Chris in this advent calendar, because I simply don\'t know where to start, and having started, I could probably continue writing until I retire. We\'ve been friends and colleagues since 1992, and without a doubt, he is both my greatest friend, greatest influence, and greatest inspiration. We started working, talking and laughing when he first joined ENB, and haven\'t stopped since. Even when we haven\'t been working together, we\'ve usually found an excuse to come along to each others\' projects anyway, to the extent that it\'s quite difficult to remember who was really supposed to be working on what. In any case, we both enjoy our work so much that none of it really feels like work. He has made me laugh longer & harder that anyone else on the planet; the closest I have come to death was driving down Kingsway, and remembering something that he\'d said earlier that evening; just the memory of it made me laugh so much I had to pull over before I crashed.\n\n\nThere are times when it seems we share the same musical brain - we have almost identical tastes in music; but others when he has taught me to love (and therefore how to play) composers that previously did nothing for me - Mendelssohn, Schubert, Schnittke, Alkan. I have seen that time and again with the dancers and musicians he has worked with - his choreography is like a searchlight that reveals hidden treasures in music.\n\nWe\'ve worked together in every possible way that a dancer, choreographer and a musician can, and a few more besides. He is the \'invisible dancer\' in two recordings, Studio Series 1 & 3, spending hours dancing in the recording studio with me so that the music has, quite literally, \'body\', and giving invaluable advice. In the last few years, though, we\'ve developed a particular partnership as teacher & musician that, though I say it myself, is pretty formidable. Class for us is just the natural continuation of a lifelong conversation about music & dance; the conversation comes out of it, and the conversation feeds it, so that every class is in some small way a quantum leap from the one before it.\n\nWhen I first got involved in ballet, I found a lot of the dance world - both ballet & contemporary dance - archaic, class-ridden, rigid and despotic. Gradually, I discovered the companies and people, like ENB & Chris, that bucked this trend and made it worthwhile. Chris\'s calm, fun, intelligent, musical, democratic, down-to-earth & well-balanced approach to dance & dancers is all part of his genius. It\'s a model of how I would want to work in any job, and the fact that the dance world is a much nicer place to live and work in now than it was before, is down to people like him who set such a good example.\n', 'Christopher Hampson', 0, '\n', 'publish', 'open', 'closed', '', 'christopher-hampson', '', '', '2005-12-07 04:00:00', '2005-12-07 04:00:00', '', 0, 'http://jonathanstill.com/?p=101', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (102, 1, '2005-12-08 19:21:08', '2005-12-08 19:21:08', 'Ballerina Daria Klimentova showing her iPod Nano to ballet master David Wall in the lower studio at ENB. For more detail, see the end of this article This is Dec. 8th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th\n\nDavid Wall with Daria Klimentova +iPod\n\nI\'ve forgotten quite how terrible my first attempts at playing for class were nearly 20 years ago, and what forms that terribleness took. What I do remember, though, as if it only happened this morning, was the effect it had on one of the poor sods I was playing for. I think David Wall, who was a director (with Julia Farron) of the RAD at the time, must have suffered my playing once or twice in silence, but this time, he couldn\'t hide his impatience any longer. When I saw him coming towards me in the corridor after the class, I was absolutely terrified. He seemed to be shaking, sweating and glowering, as if one false move on my part would have made him punch my lights out.\n\n\nI can\'t remember anything that he said, but the upshot was that I was crap at playing for class, and he couldn\'t stand it any longer, and the dancers just couldn\'t cope with music if it was going to be that bad, and that I should get together with Annie Hogben (another pianist) and get her to show me what kind of things she played for class, and let me photocopy some of it. When I got home that night, and a couple of other nights too, I burst into tears. It can\'t really have been as bad as I read it - for one thing, David is one of the most mild-mannered and easy-going people I know - but that\'s how it seemed.\n\nAnnie Hogben will feature in a later advent entry, but suffice it to say that I couldn\'t have been put in better hands. I learned one huge lesson that day, which was that music actually matters to dancers. It\'s not a question of \'appreciating\' music, or liking it, or having a penchant for it - they darn well need it to be right. When it\'s wrong, it\'s not just annoying, it\'s physically painful & distressing. When it\'s right, dancer\'s don\'t necessarily thank you, any more than they thank their heart for beating. Only when it\'s more than right does it begin to make a difference, which is why playing for dance is at once so challenging and so gratifying. \'Good enough\' is never good enough. I probably owe most of my career to David\'s apparent impatience, and for that introduction to Annie Hogben. Within a few months of that incident, David & Julia were encouraging me to go for a company pianist job. As Verlaine once put it so beautifully, Qu\'importe un peu de nuit et de souffrance?\n\n

    The story of the photograph

    \nmini_daria.jpg\nI was playing for a rehearsal with Daria Klimentova today, and asked if I could take a picture of her with her arm-mounted iPod Nano which she uses for practising & doing her own classes with (I\'m pleased to say she has Studio Series Intuition Vol. 3 in there at the ready). By spooky coincidence it is almost exactly a year ago that II asked the editor of Dance Gazette to commission a cartoon showing a ballerina strangling herself with an iPod, to use as an illustration for an article. The real thing (minus the strangling, of course) would have been much better, and as chance would have it, the real thing was right there in front of me today. As will become evident in another entry, I pick up nearly all my technology tips from dancers, so it\'s nice that this is a picture of Daria explaining to David what is so useful about iPods when you want to practise your solos alone. David is asking the inevitable question - "but what about the tempo?". Click here for a much better picture of Daria + iPOd, which she took herself the next day - my batteries ran out at the crucial moment.\n', 'David Wall', 0, '\n', 'publish', 'open', 'closed', '', 'david-wall', '', '', '2005-12-08 19:21:08', '2005-12-08 19:21:08', '', 0, 'http://jonathanstill.com/?p=102', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (103, 1, '2005-12-09 04:15:58', '2005-12-09 04:15:58', 'susie_small.jpg This is Dec. 9th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th\n\nSusie is another one of those people that I seem to have had a non-stop conversation with about dance & music since the day we met, which was some time early in 1986. She taught choreography at the RAD, and was what you might call the \'token contemporary\' teacher, having come from Rambert and therefore partial to the odd lean sideways and music with wrong notes in. I\'m being facetious: if there\'s one thing that is guaranteed to get me and Susie worked up into a lather, it\'s the idiocy of trying to make rigid distinctions between \'contemporary dance\' and ballet, or \'classical\' and \'modern\' music.\n\n\nA recurring theme in all these blog entries about the people who\'ve inspired, educated & helped me, is the huge importance of conversation & discussion. In music, if you were going to accompany another musician, you wouldn\'t walk into a rehearsal room, put the score on the piano and start playing. You\'d spend a few minutes getting to know the other person, talk about tempo, feel, style and interpretation, discuss any problem passages and so on, and then get to work. I was amazed, then, when I first started in dance, at how one was expected to walk into a studio, play and leave, week after week, without any meaningful conversation, feedback, discussion, working-things-out. [Someone recently described this quite brilliantly as Plug n Play teaching]. Considering how little I knew about dance or dance accompaniment, this was like having driving lessons with a deaf-mute instructor.\n\nSome of this is fine - it\'s part of the professional expectations of the job. But a lot of it isn\'t: if dance has anything to do with moving to music in an expressive way, then there has to be some dialogue and mutual discovery between the people involved in teaching & playing for it. Susie was one of those rare exceptions - a teacher who liked nothing more than to stand by the piano and listen to this music compared to that, discuss the effect of doing this movment with that piece, or just get excited or annoyed about music.\n\nWe\'ve had endless conversations like this, punctuated with laughter & musical examples: What does music for falling off a cliff sound like? What is the worst music in the world for battements fondus? (We reckon it\'s probably Ei Ukhnem (The Song of the Volga Boatmen) In fact, let\'s think of the worst music for every exercise in class! What does voluptuous sound like? Then there was the spontaneous Ballet for Swivel Chair she choreographed to Glière\'s Concerto for Coloratura Soprano Op. 82 \n\nIf anyone doesn\'t have this kind of fun and curiosity in the course teaching or playing for dance, they\'re doing something wrong. And yet there is nothing frivolous about this, it\'s all in pursuit of getting music right: this is better than that; this won\'t do, but that will. This is good, but that is perfect. True frivolity, in the worst sense of the word, is to not care at all.\n', 'Susie Cooper', 0, '\n', 'publish', 'open', 'closed', '', 'susie-cooper', '', '', '2005-12-09 04:15:58', '2005-12-09 04:15:58', '', 0, 'http://jonathanstill.com/?p=103', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (104, 1, '2005-12-10 01:00:00', '2005-12-10 01:00:00', 'Dan holding a copy of the Studio Series Intuitions CD Vol 3: it\'s him on the front of the CD.\n\nThis is Dec. 10th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th\n\nThe photograph shows Dan holding a copy of Studio Series Intuitions Vol. 3: he\'s the person in the picture on the front, and is currently the new face of all the Intuitions CDs produced by the RAD. I had no idea this was going to happen - I just suggested that they redesigned, and the next thing I know is, there\'s my best mate Dan on the front. Spooky: we were on tour in Brazil back in 1992/3, just after Dan joined ENB; we had one day in Sao Paolo to look around, and Dan and I spent most of it looking round a market and talking. We\'ve been friends ever since, and music has played an enormous part in that, so it\'s amazingly appropriate that they should have chosen that image.\n\n\nDan\'s a talented musician, and one of that formidable year at the Royal Ballet School that included Christopher Hampson, Chistopher Wheeldon, David Fielding and Daniel himself. Like the rest of them, he studied Dalcroze eurhythmics with the extraordinary Karin Greenhead (who may one day be seen as one of the great facilitators of late 20th century choreography) and - as I\'ve discovered in our collaborations - can beat me hands down at rhythmic complexity. In one incident, when we were collaborating on a project for the Royal College of Art, Dan conducted me effortlessly & expressively in a polyrhythmic piece of our own making where I couldn\'t count or keep time to save my life.\n\nWe\'ve done loads of things together, including some fantastic music for Little Magic Train. We share a fascination with weird musical instruments, and have quite a collection between us. He\'s also the inspiration behind Dan the Man, a piece written for an assessment exercise for the Benesh Institute, which came about because I saw Dan mark a grand battement exercise, and gave one of the funniest audio-visual aids to classic march music that I\'ve ever seen. I was very proud to be involved as a musician on Dan\'s film Men in Tights. We collaborated on a piece called And Finally... which was shown at the Linbury Theatre in 2003. More than any of all this, he\'s been a constant friend. There\'s such a thing, I believe, as a talent for friendship, and he has it in spades.\n\nDid I mention, by the way, that I had just beaten Dan at bowling when the picture above was taken?\n', 'Daniel Jones', 0, '\n', 'publish', 'open', 'closed', '', 'daniel-jones', '', '', '2005-12-10 01:00:00', '2005-12-10 01:00:00', '', 0, 'http://jonathanstill.com/?p=104', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (105, 1, '2005-12-11 08:17:44', '2005-12-11 08:17:44', 'ivan_1.jpg\n\nThis is Dec. 11th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th\n\nI have a huge soft spot for Ivan, not just because he is one of the nicest people I\'ve ever met, but also because he was the first director I worked for as a full-time company pianist. In that capacity, he presided over my debut performance with ENB which was playing for Apollo in Malvern, and I still treasure the chukkas card and present that he and his wife Marilyn gave me. There are only a handful of people who would realise how important & nerve-wracking that first performance would be; for a director to be bothered enough to send a card & a present as well is extraordinary.\n\n\nAt another premiere (this time the three eponymous Rachmaninov preludes in Ben Stevenson\'s Three Preludes) he came back after the performance and said "Well done. Maybe one or two places the tempo was a bit fast, but the feeling was right." This, in a nutshell, is what made me adore Ivan - he cared the feel of things. With Ben Stevenson\'s piece, and Rachmaninov\'s music, it\'s pretty obvious that if the feeling was wrong, there\'s virtually nothing left of either, but in my view it takes a really enlightened director or ballet master to be more bothered about getting the atmosphere right than nit-picking over details.\n\nAs someone who had made a seismic shift in career direction only a few years earlier, and who had no idea whether I\'d fall at the first hurdle, having someone as supportive and full of warmth as Ivan as my first director gave me the confidence and security I needed while I cut my teeth as a performer. Indeed, the combination of Ivan, Woytek & Jackie on the ballet staff in that period was a unique dream-team.\n', 'Ivan Nagy', 0, '\n', 'publish', 'open', 'closed', '', 'ivan-nagy', '', '', '2005-12-11 08:17:44', '2005-12-11 08:17:44', '', 0, 'http://jonathanstill.com/?p=105', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (106, 1, '2005-12-12 09:00:16', '2005-12-12 09:00:16', 'This is Dec. 12th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th\nwayne-small.jpg\nI don\'t think I have ever worked so hard or so intensely as I have on the many, many projects that Wayne and I have done together. He\'s a genius, and geniuses set off litle whirlwinds of activity around them wherever they go and whatever they do. Wayne\'s mind moves so quickly, that it\'s dangerous to leave the back-of-an-envelope near him in case he has devised a show, a tour and a gala while you were putting the kettle on. As an example, when I was working as his assistant on the World of Classical Ballet tour, we met after the day\'s rehearsals to top-line a number which involved arranging a medley of classical & folk tunes into a five minute collage. It didn\'t take much longer than five minutes to decide how to do it. "Fabulous...And if we can have that tomorrow...." said Wayne, as I waved goodbye.\n\n\nFive minutes to plot, maybe five hours to realise on paper for musicians the following day, which when you start on it at 10pm, is quite a tall order. But that\'s what makes working with Wayne such fun, and such a challenge - he always manages the impossible, and you have to rise to the occasion.\n\nWe first met when he was choreographing Savoy Suite for ENB in 1993. The music was compiled and arranged by Carl Davis from the ballets and other music by Arthur Sullivan since the ballet was to celebrate the reopening of the Savoy Theatre). Carl would often sit at a desk the back of the studio during rehearsals, making changes to the score on the fly. There were many changes, cuts, interpolations and re-orderings to be done, and as I\'d just begun using Logic, this seemed the perfect opportunity to experiment with making a nice clean score, and indeed, it made everyone\'s life a lot easier to be able to create a clean score everytime a change was made, rather than have a pile of scribble & crossings-out.\n\nWhen I came back from Berlin in 1997, I had a really ghastly period when I wasn\'t sure what was going to happen next, and so I temped for a few months. I\'d just accepted a second long-term contract with a very nice company, the North British Housing Association, when the phone rang. It was Wayne Sleep, asking if I could do his next tour. It was a hilarious meeting - when I arrived at his house, he said "Oh it\'s you! I\'m so glad!". He\'d had my number but couldn\'t remember who I was, but as he needed a musician desperately,thought he\'d ring it anyway and see who turned up. So just like the movies, I packed in the day-job, and the rest is history.\n\nIt was through working with Wayne that I realised how much choreographers are actually composers. Whenever we\'ve got together to arrange music for one of his numbers, it is he who makes the decisions about how things build up, how many times they\'re repeated, where the tempo changes are, how it should begin and end and so on. That may seem obvious - he\'s the choreographer, after all - but all these decisions affect the musical structure, and to the extent that formal structure is a vital component of composition, it\'s the choreographer who\'s the composer. I\'ve never known Wayne to make a bad choice in this respect. When we first worked on things like this, it could be painful - I would know that I\'d have to come back with changes again and again. Then things got easier, and I said "It\'s funny, Wayne, this process seems to take less time than it used to". "That is because", he said with faux pomposity, "You\'ve finally realised I\'m RIGHT!".\n\nHe was joking, but it\'s actually true - in my experience, he and many other choreographers are far better judges of structure & timing than composers, because working with visuals is more demanding than with sound. Getting to know the secrets of good timing & structure from Wayne has been a wonderful learning curve. When earlier this year the \'first draft\' of a piece we were doing for a charity evening turned out to be right first time, I felt enormous satisfaction & pride.\n\nWayne is a master of the one-liner, particularly when he doesn\'t really intend to be funny: one of my favourites involves a very difficult tap-number he was doing at a gala. He had asked me to put down the music on tape for him so that he could rehearse "And can you do a really slow version, too, because it\'s very hard."\n"And would you like a medium version as well?"\n"No! I haven\'t got time for medium, the show\'s on saturday. Just a slow and a fast one will be fine".\n\nWayne Sleep Dance Scholarship site.\n', 'Wayne Sleep', 0, '\n', 'publish', 'open', 'closed', '', 'wayne-sleep', '', '', '2005-12-12 09:00:16', '2005-12-12 09:00:16', '', 0, 'http://jonathanstill.com/?p=106', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (107, 1, '2005-12-13 06:38:38', '2005-12-13 06:38:38', 'flowers.gif This is Dec. 13th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th\n\nThe ballet world is that small, and Betty is that well-known amongst dancers that if you say \'Betty\' to most dancers, it means Betty Anderton. The fact that I can\'t find a single recent picture of her teaching, either in my own collection, or on the web, illustrates perfectly my motivation for this advent calendar. Considering the thousands of wonderful classes and rehearsals she has taken for probably thousands of dancers over the last few decades, and that those classes and rehearsals have been behind many of the greatest performers and performances you have seen, it is monstrously unfair and unbalanced that you can\'t find more than a handful of sites which just mention her in passing.\n\n\nI owe Betty so much, I don\'t know where to start. When I first started freelancing at Festival Ballet, her remarkable expertise with working with music and musicians in rehearsals guided me through my first difficult calls. I was brought in one day to play for a principal call of Coppélia, the music of which I love - but like most people, I only knew the big tunes, not all the bits in between. I\'ve seen many people flap under those conditions, but not Betty: she kept the whole rehearsal under calm control, singing and conducting to keep me at the right tempo or feel, and singing any missing lines, or over awkward page turns. At the end of that call, I knew Coppélia; the tempo and atmosphere of every scene were etched in my memory for ever, because she was so clear, and so kind.\n\nHer singing is legendary. With her exotic looks, wild dark hair, and extraordinary presence, she looks like she has just walked off the set of Carmen, and she accompanies the marking of each exercise with a beautiful but slightly comical version of hits from the opera or the classical repertoire, interspersed with the names of steps, sound effects like \'miaow\' or diggy-diggy ya-ta-tah and wise advice on the execution of steps such as "the exercise isn\'t over when the music stops, if you see what I mean". I do.\n\nI\'m grateful to Betty for many, many insights into playing for class, and I owe my understanding of musical phrasing entirely to her. The musical extract in the picture above is one of the solos from Flower Festival in Genzano. I always think of Betty when I hear or play this, because in one class at Rambert years ago, I played something which didn\'t work for an exercise, and this was Betty\'s solution to the musical problem. She explained something to me that day about the nature of what jumping music needed which has been one of my most valuable lessons. One day in a rehearsal of Romeo & Juliet she said "It needs to be a bit slower" - then paused for a moment and said "No, it\'s not to do with tempo; it just needs more air between the phrases." She was right; it was genius; it made Prokofiev sound like music again, and solved the problem.\n\nAnd beyond all that, she encouraged me, gave me confidence, and made me feel like I had something to offer. What more can you ask?\n', 'Elizabeth (Betty) Anderton', 0, '\n', 'publish', 'open', 'closed', '', 'elizabeth-betty-anderton', '', '', '2005-12-13 06:38:38', '2005-12-13 06:38:38', '', 0, 'http://jonathanstill.com/?p=107', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (108, 1, '2005-12-14 09:00:00', '2005-12-14 09:00:00', 'Harald Krytinar. This links to a picture of me & Harald in our studio in Berlin in 1996. This is Dec. 14th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th\n\nI am thankful to Harald and glad to know him for many reasons. I met him in Germany, where we were both employed at the Deutsche Oper Berlin (he currently dances with Ballet Preljocaj ) . He\'s an instinctive musician; one of those dancers who hears music so acutely that if you decided to articulate four semiquavers differently today than yesterday, or to put in an extra rubato, he\'d notice, and raise a cheerful eyebrow at you as he moved a limb or tendon in a correspondingly different way. It\'s those dancers who make being a dance musician worthwhile - well, let\'s face it, they make watching dance worthwhile.\n\nAs a musician, dancer, sound technician and friend, we had many conversations about music for dance in the various contexts one finds it in a theatre - classes, rehearsals, performances; the problems with conductors, the problems of stage monitors, tempo, sound equipment, cuing shows. As with so many other people in this calendar, I owe much of my understanding of dance and music to these conversations.\n\n\nIn very practical ways, he helped me out with my job. It\'s common to see musicians in rehearsals sitting humiliated in front of a company while they try to understand where the ballet master wants to go from in the score. Harald never let this happen - he\'d be over at the piano and mediating between music & ballet master in seconds - I only wish there were more people like that. He was ever practical and solicitous - he once came back from a DIY store with a clip-on spot-lamp as a solution to the very poor lighting on the music-stand at the piano, announcing that it was his Christmas present to the musicians. "If it can be better, why not change it?", though not a Harald quote, is very much in the Krytinar spirit.\n\nHe is a much more orderly person than I am, and I am grateful that just a little of that rubbed off (eventually). We had a small music production company called JHB GoodSounds, and he was an instinctive genius at project management, artistic direction, record-keeping, PR, audio production. Probably the most valuable thing I learned from him then, which I still use regularly today, is never to say "We\'ll clean that up later" when you\'re making a recording. If you go down that route, you end up with an entire session of useless takes: get it right, get it in the can, edit it, change it, whatever is necessary, but finish the job as you go along, don\'t leave a mess for editing afterwards.\n\nHarald and I used to live on Hanuta biscuits - we\'d buy multi packs at Penny Markt and munch our way through them while working for hours on a song. He brought me a packet over when we met at the Sadler\'s Wells.\nBut I am particularly grateful to Harald for one rather odd thing, considering that it has nothing directly to do with ballet or music. Since we had a business together, we also had quite a lot of computer & sound engineering gear. In late 1996 (I think it was) he said, with a very gleeful and conspiratorial smile, "Hey, shall we get...a modem?!" He is an early adopter, I\'m a wait-and-see person, but I grudgingly agreed. I failed to understand his excitement, but I sat patiently as he waited an unconscionably long time for information from Nasa to download. There was a group of us in Berlin at that time - Victor Alvarez, Paul Egan & Harald (Paul was the whizzkid) who were trying hard to make it all work, and to understand what it was all about and what it could do. They were all at least 10 years younger than me, and much less ditzy. It was thanks to them, but particularly Harald for making us get a modem, that I got hooked on the marvels of the internet before I had the chance to decide that I would be one of those who would have nothing to do with that newfangled technology.\n', 'Harald Krytinar', 0, '\n', 'publish', 'open', 'closed', '', 'harald-krytinar', '', '', '2005-12-14 09:00:00', '2005-12-14 09:00:00', '', 0, 'http://jonathanstill.com/?p=108', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (109, 1, '2005-12-15 08:38:08', '2005-12-15 08:38:08', 'Victor Alvarez in Berlin sometime in the summer of 1997 This is Dec. 15th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th\n\nSaying that someone is your favourite dancer or the best dancer you ever saw is difficult, because some people are your favourites in particular roles, or new people come along who challenge the position, or you just don\'t want to be forced to choose between equals. But if my life depended on it, I\'d be willing to say that Victor Alvarez is my favourite male dancer, and, for my taste, probably the best dancer I\'ve ever had the pleasure of working with, and without any doubt at all, the most musical.\n\nWoytek Lowski once said to Jo (Josephine) Jewkes after her performance of the Prelude in Les Sylphides "Well, once again, you ruined the show - you were so good you made everyone else on stage look terrible". In the same spirit, Victor has made my life a misery at times: when you know that something can be done as effortlessly, spectacularly and musically as Victor does it, and with such friendly charm and good naturedness, it makes so much else that you do seem like a bad marriage.\n\n\nFor years, I had hated the Flower Festival in Genzano pas de deux with a passion: boring steps, boring music, twee, meaningless nonsense, I thought - and I\'d seen it enough times to know how I felt about it. Until I played for a rehearsal of Victor & Lisa Cullum dancing it, which made me realise that I\'d never really seen it before - I might have seen the steps, but I hadn\'t seen its heart. Victor transformed that piece for me in an instant, and I\'ve loved it ever since. He did the same with Don Q, and Onegin. I\'d seen countless Lenskis struggle with that 2nd Act solo, and used to dread seeing it on a call sheet. When Victor did it, however, he threw away all the technical difficulties as if they were spring-points and pony galops. Rehearsing for him was about getting inside Lensky\'s character, not the steps. I have never seen anyone do this to that extent before or since.\n\nVictor Alvarez in Giselle. This is one of my favourite dance photographs of all time. I don\'t know who took it, so if you own the copyright, please let me know and I\'ll remove it/credit it/pay for itRay Barra created a virtuosic solo for him in Die Schneekönigin which brought the house time every time he did it. It was sensational - not just Victor, but the audience reaction too; they would applaud and cheer almost every step, so that you could hardly hear the music. Technically, I\'m sure there were plenty of people who could do the steps, but Victor brought something else to that solo - generosity, musicality, elan, spirit, humanity, personality. It\'s that \'something else\' that makes ballet so appealing, and the lack of it that makes bad dancing so dull.\n\nWithout a doubt, Victor is the most musical dancer I\'ve ever come across. For a while when we were in Berlin, I taught him the piano, and was completely astounded at what he could do in only a couple of weeks. He played the Chopin A major prelude more beautifully than most musicians, without even having to be told how to do it. He knew how to caress a piano into making the right sound, and knew what that sound was going to be like before he started.\n\nApart from that, he\'s also a complete genius with computers, and I owe a great deal of my knowledge & and understanding of IT to him. If it hadn\'t been for him, I might never have heard of Reason and Soundforge, two programmes that I now spend most of my waking life using; I\'ve learned dozens of keyboard shortcuts from him (and also learned how uncool it is to use a mouse), and he\'s sorted out any number of blue-screen-of-death problems for me.\n\nHe\'s also a fantastic bloke, and the students at the Conservatoire in Madrid are dead lucky to have him as a teacher.\n', 'Victor Alvarez', 0, '\n', 'publish', 'open', 'closed', '', 'victor-alvarez', '', '', '2005-12-15 08:38:08', '2005-12-15 08:38:08', '', 0, 'http://jonathanstill.com/?p=109', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (110, 1, '2005-12-16 09:29:11', '2005-12-16 09:29:11', 'Part of the Acropolis in Athens (from an ENB tour in 2003) This is Dec. 16th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th\n\nI haven\'t got a picture of Pat Neary, but since the first time we met we were working on Apollo, and the second time on Agon, something with an ancient Greek theme seemed appropriate. Also, there\'s something about Pat\'s pedigree as a dancer & teacher of the Balanchine repertoire, her humour, wit, intelligence, and understanding of life, ballet, art & people that make me think of her as a kind of living oracle.\n\n\nShe describes herself as \'Bette Midler on pointe\', and certainly, I don\'t think I\'ve ever had so much fun in a rehearsal period. But this is her ethos - you spend 75% of your life working, so you might as well enjoy it. Her standards are high, and she tells it like it is, but she does it all with humour and humanity. In one rehearsal which was beginning to fall apart, she said "Excuse me, I need to go outside and scream". Which was exactly what she did - she left the studio, and then let out the most blood-curdling scream you are likely to hear in an opera house, and then returned to the studio a couple of minutes later. "OK. That\'s better. Let\'s go from...." Some teachers would be in a mood for the whole rehearsal, some would lecture the dancers, others would shout and harangue. Only Pat would have the logic and intelligence to just scream and get on with it. Needless to say, the event focused everyone\'s mind a lot better on the work at hand, without needing to say a word, and there were no bad feelings at the end of the rehearsal.\n\nHer passion and love for dance and for her work is infectious, and you leave a studio feeling privileged to work in something so fantastic. My friend Alexandre de la Caffinière and I wanted to put up a shrine to Pat in the corner of the ballet studio in Berlin, just just so we could remind ourselves on bad days why we were doing it at all. I only have to think of her for her generous spirit, energy and humour to cheer me up: she paid me the nicest compliment I\'ve ever received in a class - "Mr B would have loved you!". That\'s been enough to keep me going for years.\n', 'Pat (Patricia) Neary', 0, '\n', 'publish', 'open', 'closed', '', 'pat-patricia-neary', '', '', '2005-12-16 09:29:11', '2005-12-16 09:29:11', '', 0, 'http://jonathanstill.com/?p=110', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (111, 1, '2005-12-17 08:03:15', '2005-12-17 08:03:15', 'bode.jpg\nThis is Dec. 17th in my dance inspirations advent calendar. Opened already: December 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th\n\nOne of the advantages of dance being a silent art is that what two people sense or read in each other, and the ethereal conversation that happens between dancer and dancer, dancer and musician, teacher & pianist is so much more interesting, poignant, fleeting, deep and moving than anything one might say with words. As a musician in class, you often end up reading people and \'talking\' to them and they with you, with music. You might never actually talk to them, but at some level you\'ve had a musical encounter more direct and meaningful than a thousand conversations.\n\nMaybe I read it all wrong, but when I first met Klaus, who was ballet master at the Deutsche Oper Berlin (now subsumed under the Staatsballett-Berlin), I got the feeling that maybe he got a bit tired and overwhelmed by the predominantly English culture that had taken over there. Rehearsals were conducted entirely in English, there were only a handful of Germans in the company, and with a couple of exceptions, most of the foreigners couldn\'t be bothered to learn German. As an example of how bizarre that situation was, one pianist there had spent time and money in her native Azerbaijan learning German in preparation for the move to Berlin, only to be berated by one of the anglophone staff because she \'only\' spoke German (rather than English).\n\n\nI decided I was going to surprise Klaus, make him laugh, and maybe even cry, by redressing that imbalance through music. I was already pretty well versed in some chansons through having worked with the wonderful Gertrude Thoma in a cabaret group called Brecht to Brel (Nicholas Mead was the Brel side), but this time I went all out to find anything and everything that was wonderful about German popular song: the Comedian Harmonists, Max Raabe, Zarah Leander, Marlene Dietrich, Paul Lincke, Blandine Ebinger, Friedrich Hollaender, Hans Albers and many more. As the musical conversation began with Klaus (and oh, what fun it was), so he would add in more names & songs, until the humour and the references and allusions became so esoteric, I think probably only we understood some of them.\n\nAnd through that, I discovered that Klaus was one of the wittiest and warmest people you could hope to meet. In one of my last classes there, I managed to get a German song in for every single exercise at the barre, a different one for each side, except for grands battements en cloche, for which I could only muster something Viennese. As we were having the customary cigarette in the corridor in between barre and centre, he came out with one of his funniest one-liners, spoken, as always in his seamless collage of RP and cod-Berlinisch). The precise syntax escapes me now, but it went something like: "Incredible. You managed to play a whole barre with German songs. Ah no, am Ende hast\'de was österreichisches dazu.......angeschlossen, sozusagen." He covered his face with \'oh-God-what-have-I-said\' shame and then peeped out with a wicked smile from under his hands. I guess the nearest translation would be "It was all a German barre, except for that little Austrian thing you er.... annexed at the end". Classic contemporary German humour, which is just too subtle and complex to travel.\n\nThrough our musical conversations, I discovered Klaus the artist, the man, the dancer. I was amazed to discover from him that he had been a principal in MacMillan\'s Concerto when it was first created, with a pretty significant duo with the principal girl in the beginning of the third movement. As I remember the story, he unfortunately did something terrible to his foot the night before the premiere, and so that duo didn\'t happen - and was never put back in (which is why the poor girl has to do so much on her own at that point).\n\nA fascinating and wonderful man. Apart from being thankful to Klaus for helping me to build a large German repertoire, I owe much of my sanity in my Berlin period to his warmth and humour.\n', 'Klaus Beelitz', 0, '\n', 'publish', 'open', 'closed', '', 'klaus-beelitz', '', '', '2005-12-17 08:03:15', '2005-12-17 08:03:15', '', 0, 'http://jonathanstill.com/?p=111', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (112, 1, '2005-12-18 08:54:44', '2005-12-18 08:54:44', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 18th in my Dance Inpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda Quirey192021222324
    \n\nLouis XIV as Apollo in The Ballet Royal de la Nuit, from the Library of Congress exhibition, Treasures from the Bibliothèque Nationale de France\n\nIt says a lot about Belinda that the story I\'d most like to tell about her famous classes in Historical Dance at the RAD is unprintable. Her definition of dance history was broad enough to include occasionally testing the students\' knowledge of the extramarital shennanigans of ballet stars. I think she wanted to make sure they didn\'t get overwhelmed by the superficial glamour of the royal institutions with which they came regularly in contact. In the middle of an explanation of contrapposto she might suddenly say in her deep voice which owed something to Edith Evans, "Now, my darling treasures, which star of the Royal Ballet famously...."\n\n\nWhich is, frustratingly, where I have to stop, to avoid litigation, although it ruins the story. The punning double entendre she made on the culprit\'s name was so filthy and so funny at their expense, that neither I nor the students could quite believe we\'d heard right: after all, this was a scholarly 74 year-old lady at the Royal Academy of Dance in 1986, in a lecture about historical dance.\n\nBut that\'s what made Belinda such a fantastic teacher. It wasn\'t just that her knowledge of the subject put everyone else\'s to shame; she made it live and breathe. Her classes were so lively, risqué, humane and intelligent, her personality so warm and entertaining, that you left feeling as if baroque dance were the hippest, coolest thing on the planet. She made ballet, by comparison, seem old-fashioned, rigid, fossilized and rather ridiculous (which - in terms of training - it was), because it appeared to lack the earthy sensuality and humanity of the dance that she taught.\n\nHer classes were riveting and entertaining, and a joy to play for. She did for early dance what Mark Steel does for history, and in a similar way. When I was freelancing, I reorganised my year to be able to play for her classes at the Central School of Speech & Drama, simply so that I could sit in and learn from the lectures.\n\nIt was her distinction between periodic and dynamic rhythm which helped me to understand why some types of music were more suitable than others for class, and her notion of organic rhythm which enabled me to understand what annoyed me so much about people who didn\'t have it. Her book about the history of social dancing, May I Have The Pleasure? was a wonderful antidote to ballet-obsessed histories, and in that sense, was the equivalent in musical terms of popular music studies today.\n\nShe was a fanstastic role model in a myriad ways. She had moral and intellectual courage in vast quantities, and students liked her because she never talked down to them - although she could berate them for being unprofessional at times. She did not blindly respect anyone of high rank, and could puncture a puffed-up ego at 1000 yards. I once mentioned the name of a famous conductor to her as we were going up the stairs at the Academy, and she shouted out "Bastard!" at the top of her voice (which is saying something, for she had a mighty theatrical bark when she chose to use it). As I hadn\'t known Belinda long at this stage, I thought I\'d misheard. "I\'m sorry, Belinda?" I asked - to which she barked back even louder "I said he\'s a BASTARD!!!".\n\nIf people didn\'t like what she said, that would not stop her saying it. She cared, it seemed to me, about promulgating sense rather than nonsense as a matter of principle, no matter what the context. She was formidably intelligent across a number of disciplines, including theatre, dance, psychology, history and music, and yet down-to-earth, friendly, and understanding of the human condition. At 75 she seemed younger than me and the students, most of what she said 20 years ago would seem ahead of its time even today. I hope some of what I learned from her serves me that well in my 70s.\n', 'Belinda Quirey (1912 - 1996)', 0, '\n', 'publish', 'open', 'closed', '', 'belinda-quirey-1912-1996', '', '', '2005-12-18 08:54:44', '2005-12-18 08:54:44', '', 0, 'http://jonathanstill.com/?p=112', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (113, 1, '2005-12-19 08:19:50', '2005-12-19 08:19:50', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 19th in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena Pasaric2021222324
    \n\nIrena Pasaric from Croatian National Ballet (HNK). This picture is taken from the HNK site and links directly to Irena\'s biography there\n\nIf it weren\'t for Irena Pasari?, I would probably still hate Swan Lake as much as I hated it before I met her. Playing for rehearsals of the Act II pas de deux is often an experience similar to what Richard goes through in Keeping up appearances when he has Hyacinth as a passenger: "Slow down! Mind that arabesque! Don\'t go so fast! Watch that pirouette! Stop! Don\'t stop! Now, stop now! Not now, when I say so!"\n\n\nBut not with Irena. She had a wonderfully fresh approach to Odette/Odile which completely removed all those turgid corners in the score. She was so in control of what she did, that she could decide what her body was going to do on that music, rather than see the music as a kind of affliction that had to be endured, treated and kept in abeyance. It\'s not that other people couldn\'t do this - I\'m sure they could - but there\'s an insidious aesthetic in ballet that with Swan Lake, it doesn\'t matter how slow, how unrhythmic, how lugubrious the music is, because what really matters is that every last twitch of the choreography has plenty of time to be seen.\n\nIrena had what I\'ve grown to call \'rhythmic autonomy\' - in other words, she didn\'t rely on the music to drag her along behind it like a car being towed, she had her own inner tempo and rhythm. That being the case, playing for her was enormous fun, and effortless - you could actually get on and enjoy the choreography, the character, the piece, the music without constantly looking in your mirror, so to speak, to make sure the tow-rope hadn\'t snapped. She gave me the best lesson in how to accompany fouettés I\'ve ever had, and the advice has held good ever since.\n\nThe thing that I am most grateful to Irena for, though, is for her explaining the music of Le Corsaire and other Imperial gala bonbons to me. I was due to play for her and Tamás Solymosi in this pas de deux for some gala evening, and I guess did a creditable job with the first run through. But then Irena, in her wonderful cheeky, flirtatious way said about the big lift "This bit here can be really big, big as you want. It needs to be camp!" And with that, a very large penny dropped. I\'d never quite realised before just how camp all this stuff was (I should have noticed, really, given that Tamas was wearing nothing but sky-blue satin pajama bottoms and a feather in his hair), and that to do the music justice, everything in it had to be played over-the-top. To an audience, this will just sound normal, because it\'s what the music does. As the musician, though, you have to do twice as much as what seems normal or within the bounds of good taste, and that\'s what I hadn\'t realised until Irena pointed it out to me.\n\nApart from any of this, Irena was completely unstuffy, had a wonderful sense of humour, and was great fun to work with & socialise with & a great conversationalist. It was nice to be able to share the odd private joke in Croatian too...\n', 'Irena Pasari?', 0, '\n', 'publish', 'open', 'closed', '', 'irena-pasaric', '', '', '2005-12-19 08:19:50', '2005-12-19 08:19:50', '', 0, 'http://jonathanstill.com/?p=113', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (114, 1, '2005-12-20 05:05:07', '2005-12-20 05:05:07', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 20th in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark Morris21222324
    \n\nMark Morris in rehearsal at ENB for Drink to Me Only With Thine Eyes. Photograph © Asya Verzhbinsky, reproduced with her kind permission. www.asyav-images.com Photo © Asya Verzhbinsky, Reproduced with permission\nOn a Saturday lunchtime around this time last year, I walked out of the Sadler\'s Wells stage door & up Rosebery Avenue feeling like Julie Andrews in the Sound of Music. I\'d just played my first class for Mark Morris & his company (I\'d already played for Drink to Me Only With Thine Eyes in 2003, but never for a class), and it was - I\'m not exagerrating - a mindblowing experience.\n\nI guess you have to understand that ballet class is something that has bugged my curiosity ever since I first walked through the doors of the RAD nearly 20 years ago. When I left there 9 months later, I tried to explain to the then director, Julia Farron, that much as I liked dance and was grateful for my job, I was frustrated because I felt that class could be so much more than it currently was, but there seemed to be no way of doing it.\n\n\nI\'ve been more grateful than Julia will perhaps ever know that she said "I\'m probably cutting off my nose to spite my face, but you should go and join a company". Which is what I did, and she was absolutely right. As you\'ll have seen from previous entries, over the years, I\'ve met fantastic people who do take class and music in dance on to another level, and that\'s why I\'ve stayed in it.\n\nBut that class of Mark Morris\'s was on more than another level, it was from another planet, where class had had an opportunity to develop on completely different lines, in keeping with the kind of impractical blue-skies-thinking that I\'d had when I first started playing for dance. I felt like I\'d seen the future. It probably won\'t be the future, because you\'d have to be Mark Morris, have your own company, and be doing your own works to reproduce it, but it\'s nice that someone\'s doing it, at least.\n\nHow to explain? Well, for one thing, singing has an amazing effect on movement. Those odd occasions where dancers spontaneously sing along during an exercise are remarkable for the difference they make to the musicality, execution, atmosphere and phrasing of an exercise. John O\'Brien used to use this in his classes. Christian Addams provided an atmosphere in his Central School classes where students felt comfortable doing it. But Mark Morris is the first person I know to actually tell his dancers to sing ("If you sing, you\'ll get warmer quicker"), or to correct a dancer on their singing in class("Don\'t you know the words to anything?!").\n\nHe sings himself, of course - and how! There I was, innocently playing I\'m in the mood for love for a tendu exercise, when suddenly - a quarter way through the phrase, in comes this massive, booming voice, backphrasing like there\'s no tomorrow to catch up with the music, a cross between Ella Fitzgerald, Pavarotti, Nina Simone and Cleo Laine. His backphrasing is - deliberately, mischievously - more wayward than Barbra Streisand\'s, to put everyone else off, so that they absolutely have to know what they\'re doing with their bodies, otherwise they\'d fall over. It\'s time for the second side, they turn around, and - guess what - this time, it\'s a whistling chorus, for which I naturally tone down the accompaniment. But then, just as you\'ve got comfortable, it\'s time for the big band to resume with the voice. It\'s mad, totally, wonderfully, musically mad.\n\nHis musical knowledge is astounding, and at the end of an exercise, he might suddenly turn on one of the dancers and say "Who wrote that?" Chances are, they\'ll know. Everyone will relax if the dancer gets the right answer - but it\'s not over yet - he\'ll turn to the next dancer at the barre "Who wrote the lyrics!?". My students think music is a necessary evil? Just try and get away with not being interested in it in a Mark Morris class.\n\nWhen I say astounding, I mean it. I have an old Zarah Leander song in my repertoire which isn\'t particularly interesting, but it has a rhythmic pattern which is ideal for a certain kind of exercise. Lost for anything better to play at one point when I played for a MM class recently, I played this, hoping he wouldn\'t make fun of me for the rather banal melody. It\'s one of those songs that only makes sense if you know the words. To my astonishment, he started la-la-la-ing along "Why do I know that?" he asked. "What is it?" For the life of me, I couldn\'t remember. Then he suddenly said "Oh I know, it\'s that German song. It goes something like "In der Nacht ist der Mensch nicht gern alleine" .\n\nNot surprisingly, his marking is musically impeccable. He\'ll think for a second, then just tell you or sing you in absolutely unmistakeable terms what he wants, rhythm, tempo, feel. Sometimes funny - "this is going to be too slow and too long" - very often detailed and erudite; when he was trying to convey the tempo of one the numbers in Drink to me only, he sang it at the tempo he wanted, then said "Like a hornpipe". Being Mark, he meant the Purcellian kind in 3/2 which (unlike it\'s more folksy counterpart in 2/4) does have a very easy-to-remember feel and tempo.\n\nExercises are interspersed with anecdotes, commentaries on current events or issues, questions to dancers, gossip, jokes, but all to a purpose - to keep alert, to keep a musical mind turning, to avoid passivity, complacency; to be fresh and full of adrenalin, light, motivated & full of fun. There is so much more to musicality than music; it\'s a state of mind, and a willingness to be convivial and honest, and this is what Mark Morris cultivates in his classes. I love his musicality, but I adore his honesty, lack of pretension and outspokenness. If ever there was a person I wanted to work with before I died it was him, and I\'ll be eternally grateful to Matz Skoog & ENB for giving me that opportunity.\n\nMark Morris blogs for a week\n', 'Mark Morris', 0, '\n', 'publish', 'open', 'closed', '', 'mark-morris', '', '', '2005-12-20 05:05:07', '2005-12-20 05:05:07', '', 0, 'http://jonathanstill.com/?p=114', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (115, 1, '2005-12-21 07:18:02', '2005-12-21 07:18:02', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 21st in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark MorrisThomas Edur222324
    \n\n Thomas Edur on tour in Budapest 1993, doing his \'spy\' look. Nearly every picture I have of Tom is like this - he improvises anything but a regular smile for the camera! My website hasn\'t yet become what I once intended it to be, having been hijacked by exigencies and the mundane, but the fact that it\'s here at all is thanks to a conversation with Thomas Edur. Some years ago I was chatting to him & Yat Sen Chang in a corridor at a party, having an animated discussion about musicality. It annoyed me at the time - as it still does now - that in some ways, it\'s not that complicated an issue, despite the ink & frowns that are expended on it. All it needs is for people to address it, and in practical terms, keep music and musicality high on the agenda in the studio - what\'s complicated & difficult is trying to get it there in the first place. I\'ve met plenty of people whose approach to music, musicality in performance, and sensitivity to music is exemplary - Tom chief amongst them - and yet they are not often called upon to share it or discuss it, except for the occasional insight like this one from Thomas in a Radio 3 interview - "I remember being told when I was eight years old; “If you can sing the melody, then you can dance it.”\n\n\nWe were all roughly agreeing on this, when Tom came out with a sentiment that I agreed with so much, it\'s haunted me ever since. With an angry desperation in his voice, he said "Who talks about the spirit of music?" Who indeed. That very thing that drives dancers and musicians to want to dance or make music, the thing that brings people to the theatre or concert hall, or to dance around in their living room, what happened to that? Why don\'t teachers, and worse still, those who teach teachers, talk about the spirit of music? "Don\'t watch me", Tom once said in a rehearsal for his solo in Les Sylphides. "You just play how you want to play, because the point is I have to look like I am dancing to your music. If you follow me, it will look wrong". It\'s that kind of insight that I wish would become general knowledge.\n\nChang pointed out to me that it would be a very simple matter to host a website for such issues. The twinkle in my eye, as it were, was for a place where you could gather the wisdom of the great and the good and share it, and offer the world a place to discuss it. Well, that was the idea, that was how this website started, and although I don\'t think I\'ve achieved any of what I set out to do yet, maybe this advent calendar does go a little way towards celebrating and acknowledging the spirit of music in dance.\n\nI was thrilled earlier this year when I was asked to play for Tom & Agnes in Derek Deane\'s Impromptu at the Genée awards. I played for their first performance of this at the Teatro Colón in Buenos Aires in 1993, and there was something very lovely about revisiting it after all this time. Working with them is a delight. To be surrounded by so much warmth, friendliness, good humour and sense of humour, professionalism and inspiration is more than anyone could ask for in a job; to be on stage with them feels more \'at home\' than being at home. For the spirit of music like Impromptu to live and breathe, you need all that. Who talks about the spirit of music?... Well, we do, at least.\n', 'Thomas Edur', 0, '\n', 'publish', 'open', 'closed', '', 'thomas-edur', '', '', '2005-12-21 07:18:02', '2005-12-21 07:18:02', '', 0, 'http://jonathanstill.com/?p=115', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (116, 1, '2005-12-22 07:06:21', '2005-12-22 07:06:21', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 22nd in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark MorrisThomas EdurAnn Hogben2324
    \n\nAnnie at the piano circa 2000. I\'ve got a nicer picture somewhere, which I\'ll post later. It was to Annie that David Wall sent me to pick up some tips about playing for class when I was floundering about hopelessly at the RAD as a novice dance accompanist back in 1986. Apart from the fact that Annie was a good pianist and accompanist, she was a good choice as a teacher because she had a large repertoire of music for class from popular classics & songs, which made it easy to point at something and say "that\'s the kind of thing to play for grands battements" or "that\'s quite nice for adage".\n\n\nAt the most, I guess I can only have spent a couple of hours looking at her folders of music, making notes, photocopies, and listening to her advice, but it was a turning point, and an instant education. Rather than say "You could play a nice strong 3/4" or "something lyrical", Annie could point at a real piece of music and say, "Look, this is what I play". One or two of her insights were bizarre, but vital all the same "Don\'t play anything by Ivor Novello for that person..." or "She likes a nice bit of Lehár". By the same token, I knew that if whatever she did was good enough to keep the likes of David Wall happy, so she must be doing something right.\n\nMy assumption was correct, and what I learned from Annie has stood me in very good stead ever since. Looking back on it, I wouldn\'t be surprised if she was just a little bit miffed at being told by David to help me out, because a dance accompanist\'s repertoire is something very personal, acquired through hard and expensive slog. You don\'t really want to just hand it on a plate to someone else, because it is then incumbent on you to expand your repertoire again. But I guess that\'s how happiness and goodwill spreads around the world: years later, when it was my turn to help a struggling pianist out, it didn\'t occur to me to withold my repertoire from them, because Annie had been so generous to me.\n\nannie_hogben.jpg\nApart from her expertise at dance accompaniment, Annie was also a lovely pianist (I say \'was\' - I\'m sure she still is, but she retired from the Academy a few years ago), with a rich, warm and generous sound. Although she was constantly joking, her humour somewhere between Mrs Merton, Dame Edna and Rory Bremner (she did wicked impressions), on the few occasions when we played duets together, I saw another Annie - someone with an icy cool musical intelligence, a great technique, and a passion which found a direct route from heart to fingers. And when she was playing for classes, it always sounded like music - I don\'t think I ever heard her \'hack\' her way through anything. On the contrary, a couple of times in the last few years at the Academy, I heard music drifting out of a studio so beautiful that I had to just poke my head round the door to see who was playing - and both times, it was Annie.\n\nPlaying for dance is one of the hardest skills to acquire, and anyone who manages to teach you something in that field deserves to be credited, just as you would credit your regular piano teacher or alma mater. I suppose it is a mark of how underrated the profession or the technique is that dance pianists don\'t acknowledge their teachers more often - I confess that It was only when I sketched out the names for this advent calendar that I remembered just what an enormous influence Annie was on me. It\'ll be interesting to see whether I can start a trend...\n', 'Ann Hogben', 0, '\n', 'publish', 'open', 'closed', '', 'ann-hogben', '', '', '2005-12-22 07:06:21', '2005-12-22 07:06:21', '', 0, 'http://jonathanstill.com/?p=116', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (117, 1, '2005-12-23 06:16:48', '2005-12-23 06:16:48', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 23rd in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark MorrisThomas EdurAnn HogbenGraham Bond24
    \n\nMe & Graham Bond - and if you click on the link, the singer James Meek, too - after a performance of Robert North\'s A Stranger I Came (with me & James doing the Schubert songs), Swansong & Etudes in the opera house in Budapest, 1991\n\nWhat works on a piano in the studio very often doesn\'t work on stage with an orchestra, so that the first day a conductor comes to rehearsals in the lead-up to a show is a bit like your parents coming home early to find you getting drunk with your teenage schoolmates on their duty-free Campari. It\'s only a baton, but you can almost hear the dismay:\n"Look at this rubato all over the place! You should be ashamed of yourself!"\n"I told you that Boris was a bad influence. I don\'t care how many pirouettes he can do, you keep in tempo like you\'ve been taught!"\n"How dare you help yourself to my presto?! I was saving that for the coda!"\n"Now your mother and I are going to try and sort this ballet out. From now on, you\'ll do as your told and play when I tell you to"\n\nWhat I learnt from Graham Bond, however, was that it can sometimes the other way around. I have a tendency sometimes to play through music somewhat peremptorily, forgetting how healthy it is to let it breathe. In my early days at ENB, where Graham was my boss, I was also pretty clueless about how to make a pas de deux work between the music and the dancers, and as a result was quite heartless, without meaning to be, about tempo.\n\n\nBut Graham could accommodate the dancers\' need for elasticity or slight waywardness in tempo into his musical fabric in such a way that you felt the music actually sounded better for it. Time and time again, I saw his eagle eye catch some tiny geographical problem - a dancer who had ended too far upstage, and needed a few milliseconds more than the music would allow to turn and run back to her partner, for example - and in response, those expressive hands would mould tempo like a sculptor with clay. The result never sounded like putting the brakes on, it sounded like a miniscule rubato that Graham had intended to put in the music anyway.\n\nIndeed, after a while, I began to feel that it was all the other way round - those \'tempo corners\' were actually in the music; the reason that a choreographer had put that run & turn in the dance was because the phrasing and potential for elasticity in the music suggested it. And in the end, I\'m darned if I could tell you which is cause and which is effect, because there was something so natural and perfect about the way he could mould tempo, and his music was so warm & expressive as a result. He was no pussycat, though, and would be the first person to say "you can\'t get an orchestra to do that" about an unreasonable tempo change, or a tasteless approach to the music, but his ability and willingness to give-and-take whenever possible was exemplary.\n\nI learnt a lot from his professionalism, too. He would use every ounce of his energy, enthusiasm and musicality for whatever music was in front of him on the podium, whether it was Johann or Richard Strauss, Paquita or Pierrot Lunaire. I felt quite ashamed once, when playing in the pit for Taming of The Shrew, a score I didn\'t particularly like. Graham conducted one of the pas de deux so passionately and sensitively, the music almost brought tears to my eyes. It made me realise that if I didn\'t like the music, it was at least 50% my fault for the way I had been approaching and playing it.\n', 'Graham Bond', 0, '\n', 'publish', 'open', 'closed', '', 'graham-bond', '', '', '2005-12-23 06:16:48', '2005-12-23 06:16:48', '', 0, 'http://jonathanstill.com/?p=117', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (118, 1, '2005-12-24 07:22:17', '2005-12-24 07:22:17', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallThis\nis December 24th in my Dance\nInpirations advent calendar
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark MorrisThomas EdurAnn HogbenGraham BondTania Fairbairn
    \n\nNot Tania, but someone in Budapest dancing a czardas, which seemed kind of appropriate, although I suspect Tania might have done it much better. The picture isn\'t of Tania, but it is of a Hungarian woman doing the csárdás in a restaurant in Budapest. There was a lot of wine, a lot of food, a lot of dancing, and a lot of music. My kind of evening.\nAs it comes to the end of this advent calendar, I\'m left with a very difficult decision: I still have all kinds of people I\'d love to pay homage to, but advent is advent, and I\'ve got to stop because tomorrow\'s christmas. So I applied a criterion - it had to be someone, or an event involving someone, which I find myself constantly referring to in conversation with friends and colleagues.\n\n\nAnd that made it easy. Tania Fairbairn is one of the quietest, calmest, most serene teachers I\'ve ever met. In fact, the only other person I know who can command such utter calm and zen-like concentration in a studio is Glen Tetley. When you see this kind of calmness at work, you wonder if there can\'t be some kind of evening class in how to do it, because it is so much less tiring than shouting and keeping order (well, I presume it is - I\'ve never achieved it myself).\n\nAt the time I met her, she was teaching Character & National at Central School of Ballet, and the occasion was probably a 2nd year character class, or a rehearsal for an end of term performance. Whatever it was, it was character dance, a cavernous studio with a cast of thousands of energetic adolescent dancers, and Tania. As always, she never onced used a \'teacher\'s voice\', never shouted, never talked down to students. She could talk to 30 people in the same quiet, calm, pleasant tone of voice that she would talk to one person, and something in the calmness she exuded made everyone else quiet & receptive too.\n\nSo I was a little surprised when I heard her voice rise ever so slightly and call the class to attention - I\'d never seen this happen in one of her classes before, and nor had they, so the entire class stopped dead in silence. What she said, in a quiet, friendly and totally unconfrontational way, went something like this "I don\'t like having to raise my voice in a class, because if I raise my voice and start calling you to order, it creates an atmosphere which goes against the spirit of the dance I\'m trying to teach you, and if that happens, then the point of teaching it is lost. So could you try and keep the noise down so that we can maintain the right atmosphere for the work?".\n\nAnd for the rest of that class, that\'s exactly what they did.\n\nIt\'s so obvious, really, that an atmosphere of fear, recrimination, balletic despotism and shouting is totally inappropriate if you want to teach dances which are supposed to belong, if only notionally or historically, to communities; which are all about conviviality and being sociable; which take place at celebrations with too much food and wine like weddings and holidays. Through understanding the spirit of those dances, Tania recreates for dancers the sociability, ritual, joy and fun that lies at the heart of them, and it\'s bliss to watch and to play for. She also generates respect for these dances and the peoples they represent, which, as a former rant shows, is an issue close to my heart.\n\nBut in fact, fear, recrimination, despotism & shouting is the wrong way to approach any kind of dance or music, (even if there is still a residue of teachers - and frighteningly, parents - who believe that ballet isn\'t ballet unless it hurts and screws you up). If there\'s anything that connects all the people in this calendar, and all those who would have been in it if advent only lasted longer, it\'s the absence of those things in their work and in their dealings with people. If you\'ve read other entries, you\'ve probably noticed that certain words keep cropping up - warmth, generosity, wit, sense of humour, conviviality. These are the things which are conducive to music making & dancing, and which I admire most in others. Happy Christmas.\n', 'Tania Fairbairn', 0, '\n', 'publish', 'open', 'closed', '', 'tania-fairbairn', '', '', '2005-12-24 07:22:17', '2005-12-24 07:22:17', '', 0, 'http://jonathanstill.com/?p=118', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (119, 1, '2005-12-25 07:02:02', '2005-12-25 07:02:02', '\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Woytek LowskiGillian CornishJohn O\'BrienMalcolm WilliamsonJackie BarrattPussy (Diana Payne Myers)Christopher HampsonDavid WallHAPPY CHRISTMAS!
    Susie CooperDaniel JonesIvan NagyWayne SleepBetty AndertonHarald KrytinarVictor AlvarezPat Neary
    Klaus BeelitzBelinda QuireyIrena PasaricMark MorrisThomas EdurAnn HogbenGraham BondTania Fairbairn
    \n\nThere\'s a wonderful restaurant in Prague called Restaurace Století where I\'ve spent many a happy time with friends and colleagues from the ballet masterclasses. Each dish on Století\'s menu is named after a particular luminary of the 20th century. In the same spirit, and as the finale to this dance inspirations advent calendar, may I present to you my Christmas Dinner Class Menu. Each piece of music reminds me in a special way of the person they are associated with below, for reasons which I\'d go into if I didn\'t have to put a turkey in the oven myself. Happy christmas, and bon appetit!\n\n

    Potage du Jour\n\n

    Warm-up Jackie Barratt: - Georgia on my mind\n\n\n

    Les hors d\'oeuvres\n

    Pliés Belinda Quirey - Minuet in B minor J S Bach\n

    Pliés Pat Neary - Tonight from West Side Story\n

    Slow tendus Malcolm Williamson - Blue Moon\n

    Faster Tendus Christopher Hampson - Non, monsieur je n\'ai pas vingt ans\n

    Battements glissés David Wall - Rondeau from Les Biches\n

    Battements glissés Tania Fairbairn - Turkey in the straw\n

    Ronds de jambe à terre Irena Pasari? - Ne vrijedi plakati (starogradska pjesma)\n

    Battements fondus Thomas Edur - Mazurka in C major from Les Sylphides\n

    Battements frappés Klaus Beelitz - Ich wöllt\' ich wär\' ein Huhn\n

    Ronds de jambe en l\'air Betty Anderton - Adèle\'s laughing song from Die Fledermaus\n

    Petits battements Woytek Lowski - Ich bin die fesche Lola!\n

    Grands battements Mark Morris -Take back your mink\n\n

    [Veuillez prendre place au milieu]\n

    Les Entrées\n

    Tendus & pirouettes Ann Hogben - Waltz from The Haunted Ballroom\n

    Pirouettes Graham Bond - Pigtail Girl from Graduation Ball\n

    Pirouettes en diagonal Pussy - Wunderbar from Kiss Me Kate\n

    Adage Victor Alvarez - Chopin: Prelude in D flat (\'Raindrop Prelude) \n\n\n

    Les Plats Principaux\n

    Warm-up jump Harald Krytinar - If I only had wings\n

    Petit allegro Susie Cooper - Flat foot floogie with the floy, floy\n

    Allegro John O\'Brien - Zwei dunkle Augen\n

    Batterie Gillian Cornish - Last movement from Beethoven piano concerto No. 5 (The Emperor)\n\n\n

    Les Desserts\n

    Grand allegro Wayne Sleep - Coda from Diane & Acteon\n

    Grand allegro Ivan Nagy - Tarantella from Etudes\n

    Manège Daniel Jones - There is nothing like a dame\n', 'HAPPY CHRISTMAS 2005', 0, '\n', 'publish', 'open', 'closed', '', 'happy-christmas-2005', '', '', '2005-12-25 07:02:02', '2005-12-25 07:02:02', '', 0, 'http://jonathanstill.com/?p=119', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (120, 1, '2006-01-01 04:02:38', '2006-01-01 04:02:38', 'It\'s the genuine article: the view from the very lovely flat in Canary Wharf where I was having a slap up meal with Chris, Michel & Caroline. \nPicture: London at midnight on New Year\'s Eve.\n\nHappy New Year to everyone who passes by here now and then! May you live in peace, enjoy what you do, and earn enough money to buy toys & flowers for yourself & friends.\n', 'Happy New Year 2006', 0, '\n', 'publish', 'open', 'closed', '', 'happy-new-year-2006', '', '', '2006-01-01 04:02:38', '2006-01-01 04:02:38', '', 0, 'http://jonathanstill.com/?p=120', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (121, 1, '2006-01-01 20:09:58', '2006-01-01 20:09:58', 'Tooting Bec Common.This photo links to my gallery of shots of the common from a New Year\'s Day strollTooting Common deserves a more prominent place in the annals of dance history than it is likely to get, unless I have something to do with it. Here, for those who love it as much as I do, are a few shots of that beautiful place from an afternoon stroll on New Year\'s Day at sunset.\n', 'Tooting Common', 0, '\n', 'publish', 'open', 'closed', '', 'tooting-common', '', '', '2010-01-07 13:56:12', '2010-01-07 13:56:12', '', 0, 'http://jonathanstill.com/?p=121', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (122, 1, '2006-01-06 07:05:20', '2006-01-06 07:05:20', 'View along the Thames towards Hammersmith from Battersea, near Lombard Road. Click for bigger & better image. A view from under the railway bridge opposite Chelsea Harbour yesterday at around 4.00pm. I\'ve always found this a rather ghostly and time-warped place. It doesn\'t matter how many new flats they build along the water\'s edge, the Thames is like an old wound that refuses to stop bleeding against them. The sky was a deep, dark pink, and for about five minutes, Hammersmith looked as if it had been dwarfed by a giant electric fire.\n', 'Battersea in Winter', 0, '\n', 'publish', 'open', 'closed', '', 'battersea-in-winter', '', '', '2006-01-06 07:05:20', '2006-01-06 07:05:20', '', 0, 'http://jonathanstill.com/?p=122', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (123, 1, '2006-01-08 20:32:19', '2006-01-08 20:32:19', 'pravopis.jpg I have annoyed more than a few people with my hoarding habits, particularly with regard to books. I try to improve, but there are things which I simply cannot throw away, even though I shall probably never read them again, including, for example, my copy of August Šenoa\'s novel Zlatarovo Zlato which I bought as a student in Zagreb, obsessed as I was with the beautiful old upper town and its history which still hung as thick in the air as fog. The language was so archaic that nearly every line is annotated with pencilled translations, but it\'s the memory of that labour that is as sweet and enduring as the smell of autumn on Strossmayerovo šetalište, so it has to be that copy of the book.\n\nI digress. I nearly threw away the little book pictured above, before I had looked at it properly. It\'s an orthography of the Slovenian language unbegaun.jpgpublished in Ljubljana in 1920. But I hadn\'t, I finally realised, kept it for its content. For there in beautiful script on the front of the book, is the signature of its original owner, Boris Unbegaun (1898-1973), and the place - Ljubljana 1932 (or is it 1922?). Apart from being one of the editors of the Oxford Russian Dictionary, Unbegaun was the Mozart of Slavonic philology, and one whose life encompassed most of the largest upheavals in the Balkans and Eastern Europe which was his field. Call me old-fashioned or sentimental, but it sends a few historical shivers up my spine to be holding his copy of this little book.\n[Earlier Ljubljana post]\n', 'The things you nearly throw away', 0, '\n', 'publish', 'open', 'closed', '', 'the-things-you-nearly-throw-away', '', '', '2006-01-08 20:32:19', '2006-01-08 20:32:19', '', 0, 'http://jonathanstill.com/?p=123', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (124, 1, '2006-01-26 19:55:02', '2006-01-26 19:55:02', '....like the stylesheet & index template that was doing so well.\n\nAs you may have gathered, I\'m having a few problems with my indexes & stylesheets. Copy & paste is a wonderful thing until you do it in the wrong order to the wrong files, without backing anything up.\n\nDo I learn? Do any of us?\n\nOrder will be restored soon, I hope.\n', 'More things you throw away', 0, '\n', 'publish', 'open', 'closed', '', 'more-things-you-throw-away', '', '', '2006-01-26 19:55:02', '2006-01-26 19:55:02', '', 0, 'http://jonathanstill.com/?p=124', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (125, 1, '2006-03-03 07:38:37', '2006-03-03 07:38:37', 'The Tessa Jowell story gets curiouser and curiouser: "Tony Blair said she had not been "in breach" of the ministers\' code of conduct as her husband did not tell her about a £344,000 gift he had received." (see full story).\n\nI\'m trying to imagine the breakfast table conversation:\n\nTessa Jowell: "I guess we\'ll have to tighten our belts a bit now that we\'ve taken out that loan on the house"\nDavid Mills: Humph\nTessa Jowell: Talking of which, here\'s our loan statement from the building society\nDavid Mills: Humph\nTessa Jowell: How strange. A few weeks ago, we owed £408,000. Now it says we only owe 64,000.\nDavid Mills: Humph\nTessa Jowell: Ah well, I\'m sure there\'s a perfectly reasonable explanation. Don\'t forget to feed the dog. Byeee!\nDavid Mills: Humph\n\nI\'m no longer bothered about whether she\'s actually innocent any more - what bothers me about this story is how any journalist can report a story like this and not ask questions on behalf of those of us normal people for whom the concept of being \'given\' £344,000 overnight is the stuff of daydreams? If David Mills really didn\'t tell her, how come she didn\'t notice, and if she really didn\'t notice, what on earth can she understand about \'culture\' in any form that might be meaningful to the people she represents? How can she understand the relationship between the cost of a ticket to see a show or a sports event, when her husband could become £344,000 pounds richer over night and not feel the need to celebrate it with her? The question in my mind is not whether she did anything wrong with regard to the facts of this case, but whether she is fit to represent you and me, when she - on the evidence available - seems to live the life of a lottery winner.\n', 'Cheek by Jowell', 0, '\n', 'publish', 'open', 'closed', '', 'cheek-by-jowell', '', '', '2006-03-03 07:38:37', '2006-03-03 07:38:37', '', 0, 'http://jonathanstill.com/?p=125', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (126, 1, '2006-04-10 01:42:33', '2006-04-10 01:42:33', ' Thoroughly enjoying Christopher Small\'s book Musicking. "Every building" he Look at the size of that squeegee - a man cleaning the windows at the Lowry Centre. Clicking here takes you to my gallery of Lowry Centre picssays, "from the tiniest hut to the biggest airport terminal, is designed and built to house some aspect of human behaviour and relationships, and its design reflects its builders\' assumptions about that behaviour and those relationships....A conventional school building, for example, with its rows of boxlike classrooms joined by corridors, its assembly hall, its gymnasium and its staff room, is built in accordance with certain assumptions about what young people in our society ought to learn and how they ought to learn it. But it also enforces those assumptions, making difficulties for those who might have different ideas." (Wesleyan University Press, 1998, p. 20).\n\nThis is background to his main theme of what goes on in concert halls and why, and how they, like schools, hospitals or other buildings, enforce our assumptions about what goes on (or should go on) inside them. Musicking makes me feel better about not getting excited about arts centres, or the stuff that is programmed for them.\n\nWhen it comes to the Lowry Centre (the link is to my photo gallery from a recent trip) in Salford, I\'m in two minds. It\'s very photogenic, and as arts centres go, the spaces are cavernous and comfortable. But it does bug me, now that I\'m in Musicking mode, that we choose not to build schools or hospitals like this; that we have give more thought to prettifying a hangar containing the Imperial War Museum (Salford branch) than to your local hospital.\n\nAnd then there\'s the question of music. Music is a real problem for designers, it seems to me. Recently I stayed in a posh hotel in Berlin that had masterpieces of sculpture and painting all over the foyer, which was as grandiose as the Lowry centre. But bang in the middle of it was some third-rate cruise-ship reject with a synthesizer annexed to a baby grand in the bar, singing atrocious versions of MOR songs, badly arranged, badly miked, spoiling the carefully and expensively manufactured atmosphere of Hochkultur as comprehensively and penetratingly as a fart in Penhaligons.\n\nLikewise the Lowry Centre. I went down to the beautifully designed café, overlooking the beautifully designed quays, in the beautifully designed arts centre, housing the great and the good in the international arts scene. I took with me a book - about music, as it happens - to read in between rehearsals, but I had to put it down and give up trying to read it, and stare at the menu instead, because the Lowry Centre opts to play MOR pop music in the bar and restaurant, full volume, all day. They might as well have pebble-dashed the exterior and put flock wallpaper in the theatre, for all the good this does culturally.\n\nIf you\'re going to spend millions on an arts centre which in every way shouts Art! Modernism! High culture! Musical Museum! at you, why pay so little attention to the effect that music has in that space? How can you ignore the way that it turns the building into a simulacrum of an airport lounge or shopping mall? What does it say about the management that allowed this to happen - does it reveal that they are inwardly such Philistines that they are oblivious to the music around them? Or are they so attached to a 19th century model of music & concert halls that they don\'t consider anything that happens outside an auditorium to be music at all, particularly if it doesn\'t belong to the Western art music canon? Or (and I hope this isn\'t the case) that we are indeed intended to feel as if we are in a shopping mall or an airport, because the true function of the building is not as a temple to the arts, but another incitement to shop, to consume, to part mindlessly with cash as we would anywhere else?\n', 'Musicking and the Lowry Centre', 0, '\n', 'publish', 'open', 'closed', '', 'musicking-and-the-lowry-centre', '', '', '2006-04-10 01:42:33', '2006-04-10 01:42:33', '', 0, 'http://jonathanstill.com/?p=126', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (127, 1, '2006-04-11 18:26:39', '2006-04-11 18:26:39', 'One of the side-effects of being an obsessive web-searcher is that after a while, you find it ever easier to second-guess manufacturers\' names for things that before you would have called a thingummy-you-know-what-I-mean-kinda-thing until the man in the shop told you otherwise. Hence I managed to name & locate in a single pass a 5 metre telescopic squeegee similar to the amazing one pictured below (or here, if you\'re reading an archive of this page). At only £49.99 it\'s got to be cheaper than a window cleaner, and safer than a ladder.\n', 'Telescopic squeegees', 0, '\n', 'publish', 'open', 'closed', '', 'telescopic-squeegees', '', '', '2006-04-11 18:26:39', '2006-04-11 18:26:39', '', 0, 'http://jonathanstill.com/?p=127', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (128, 1, '2006-04-19 01:18:25', '2006-04-19 01:18:25', '\nDipsy discovers music Now that Dipsy & Lala have passed their 1st birthday (on 11th April) and have discovered Tuna Imperial (now there\'s a ballet Ashton should have choreographed) it seems that they have now reached the top end of Maslow\'s hierarchy of needs, and can now begin to enjoy music. Either it\'s her age or the tuna & squid mixture that enabled Dipsy to move on and discover that the piano was not merely a means of gaining access to the box which she sleeps in for most of the day, but can also be used to introduce her to the songs of Marc Blitzstein, which she can be seen studying in this photograph.\n', 'Dipsy discovers music', 0, '\n', 'publish', 'open', 'closed', '', 'dipsy-discovers-music', '', '', '2006-04-19 01:18:25', '2006-04-19 01:18:25', '', 0, 'http://jonathanstill.com/?p=128', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (129, 1, '2006-04-20 09:46:25', '2006-04-20 09:46:25', 'Via the terrific Its Ablaut Time linguistics blog, a report by Mark Liberman on Writing Style & Dementia, about a fascinating study of the capacity for stuff that you wrote when you were 20-something to predict Alzheimer\'s in later life. \'My advice is\', Liberman says, \'use adjectives, be happy, avoid dementia.\'\n', 'Alzheimer\'s and writing style', 0, '\n', 'publish', 'open', 'closed', '', 'alzheimers-and-writing-style', '', '', '2006-04-20 09:46:25', '2006-04-20 09:46:25', '', 0, 'http://jonathanstill.com/?p=129', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (130, 1, '2006-05-16 23:35:16', '2006-05-16 23:35:16', 'A tram going into the sunset along Juriši?eva. Click here to go to my Zagreb gallery Just back from a whirlwind trip to Zagreb, where I spent about a year and a half as a student back in 1982-1984. I\'ve wanted to go back ever since then, but life and events somehow conspired against it, and I think I have also always been slightly afraid of spoiling the magic of memory. Then, a week ago, I took my courage and my credit card in both hands and bought a ticket so that I could finally lay some ghosts to rest, and awaken some others. In the intervening twenty two years, it\'s the things I didn\'t photograph that have remained the clearest and most vivid mental images. I couldn\'t know, back then, what images I would cherish and yearn to see again, so my Zagreb gallery is an attempt to put some of this right. Some of the pictures are impressions of how Zagreb has changed since I was there, some try to capture the things that seem the same, and others - which might seem quite dull as pictures - are just aides-memoire for me, friends and fellow-students in far-flung places now, who only have to see a certain tree, or the light falling on a tramline in a certain way to feel that tug at the heart-strings.\n', 'Zagreb', 0, '\n', 'publish', 'open', 'closed', '', 'zagreb', '', '', '2006-05-16 23:35:16', '2006-05-16 23:35:16', '', 0, 'http://jonathanstill.com/?p=130', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (131, 1, '2006-05-19 21:30:19', '2006-05-19 21:30:19', 'Click on this to go to my Tooting Gallery\r\nThe Zagreb Gallery is closely followed by the Tooting Gallery. Enjoy.\r\n', 'Tooting Gallery', 0, '', 'publish', 'open', 'closed', '', 'tooting-gallery', '', '', '2010-01-07 13:56:11', '2010-01-07 13:56:11', '', 0, 'http://jonathanstill.com/?p=131', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (132, 1, '2006-05-28 10:25:18', '2006-05-28 10:25:18', 'Very pleasantly surprised to hear Anna Raeburn choosing Tamara Karsavina as the person of her choice in Radio 4\'s Great Lives series [click listen again in the next couple of days before they take it off the website]. Of all the people to choose a ballerina for such a programme, Anna Raeburn - with her no-nonsense, tell-it-like-it-is, wake-up-and-smell-the-coffee advice seems quite an unexpected champion - and of all the people that Anna Raeburn could have chosen, Karsavina is an unlikely candidate. But it\'s a nice thought that someone who generally looks love in the eye and calls a spade a spade, should have such generous, intelligent and heartwarming things to say about a ballerina, when it is so fashionable for male critics and blue-stockings to rubbish ballet & its proponents without having any real insight into what it is. On the subject of what makes a dancer \'lyrical\', she says:\n

    I think for me it was a face and a body and an ability to live, to realise, through her…the body, something romantic; and what has always fascinated me about ballet is the tension between what you are shown as the audience and the reality for the dancer. So I knew, even at that age, that if what she made you believe was that she floated, and was pale, romantic and white, that she had something very, very strong as an instrument: feet, legs, muscles, the ability to hold, to balance the body…
    \n', 'Anna Raeburn on Tamara Karsavina', 0, '\n', 'publish', 'open', 'closed', '', 'anna-raeburn-on-tamara-karsavina', '', '', '2006-05-28 10:25:18', '2006-05-28 10:25:18', '', 0, 'http://jonathanstill.com/?p=132', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (133, 1, '2006-07-22 17:55:21', '2006-07-22 17:55:21', 'A bee pollinating a hollyhock in the gardenSitting in the garden over dinner recently, some friends and I wondered what happened to all the wasps? According to recent headlines, there are killer wasps murdering and maiming the British public wherever you look, but in sunny Tooting, despite hot weather, not a wasp has passed our lips in weeks. There are plenty of benign bees, though, like this one that looks like it fell head-first into a rhubarb crumble as it was gathering its stuff from a hollyhock. Interesting that if you search for stories about \'killer wasps\' on the net, it doesn\'t seem to be quite the international crisis that the headlines promised.\n', 'Where are all the wasps?', 0, '\n', 'publish', 'open', 'closed', '', 'where-are-all-the-wasps', '', '', '2010-01-07 13:56:11', '2010-01-07 13:56:11', '', 0, 'http://jonathanstill.com/?p=133', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (134, 1, '2006-07-26 22:44:18', '2006-07-26 22:44:18', 'haywains.JPGThanks to Dan for discovering, via a recent copy of Web User magazine, the wonderfully named www.catsthatlooklikehitler.com, which does exactly what it says on the tin, and is possibly my favourite site and domain name since Stuff On My Cat.\n\nAnd on the left, pictures of hay bales on Wandsworth Common of all places, the first time I\'ve seen Tooting look like Hardy country.\n', 'Cats that look like Hitler', 0, '\n', 'publish', 'open', 'closed', '', 'cats-that-look-like-hitler', '', '', '2010-01-07 13:56:11', '2010-01-07 13:56:11', '', 0, 'http://jonathanstill.com/?p=134', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (135, 1, '2006-07-31 14:59:10', '2006-07-31 14:59:10', 'There are machines selling cold drinks like these on almost every street corner. They\'d be vandalised or be covered in corporate logos if they were in London (and of course, they wouldn\'t work)Hello from Tokyo, where I landed this morning to give a course on dance accompaniment. Of the many things that I\'m already liking about the city, it\'s these colourful machines on nearly every street corner that sell an appetizing variety of cold drinks.\n\nI haven\'t been on a long haul flight since seat-back inflight entertainment was invented, so it was all very novel. I was delighted to find that The Ballets Russes film was available on it, one which I\'ve wanted to see since it came out. It\'s an extraordinary, special and magical world that the film evokes (and I was so proud to have worked with Freddie Franklin and Markova, after I\'d seen it) so seeing it 36,000 feet up in the air in the dark was the perfect setting. Which indeed it was also for Alien Autopsy which I watched next as we passed over Vladivostok. (So that\'s where it is). Having just seen such a heartwarming and vivid recollection of the wonder years of dance by people who were actually there and still relish the fun that it all was, it struck me that, by contrast, \'alien autopsy\' was a great way to describe some of the life-defying analyses of dance works that pass for \'dance scholarship\' these days.\n', 'Hello Kitri', 0, '\n', 'publish', 'open', 'closed', '', 'hello-kitri', '', '', '2006-07-31 14:59:10', '2006-07-31 14:59:10', '', 0, 'http://jonathanstill.com/?p=135', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (136, 1, '2006-08-01 15:01:34', '2006-08-01 15:01:34', 'Plastic models of food in Tokyo restaurants are so real that even the salads have plastic French dressing on the leaves. There must be some pretty expert modelling fanatics out there.My second day in Tokyo, and I\'m still like a kid in a toyshop. If it weren\'t for the fact that these plates are standing on end, and that gravity-resistant gravy hasn\'t been invented yet, I\'d have sworn the food on them was real. It\'s quite amusing to see how grotesque a lot of western food like meatballs and chips looks when it\'s been sculpted out of plastic, a bit like seeing yourself in the mirror with a hangover. Japanese food, on the other hand, looks as if someone decided what it should look like, and then tried to make the food fit the design.\n', 'If you knew sushi like I know sushi...', 0, '\n', 'publish', 'open', 'closed', '', 'if-you-knew-sushi-like-i-know-sushi', '', '', '2006-08-01 15:01:34', '2006-08-01 15:01:34', '', 0, 'http://jonathanstill.com/?p=136', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (137, 1, '2006-08-02 17:11:03', '2006-08-02 17:11:03', 'strange_machine.jpgJust started putting a few pictures in my Tokyo gallery, after an amazing evening at the top of the Sunshine City building. The picture (left) is of a strange device that looks like a cros between a putty gun & a milk expresser, and seems to be intended to do something useful and healthy to your back. Either that, or this girl\'s got problems.\n', 'Tokyo gallery', 0, '\n', 'publish', 'open', 'closed', '', 'tokyo-gallery', '', '', '2006-08-02 17:11:03', '2006-08-02 17:11:03', '', 0, 'http://jonathanstill.com/?p=137', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (138, 1, '2006-08-07 00:01:33', '2006-08-07 00:01:33', 'An insect in a flower in Tokyo\'s Hama Rikyu gardens Just added some more pictures to the Tokyo gallery, including some that are not at night, or not of plastic food displays. It\'s no wonder that Toshiba and SanDisk have just announced they\'ll invest $5.2 billion in a new plant for manufacturing flash memory. There are more cameras and gadgets here that need memory cards than I thought I\'d ever see in my life. It\'s very tempting to buy an upgrade....(or two)\n', 'More Tokyo pictures', 0, '\n', 'publish', 'open', 'closed', '', 'more-tokyo-pictures', '', '', '2006-08-07 00:01:33', '2006-08-07 00:01:33', '', 0, 'http://jonathanstill.com/?p=138', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (139, 1, '2006-08-09 15:47:54', '2006-08-09 15:47:54', 'Click on this picture to see a video of the Kazoo Trumpet being played I\'ve complained about the occasional scarcity of kazoos in London before, so I\'m delighted to offer a mini-clip of a girl in Electric Town in Tokyo playing her heart out on the Kazoo Trumpet. I just wish she\'d done it for longer. Click the photograph, or click here to see the video (it\'s about 1.35 Mb).\n', 'The Kazoo Trumpet', 0, '\n', 'publish', 'open', 'closed', '', 'the-kazoo-trumpet', '', '', '2006-08-09 15:47:54', '2006-08-09 15:47:54', '', 0, 'http://jonathanstill.com/?p=139', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (140, 1, '2006-08-25 09:00:45', '2006-08-25 09:00:45', 'One of the many lovely cakes on display at Prague\'s \'Downtown Café\' at Jungmannova Namesti 21, Prague 1On the day that the main headline at 9.00am on the BBC news site is England to have 13m obese by 2010, I\'m trying to work out why this seems such familiar territory. Then I find it - in May 2004, we were all going mad about obesity just as we are now, and the Guardian published an extract from a book by Paul Campos called The Obesity Myth. I haven\'t read the book, or it\'s companion The Diet Myth , but you get the drift, and it\'s for counterargument like this that I like the Guardian. Two years on, and the obesity panic seems as real and incontrovertible as airline terrorism, and sadly the Guardian no longer has the article on its site. Obesity is already costing us £1bn a year according to Patricia Hewitt - could she sound any more like Marjorie Dawes if she tried? [Update at 9.30 - this sentence now seems to have disappeared from the story!]\n\nOut of interest, the NHS IT overhaul is allegedly costing £12.4bn, double the initial quote of £6.2bn. In June, The Register opened an article with the phrase "The £6.2bn National Programme for IT will henceforward be known as the £12.4bn National Programme for IT, after a long-awaited National Audit Office report into the ambitious NHS IT scheme revealed the full extent of its costs to date.", though the Guardian still refers to it by the £6.2bn figure in an article about iSoft published today.\n\nI\'m deeply suspicious of the obesity panic, not because I don\'t think that we have a problem (heaven knows, I\'m trying to lose some pounds myself), but because there\'s so little intelligent debate and argument about it, and so little government commitment to dealing with root causes (it was Jamie Oliver who\'s done more to help than any health minister or doctor). If this was already a story back in 2004, what have the government or the NHS done about it, and why are they holding up their hands in horror in 2006 as if it were news?\n\nThis is why I like blogs. I only remember the 2004 panic because I\'d blogged about the Paul Campos book. Two years later, all I have to do is search my own blog for the word \'obesity\' and there it is. When we have so much information pouring out of every channel, every minute of the day, it\'s frighteningly easy to lose track of the narrative. It makes you wonder what else has been pushed out of your mind by the latest media \'story\'.\n\nMeanwhile, my Prague 2006 pictures are now online.\n', 'Chewing the fat about obesity', 0, '\n', 'publish', 'open', 'closed', '', 'chewing-the-fat-about-obesity', '', '', '2006-08-25 09:00:45', '2006-08-25 09:00:45', '', 0, 'http://jonathanstill.com/?p=140', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (141, 1, '2006-08-28 20:37:24', '2006-08-28 20:37:24', 'brollies_small.jpgIt\'s August bank holiday so it must be.... manky weather, but also, of course, the famous Tooting Chariot Festival, which starts off right at the end of our street, and ends up on Figgs Marsh. And so, a little Bank Holiday in Tooting gallery, as a celebration. Like good Tooting citizens, we started with the chariot procession, moved on to the vast car-boot sale at Wimbledon stadium, then to Figgs Marsh, then to Morden Hall park for tea, and ended up just in time to get soaked at the Tooting Common funfair, which had almost more staff than visitors.\n\ndansmall.jpg\nAnd if Figgs Marsh isn\'t exotic enough for you, you can read Daniel Jones\'s Taipei blog which has just gone up, chronicling his trip to Taiwan with ENB.\n', 'Tooting Chariot Festival 2006', 0, '\n', 'publish', 'open', 'closed', '', 'tooting-chariot-festival-2006', '', '', '2010-01-07 13:56:10', '2010-01-07 13:56:10', '', 0, 'http://jonathanstill.com/?p=141', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (142, 1, '2006-09-01 23:09:06', '2006-09-01 23:09:06', 'No apostrophes on these tomatoes Browsing through the entertaining pages of the musicology blog Dial \'M\' for Musicology I came across this excellent posting called What Wikipedia is Good For, a gentle reminder to those who rail against the abuses of wikipedia by students that Wikipedia is host to some fantastic arcane articles like this one about the rock umlaut (aka röck döts). My inner pedant rejoices at the subsection on non-gratuitous umlauts in band-naming, and I\'m so glad that there is an official-sounding term for the phenomenon, to join some other favourites of mine like CamelCase, sTudLy cAps, apps Hungarian notation and the greengrocer\'s apostrophe. For those who thought that this went out with the advent of shrink-wrapped mange tout in polystyrene trays, see this great page of photographic evidence of the greengrocer\'s apostrophe. If anyone knows the technical term for putting things in pointless quotations marks on notices, please "leave a comment" below (you see what I mean?).\n', 'Heavy metal umlauts & the greengrocer\'s apostrophe', 0, '\n', 'publish', 'open', 'closed', '', 'heavy-metal-umlauts-the-greengrocers-apostrophe', '', '', '2006-09-01 23:09:06', '2006-09-01 23:09:06', '', 0, 'http://jonathanstill.com/?p=142', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (143, 1, '2006-09-03 10:09:33', '2006-09-03 10:09:33', 'ie7.jpgYou can tell it\'s raining, I just downloaded IE7, mainly because I\'m keeping up with the Jones(es) who\'s had it for ages.\nOn balance, I think I hate it moderately. Google results for a polarised view are currently as follows:\nGoogle search for I hate IE7 = 838\nGoogle search for I love IE7 = 691\nMy reasons? \nIn fairness, I\'ve tried Opera & Mozilla and Netscape, and the only reason I stick with IE is because I know it backwards, and can work faster with it than with any other browser. But for that very reason, it\'s really annoying that the changes they\'ve made affect things like where buttons are and how you browse. The whole tabs thing is nothing new for those of us who always used IE like this in multiple windows, using the taskbar to move around - and when you take that away, what\'s left (and the ability to get RSS feeds is hardly an innovation, considering you could do it with bloglines and a host of other applications).\n\nMy verdict: It\'s probably an improvement for people who\'ve never used IE before, but it\'s slowed my browsing down about 80%.\n', 'IE7 - love it or hate it?', 0, '\n', 'publish', 'open', 'closed', '', 'ie7-love-it-or-hate-it', '', '', '2006-09-03 10:09:33', '2006-09-03 10:09:33', '', 0, 'http://jonathanstill.com/?p=143', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (144, 1, '2006-09-15 09:00:19', '2006-09-15 09:00:19', '"From Saracens to Socialites" is an interesting article in The Australian about Stephen Baynes\' new production of Raymonda for Australian Ballet which opens in Melbourne on Tuesday. Corrie Perkin in The Australian very astutely explores the many contradictions of this can\'t-live-with-it / can\'t-live-without-it ballet. I\'ve loved and hated it in almost equal measure, so the idea that someone has the courage to rescue it from its problems is good news.\n\n', 'Raymonda revisited', 0, '\n', 'publish', 'open', 'closed', '', 'raymonda-revisited', '', '', '2006-09-15 09:00:19', '2006-09-15 09:00:19', '', 0, 'http://jonathanstill.com/?p=144', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (145, 1, '2006-09-29 00:16:25', '2006-09-29 00:16:25', 'I tried hard to like it, but ironically IE7 made me realise how much better Firefox is, and I\'m now a Firefox zealot. It was all the websites that started hanging, or not displaying, the unpredictable behaviours, and the not-knowing whether it was IE7 or a site that was at fault that made me finally decide never to use IE7 again. Firefox is faster, fresher, friendlier, and bizarrely, it\'s kept some of the better features of IE6 that IE7 has ditched (the same icon size & layout, for example).\nGet Firefox!\n', 'Goodbye IE7', 0, '\n', 'publish', 'open', 'closed', '', 'goodbye-ie7', '', '', '2006-09-29 00:16:25', '2006-09-29 00:16:25', '', 0, 'http://jonathanstill.com/?p=145', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (146, 1, '2006-09-29 07:19:53', '2006-09-29 07:19:53', '"During the 1991 coup attempt in Russia...Moscow TV programmes gave way to a looped broadcast of Swan Lake. [...] the coup collapsed two days later amid mass protests and divided military loyalties" Fun facts about music for coups from the New Statesman.\n', 'Music to have a coup d\'état by', 0, '\n', 'publish', 'open', 'closed', '', 'music-to-have-a-coup-detat-by', '', '', '2006-09-29 07:19:53', '2006-09-29 07:19:53', '', 0, 'http://jonathanstill.com/?p=146', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (147, 1, '2006-10-11 08:15:12', '2006-10-11 08:15:12', 'Let us rebel against poisonous academics and their preposterous claptrap of exclusion is an article by Robert Fisk about the way academics litter their disciplines with language that serves to mystify rather than clarify anything to anyone. I know what he means. Just look at this description of a \'performed paper\' called musings on documentation: performative self-ethnography as a methodological tool for documenting practice as research in performance - and this is mild compared to some of the claptrap that\'s out there.\n\nI got out of bed the wrong side this week, and Fisk has inspired me to be even more impatient with such nonsense. What does all this mean, for example? And who cares? And why?\n', 'Exclusive claptrap', 0, '\n', 'publish', 'open', 'closed', '', 'exclusive-claptrap', '', '', '2006-10-11 08:15:12', '2006-10-11 08:15:12', '', 0, 'http://jonathanstill.com/?p=147', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (148, 1, '2006-10-17 08:06:57', '2006-10-17 08:06:57', 'As some of my dancing friends reach their early thirties, I often wonder at what point the press will cease to call them \'young\' or \'upcoming\'. But I\'ve discovered that if you want the secret of eternal youth, subscribe to the Dancing Times. For the princely sum of £1 (which was a lot of money once, I guess) you can get a \'Dance Study Supplement\' from their bookshop called "Young Classical Choreographers". The list in full comprises David Bintley, Michael Corder, Ashley Page, Graham Lustig, Susan Crow, Jennifer Jackson, Jonathan Burrows, and Michael Pink.\n\nWithout wishing to be ageist or insensitive to those stellar figures of the dance world, I am sure that last time I looked most, if not all of them, were quite definitely pushing 40 from the wrong side.\n\nTo order your copy of this fascinating document, visit the Dancing Times Education page. "Dancing Times makes every effort to keep abreast of changes in dance in education", they assure us.\n', 'Young classical choreographers', 0, '\n', 'publish', 'open', 'closed', '', 'young-classical-choreographers', '', '', '2006-10-17 08:06:57', '2006-10-17 08:06:57', '', 0, 'http://jonathanstill.com/?p=148', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (149, 1, '2006-10-24 07:27:10', '2006-10-24 07:27:10', 'kitten_on_the_keys.jpgI swear to God I didn\'t set this shot up. As I was sorting out some music, I came across the famous Kitten on the Keys by Zez Confrey, and thought I\'d play through it for fun. The minute I put it on the music stand, another aspiring pianist jumped onto the keyboard as the picture shows.\n', 'Kitten on the Keys', 0, '\n', 'publish', 'open', 'closed', '', 'kitten-on-the-keys', '', '', '2006-10-24 07:27:10', '2006-10-24 07:27:10', '', 0, 'http://jonathanstill.com/?p=149', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (150, 1, '2006-10-27 07:50:39', '2006-10-27 07:50:39', 'Holy Trinity Church in Trinity Road at dusk on October 26th 2006\'Dappled light\' and the thing it refers to is one of my favourite words, and so I\'m never happier than this time of year when you see light like the picture on the left, which is of Holy Trinity, Upper Tooting at around 5.30pm yesterday. It reminds me of that gorgeous lyric by Mitchell Parish "When the deep purple falls over sleepy garden walls / And the stars begin to twinkle in the sky....".\n', 'When the deep purple falls', 0, '\n', 'publish', 'open', 'closed', '', 'when-the-deep-purple-falls', '', '', '2010-01-07 13:56:10', '2010-01-07 13:56:10', '', 0, 'http://jonathanstill.com/?p=150', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (151, 1, '2006-10-29 23:10:41', '2006-10-29 23:10:41', 'An incredible blue sky over Tooting this afternoon at about 3.30.\ntooting_sky.jpg\n', 'Blue skies smiling at me', 0, '\n', 'publish', 'open', 'closed', '', 'blue-skies-smiling-at-me', '', '', '2010-01-07 13:56:10', '2010-01-07 13:56:10', '', 0, 'http://jonathanstill.com/?p=151', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (152, 1, '2006-11-08 07:00:49', '2006-11-08 07:00:49', 'There\'s a nifty little trick in Microsoft Word which enables you to generate paragraphs of dummy text using the sentence \'The quick brown fox jumps over the lazy dog\'. In a blank document you type\n\n=rand(#,#) \n\n(where the first # is the number of paragraphs you want, and the second number is the number of sentences you want in each paragraph)\n\nand then hit the \'Return\' (Enter) key.\n\nThus,\n=rand(5,8) returns five paragraphs with eight sentences in. As the sentence Word produces has 9 words in, this will return a total of 5*8*9=360 words.\n\nI use this every time I have a writing deadline to meet with a stipulated word count, because it helps me to block out paragraphs. If you\'ve got 400 words on a particular subject, you can see just how much that looks like on paper, and type rough headings for each of the paragraphs before you start, if you\'re feeling really organised and inspired. Also very useful for essays, because it gives you a graphic display of how much work you\'ve got left to do before you can safely go to the pub.\n', 'How to create dummy text in Word', 0, '\n', 'publish', 'open', 'closed', '', 'how-to-create-dummy-text-in-word', '', '', '2006-11-08 07:00:49', '2006-11-08 07:00:49', '', 0, 'http://jonathanstill.com/?p=152', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (153, 1, '2006-11-10 19:37:42', '2006-11-10 19:37:42', 'The Staatsoper Berlin - click to see a mini Berlin galleryTo Berlin for the day with Chris to go and see my dear friend and colleague Marita Mirsalimova play the pianist in Jerome Robbins\' The Concert with Staatsballett Berlin at the Staatsoper, along with Fancy Free and Afternoon of a Faun. Marita played beautifully as always, and it was a great evening\'s entertainment. Fortunately, the wonderful Wolfram Fleischhauer (see an older entry, too) was in town, and so after lunch at the Oranium we went to have coffee and strudel and meet his family for the first time - it\'s about 8 years since we last saw each other when he was researching Benesh notation for Drei Minuten mit der Wirklichkeit, though his books have been a fairly constant companion ever since. Dinner with Chris, Marita & Wolfram at the incredible Schinkel-Klause a stone\'s throw away from the opera house, and then back in Tooting by 10am. No real time for piccies, but I took a few before it got dark just so I could have a Berlin gallery.\n', 'Hello & Goodbye to Berlin', 0, '\n', 'publish', 'open', 'closed', '', 'hello-goodbye-to-berlin', '', '', '2006-11-10 19:37:42', '2006-11-10 19:37:42', '', 0, 'http://jonathanstill.com/?p=153', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (154, 1, '2006-11-12 20:57:23', '2006-11-12 20:57:23', 'Keys to the ballet: Ramona Pansegrau takes her seat as music director of the Kansas City Ballet.\n\nHeartening to see an article devoted to the joys, skills and triumphs of a ballet accompanist. Ramona sounds like our kinda girl.\n', 'Dance accompaniment in the news!', 0, '\n', 'publish', 'open', 'closed', '', 'dance-accompaniment-in-the-news', '', '', '2006-11-12 20:57:23', '2006-11-12 20:57:23', '', 0, 'http://jonathanstill.com/?p=154', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (155, 1, '2006-11-25 08:24:54', '2006-11-25 08:24:54', 'I\'ve been considering doing the Swimathon again for years (I last did it in 1992), and since the 2007 event has just been launched, I thought I\'d sign myself up quick before thinking about it too deeply. I\'m going to swim 5km on March 24th next year, and I aim to raise at least £500 for Marie Curie Cancer Care. You can get your good deed for the day done very simply by (and here, I\'m beginning to sound embarrasingly like the geordie fundraiser from hell on the Catherine Tate show) going to my personal page on the Swimathon website. (You can also search for other swimmers by name or pool location - a very nice touch). Just click on the \'sponsor me\' button and it\'s over and done with in seconds.\n\nYes! Please let me Sponsor Jonathan\'s Swimathon now! \n', 'Jonathan\'s Swimathon', 0, '\n', 'publish', 'open', 'closed', '', 'jonathans-swimathon', '', '', '2006-11-25 08:24:54', '2006-11-25 08:24:54', '', 0, 'http://jonathanstill.com/?p=155', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (156, 1, '2006-11-26 06:00:34', '2006-11-26 06:00:34', 'stirup.jpg It\'s stir-up Sunday, and so for the first time ever, I did what you\'re supposed to do and made my Christmas cake. Ironic, really, considering that I have no intention of eating any of it, and a bit pointless since no-one really wants Christmas cake at Christmas. However, it was worth it for the smell that pervaded the house for the whole day while it cooked and cooled, and for the satisfaction of taking part in a quaint English ritual.\nThe recipe came from what has become my favourite of all books for Christmas food, Martha Day\'s The Complete Christmas Cookbook, which I got as an impulse buy in a National Trust shop at Morden Hall Park last year for £4.99.\n', 'Stir-up Sunday', 0, '\n', 'publish', 'open', 'closed', '', 'stir-up-sunday', '', '', '2006-11-26 06:00:34', '2006-11-26 06:00:34', '', 0, 'http://jonathanstill.com/?p=156', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (157, 1, '2006-12-01 22:43:47', '2006-12-01 22:43:47', 'During Advent of last year, I wrote tributes to the people of the dance world who\'d been an inspiration to me as a musician, and called it my Dance Inspirations Advent Calendar (you have to scroll down to the bottom and read it backwards, of course). On Christmas day, I invented a \'menu\' of music to go with each person. "Each piece of music reminds me in a special way of the person they are associated with below, for reasons which I\'d go into if I didn\'t have to put a turkey in the oven myself", I said.\n\nWell, I don\'t have to put a turkey in the oven for another 24 days, so welcome to my Advent 2006 calendar where I reveal some of the thoughts that go through my head while I\'m playing.\n', 'Welcome to Advent Calendar II', 0, '\n', 'publish', 'open', 'closed', '', 'welcome-to-advent-calendar-ii', '', '', '2006-12-01 22:43:47', '2006-12-01 22:43:47', '', 0, 'http://jonathanstill.com/?p=157', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (158, 1, '2006-12-01 22:52:35', '2006-12-01 22:52:35', 'This is day 1 in my Dance Inspirations Advent Calendar (II)\n\nI\'d only have to play a couple of chords of Georgia on my mind for warm-up and Jackie Barratt would melt. What a great way to start a class. It makes me melt too, and here\'s why.\n\nDuring my student days over 25 years ago, I bought a double LP from the Army & Navy stores in Victoria called And the Bands Played On, released by the BBC, which had a selection of songs from World War II on it. I think I bought it because I didn\'t have any records with me in London at the time, and I picked up the first one I saw.\n\n\nOne weekend I decided to rewire the rooms I lived in above an antique shop in Ebury Street. I don\'t think the flat had been decorated since the 1930s - quite literally. My landlord who lived downstairs had been a fire warden during the war, and enjoyed telling me how he\'d had to go and tell Noël Coward what to do in the event of an air-raid, since Gerald Street where Coward lived was on his beat. When I put that album on, ghosts came out of the walls and danced.\n\nHaving only one record, I played it again and again, all weekend, until I\'d finished the job. The last song on one of the discs was Georgia on my Mind by Hoagy Carmichael . iPod users, even CD users, won\'t know that there\'s a whole emotional geography associated with tracks on vinyl. Late at night, wine in hand, you listen to the white noise made by the stylus going round and round in the central blank bit of the record, and that sound becomes part of the song, and in your memory, it\'s always the last song.\n\nI can\'t remember who sang the song, I\'ve lost the album, and I can\'t find details of it anywhere, but that version of Georgia on my mind is embedded in my memory together with all of its associations. It\'s a beautiful song, the opening melody so simple that it could make you cry. There was a trumpet solo on this version that used to break my heart.\n\nI listened to that album till I could play every song on it by ear from memory without even thinking about it, and Georgia , years later, turned out to be useful as a warm-up for class. And I swear that every time I put my hands on the keyboard to play it, all the associations of the song, including the fact that it\'s often the last thing I\'d hear before going to bed, go straight to my fingers, and transmit themselves as some vague kind of musical warmth. But now, it\'s got the added association that whenever I play it, I also think back to happy times working with Jackie at ENB.\n\n? (1MB/mp3)\n', 'Warm-up à la Jackie Barratt: - Georgia on my mind', 0, '\n', 'publish', 'open', 'closed', '', 'warm-up-a-la-jackie-barratt-georgia-on-my-mind', '', '', '2006-12-01 22:52:35', '2006-12-01 22:52:35', '', 0, 'http://jonathanstill.com/?p=158', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (159, 1, '2006-12-02 22:20:54', '2006-12-02 22:20:54', 'This is day 2 in my Dance Inspirations Advent Calendar (II)\n\nThe more I think about the Minuet in B Minor from Bach\'s suite BWV 1067, the less I think I should ever play it for pliés. This was the first dance that I had to play for one of Belinda Quirey\'s historical dance classes at the RAD, and it was a revelation.\n\n\nAs a musician, you are used to the sensation of hearing music for the first time when you put it on the stand and try it out on your instrument. But seeing those students dance a reconstructed baroque minuet to this music revealed another force in the music far beyond the music itself (\'reconstruction\' is an insult - those dances lived and breathed in Belinda\'s hands). You realise that some music has deportment, it has a web of social relationships embedded in it, it has manners, turns of phrase and cadences which are revealed only by dance, not musical sounds; yet those sounds are crucial in helping to form those things. Once you have played for such an occasion, you and your playing become part of something that is never again purely aural.\n\nThe great thing about Belinda\'s reconstructions was that they were adult and contemporary - no-one was pretending to be an 18th century courtier in order to get the effect, because as long as you got the mechanics of the movement, the social relations and the poise in the music to work together, you automatically became part of a timeless dance, and were the richer for it.\n\nIt\'s to Belinda and those classes that I have to be grateful that I can see all these things from a page of music. And as I see it now, nothing could be further from the stately, swinging flow of a minuet than excruciating pliés done slightly off the music. "No use playing beautiful music just for them to stamp their feet through it", she\'d say good humouredly.\n\n? (450k/mp3)\n', 'Pliés Belinda Quirey - Minuet in B minor J S Bach', 0, '\n', 'publish', 'open', 'closed', '', 'plies-belinda-quirey-minuet-in-b-minor-j-s-bach', '', '', '2006-12-02 22:20:54', '2006-12-02 22:20:54', '', 0, 'http://jonathanstill.com/?p=159', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (160, 1, '2006-12-03 09:01:18', '2006-12-03 09:01:18', 'This is day 3 in my Dance Inspirations Advent Calendar (II)\n\nSome of the greatest dancers and teachers I\'ve met have one thing in common at least: their mind is always \'on\' as far as music is concerned, like someone who never puts the phone down in case the other person still has something to say. There\'s usually one dancer in a studio who\'ll give you the most fleeting of smiles because they heard the way you phrased something differently today than yesterday, or because there\'s an extra hint of happiness or sadness in the way you played a familiar song, or because the piece has (if you but recognised it or thought about it) special connotations. Great teachers feel moved by the music with, if not before the dancers, and sweep the class along with them.\n\nThe first time I played for Pat Neary\'s class was one cold winter morning at 10 am at the Deutsche Oper in Berlin (which feels like 7.00am in most people\'s days), and instantly I realised she was one of those people who felt everything in the music.\n\n\nOne of my favourite gags for pliés is to do Cole Porter\'s Begin the Beguine [CD], because it builds and builds into this mad operatic wail that everyone knows, which is a bit over-the-top for the first exercise of the day, but great of course, if you need waking up. So I did that, which made her smile (well, a lot more than smile), and on the other side, while the going was good, I did \'Tonight\' from West Side Story, which, like the Cole Porter, has this whoosh of emotion half way through. Within a few bars, Pat staggered across the room saying "Oh God, it\'s too MUCH!". Which, of course, it is - it\'s far too much for first thing in the morning - but it takes a Pat Neary to actually be so awake and in tune with the music that they can feel as much hearing the music as you do playing it. For further evidence, read Jarrko Lehmus on Pat Neary in his ballet.co weblog - I couldn\'t put it better myself.\n\n?(582kb/mp3)\n', 'Pliés Pat Neary - Tonight from West Side Story', 0, '\n', 'publish', 'open', 'closed', '', 'plies-pat-neary-tonight-from-west-side-story', '', '', '2006-12-03 09:01:18', '2006-12-03 09:01:18', '', 0, 'http://jonathanstill.com/?p=160', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (161, 1, '2006-12-04 07:40:31', '2006-12-04 07:40:31', 'This is day 4 in my Dance Inspirations Advent Calendar (II)\n\n Why Blue Moon and Malcolm Williamson? It\'s simple. When I first met and worked with Malcolm in Angoulême in 1982, I was enthusing to him one day about the popular music of the 30s and 40s, which I said I thought was a golden age in music. \'Really?\' he asked, in an astonished voice. I thought I\'d made the most awful faux pas. Here I was with the Master of the Queen\'s Musick saying that I thought The Girl in the Upstairs Flat and the Flat Foot Floogie were symbols of a golden age in music. What was I thinking of?\n\n\nBut then Malcolm, with characteristic good humour and captivating wit and erudition began a disquisition on popular music of the 30s and 40s, with musical examples played on the piano from memory. "And then of course there\'s the extraordinary middle eight of Rodgers\' Blue Moon which modulates so cleverly, you wonder how he\'s going to get back but he does. It\'s quite brilliant." His explanation was timed perfectly to coincide with the key changes, the kind of thing which people would spend hours trying to achieve in post-production these days. It was doubly entrancing because it was the first time I\'d heard the song.\n\nI was astounded that Malcolm could pull all these tunes out of his head, and that this great, modern composer would have the mental space to deliver a lecture on the greatness of popular composers, and that his respect for the music extended to playing them more beautifully than I could ever hope to. He managed to play the theme of Blue Moon entirely with the thumb of his left hand in the tenor register, a feat which I\'ve tried and failed to replicate since, except in the most rudimentary way.\n\nMalcolm probably wouldn\'t thank me for associating him with this song. As he said at the time, those songs of the 30s and 40s reminded him too much of all the nights he spent playing bar piano in night clubs to supplement his composer\'s income to get as enthusiastic about them as I was (and as it happens, I share that feeling somewhat now!). But I was bowled over at the time by hearing the greatest musician I ever met playing Richard Rodgers, and whenever I play the middle eight of Blue Moon, I can still see and hear every nuance that Malcolm gave it, and I\'ll never be able to hear it any other way.\n\n?(453kb/mp3)\n', 'Slow tendus Malcolm Williamson - Blue Moon', 0, '\n', 'publish', 'open', 'closed', '', 'slow-tendus-malcolm-williamson-blue-moon', '', '', '2006-12-04 07:40:31', '2006-12-04 07:40:31', '', 0, 'http://jonathanstill.com/?p=161', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (162, 1, '2006-12-05 07:23:50', '2006-12-05 07:23:50', 'This is day 5 in my Dance Inspirations Advent Calendar (II)\n\n\nI\'ve been working with the unerringly, brilliantly musical Christopher Hampson as a dancer, friend, colleague, drinking partner, teacher, inspiration, mentor, you-name-it and all of the above in any order or no order at all, all at once, for so long now that we\'ve built up a whole library of music that could go in this slot of the Advent Calendar. But there\'s one in particular which I\'ve grown to associate with him to the extent that I might request it for my funeral, just to make sure he laughs (a favourite pastime that, thinking of music or other things to request that will corpse your best mate at your own funeral).\n\nJuliette Gréco\'s song Non monsieur, je n\'ai pas vingt ans was one of the chansons I covered with Nicolas Mead and Gertrude Thoma in a show called From Brecht to Brel, and which soon went into my class repertoire. In rehearsal, I put a little piano riff in at the end of the song which is really no more than a rhythmic vamp on the harmony, but we liked it so it stayed.\n\n\nSome while ago, as I was playing this, Chris said that there was something about it that always made him want to do this (he did the kind of shimmy that you see at Turkish wedding receptions). There\'s something quite funny about watching a teacher involuntarily do Turkish wedding-dancing in the middle of class, so I make sure that I always include it somewhere. The funny part, as Chris explains, is that no matter how many times I play it, and however well prepared he is, and no matter how much he tells himself or thinks that it\'s not funny any more right up until the bar before the riff happens, once those chords start, he\'s off. I guess that\'s the great thing about private jokes - they never cease being funny because you end up laughing at the fact that they\'re funny, long after the initial joke has passed.\n\nAnd after all that, now that I\'ve looked up the lyrics of the song to link to in this blog entry, I realise that I never knew what the song was about until now. The things you learn...\n\n? (970kb/mp3)\n', 'Faster Tendus Christopher Hampson - Non, monsieur je n\'ai pas vingt ans', 0, '\n', 'publish', 'open', 'closed', '', 'faster-tendus-christopher-hampson-non-monsieur-je-nai-pas-vingt-ans', '', '', '2006-12-05 07:23:50', '2006-12-05 07:23:50', '', 0, 'http://jonathanstill.com/?p=162', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (163, 1, '2006-12-06 07:57:09', '2006-12-06 07:57:09', 'This is day 6 in my Dance Inspirations Advent Calendar (II)\n\nIt\'s a wonderful feeling when you play something for class that you think is a bit obscure or only you would like, and it meets with instant recognition and approval, because dancers know it better than you do, or from a different context. I especially love it when teachers momentarily go off at a tangent because they like the music for an exercise too much to ignore it. David Wall does this every time I play a bit of Les Biches for class at ENB, even to the point of stopping to ask the dancers where the music comes from and who it\'s by. It never ceases to amaze me that this kind of on-the-fly music appreciation and education goes on a lot more in companies than it does in \'dance education\' but that\'s another story.\n\nI have Michael Ho to thank for introducing me to Poulenc\'s wonderful score: my first job in dance was at the RAD in 1986, and that\'s where I met a lot of people on the PDTC (as it was then) course that I still know today. One of them was Michael, who was moving and wanted to sell a lot of his record collection.\n\n\nI can\'t remember how much I paid, but it was a bargain, and although I didn\'t realise it at the time, the other real bargain was the musical education Michael\'s collection gave me, for it was a fantastic assortment of the very best music associated with dance. One of the records was a double album of music from the Ballets Russes, including Poulenc\'s Les Biches. I fell in love with this music instantly, and went to Zwemmers music shop in Lichfield Street to order the score - I bought nearly every ballet score I owned in that shop, and it\'s tragic that it\'s gone. It cost me £20 which was a fortune, but it was worth every penny, and I don\'t think there\'s another score that\'s given me quite such satisfaction to play.\n\n? (900kb/mp3)\n', 'Battements glissés David Wall - Rondeau from Les Biches', 0, '\n', 'publish', 'open', 'closed', '', 'battements-glisses-david-wall-rondeau-from-les-biches', '', '', '2006-12-06 07:57:09', '2006-12-06 07:57:09', '', 0, 'http://jonathanstill.com/?p=163', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (164, 1, '2006-12-07 18:53:43', '2006-12-07 18:53:43', ' This is day 7 in my Dance Inspirations Advent Calendar (II)\nDuring a really ghastly period in my personal and professional life a few years ago, only one thing put a genuine smile on my face. Tania Fairbairn\'s National Dance classes at Central School of Ballet were just a half-hour class once a week, last thing in the day at about 7.00pm, but I remember them as if it were yesterday, because she and they helped to keep me sane.\n\nApart from the fact that she\'s delightful to work with, exudes calm and has a fabulously dry sense of humour, the children loved doing the dances she taught them so much, they would beg her to be allowed to do them again. When you play music for people who enjoy dancing, it\'s fun and rewarding, and their energy feeds yours, and the whole experience is exhilarating.\n\nTurkey in the Straw was the music for the Virginia Reel, and I remember Tania warning me kindly that I was going to know the music extremely well after a while, because you have to play it so many times for one dance. It\'s such a simple tune, and yes, I did have to play it many, many times, but I couldn\'t get bored watching those children have such a good time, or working with Tania. As soon as I hear the tune, I can see that studio at the top of the school, remember the bright lights inside and the dark November nights outside, and as awful as everything else was at the time, it brings back happy memories.\n\n? (1.02MB/mp3)\n', 'Battements glissés Tania Fairbairn - Turkey in the straw', 0, '\n', 'publish', 'open', 'closed', '', 'battements-glisses-tania-fairbairn-turkey-in-the-straw', '', '', '2006-12-07 18:53:43', '2006-12-07 18:53:43', '', 0, 'http://jonathanstill.com/?p=164', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (165, 1, '2006-12-08 05:27:07', '2006-12-08 05:27:07', 'This is day 8 in my Dance Inspirations Advent Calendar (II)\n\n081206.jpgNe vredi plakati is an \'old city song\' (starogradska pjesma) that I learnt as a 22 year old student in Zagreb. Three and a half thousand of us from all over Yugoslavia (as it still was then), Central & South America, Africa & the Middle East lived in a kind of Olympic village of 9 \'pavilions\' built next to a lake at the end of a tram line called Studentski Dom \'Stjepan Radi? (see earlier entry & gallery). They were very different times - no mobiles, no PCs, no internet, no credit. You\'d hang out in your room, people would visit each other, and there were parties every night somewhere. Within weeks of being there, I\'d learned about a dozen of these songs by heart, because after a couple of glasses of wine (the one thing we never went without, even if there was sometimes no hot water), that\'s what you did - you started singing. There\'s absolutely nothing to compare it with in English culture, we just don\'t have a repertoire of songs that people know, we don\'t socialize in the same way, and we don\'t break into song on social occasions.\n\n\nThese Balkan songs in 3 are particularly good for ronds de jambe exercises, because of their tonic stress and hence truly triple metre, so I\'d been playing them for class for years - but it was only when Irena Pasari? joined ENB that someone finally knew what I was playing and could sing along with the exercise.\n\nNe vredi plakati ("No point in crying" - lyrics here)was one of the most well-known and often-sung of these songs. Until this morning, I thought it was a kind of folk song, but it turns out that it\'s by the singer/songwriter Zvonko Bogdan (who also wrote Govori se da me varaš - another one that I thought was a folk song). I\'m not the only one - apparently the locals know these songs so well, they assume they\'re traditional, according to a moving article about Bogdan in the Balkan showbiz magazine where he talks about these songs.\n\nHe says "The wheel of history moves on; times, people and customs change. This is just a reminder of a time which will never happen again, it can only be different. God willing, things will be better, much better. But it will never be like that again, neither will the themes of 50, 100 or 150 years ago ever be topical again."
    »To?ak istorije ide napred, menjaju se vremena, ljudi i obi?aji. Ovo je samo uspomena na jedno vreme koje se nikad više ponoviti ne?e, može da bude samo druga?ije. Bože zdravlja da posle ovog bude bolje, mnogo bolje. Ali nikad više ne?e biti onako, niti ?e više ikad biti aktuelne teme od pre 50, 100 ili 150 godina.«
    (Zvonko Bogdan: Veliki gospodin pesme)
    \n\nIndeed. When I revisited Zagreb this year for the first time since my student days, I was a bit melancholic and chastened to find that I had been hanging on to something that changed long ago. When I went to a record shop to ask for some of these CDs as a souvenir, the people in the shop were helpful, and pointed me in the right direction, but it was clear that I was out of touch. Of course I would be - 25 years is a long time in any country\'s history - but until this year, it had always felt like yesterday.\n\n? (870kb/mp3)\n', 'Ronds de jambe à terre Irena Pasari? - Ne vredi plakati', 0, '\n', 'publish', 'open', 'closed', '', 'ronds-de-jambe-a-terre-irena-pasaric-ne-vredi-plakati', '', '', '2006-12-08 05:27:07', '2006-12-08 05:27:07', '', 0, 'http://jonathanstill.com/?p=165', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (166, 1, '2006-12-09 11:59:59', '2006-12-09 11:59:59', 'This is day 9 in my Dance Inspirations Advent Calendar (II)\n091206.jpg I think the male solo from Les Sylphides is one of the hardest thing for a dancer to pull off, starting with the bizarre cravat in the costume, and continuing through the wafty poetry of the steps and the unlikely premise of a grown man in a woman\'s world getting up to dance in front of a load of sylphs, asserting his masculinity but not being so masculine that he jars with their fluffy white lala-land. He\'s got to look noble and strong, but bend to every nuance of the music, a man enchanted by another man\'s romantic musical outpourings, brought to life by (mostly) more men in an orchestra pit, but not a bit gay. He\'s got to be a dreamer who remembers to put the rubbish out.\n\n\nIt\'s an almost impossible creature, which is perhaps why Les Sylphides remains such a staple of the repertoire - this is how we would like men to be, and the only place to see them is on stage, portrayed by the most talented in body and mind. He\'s a New Man, long before new men were invented, but not too metrosexual, because he\'s got to cope in a woodland glade without a manicurist. He\'s noble, but has the common touch; he\'s strong but not aggressive, gentle but not wimpy, and so it goes on, a list of contradictions that have to be negotiated and appear as a single characteristic.\n\nThomas Edur is the only person I\'ve ever seen make sense of this solo, and the only person I can bear to watch doing it, because he manages to do all of the above, as well as getting the steps right; and so, even though this may not be my favourite piece of music, and probably not Tom\'s favourite or (in his mind) greatest role, it\'s the one that reminds me of everything that is fine, noble, poetic and musical about him and his dancing. For that reason alone, I think it should accompany him in the Advent calendar class.\n? (mp3/1.1MB\n', 'Battements fondus Thomas Edur - Chopin Mazurka Op. 67 No. 3 from Les Sylphides', 0, '\n', 'publish', 'open', 'closed', '', 'battements-fondus-thomas-edur-chopin-mazurka-op-67-no-3-from-les-sylphides', '', '', '2006-12-09 11:59:59', '2006-12-09 11:59:59', '', 0, 'http://jonathanstill.com/?p=166', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (167, 1, '2006-12-10 12:58:00', '2006-12-10 12:58:00', 'This is day 10 in my Dance Inspirations Advent Calendar (II)\nlotsroad_small.jpg I used to love forcing a smile out of Klaus Beelitz for class by finding ever more obscure or oddball German songs to play when he least expected it. You can\'t get more oddball than the songs, and the way they performed them, of the Comedian Harmonists; and of all their repertoire, Ich wollt\' ich wär\' ein Huhn (\'I wish I were a hen\') surely wins a few prizes for lunacy. Even the title is funny, with its crescendo of nitpicking umlauts, elisions and subjunctives leading only to the word \'hen\'.\n\nIn terms of rhythm, tempo, articulation and dynamics, it\'s got everything you want for frappé music, with the added bonus that it\'s got ridiculous lyrics sung by nutty Germans, and the strangely uncomfortable knowledge that they were singing them at one of the darkest moments in the history of the world. You need context like this if you\'re going to do that many frappés in your life.\n\n? (mp3/531kb)\n', 'Battements frappés Klaus Beelitz - Ich wollt\' ich wär\' ein Huhn', 0, '\n', 'publish', 'open', 'closed', '', 'battements-frappes-klaus-beelitz-ich-wollt-ich-war-ein-huhn', '', '', '2006-12-10 12:58:00', '2006-12-10 12:58:00', '', 0, 'http://jonathanstill.com/?p=167', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (168, 1, '2006-12-11 06:17:22', '2006-12-11 06:17:22', 'This is day 11 in my Dance Inspirations Advent Calendar (II)\n\nambal_2.jpgOne of the hardest things for pianists to understand about ballet classes is what exercises are about. As a musician, you\'re usually trying to express something, tell a story, create a mood, show-off, entertain or explore an emotion with music, so the idea of movement for movement\'s sake is odd.\n\nThe idea that a teacher might ask you for \'some music\' for an exercise without being specific about what kind of music, or without explaining (or caring about) the motivation behind the exercise or the music seems even odder. What kind of movement is a tendu - angry? sensuous? sly? lyrical? determined? quirky? And if you don\'t have a view on that, then what kind of music do you need? And (frankly), if you don\'t have a view on that, why have music at all?\n\nNow a tendu may just be a tendu, but you can still have an attitude of mind or spirit while you do it, and that\'s what the best teachers get across. Betty Anderton, though, went one further. Her repertoire of tunes, sung with terrific abandon, contained everything you needed to know about the aim, character, tempo, articulation, spirit, dynamics and humour of the exercise without any need for explanation. The \'ha ha ha\' in this Fledermaus aria says more to both the dancers and pianist about the quality of the music and the quality of the ronds de jambe than words or counts ever could. When my colleagues and I at the RAD were compiling A Dance Class Anthology, one of our aims was to create a kind of catalogue of musical paradigms like this, and whatever contributions I made owe a lot to the education I received by playing for Betty.\n? mp3/764K\n', 'Ronds de jambe en l\'air Betty Anderton - Adèle\'s laughing song from Die Fledermaus', 0, '\n', 'publish', 'open', 'closed', '', 'ronds-de-jambe-en-lair-betty-anderton-adeles-laughing-song-from-die-fledermaus', '', '', '2006-12-11 06:17:22', '2006-12-11 06:17:22', '', 0, 'http://jonathanstill.com/?p=168', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (169, 1, '2006-12-12 06:00:18', '2006-12-12 06:00:18', 'This is day 12 in my Dance Inspirations Advent Calendar (II)\n\nfeschelola.jpgWoytek Lowski often used to look quite severe during class, probably due to a combination of his angular features, an intense focus on the job at hand, and the aloofness of a visionary. He was also a terrifically hard worker, and expected others to be no different. By the time class started, he had probably been awake for hours, writing down and memorizing exercises in longhand in reporters pads.\n\nBut the look could crack suddenly into rapture or helpless laughter, and all it took was a piece of music. I knew Friedrich Hollaender\'s wonderful comic song Ich bin die fesche Lola from working with Gertrude Thoma, but what I knew was only the notes and the words - the song didn\'t have a context or history for me. Woytek, as I discovered, knew the film it came from, Der blaue Engel, with Marlene Dietrich as the eponymous Lola of the song, and so the minute I started playing it for a class full of male dancers at 10.15 in the morning, he found it outrageously funny. (Incidentally, another luminary of this calendar, Christopher Hampson, knows the whole chorus in German, and always sings along if I\'m playing it. It\'s a funny old world.) It was not the first time, by a long shot, that a dancer ended up teaching me about the music I was playing - and my gratitude for that is the point of these Advent calendars.\n? mp3/572K\n', 'Petits battements Woytek Lowski - Ich bin die fesche Lola!', 0, '\n', 'publish', 'open', 'closed', '', 'petits-battements-woytek-lowski-ich-bin-die-fesche-lola', '', '', '2006-12-12 06:00:18', '2006-12-12 06:00:18', '', 0, 'http://jonathanstill.com/?p=169', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (170, 1, '2006-12-13 07:10:27', '2006-12-13 07:10:27', 'This is day 13 in my Dance Inspirations Advent Calendar (II)\n\nmark_morris.jpgAs I\'ve noted many times, music in class can be part of a wonderful conversation between pianist and teacher, and this is especially true of a class with Mark Morris. In one class, Take back your mink was the perfect riposte (played unexpectedly, suddenly, for the second side of an exercise that went straight from one side to the other) for something that Mark was doing cheekily to the music on the first side, and it made us all laugh. It\'s a sign of the heightened, intense musical awareness and focus that goes on in Mark\'s classes that anyone found this funny or noticed it at all.\n\nAs they say about jokes, \'I guess you had to be there...\'. Well, that\'s the point, I was there, and that\'s why it counts as one of the moments that has made being a dance musician most worthwhile for me - I wouldn\'t have missed it for the world.\n? mp3/308K\n', 'Grands battements Mark Morris -Take back your mink', 0, '\n', 'publish', 'open', 'closed', '', 'grands-battements-mark-morris-take-back-your-mink', '', '', '2006-12-13 07:10:27', '2006-12-13 07:10:27', '', 0, 'http://jonathanstill.com/?p=170', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (171, 1, '2006-12-14 07:03:23', '2006-12-14 07:03:23', 'This is day 14 in my Dance Inspirations Advent Calendar (II)\n\nann_hogben.jpgOne day I was walking through the Fonteyn Centre at the RAD, and as I passed the Ashton studio, I became transfixed by the most haunting melody being played on the piano. I stopped to listen, curious to know who was playing so beautifully, and what this extraordinary piece was that they were playing. You have to know that I\'m not often transfixed by the music that comes out of ballet studios to understand why this was unusual.\n\nIt turned out it was Ann Hogben, playing Geoffrey Toye\'s waltz from The Haunted Ballroom, from the 1934 ballet by Ninette de Valois. I\'d seen pictures of this ballet in some old Sadlers Wells annual, but never heard the music - and it did exactly what it said on the tin, it was truly haunting. But it also took someone of Annie\'s calibre to play it with such integrity that you could be haunted from outside the studio.\n?/mp3/506K\n', 'Tendus & pirouettes Ann Hogben - Waltz from The Haunted Ballroom', 0, '\n', 'publish', 'open', 'closed', '', 'tendus-pirouettes-ann-hogben-waltz-from-the-haunted-ballroom', '', '', '2006-12-14 07:03:23', '2006-12-14 07:03:23', '', 0, 'http://jonathanstill.com/?p=171', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (172, 1, '2006-12-15 05:27:43', '2006-12-15 05:27:43', 'This is day 15 in my Dance Inspirations Advent Calendar (II)\n\n151206.jpgOne of the jobs I\'ve hated most as a company pianist is having to be the errand boy for the ballet staff during stage calls with orchestra. You\'re asked (no, told) to sit in the front row of the stalls behind the conductor, and wait for one of the ballet staff to shout down to you "Can you tell him it\'s too fast?" or \'"Tell him we want to go back to where Jane comes on". Now, you\'re not supposed to talk to bus drivers while they\'re driving, so how do you think conductors (excuse the confusion of terms) feel about having some lowly pianist tapping them on the shoulder while they\'re commanding an entire orchestra, telling them they\'re doing it wrong?\n\n\nOne such awful occasion was a rehearsal of David Lichine\'s Graduation Ball in the early 90s at the Festival Hall, with Graham Bond conducting. It was already a tense rehearsal due to some key dancers being off. At one point, the person brought in to set the ballet told the Benesh notator to tell me to tell the conductor that he should keep the tempo steady.\n\nI passed the message on, and ducked as Graham exploded in his northern vernacular, loud enough to reach the ballet staff without the aid of a microphone "Well he can...[unrepeatable] - it\'s a bleeding Viennese waltz for Christ\'s sake"! Claudia von Canon has explained this in more temperate terms in an article called Zwirnknaulerl: A note on the performance of Johann Strauss et al, where she argues that you have to understand the tempo rubato of Viennese spoken dialect in order to perform Strauss waltzes with the subtle inflections that they need.\n\nThe idea of performing a Strauss ballet without any of the characteristic pulling about of tempo and idiomatic rhythmic inflections is, of course, absurd, and Graham wasn\'t having any of it. I\'m glad he stood his ground, because it was through his conducting of this score that I grew to love the waltz which accompanies the \'Pigtail\' girl. The bit that I love is all the things that aren\'t in the score at all - the oh-so-subtle hesitations, the gathering enthusiasm and then the graceful, smiling cadence before setting off again. Even more importantly, I learned from this experience that if you want musical quality, you have to just get on with it, and kick and swear in the process if necessary, because there are enough people around who\'ll stamp it out if you let them.\n', 'Pirouettes Graham Bond - Pigtail Girl from Graduation Ball', 0, '\n', 'publish', 'open', 'closed', '', 'pirouettes-graham-bond-pigtail-girl-from-graduation-ball', '', '', '2006-12-15 05:27:43', '2006-12-15 05:27:43', '', 0, 'http://jonathanstill.com/?p=172', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (173, 1, '2006-12-16 07:55:32', '2006-12-16 07:55:32', 'This is day 16 in my Dance Inspirations Advent Calendar (II)\n\ngeranium.jpgAmazing how some things stick in your mind for ever. I\'ll always associate this song with Pussy (Diana Payne Myers), because of a pirouette exercise in Craig Phillips\' open class at the Urdang Studios in Shelton Street 20 years ago (Craig\'s now Course Director at the Urdang Academy). I\'d been playing for dance classes for about a year, and was on the point of hating it and giving up, when Craig asked me if I\'d play for his evening class. He set a pirouette from the corner on a waltz that went on forever, and I pulled out every last waltz that I could think of to avoid boring the class, or myself, including Wunderbar!. Pussy was the dancer up next when it was time for this tune, and the minute she heard it, she was away, her whole body expressing \'wunderbar!\', and she was probably singing along as well.\n\n\nUntil then, I don\'t think I\'d seen anyone actually enjoy dancing as much as that (so many vocational classes have an atmosphere of discipline, drudgery and punishment about them), and no-one had responded quite so ecstatically to the music. It suddenly made it all worthwhile.\n\nIf you\'ve got someone like this in a class, it rubs off on the others, and before long, other people are singing along, dancing and enjoying the music more, too. I left that class a different person, thanks to the appreciation Pussy and the others showed for the music, and decided that this could actually be a great job after all. And as it happens, in all the classes I\'ve played for, no-one has ever danced Wunderbar! with quite the same enthusiasm.\n', 'Pirouettes en diagonal Pussy - Wunderbar from Kiss Me Kate', 0, '\n', 'publish', 'open', 'closed', '', 'pirouettes-en-diagonal-pussy-wunderbar-from-kiss-me-kate', '', '', '2006-12-16 07:55:32', '2006-12-16 07:55:32', '', 0, 'http://jonathanstill.com/?p=173', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (174, 1, '2006-12-17 20:45:00', '2006-12-17 20:45:00', 'This is day 17 in my Dance Inspirations Advent Calendar (II)\n\ntooting_illuminations_small.jpgMost dancers seem to hate adage. And if they don\'t hate it, they need such \'support\' from the music that playing for the exercise is like administering CPR to a cow, or blowing up a tyre with a puncture. You hardly dare let the music breathe in case they fall over or lose the will to développé.\n\nI was surprised, then, to hear Victor Alvarez say, during a quiet moan about the drudgery of daily class when you\'re not feeling like it, "Actually, I don\'t mind adage. Wafting around a studio to Chopin, I like that bit. That\'s fun." It\'s worth knowing that not everyone needs adage music to be an iron-pumping piano frenzy, and that for some people - even men, it\'s an opportunity to let the spirit free and be poetic.\n\nI don\'t know which piece of Chopin he may have had in mind, but I adore the \'Raindrop\' prelude, and I\'d give anything to see Victor waft around a studio to it.\n', 'Adage Victor Alvarez - Chopin: Prelude in D flat (\'Raindrop Prelude)', 0, '\n', 'publish', 'open', 'closed', '', 'adage-victor-alvarez-chopin-prelude-in-d-flat-raindrop-prelude', '', '', '2006-12-17 20:45:00', '2006-12-17 20:45:00', '', 0, 'http://jonathanstill.com/?p=174', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (175, 1, '2006-12-18 08:06:56', '2006-12-18 08:06:56', 'This is day 18 in my Dance Inspirations Advent Calendar (II)\n\n181206.jpgIf I only had wings is another song from And the bands played on (see earlier entry). Apparently it was written in 1939, with words by Sid Colin, and music by Ronnie Aldrich. It was once a bit of a hit, but evidently not for long, so I can\'t find the lyrics or details of recordings anywhere on the net now. From the moment I heard it, I loved the madcap happiness of the song, and especially its middle eight, which manages to pack so many punches in eight bars, you feel like you\'ve been away for the weekend by the time the tune comes back in. It\'s great fun to play, and works well for jumps.\n\nI know that my taste in music is a bit odd - not surprising, considering how much it owes to the junk shops, jumble sales and bargain bins that I\'ve trawled in every country I\'ve visited. But I have private and very good reasons for liking the things I like, so I was really chuffed when Harald Krytinar said that this song was one of his favourites for class, for mostly the same reasons that I like it. That\'s the reason it went on to the class album we produced together, and that\'s why he gets it for this Advent calendar class.\n', 'Warm-up jump Harald Krytinar - If I only had wings', 0, '\n', 'publish', 'open', 'closed', '', 'warm-up-jump-harald-krytinar-if-i-only-had-wings', '', '', '2006-12-18 08:06:56', '2006-12-18 08:06:56', '', 0, 'http://jonathanstill.com/?p=175', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (176, 1, '2006-12-19 09:25:32', '2006-12-19 09:25:32', 'This is day 19 in my Dance Inspirations Advent Calendar (II)\n\nblue_door_small.jpgSome tunes I collect because I hope someone will recognise them one day, and others are just things which I like, and don\'t expect anyone to know in a million years. But people and their musical experiences are unpredictable, and so I was amazed when Susie Cooper laughed and said to me one day "You\'ve got some pretty weird pieces in your repertoire. I mean you play We\'ll all go riding on a rainbow " and The flat foot floogie with the floy, floy !".\n\nFlat Foot Floogie is yet another song from And the bands played on (see earlier entry, and I like it for many of the reasons that I like If I only had wings - it\'s too fast, it\'s a bit silly, and it\'s fun to play.\n\nYou have to negotiate the last bit of the middle eight like taking a corner too quickly in 3rd gear, which is one of the things that lends the tune it\'s zaniness. It\'s also a reason why I prefer real tunes to improvisation in class - you can\'t sound fast if you\'re making it up as you go along because you have to play safe, and you can\'t compose your way out of complex melodic or harmonic corners at speed.\n\nEven though Flat Foot Floogie is about as far removed from Susie\'s preferred musical diet as you could get, there\'s something very Susie about it, something excitable, zany and overclocked. Like me she relishes verbal humour and silly words, and you can\'t get much sillier than the words to Flat Foot Floogie (although according to some sources, it means \'the prostitute with venereal disease\' which doesn\'t have quite the same ring to it).\n', 'Petit allegro Susie Cooper - Flat foot floogie with the floy, floy', 0, '\n', 'publish', 'open', 'closed', '', 'petit-allegro-susie-cooper-flat-foot-floogie-with-the-floy-floy', '', '', '2006-12-19 09:25:32', '2006-12-19 09:25:32', '', 0, 'http://jonathanstill.com/?p=176', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (177, 1, '2006-12-20 08:59:43', '2006-12-20 08:59:43', 'This is day 20 in my Dance Inspirations Advent Calendar (II)\n\n201206_small.jpgThe three years that I spent working with John O\'Brien were some of most eventful and magical that I can remember. One summer in particular, the whole world seemed to speed up like a fairground ride, an emotional Spaghetti Junction of people, places, love, meetings, partings, music, song, dance and balmy weather (many of the people mentioned in this Advent Calendar met each other in that summer at one of Gilly\'s barbecues, and there was something decidedly spooky about how everyone else somehow interconnected too). I made friends, I lost friends, fell in and out of love, felt unpredictably desolate and ecstatic in equal measure, all of it accompanied by & interwoven with the songs I learned while I was working for the first time with Gertrude Thoma and Nicolas Mead their show, From Brecht to Brel; and that\'s how I fell in love with German cabaret music once and for all.\n\n\nYou have to know that Gertrude is the most amazing singer I\'ve ever come across, a deep voice like a knife through velvet in a back alley, and an almost terrifying presence that can go from warmth to danger and back again in the space of a semiquaver. It didn\'t matter how many times she sang the same song, every performance held some new surprise, and she could pin an audience to the wall with her eyes and her voice. She had such musical autonomy, accompanying her was bliss, and you felt free to play with the music in ever more adventurous ways.\n\nOne of my favourite songs in her repertoire was Zwei dunkle Augen, a Friedrich Hollaender song from the revue Es liegt in der Luft (1930) with mad lyrics and even madder harmony. (Gertrud explained the context of this song expertly - but you can find the lyrics, and a fine discussion of what it was satirizing in Verwaltete Kultur oder kulturelle Freiheit? – Momentaufnahmen. aus der Weimarer Republik 1918-1933 (PDF, 4.27MB). She delivered the single word \'Literatur\' in the line "Verkehrsinseln in dem Meere der Literatur" with a comic gravity as unforgettable as Edith Evans\' "A handbag?" in The Importance of Being Earnest. Musically, it\'s a nuthouse. At the end of the second line, the cadence drops straight down a semitone with no preamble or preparation, like falling down a step in the dark. It\'s an eccentric mixture of wild operatic declamations, fragmented tangos and harmonic bungee-jumping.\n\nApart from the fact that it works very well for one of John\'s \'tango\' allegros, and that I managed to persuade Gertrude to sing that other famous Hollaender song Johnny, wenn du Geburtstag hast for John\'s birthday at the crack of dawn (we\'d both woken up in a house in Barnes with a grand piano after a party, round the corner from John who we invited round for a surprise performance) this song more than any other reminds me of that extraordinary time. It\'s those kind of places that my musical energy comes from, and that in turn is something that developed naturally through working with John, so it\'s most appropriate that he should have it as his Advent calendar music.\n', 'Allegro John O\'Brien - Zwei dunkle Augen', 0, '\n', 'publish', 'open', 'closed', '', 'allegro-john-obrien-zwei-dunkle-augen', '', '', '2006-12-20 08:59:43', '2006-12-20 08:59:43', '', 0, 'http://jonathanstill.com/?p=177', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (178, 1, '2006-12-21 07:22:33', '2006-12-21 07:22:33', 'This is day 21 in my Dance Inspirations Advent Calendar (II)\n\nbauble_small.jpgIf there\'s one nationality Beethoven simply couldn\'t be, it\'s Australian. Nothing and no-one could be further than him from the warm, down-to earth, tell-it-like-it is nature of the Australians. So I was really shocked to find that one of my favourite Australians Gilly Cornish was just mad about Beethoven. (Australians are my favourite people, though Gilly pointed out that I shouldn\'t draw too many conclusions from that - since all the ones I liked had left Australia).\n\nAlthough there are a few bits of his music that I quite like, 95% of it annoys me. Maybe it\'s the baggage it comes with: it\'s \'Beethoven\' rather than Beethoven that I don\'t like, as Richard Taruskin would put it. Even when I was a teenager in the 1970s, you couldn\'t escape the overwhelming, overbearing presence of Beethoven in musicology and music training: popular music was crap because it didn\'t have Beethoven\'s grammatical and discursive surface, and every composer after him was considered as an aberration or poor relation of this thundering, nitpicking, teutonic pedant. There was only one approach to studying Beethoven\'s music, and that was mindless, uncritical adulation. He was God, and you weren\'t allowed to ask why he made you suffer.\n\n\nNonetheless, I used to warm-up on Beethoven sonatas before classes (he\'s useful for some things) and sometimes Gilly would come and sit in the studio to listen, enraptured and transported instantly by his music in a way which I am not. And since playing for class is about playing music that moves other people, I taught myself through Gilly to like Beethoven, so I could play something as a special treat for her when she did John O\'Brien\'s classes on a Saturday afternoon.\n\nAlmost nothing he wrote is any use for ballet classes - there\'s something too cerebral, too fast, too wordy, too unyielding about it (I think he must have been like Dr Alan Statham from Green Wing in real life). However, the last movement of the Emperor concerto is almost perfect music for medium allegro or batterie, and it also happens to be one of the bits of Beethoven that I truly like, having grown up listening to a recording of it as a child, before the Beethovenists had a chance to spoil him for me. And even if didn\'t like it, the memory of the look on Gilly\'s face as the opening notes sounded would be enough to make me love it.\n', 'Batterie Gillian Cornish - Last movement from Beethoven piano concerto No. 5 (The Emperor)', 0, '\n', 'publish', 'open', 'closed', '', 'batterie-gillian-cornish-last-movement-from-beethoven-piano-concerto-no-5-the-emperor', '', '', '2006-12-21 07:22:33', '2006-12-21 07:22:33', '', 0, 'http://jonathanstill.com/?p=178', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (179, 1, '2006-12-22 06:10:21', '2006-12-22 06:10:21', 'This is day 22 in my Dance Inspirations Advent Calendar (II)\n\nship_small.jpgThere\'s a huge advantage to working for someone as demanding, professional and uncompromising on quality as Wayne Sleep - it forces your brain to engage with musical problems until you find a solution; and unless you find a solution that they\'re completely satisfied with, your brain is still engaged with the search even years after the initial task. This is a very healthy mode to live in for a dance accompanist, and it means that everyone else gets the benefit of your curiosity and perseverance.\n\nAfter just over 20 years of playing for classes, I\'ve come to the conclusion that Riccardo Drigo is often the answer to some of the most difficult questions presented by class -\n
    Q: how can I play something painfully slow, but maintain the interest and fun?\nA: the female solo (the one with the tambourine) from Esmeralda\nQ: what\'s the butchest music you can play for a male grand allegro without breaking the piano?\nA: The male solo from Le Corsaire
    \n\nIn terms of the problems it solves, the coda to Diane & Acteon (the history of this pas de deux is complex - see under Esmeralda) is a little masterpiece. Wayne once asked me to suggest some music for the end of a gala performance. He said something like "I want a coda that\'s not just your typical ballet coda like Don Q. It could be a waltz, but it can\'t be too slow - it\'s got to move; it\'s got to be entertaining because I\'ve got a lot of people to bring on and it\'s the end of the show, so they\'ve got to go out with a bang. It\'s got to give a chance to everyone to show off, but it mustn\'t dip, it must be fun..." and so it went on.\n\nI\'m always secretly very proud when I get it right first time with Wayne, so I was delighted when he said that this piece was just what he wanted. The more I play it in other contexts, the more convinced I am that along with the finale of Etudes, it\'s probably one of the most perfect pieces of grand allegro music I know. It was the experience of working with Wayne that taught me how to recognise a good bit of allegro when I saw it, and I\'m grateful for that almost every time I walk into a studio.\n', 'Grand allegro Wayne Sleep - Coda from Diane & Acteon', 0, '\n', 'publish', 'open', 'closed', '', 'grand-allegro-wayne-sleep-coda-from-diane-acteon', '', '', '2006-12-22 06:10:21', '2006-12-22 06:10:21', '', 0, 'http://jonathanstill.com/?p=179', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (180, 1, '2006-12-23 23:06:18', '2006-12-23 23:06:18', 'This is day 23 in my Dance Inspirations Advent Calendar (II)\n\nstylus.jpgHarald Lander\'s ballet Etudes and Knudåge Riisager\'s music for it based on piano etudes by Carl Czerny ought to be in this Advent Calendar somewhere, because as much as this year\'s calendar is a tribute to all the people in it, it\'s also a guided tour through the mysteries of class and the things that go on in musicians\' heads when they play for it. In my view, Etudes has so many examples of the way certain music works perfectly for particular types of exercise, that it acts as a mirror, a benchmark, a litmus test, a role model and an education in music and dance all rolled into one for the dance accompanist.\n\nI associate all kinds of music with Ivan Nagy, especially Stravinsky\'s Apollo for reasons I\'ve already gone into. But since I want to get Etudes in here, I\'ve got no choice but to give a funny reason for associating Ivan with this tarantella, which is the music for the jeté crossings towards the end of the ballet. It goes back to a story Ivan told me, almost crying with laughter, about a performance he was in where he and a ballerina crashed into each other at full speed centre stage, and then - to add insult to injury - her tiara got caught in his crotch and they had to struggle to disentangle themselves before they could get up and escape to the safety and anonymity of the wings. Warmth and laughter are great things to bring to allegro music, and there\'s nothing like one of Ivan\'s stories to do the job.\n', 'Grand allegro Ivan Nagy - Tarantella from Etudes', 0, '\n', 'publish', 'open', 'closed', '', 'grand-allegro-ivan-nagy-tarantella-from-etudes', '', '', '2006-12-23 23:06:18', '2006-12-23 23:06:18', '', 0, 'http://jonathanstill.com/?p=180', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (181, 1, '2006-12-24 08:09:30', '2006-12-24 08:09:30', 'This is day 24 in my Dance Inspirations Advent Calendar (II)\n\n241206_small.jpgIn March 2002, Wayne Sleep organised a gala evening for Dame Beryl Grey\'s 75th birthday , known, at least to Wayne, as \'DBE\' - Dame Beryl\'s Evening. (As chance would have it, it\'s only two days ago that I was playing for a rehearsal of Giselle taken by Dame Beryl, who at 80 is in fantastic form, flitting around the studio demonstrating steps and giving advice with the sassy sense of fun and lithe grace of someone 60 years younger).\n\nWayne would of course be doing a special number for the evening, and so there we were again, sitting at his kitchen table throwing around ideas. Whatever we did had to be put together almost overnight as a backing track on CD, so when he said he wanted to do something that would involve There is nothing like a dame, I knew I was going to have to find a chorus of record-ready sailors somewhere in Tooting at the drop of a hat.\n\nFortunately, Daniel Jones was only a phone call away.\n\n\nTrue friend that he is, he was round in a flash, score in hand, and with a bit of on the fly harmonization, track-copying, panning & delay, we began to build up that chorus of sailors. And true professional that he is, Dan gave this song everything he\'d got. As usual, we ended up having far too much fun for something that was supposed to be a job, which was just as well, because having done this sketch, I could see a whole host of problems ahead, not least with obtaining the rights to arrange one of the most famous musicals of all time for MIDI orchestra and mate with a microphone.\n\nBy 10am the next morning, Wayne had reworked the routine around a comic verse from Punch in 1949 which began "Miss Grey and Miss May are still away" which (I hope I\'m not giving too much away) we recorded in my front room in one of the funniest recording sessions I\'ve ever had. How I ever found the microphone through my tears of laughter, I don\'t know.\n\nBy all accounts, it went down a storm with the audience (article a review, and postings) but I\'ve still got the first draft that Dan and I did, too, and I can\'t hear the song or think of the Dame Beryl Gala without remembering his utterly convincing performance, and the great fun we had recording it.\n', 'Manège Daniel Jones - There is nothing like a dame', 0, '\n', 'publish', 'open', 'closed', '', 'manege-daniel-jones-there-is-nothing-like-a-dame', '', '', '2010-01-07 13:55:24', '2010-01-07 13:55:24', '', 0, 'http://jonathanstill.com/?p=181', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (182, 1, '2006-12-25 21:36:44', '2006-12-25 21:36:44', '251206.jpgHappy Christmas. That\'s the end of the 2006 Advent Calendar. I\'m delighted to say that my aim in starting it last year has been achieved - if you search on Google for many of the names on here that are precious to me, but were only sketchy web presences last year, the Advent calendar entries are now frequently the first results that Google returns for the person in question.\n\nThere\'s another side to it this year, though. As all the blog entries are necessarily but uncharacteristically (for blogs) anachronistic, I decided to do a parallel blog-without-words (as Mendelssohn might have put it), keeping a miniature photo diary of whatever caught my eye or occupied my heart or mind each day. I also intended to do the same with music - since blogs are often off-the-cuff thought pieces, sometimes improvisatory and unfinished but timely, I also started musiblogging, throwing together tiny mood pieces which reflected exactly how I felt at the moment I did them. This was an antidote to the self-enforced rubric of the advent calendar.\n\nadvent2b_small.jpgI kept up the photoblogging every day with the exception of 13th & 14th December, when I was just too tired & pre-occupied to get round to a photo before midnight, so I recycled two from 10th December. The pictures are the ones you see to the left of each entry, and if you hover over them, you\'ll get a small clue as to what they\'re about.\n\nThe musiblogging lasted about a week before my time ran out. I\'d love to have carried on, but if you want to hear some hurriedly sketched bloggy musical ramblings, click on the question marks (?) at the bottom of the extended entries for 1st - 8th December 2006. They generally go with the pictures as a kind of scratch-and-sniff effect - in other words, the music tells me (and perhaps you) what I was feeling when I took the picture, or on the day generally. Alternatively, you could (if you\'ve got 8\'26" to spare) listen to those first 8 days compiled into a single file (MP3, 6.1MB)\n\nAll this may seem an odd thing to do, but I\'m as fascinated by the 21st century blog-form as others are by the nineteenth century novel; fascinated by its apparent simplicity, directness and immediacy, but aware as a writer of the technical and writerly hoops that one has to go through to achieve the effect, and of the discipline it takes to do what you say you will do. I\'m intrigued by the fact that we effortlessly and involuntarily perceive structure, form, unity and meaning into collections of disparate things which were assembled using routine, piecemeal operations, even when it was we who assembled them.\n\nLastly, I like the number 24. 24 days from Advent to Christmas Eve, 24 hours in a day, 24 Preludes and Fugues, 24 semiquavers in a 24/16 bar, and of course, 24 pictures on an old reel of 35mm film (plus that extra one you usually get at the end if you\'re lucky). It\'s the curious and satisfying paradox of blogging, enormous literary freedom within the most rigorous of forms.\n\nHappy Christmas!\n', 'Happy Christmas 2006', 0, '\n', 'publish', 'open', 'closed', '', 'happy-christmas-2006', '', '', '2006-12-25 21:36:44', '2006-12-25 21:36:44', '', 0, 'http://jonathanstill.com/?p=182', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (183, 1, '2007-01-01 22:20:37', '2007-01-01 22:20:37', 'fireworkssmall.jpgA very happy new year 2007. If you missed the fireworks, have a look at a few pictures of the display viewed from Canary Wharf last night in the New Year 2007 Fireworks Gallery. In addition, the weather was perfect today for taking a New Year\'s Day stroll along the Thames Path (more or less) from Canary Wharf to Tower Bridge. For pictures, see the Canary Wharf gallery.\n', 'Happy New Year 2007', 0, '\n', 'publish', 'open', 'closed', '', 'happy-new-year-2007', '', '', '2007-01-01 22:20:37', '2007-01-01 22:20:37', '', 0, 'http://jonathanstill.com/?p=183', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (184, 1, '2007-01-15 07:48:21', '2007-01-15 07:48:21', 'p2.gifBriefly: To the Sadler\'s Wells last night to see The Condors, a Japanese all-male dance troupe with the reputation of being the Japanese Monty Python of dance. For once, a show lived up to its publicity. I\'m not exagerrating when I say this was the funniest, strangest, most entertaining, novel dance show I\'ve ever seen. I laughed til I cried almost without a break, and we all left the theatre bubbling with excitement and enthusiasm. I even gained a new enthusiasm for Guns N\' Roses. There were elements of Monty Python, but the humour was more contemporary than that - they were like the Green Wing, South Park and Smack the Pony of dance.\n\n"By injecting humour into contemporary dance they have gone somewhere most western choreographers fear to tread." says the Sadlers Wells blurb about them. It\'s the age old question - why can\'t contemporary dance have a sense of humour? Well now it has (though I now fully expect some contemporary dance person to say the Condors aren\'t a contemporary dance company).\n\nThe Condors Website (in Japanese)\n', 'The Condors', 0, '\n', 'publish', 'open', 'closed', '', 'the-condors', '', '', '2007-01-15 07:48:21', '2007-01-15 07:48:21', '', 0, 'http://jonathanstill.com/?p=184', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (185, 1, '2007-01-18 08:36:35', '2007-01-18 08:36:35', 'Catch it before it disappears off-line (as things tend to do when the subject is contentious). Germaine Greer on Shilpa Shetty in the Guardian. Classic stuff, including gems like this: "Jackiey\'s inability to pronounce Shilpa\'s name had less to do with failure to conceal her own racism than the fact that she has no idea how to spell anything."\n', 'Germaine Greer on Shilpa Shetty', 0, '\n', 'publish', 'open', 'closed', '', 'germaine-greer-on-shilpa-shetty', '', '', '2007-01-18 08:36:35', '2007-01-18 08:36:35', '', 0, 'http://jonathanstill.com/?p=185', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (186, 1, '2007-02-02 06:19:28', '2007-02-02 06:19:28', 'universityinruins.jpg"Non-learners \'may lose benefits\'" is one of the most bizarre, frightening, Orwellian headlines I\'ve read in a long time. How did the concept of \'learning\', or indeed \'benefits\' become so thuggishly appropriated and cheapened by a government department? The double-speak in this sentence is truly shocking. \'Learning\' is now defined as turning up to a government approved institution to do time; not an opportunity, not a state of mind or an inclination of the spirit, not a passion, but a threat issued with menaces. And if you refuse to \'learn\', and have state aid refused to you in your hour of need, this will be expressed as you \'losing benefits\'.\n\n\'Education, education, education\' as a New Labour slogan was bad enough - what kind of advert is it for education when a privately educated lawyer cannot say more on the subject than to repeat the topic three times? But now there is a new horror from Gordon Brown - his priorities, so the BBC article says, will be "excellence, excellence, excellence."\n\nIt\'s a shame that Mr Brown appears not to have read Bill Readings\' book The University in Ruins; or perhaps he has, and he is hoping that we haven\'t.\n
    \nToday, all departments of the University can be urged to strive for excellence, since the general applicability of the notion is in direct relation to its emptiness. Thus, for instance, the Office of Research and University Graduate Studies at Indiana University at Bloomington explains that in its Summer Faculty Fellowship program "Excellence of the proposed scholarship is the major criterion employed in the evaluation procedure." This statement is, of course, entirely meaningless, yet the assumption is that the invocation of excellence overcomes the problem of the question of value across disciplines, since excellence is the common denominator of good research in all fields. Even if this were so, it would mean that excellence could not be invoked as a "criterion," because excellence is not a fixed standard of judgement but a qualifier whose meaning is fixed in relation to something else.[...] So to say that excellence is a criterion is to say absolutely nothing other than that the committee will not reveal the criteria used to judge applications.\n\nReadings, B. (1996) The University in Ruins. Cambridge, MA and London: Harvard University Press, pp 23-24.\n
    \n\nThe case is argued beautifully over 20 pages of prose like this, and at the end of it, it is very hard to take the word \'excellence\' seriously again. If, as Readings argues, the term is meaningless in a context such as the one quoted above, how much more meaningless is it when it is just repeated by Gordon Brown with no context at all. And how much more frightening when a meaningless term is allied to a threat of withdrawing benefit.\n', 'Excellent schmexcellent, Mr Brown', 0, '\n', 'publish', 'open', 'closed', '', 'excellent-schmexcellent-mr-brown', '', '', '2007-02-02 06:19:28', '2007-02-02 06:19:28', '', 0, 'http://jonathanstill.com/?p=186', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (187, 1, '2007-02-02 08:39:59', '2007-02-02 08:39:59', 'daffodil.jpgBy happy accident, I stumbled across a wonderful blog entry by Brendan McCarthy on the ritual of ballet class (Thoughts during a ballet class). This expresses eloquently precisely why I have found so much fulfilment from playing for class over the last 20 years. How refreshing to discover that someone so erudite is capable of saying ""I am pleased to surrender to my teachers (of whom more in later blogs), to the counts, to the music, to the shared sense of good work being done."\n\nIf there was a secret to the wonderful atmosphere in the classes of John O\'Brien, I believe it is because of his attitude which was \'this thing [i.e. dance & music] is bigger than all of us\' - in other words, class is not a place for everyone to jostle for position or importance, but somewhere to join in the celebration of something bigger and greater. Those who claim that ballet classes are all \'command style\' teaching and therefore automatically bad and un-PC, fail to understand the ritual nature of class, and that the great teachers surrender to the music and to the expectations of the art form as much as their students in a process which can be selfless and democratic. By contrast, those who congratulate themselves on being good \'teachers\' in the conventional sense of the word, leave out one vital part of being a good ballet teacher, which is humbly to be part of the class themselves.\n', 'The Rite of Springing', 0, '\n', 'publish', 'open', 'closed', '', 'the-rite-of-springing', '', '', '2007-02-02 08:39:59', '2007-02-02 08:39:59', '', 0, 'http://jonathanstill.com/?p=187', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (188, 1, '2007-02-04 14:01:10', '2007-02-04 14:01:10', 'bridge_small.jpgTo Aberdeen for the day yesterday, where the weather was warmer than London. The sky was completely clear, and made it perfect lighting for photographs. More in the Aberdeen gallery...\n', 'Aberdeen', 0, '\n', 'publish', 'open', 'closed', '', 'aberdeen', '', '', '2007-02-04 14:01:10', '2007-02-04 14:01:10', '', 0, 'http://jonathanstill.com/?p=188', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (189, 1, '2007-02-08 22:20:09', '2007-02-08 22:20:09', 'I\'m delighted to see that NY State Senator Carl Kruger wants to fine pedestrians who walk headlong into traffic because they\'re so immersed in the world of their mobile, iPod or Blackberry that they\'ve forgotten what traffic is.\n\nCycling around Wandsworth over the last month, I\'ve had more dangerous encounters with pedestrians than cars, and what Kruger describes is spot on - "iPod oblivion". Far from standing at the kerbside looking right, then left, then right again as the drill used to go, they tend to face diagonally with their back to the traffic coming up behind them and just launch straight out into the road as if the whole world were a pedestrian precinct or a grassy meadow. I get so annoyed by these idiots, I\'m tempted to just not swerve or brake, but let them feel the impact of 80 kilos of middle-aged bloke on a piece of fast-moving spiky metal. It annoys me twice as much because I\'m a musician - how can you be alert to musical nuances if your ears are permanently attached to an aural drip which drowns out everything else, including sounds which are actually dangerous to you?\n\nWhen Walkmans first started to proliferate in the 80s, a psychiatrist told me he thought the habit of living with headphones was a form of \'self-inflicted autism\'. The iPod thing is far worse, though I\'m not sure why. But take it from me, if you walk around London streets with an iPod or mobile phone stuck like a digital cork in your ear, I reckon you\'re an iDiot, a danger to yourself and to the people around you. Get a life, and get out of my way!\n', 'iDiot Pedestrians', 0, '\n', 'publish', 'open', 'closed', '', 'idiot-pedestrians', '', '', '2007-02-08 22:20:09', '2007-02-08 22:20:09', '', 0, 'http://jonathanstill.com/?p=189', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (190, 1, '2007-02-12 19:56:31', '2007-02-12 19:56:31', 'rain_small.jpgNot a lot of people leave comments on my site; in fact, hardly anyone. So I know that I must have hit on a topic of real concern to the public out there when I get more than two comments on the same thing. The only items to have drawn such attention are\na) Where can you buy a rainmate? and\nb) How do you scrape a coconut? \nAs someone has just posted another comment to the coconut thread, I thought it might be a good opportunity to (belatedly) show the latest sighting of a rainmate-like hood. This was in Woolworth\'s in Wimbledon, on Boxing Day 2006.\n\nMeanwhile, more sightings of coconut scrapers are needed, so if you\'ve seen one, please post details.\n', 'Rainmates and Coconut Scrapers revisited', 0, '\n', 'publish', 'open', 'closed', '', 'rainmates-and-coconut-scrapers-revisited', '', '', '2007-02-12 19:56:31', '2007-02-12 19:56:31', '', 0, 'http://jonathanstill.com/?p=190', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (191, 1, '2007-02-14 08:03:57', '2007-02-14 08:03:57', 'As the eight person contributes to the sponsorship fund for my Swimathon (I\'m still only 28% of the way there, so please don\'t be shy about contributing), now might be a good time to mention the Swimp3, an article about which Christopher Hampson kindly put my way. We were discussing this at new year - the boredom of the long distance swimmer, and why doesn\'t someone invent an underwater mp3 player.\n\nPersonally, I wouldn\'t want one, because music puts me off other activities rather than focusing my mind on them. If you want one, however, you most definitely need the Swimp3.\n', 'The Swimp3', 0, '\n', 'publish', 'open', 'closed', '', 'the-swimp3', '', '', '2007-02-14 08:03:57', '2007-02-14 08:03:57', '', 0, 'http://jonathanstill.com/?p=191', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (192, 1, '2007-03-07 08:19:02', '2007-03-07 08:19:02', 'wingyip.jpgA very minor point, but for those thousands of commenters who may have been shy of commenting because the \'preview comments\' template on here looked weird, the problem is now fixed. Comment away!\n', 'Comment preview page fixed', 0, '\n', 'publish', 'open', 'closed', '', 'comment-preview-page-fixed', '', '', '2007-03-07 08:19:02', '2007-03-07 08:19:02', '', 0, 'http://jonathanstill.com/?p=192', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (193, 1, '2007-03-14 23:38:28', '2007-03-14 23:38:28', 'small_streetlamp.jpg To my hometown Bournemouth (pronounced Bormf if you\'re a local, as I am) on Sunday with Chris Hampson to see the last performance (this year) of the Raymond Gubbay Strauss Gala, which he choreographs. It\'s a really fun show, and a great company of dancers who bring (even more) life to the music. I\'ve played for a few of their classes during rehearsal periods, so it feels like family.\n\nI haven\'t been back to Bournemouth in 25 years except for a flying visit to perform at the Pavilion with Wayne Sleep a couple of years ago, so it was an afternoon of seeing ghosts when we drove to Moordown where I grew up. Much of it hasn\'t changed at all, though a huge chunk of Ensbury Park has been turned into a brick-lined bomb crater. If you\'re really interested, you can see the pics in my Bournemouth gallery.\n', 'Greetings from Sunny Bormf', 0, '\n', 'publish', 'open', 'closed', '', 'greetings-from-sunny-bormf', '', '', '2007-03-14 23:38:28', '2007-03-14 23:38:28', '', 0, 'http://jonathanstill.com/?p=193', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (194, 1, '2007-03-23 08:12:10', '2007-03-23 08:12:10', 'swimathon.jpgThanks to all those who\'ve donated most generously to my Swimathon challenge which takes place tomorrow - but I still need nearly another £200 to meet my target amount of £500, so please give generously if you haven\'t already. You can do it online at my personal Swimathon page. I\'m swimming 5km to raise money for Marie Curie Cancer Care. I\'ve been a bit quiet about it recently because I pulled an adductor, then had two bouts of nasty winter lurgies, which meant a long gap with no training, and I began to think I might not make it. I probably won\'t do what I hoped, which was to beat my previous time of 2h15m, but I\'m really looking forward to the challenge. And to the family sized Nando\'s I intend eating afterwards!\n', 'Sponsor my Swimathon - one day to go!', 0, '\n', 'publish', 'open', 'closed', '', 'sponsor-my-swimathon-one-day-to-go', '', '', '2007-03-23 08:12:10', '2007-03-23 08:12:10', '', 0, 'http://jonathanstill.com/?p=194', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (195, 1, '2007-03-24 10:18:42', '2007-03-24 10:18:42', '10.18 a.m.\nTwo hours before I leave for the pool on Swimathon day, and I\'m feeling like a caged lion - I can\'t wait to get in the water and get swimming, even though I\'m by no means in peak condition at the moment. It\'s the same feeling I get before a musical performance - a kind of dangerous cocktail of adrenalin, nerves, and all the other psycho-chemical things your brain does to prepare you for the extraordinary. I say dangerous, because it\'s not a feeling you can focus, identify or control, it\'s just a kind of overheated preparedness for just about anything. I woke up feeling like the last thing I should be doing today is swimming, and only a couple of hours later, I feel like an overwound spring. It\'s moments like this that make me realise I\'m a \'performance\' kind of person who loves the adrenalin. No wonder I was crap at \'projects\' at school.\n\nDan invited me to come and do a pre-swim video at 8.30 in Raynes Park this morning, which certainly helped gear me up for the challenge. He\'s been a great encouragement in all of this, and when I was really fat & smoking a couple of years ago (sounds like a pork chop on a griddle, but you know what I mean) it was he who got me back in the pool for the first time in ages. It brings back happy memories of being on tour with ENB in Athens in the summer of 1993, and larking around in the pool with Chris, Dan & Rachel Hunt. (Tomorrow, I\'ll reveal why that\'s such a strange coincidence).\n\nAll the same, I\'m nervous. I had to stop training a week ago, because I could feel a nasty throat/chest infection bubbling under the surface again, and so I cut down all activity to a minimum since last Sunday. I\'ve got a deep-seated fear that I\'ll get to 20 lengths and have to stop from exhaustion.\n', 'Swimathon day', 0, '\n', 'publish', 'open', 'closed', '', 'swimathon-day', '', '', '2007-03-24 10:18:42', '2007-03-24 10:18:42', '', 0, 'http://jonathanstill.com/?p=195', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (196, 1, '2007-03-24 19:15:47', '2007-03-24 19:15:47', 'swimathon_finished.jpgI feel fantastic - I finished the Swimathon in 1h 50 mins, 25 minutes faster than last time in 1992. Tooting\'s also a 33m pool, whereas Brixton, where I did it in 1992, is 25m: it\'s a big difference, because you have to do a lot more actual swimming. In a 25m pool, you can cheat so that it becomes just a bit of swimming between two push-offs.\n\ncertificate_small.jpgA big hurrah and thank you to Dan who came along and cheered me on, and kept me motivated, and of course, enormous thanks to all of you who sponsored me, and gave generously to Marie Curie Cancer Care. I should also congratulate and thank Bruce of www.ballet.co.uk for being my biggest sponsor. He actually donated 50p more than the current leader, Chris Hampson, but his munificence went unrecorded on the roll of honour down the side of my sponsorship page owing to a technological problem.\n\nJust a bit more dosh (£58) to collect before I hit my target of £500, so if you want to help fill the bucket, please don\'t hesitate to donate online at my Swimathon page, or let me come and relieve you of folding stuff personally, if you prefer.\n\nnandos.jpgThe maths: \n5km =\n55 lengths of Tooting Bec Lido (100yds/91.4m)\n100 lengths of an Olympic-sized pool (50m) like Crystal Palace\n151 lengths of Tooting leisure centre pool (33m) - my pool\n200 lengths of Brixton (25m) and most other pools\n384 lengths of a 13m pool like the ones you get in hotels & health clubs\n', 'Swimathon (part II - the finishing line!)', 0, '\n', 'publish', 'open', 'closed', '', 'swimathon-part-ii-the-finishing-line', '', '', '2010-01-07 13:55:24', '2010-01-07 13:55:24', '', 0, 'http://jonathanstill.com/?p=196', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (197, 1, '2007-03-25 18:00:00', '2007-03-25 18:00:00', 'pbb_small.jpgIt\'s been a weekend of coincidences and spooky connectedness. The coincidence is that I spent all day Saturday with Dan as he cheered me on in the Swimathon and helped me celebrate afterwards, and Sunday playing for Rachael Hunt\'s class at the Phyllis Bedells Bursary. Chris Hampson was one of the judges, and Lynn Wallis (Artistic Director of the RAD) oversaw the whole event. Now who could have foreseen all that when, 14 years ago, Dan, Rachael, Chris & I (among others, of course) were all larking about in the sea off a Greek Island and in the pool of the Hilton in Athens when we were on tour there with ENB? Or that having just done the Swimathon for the first time in the previous year 1992, when all those people sponsored me, I wouldn\'t do it again until 15 years later, and then see them all on the same weekend?\n', 'Old friends at the Phyllis Bedells Bursary 2007', 0, '\n', 'publish', 'open', 'closed', '', 'old-friends-at-the-phyllis-bedells-bursary-2007', '', '', '2007-03-25 18:00:00', '2007-03-25 18:00:00', '', 0, 'http://jonathanstill.com/?p=197', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (198, 1, '2007-03-30 00:27:18', '2007-03-30 00:27:18', 'wheelsmall.jpgTo Charing Cross Road tonight after an afternoon at ENB in search of an M-Audio 24/96 Microtrack, which is definitely my next toy important acquisition. Sound gear enthusiasts will probably know exactly which shop I mean when I said it had the best price, but didn\'t have any in stock. Lucky Rose Morris who are just around the corner, and always stock the things that the other shop advertise. The last few times I\'ve had the intention of buying something that cost anywhere between £200-600 pounds, I\'ve gone to shop X first because I saw the advert, and then to Rose Morris to actually acquire it because X don\'t have any.\n\nThis time, X didn\'t have one, and Rose Morris was shut, so I came away empty handed. I\'m not so upset about it; I just felt like doing something racy after an overdose of adrenalin from sight-reading a piano reduction of the scherzo from Prokofiev\'s 5th symphony in a full call. There\'s nothing like belting up Piccadilly on a bike to a toys-for-boys shop to do that.\n\nwheel_details.jpg On the way back, had one of those cyclists\' epiphanies on Westminster Bridge, where you realise why you love your bike and why you love London. The lights on the London Eye were just the perfect colour contrast to the rainy march twilight, and if you\'re on a bike, you can just get off and take a picture. You can be a tourist in your own town. You can look at London with the eyes of a child from another country, because you\'re not all bitter and twisted from trying to get places on public transport.\n', 'Wheels on wheels', 0, '\n', 'publish', 'open', 'closed', '', 'wheels-on-wheels', '', '', '2007-03-30 00:27:18', '2007-03-30 00:27:18', '', 0, 'http://jonathanstill.com/?p=198', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (199, 1, '2007-04-01 10:34:19', '2007-04-01 10:34:19', 'buyaclass.jpgI get quite a few people sending me links to add to my Dance Links page. Most of them haven\'t taken time to read the bit where I say what kind of links I\'m looking for, so they just end up in the trash can.\n\nBut in the 7 years that I\'ve had that links page, Buy A Class is quite definitely the most interesting, innovative, and future-hugging site I\'ve seen, and I\'ve very grateful for the tip-off to Gunleik Groven who\'s behind it. It\'s got everything I love about Web 2.0 and the professional dance world rolled into one, and I wish them every success with it.\n', 'Buy A Class', 0, '\n', 'publish', 'open', 'closed', '', 'buy-a-class', '', '', '2007-04-01 10:34:19', '2007-04-01 10:34:19', '', 0, 'http://jonathanstill.com/?p=199', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (200, 1, '2007-04-04 14:43:02', '2007-04-04 14:43:02', 'Another top-drawer entry from Dancerdance: an in-depth interview with Barry Wordsworth (hitherto mainly unpublished material) one of the greats of the ballet conducting world who has recently been appointed Music Director of The Royal Ballet, Covent Garden (see news on Ballet.co).\n\nLots of interesting insights, and a nice change to see someone daring to express an opinion or six about ballet, music and ballet companies in print. For example, here\'s Wordsworth commenting on the perhaps overwhelming legacy of Constant Lambert:\n
    ...there have been other conductors since him [Lambert] who have been equally good. I think of Robert Irving, who got so distressed with the way things were at the Royal Ballet because of this whole thing of” Oh it will ever be as good as it was when Constant was here” so he went off to New York. He found himself a job as a music director. [...]I think that a lot of the frustration that musicians find when working for ballet companies, is this total lack of support from ballet managements. That is why a great many good conductors do not want to touch it with a bargepole."
    \n', 'Barry Wordsworth interviewed on Dancerdance', 0, '\n', 'publish', 'open', 'closed', '', 'barry-wordsworth-interviewed-on-dancerdance', '', '', '2007-04-04 14:43:02', '2007-04-04 14:43:02', '', 0, 'http://jonathanstill.com/?p=200', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (201, 1, '2007-04-05 08:47:30', '2007-04-05 08:47:30', 'Picture of Daniel Jones & video camera, taken in Nando\'s after the eventDaniel Jones has made & posted a 7 minute documentary video podcast about my Swimathon to his weblog. Not everyday you get a film of this quality made about your exploits, so I\'m really chuffed! View it here. Free admission, but you can donate the cost of a cinema ticket to my Swimathon fund, or to Dan\'s bank account.\nAlternatively: Click here to view the video on YouTube\n', 'Swimathon - the Movie', 0, '\n', 'publish', 'open', 'closed', '', 'swimathon-the-movie', '', '', '2007-04-05 08:47:30', '2007-04-05 08:47:30', '', 0, 'http://jonathanstill.com/?p=201', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (202, 1, '2007-04-13 12:31:32', '2007-04-13 12:31:32', 'john_ravera_small.jpgAs a teenager, one of my passions as a pianist was the music of John Ireland, passed on to me by my teacher, Trissie Cox, who introduced me to a piece called Chelsea Reach. Many of Ireland\'s pieces had such evocative titles - Soho Afternoons, Amberley Wild Brooks, Autumn Equinox, Sarnia, The Island Spell - and his music created the image of these places in my head far more strongly than a photograph or a map could have done.\n\nThere\'s nothing superficially Chelsea-like about Chelsea Reach, and it was written in 1917-1920 so it would be a very different Chelsea anyway - or so you\'d think. But in fact, the stretch of river in Battersea where I work, immortalized by Whistler & Turner, sometimes seems no different to the way that it must have been 100 or even 200 years ago.\n\nEspecially when I see the light at sunset and twilight over the river in spring, the old houseboats and the seagulls waddling through the gold-leaved mud, Ireland\'s music feels just right. It was probably a bit old-fashioned when it was written; nostalgic, pensive, idealistic - but I expect there was an old-fashionedness about this part of London even then, and I suspect that\'s what Ireland was trying to evoke.\n', 'Chelsea Reach', 0, '\n', 'publish', 'open', 'closed', '', 'chelsea-reach', '', '', '2007-04-13 12:31:32', '2007-04-13 12:31:32', '', 0, 'http://jonathanstill.com/?p=202', 0, 'post', '', 2); INSERT INTO `wp_posts` VALUES (203, 1, '2007-04-14 14:05:29', '2007-04-14 14:05:29', 'Surely one of the saddest stories to hit the news: an inquest has recorded an open verdict on the death of the brilliant Ethiopian athlete Dejere Kebede-Tulu. He fled to England from Ethiopia following his father\'s murder, then endured three years of living on £53 a week because he wasn\'t allowed to work in the UK. Through all this, he continued to train, helped out by philanthropic sports scientist Ceri Diss. Finally, he gained citizenship last year, and was tipped to win a medal for Britain at the 2008 Olympics. No sooner than his citizenship problems had been solved, he died in poverty in his flat in Holloway in June last year aged just 25, discovered only days afterward by a friend, by which time his body had decomposed too much to determine the cause of death.\n\nThe story is told movingly in today\'s Telegraph, and also reported in The Independent, and last week\'s Islington Gazette.\n\nSee also: Helen Bamber Foundation, which cares for victims of gross human rights violations.\n', 'RIP Dejere Kebede-Tulu', 0, '\n', 'publish', 'open', 'closed', '', 'rip-dejere-kebede-tulu', '', '', '2007-04-14 14:05:29', '2007-04-14 14:05:29', '', 0, 'http://jonathanstill.com/?p=203', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (204, 1, '2007-05-17 10:01:58', '2007-05-17 10:01:58', 'souvenir.jpgFor year\'s I\'ve been intrigued by the music for the female variation from Le Corsaire (the one with the Italian fouettés at the end), noting that just very occasionally, you see it attributed to Anton Simon (1850-1916) rather than Riccardo Drigo who is the acknowledged as the composer of the pas de deux as a whole. How could one of the most famous solos in the ballet repertoire be so frequently misattributed?\n\nWhen I wanted to refer to this solo in an article I wrote in 2000 ("Can I have the wrong music please?") I just risked it and called it Anton Simon\'s Souvenir de Bal, even though I had never seen any proof that this was true, just a single reference on a CD inlay card. The British Library has a book of parlour pieces by Anton Simon which would have settled it one way or another, but it\'s now 7 years since I wrote the article, and I\'ve never found the time to go there, and search as I might, I\'ve never come across a single piece by Simon anywhere.\n\nAnd then, I just stumbled across it, literally, as I was sorting some books out at home. (To the torment of friends, family and significant others, I hoard second hand music. I started when I was about 6, and I still can\'t stop myself). I\'d spread the contents of my shelves on the floor to put it into rough alphabetical order, and tripped over an album containing a number of pieces by East European composers, published around 1916 by Edwin Ashdown. Flicking through it to see whether this was a centimetre of shelf-space that I could reclaim for something better, I noticed a Berceuse by Anton Simon. Was there any chance, I thought, that the Souvenir de Bal was in here too? And blow me down, there it was - it\'s been on my shelves since I was a child - I probably played it once before I knew what it was, if you see what I mean.\n\nSo here\'s a scan of the first page, for the two or three other people in the world that might be as interested as I am to see the proof on paper at last. All credit to the people who\'ve created some marvellous pages on Amazon and Wikipedia and given Simon his due.\n\nBallet on CD: A guide for performance and listening\nMrLopez\'s pages on Petipa and other topics at wikipedia \nAnother page by me on things I\'m glad I didn\'t throw away\n', 'Anton Simon\'s Souvenir de Bal and that Corsaire variation', 0, '\n', 'publish', 'open', 'closed', '', 'anton-simons-souvenir-de-bal-and-that-corsaire-variation', '', '', '2007-05-17 10:01:58', '2007-05-17 10:01:58', '', 0, 'http://jonathanstill.com/?p=204', 0, 'post', '', 1); INSERT INTO `wp_posts` VALUES (205, 1, '2007-05-25 19:10:46', '2007-05-25 19:10:46', 'dan_from_mcs.jpgwww.mobilecycleservice.co.uk\nPicture it - two miles from work on the Friday morning before a bank holiday, and the back axle on my bike snapped. On the 50-minute trek from Wandsworth common to Battersea, I had plenty of time to consider the options - take the afternoon off to get it back to the shop in Earlsfield which I know will probably do it overnight. Spend the morning ringing round bike shops near Battersea, who - if they do repairs at all, probably won\'t touch it until at least Wednesday next week; cancelling my lunch date and walking the bike there won\'t be fun either. Leave the bike at work til Tuesday, and deal with it then - and be bikeless over the bank holiday and Tuesday morning. It all sucks, whichever way you look at it.\n\nThe day that started out so badly ended on a high, after I discovered a brilliant mobile bike repair service that solved all my problems in no time at all and restored my faith and wonder in human nature, bikes and Londoners. When I got to work I googled \'mobile bicycle repairs\', found Mobile Cycle Service, got straight through to Dan (pictured here repairing my bike on site at work) who asked a few questions, arranged to fix it later in the afternoon for a very reasonable price, turned up with a car full of tools and parts, did the job quickly and expertly, and tuned up the gears while he was at it. Nice bloke, fantastic service. Here\'s my tip - put the numbers in your phone now!\n', 'Thank you, Mobile Cycle Service!', 0, '\n', 'publish', 'open', 'closed', '', 'thank-you-mobile-cycle-service', '', '', '2007-05-25 19:10:46', '2007-05-25 19:10:46', '', 0, 'http://jonathanstill.com/?p=205', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (206, 1, '2007-05-31 22:16:57', '2007-05-31 22:16:57', 'pimlico_lav.jpg\nOK, it\'s a bit childish, but I thought this was quite a funny number plate for a plumber. Nothing to do with music, IT or dance, but I was keen to get another entry in for May before it ended. The month of June is going to be dedicated to music & dance, so it\'s the last chance for some random silliness.\n', 'Plumbing the depths', 0, '\n', 'publish', 'open', 'closed', '', 'plumbing-the-depths', '', '', '2007-05-31 22:16:57', '2007-05-31 22:16:57', '', 0, 'http://jonathanstill.com/?p=206', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (207, 1, '2007-06-01 06:39:57', '2007-06-01 06:39:57', 'rose.jpgIt\'s June, and for me that means quite a few sessions for students on working with music and musicians.\n\nYou can turn \'working with pianists\' into a subject, and I often get asked to do training sessions or lectures on it, but I\'ve always been convinced that a list of handy tips, dipped into when you feel ready to take information in, is a vital addition to an intensive blast before you actually get into the studio.\n\nSo, in June 2001 I started compiling a book of 100 tips for dance teachers who work with pianists. They\'re not exactly \'my\' tips\' - they\'re just observations of good practice. I added a few between then and now, but I could never really decide what to do with it - too small to turn into a book, too small a market to publish, and in any case, it would be better fronted by a teacher than a musician, and better if I could get other views in there too. Then recently, I realised that I subscribed to a few RSS feeds from sites like Lifehacker & Zen Habits, and that maybe this is a good way to get those tips out there and elicit some comments from other professionals too.\n\nFor that reason, every day in June this year, I\'m going to be publishing a handy tip for working with music & musicians for ballet teachers. With any luck, I might be publishing some podcast interviews with a few people I know and love on the subject. With even more luck, I hope that a few teachers or pianists or dancers out there will post some useful comments or questions that will make this into more than a one-person project. Eventually, you\'ll be able to click on the \'100 tips\' tag on the right, and get the whole book at once.\n', 'June 2007: 100 tips for working with ballet pianists', 0, '\n', 'publish', 'open', 'closed', '', 'june-2007-100-tips-for-working-with-ballet-pianists', '', '', '2007-06-01 06:39:57', '2007-06-01 06:39:57', '', 0, 'http://jonathanstill.com/?p=207', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (208, 1, '2007-06-01 07:28:44', '2007-06-01 07:28:44', 'feedback.jpgIt doesn\'t matter how experienced the pianist is, or how inexperienced you are - give feedback. When a pianist plays something you like, something that works well for an exercise, or at just the right tempo, smile encouragingly and say so. Positive reinforcement works for pianists as well as dancers, and is just as important. It also makes it much easier to say when you don\'t like something.\n\nWhat\'s this? Read more about 100 tips for working with ballet pianists\n', '100 tips for working with pianists #1: Give feedback', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-1-give-feedback', '', '', '2007-06-01 07:28:44', '2007-06-01 07:28:44', '', 0, 'http://jonathanstill.com/?p=208', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (209, 1, '2007-06-02 01:00:00', '2007-06-02 01:00:00', 'my_name.jpgGo straight up to your pianist the first time you work with them, introduce yourself saying "Hi, my name is ......", find out what name your pianist prefers to be called and use it often during class. (Getting the name right is important: not everyone likes \'maestro\' or \'our lovely pianist\', \'the music\' or \'Mr/s X\' - and they won\'t know what to call you unless you tell them.)\n\nBasic social stuff, but it\'s a vital part of establishing communication that teachers often neglect through nerves - worried about the class, or afraid of making a mess of their counts and music. A shame really, because once the moment for introductions has passed, it\'s difficult to retrieve without some embarrassment and back-pedalling. More to the point, get the pianist on side from the start, and you\'ve got a friend and collaborator behind you rather than someone to make you nervous.\n\nIncidentally, I give exactly the same advice to pianists. It doesn\'t really matter who makes the first move, as long as you make a social connection before you get down to the business of doing class together.\n

    What\'s this? Read more about 100 tips for working with ballet pianists

    \n', '100 tips for working with pianists #2: Use your pianists’ name', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-2-use-your-pianists%e2%80%99-name', '', '', '2007-06-02 01:00:00', '2007-06-02 01:00:00', '', 0, 'http://jonathanstill.com/?p=209', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (210, 1, '2007-06-03 01:00:00', '2007-06-03 01:00:00', '60bpm.gifAs the teacher in your class, you are in charge both of the music and the dancers/students. Make sure everyone knows that if dancers don’t like the speed the pianist is playing, they should talk to you first, and you\'ll decide who needs to adapt to whom.\n\nThere are two issues here. Firstly, it\'s about courtesy, good relations and class management - don\'t let the pianist be put in a position where they have to override your judgement, or where you effectively side with the class against the pianist ("yes, slow down Mary, that\'s far too fast!"). Secondly, it\'s about acknowledging that tempo is a vital element of technique and interpretation that has to be embedded in your teaching: it\'s not a lifestyle decision for the dancer or the pianist.\n', '100 tips for working with pianists #3: Make sure everyone knows who\'s in charge of tempo', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-3-make-sure-everyone-knows-whos-in-charge-of-tempo', '', '', '2007-06-03 01:00:00', '2007-06-03 01:00:00', '', 0, 'http://jonathanstill.com/?p=210', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (211, 1, '2007-06-04 01:01:00', '2007-06-04 01:01:00', 'Make sure that you regularly stand in a position that enables you to keep your lines of communication with the pianist open, even if it\'s only for a moment.\n\nnina_arrows.jpgThe main reason for this is that you need to let the pianist know that it\'s worth them looking up and checking for feedback from you during the class. It only takes the occasional nod, smile, thumbs-up to engage their peripheral vision. But if every time they look your way, you\'re facing the other direction, they\'ll get the idea that you don\'t intend to communicate with them, they\'ll stop looking - and then you\'ve lost contact, probably for good.\n\nIn the picture on the left, the teacher glances over to the pianist (downstage left) to make eye contact and give a musical direction while marking the exercise, but it\'s fleeting, so she continues to engage the dancers around her, some of whom are looking at her directly, others at her reflection in the mirror. This is the kind of multi-directional attention-grabbing that ensures you remain in happy control of what goes on in your class.\n\nOnce again, it\'s also down to basic interpersonal skills & courtesy - standing with your back to anyone for a long time is rude and potentially intimidating. In a class, it leaves you open to another danger - the possibility that the class is making jokes about you to the pianist (and it\'s not just children who try that one!).\nWhat\'s this? Read more about 100 tips for working with ballet pianists\n', '100 tips for working with pianists #4: Make eye-contact possible', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-4-make-eye-contact-possible', '', '', '2007-06-04 01:01:00', '2007-06-04 01:01:00', '', 0, 'http://jonathanstill.com/?p=211', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (212, 1, '2007-06-05 12:18:00', '2007-06-05 12:18:00', 'tchaikovsky.jpgSome teachers reach a point of exasperation with an unruly class where they say something like “You’re wasting my time, and Miss X’s. Your behaviour is an insult to her beautiful music”. They probably mean well, and perhaps intend it as a compliment to the pianist - but it\'s actually excruciating to be put in this position if you\'re the one at the piano, so try to avoid this tactic at all costs.\n\nFor one thing, it focuses the entire class’s attention on the pianist, which is uncomfortable and embarrassing. It also forces the pianist to agree with you publicly in a situation where it would be unprofessional for them to say what they really think (and personally, I\'ve never, ever agreed with a teacher who\'s said that a class is wasting my time - for one thing, I\'m getting paid, so it makes no difference to me if the dancers do class, or make paper aeroplanes and sing Oasis hits for an hour and a half - I was booked to be there anyway).\n\nBut more crucially, it undermines the role of the pianist, which is not to support you in a community policing project, but - at least in the best of times - to support and play with the dancers as equal collaborators and partners in this wonderful art form. If that\'s the kind of pianist you want (and it\'s probably the kind you would have wanted as a dancer) you have to be very careful not to turn the dancers and pianist against each other for the sake of a bit of peace and quiet.\n', '100 tips for working with pianists #5: Don’t side with the pianist against the class', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-5-don%e2%80%99t-side-with-the-pianist-against-the-class', '', '', '2007-06-05 12:18:00', '2007-06-05 12:18:00', '', 0, 'http://jonathanstill.com/?p=212', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (213, 1, '2007-06-06 01:01:55', '2007-06-06 01:01:55', 'tendus_in_silence.jpgSometimes, an exercise can go horribly wrong because the pianist simply can’t find music which is suitable for it. If this happens, move quickly on to the next exercise and take time after class to see if you can identify the problem. It doesn\'t matter what went wrong, just move away discreetly from the scene of the crime.\n', '100 tips for working with pianists #6: Cover mistakes gracefully', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-6-cover-mistakes-gracefully', '', '', '2007-06-06 01:01:55', '2007-06-06 01:01:55', '', 0, 'http://jonathanstill.com/?p=213', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (214, 1, '2007-06-07 00:45:22', '2007-06-07 00:45:22', 'bigwaltz.jpgClass is a busy, sometimes noisy place where you and your pianist need to send unequivocal messages and react quickly. Once you\'ve established a good working relationship and understand each other, shortcuts such as hand signals, non-verbal noises & facial expressions are often more useful than words for getting a message across. Some examples: \n', '100 tips for working with ballet pianists #7: Use non-verbal communication', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-7-use-non-verbal-communication', '', '', '2007-06-07 00:45:22', '2007-06-07 00:45:22', '', 0, 'http://jonathanstill.com/?p=214', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (215, 1, '2007-06-08 00:01:15', '2007-06-08 00:01:15', 'There’s no point in asking a pianist for a krakowiak if they don’t know what it is. Aim to build a shared vocabulary which means something to both of you. If you both know what you mean by a "diddly diddly" or a "cheesy waltz", they\'re the best words to use.\n\nAll the same...\nadca.jpgShared knowledge is quite rare in this field, because both musicians and dancers specialise so narrowly in their own fields, but it\'s a great thing to develop. It\'s not just about dance styles - it\'s about having a shared reference pool of tunes & repertoire. That\'s why I was passionate about helping to develop A Dance Class Anthology, which is a compendium of 50+ styles of music and famous bits of dance repertoire that are good for class which can become shared culture for pianists and teachers.\n', '100 tips for working with pianists #8: Develop a shared language', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-8-develop-a-shared-language', '', '', '2007-06-08 00:01:15', '2007-06-08 00:01:15', '', 0, 'http://jonathanstill.com/?p=215', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (216, 1, '2007-06-09 07:44:51', '2007-06-09 07:44:51', 'If you have just spent ten minutes trying to control children, it can be easy to leave your voice in the same register when you go back to talking to an adult (such as the pianist). Even if you\'re teaching adults, it\'s important to change your tone slightly depending on who you\'re talking to, so that the pianist knows when you\'re addressing them, and when you\'re talking to the class.\n', '100 tips for working with pianists #9: Remember who you\'re talking to!', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-9-remember-who-youre-talking-to', '', '', '2007-06-09 07:44:51', '2007-06-09 07:44:51', '', 0, 'http://jonathanstill.com/?p=216', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (217, 1, '2007-06-09 09:00:00', '2007-06-09 09:00:00', 'Given that much of what happens between you and the pianist in the class is unprepared, mistakes are bound to happen. There is no point in making an issue out of a minor mistake such as playing four counts as an introduction instead of two, or stopping during an exercise which was supposed to go straight to the other side. Smile and get on with it. Of course, if it keeps on happening, check with the pianist afterwards to see how you can improve things.\n', '100 tips for working with pianists #10: Be good humoured about mistakes', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-10-be-good-humoured-about-mistakes', '', '', '2007-06-09 09:00:00', '2007-06-09 09:00:00', '', 0, 'http://jonathanstill.com/?p=217', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (218, 1, '2007-06-09 10:00:00', '2007-06-09 10:00:00', 'There is no need to explain things to a pianist that they already know or understand. For example, if you have just shown an exercise in three, while singing snippets of the Waltz of the Flowers at the tempo you want, there is no need to say "So I\'d like a waltz, please, in 3/4, at about this tempo...".\n\nIf you do overexplain, the pianist will come to expect it, and won\'t bother to watch your marking, because they know you\'re going to come over and say it all again.\n\nTo avoid this, when you first work with a pianist, say "I\'ll try to show what I want musically when I mark the exercise, but if anything\'s not clear, please feel free to ask".\n', '100 tips for working with pianists #11: Don\'t over explain', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-11-dont-over-explain', '', '', '2007-06-09 10:00:00', '2007-06-09 10:00:00', '', 0, 'http://jonathanstill.com/?p=218', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (219, 1, '2007-06-09 11:00:00', '2007-06-09 11:00:00', 'Musicians are used to working in isolation (all that practising alone), so some pianists feel very shy about talking in front of the class. Be careful about assuming that pianists will be delighted to comment from the piano. “Now, we’re all going to gather round the piano while Miss X plays that music again, and this time we’re going to listen carefully. What\'s the name of that lovely piece, Miss X?” can be very intimidating unless the pianist feels confident with the students.\n\nIf you want to do something like this, give the pianist adequate warning - a lot of the discomfort is due to feeling unprepared when the teacher says something like "And now we\'re going to listen while Miss X plays us two lovely, contrasting pieces of music".\n', '100 tips for working with pianists #11: Be sensitive to shyness', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-11-be-sensitive-to-shyness', '', '', '2007-06-09 11:00:00', '2007-06-09 11:00:00', '', 0, 'http://jonathanstill.com/?p=219', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (220, 1, '2007-06-09 12:00:00', '2007-06-09 12:00:00', 'The most useful learning experiences come from analysing mistakes and things which could be improved. Talk these over with your pianist outside class-time, and treat finding a solution as something that you will do together, rather than leaving it as a problem for the pianist. Anything I know about playing for class came from discussions like those - it certainly isn\'t a natural talent!\n', '100 tips for working with pianists #12: Be inquisitive about mistakes', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-12-be-inquisitive-about-mistakes', '', '', '2007-06-09 12:00:00', '2007-06-09 12:00:00', '', 0, 'http://jonathanstill.com/?p=220', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (221, 1, '2007-06-10 01:04:41', '2007-06-10 01:04:41', 'It is good manners and good professional practice to give a musician the option of having time to prepare a piece of music if they need or want it. If you want to do something without preparation, try saying something like “I want to do a piece of repertoire from the ballet X – do you know it, or shall we do it next week?”. Don’t assume that because the pianist ‘always seems to cope’ that they are capable of doing everything with no preparation at all, or enjoy living on the edge all the time!\n', '100 tips for working with pianists #13: Give pianists time to practise', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-13-give-pianists-time-to-practise', '', '', '2007-06-10 01:04:41', '2007-06-10 01:04:41', '', 0, 'http://jonathanstill.com/?p=221', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (222, 1, '2007-06-11 00:12:47', '2007-06-11 00:12:47', 'If you won’t need your pianist for more than five minutes, let them know. Sitting in one position for a long time is uncomfortable, and they may be glad of the opportunity to move around or leave the studio temporarily. At the very least, it means they can relax and know that they don\'t have to be looking out for a signal from you for a few minutes.\n\nIt\'s not a huge issue - it\'s no big deal to sit in the corner of the studio when you\'re being paid to sit there. But if you can remember to release the pianist when they\'re not actually needed, the payoff for the teacher is huge - you\'ll get their complete attention when you really need them, and they\'ll instantly think of you as someone to collaborate with, rather than to work for.\n\nBy contrast, “Oh, I’m so sorry, are you still there? I don’t actually need you” or "Oh what a shame, you could have gone home early if I\'d realised" suggests, even if it\'s not true, that the pianist and their role is so minimal that you could easily forget they\'re there at all, like those people who stand by the doorways in art galleries.\n\nThank goodness I\'m not a dance teacher - I\'m sure I\'d be terrible at this kind of thing...\n', '100 tips for working with pianists #14: Let pianists go if you don’t need them', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-14-let-pianists-go-if-you-don%e2%80%99t-need-them', '', '', '2007-06-11 00:12:47', '2007-06-11 00:12:47', '', 0, 'http://jonathanstill.com/?p=222', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (223, 1, '2007-06-12 00:12:43', '2007-06-12 00:12:43', 'Trying to control a class and music that is suddenly too fast or too slow can make you anxious. An anxious facial expression can often be misread, and understood as aggression or intimidation. Practise smiling in a relaxed way when you need to communicate urgent commands.\n\nI learnt this one off the very lovely David Shrubsole, an experienced conductor from West End musicals. During a band rehearsal that I was in charge of for a show, he saw me wince at another player when they came in in the wrong place. It was a knee-jerk reaction from me, and not meant unkindly. In the kindest way possible, David advised me that it\'s a good to try to avoid such instinctive grimaces, because the person who\'s just done something wrong in a performance knows perfectly well they\'ve done it, and they feel bad enough already - so there\'s no point in making them feel worse.\n\nWhat you want is for them to feel better, and to come in in the right place next time. What\'s happened has happened, so good humour and positive support is the order of the day. The minute he\'d said it, I knew he was absolutely right and I vowed never to do it again, but wincing at wrong notes is such an instinctive reaction, I\'d never given it a second thought.\n\nOf course, if they\'re really bad players, that\'s a rather more difficult matter...\n', '100 tips for working with pianists #15: Don’t make faces!', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-pianists-15-don%e2%80%99t-make-faces', '', '', '2007-06-12 00:12:43', '2007-06-12 00:12:43', '', 0, 'http://jonathanstill.com/?p=223', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (224, 1, '2007-06-13 01:01:01', '2007-06-13 01:01:01', 'Find out what your pianist does best, and work with it, because there may be things they simply can’t do well – like improvisation, jazz, reading complex music at sight, or playing virtuoso solos. Don’t show them up in front of students by asking for things that they may not be able to do, or look crestfallen when you find out that they\'re not Ashkenazy, Art Tatum, Jamie Cullum and Prokofiev rolled into one person.\n', '100 tips for working with ballet pianists #16: Know your pianist\'s limits', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-16-know-your-pianists-limits', '', '', '2007-06-13 01:01:01', '2007-06-13 01:01:01', '', 0, 'http://jonathanstill.com/?p=224', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (225, 1, '2007-06-14 02:02:02', '2007-06-14 02:02:02', 'If you want the pianist to stay on for a bit at the end of class as a favour, the diplomatic way is to say to the students “We’ll do that again in a moment, but I have to let Miss X go, so thank you very much Miss X”. If the pianist is able and willing to stay, they will. Once a pianist knows that you respect their time, they will be more inclined to help next time. This method sets a good example of professional behaviour to the dancers/students as well.\n\nSome dancers ask why pianists aren\'t so willing as dancers to go the second mile and play some rehearsals for free, or give an extra half hour at the end of class. The reason is that for the dancer, the time they give up is an investment in their own technique and career, because it leads to a performance in which they feature. For the pianist, there\'s no such trade-off. I\'ve done lots of things for free or little money because of some other trade-off, even if it\'s just social ( I like the people I\'m working with)the work\'s interesting, or I\'ve got some time to kill. But in the end, like it or not, there\'s sometimes nothing like money to get the best out of people!\n', '100 tips for working with ballet pianists #17: Finish on time', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-17-finish-on-time', '', '', '2007-06-14 02:02:02', '2007-06-14 02:02:02', '', 0, 'http://jonathanstill.com/?p=225', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (226, 1, '2007-06-15 04:41:34', '2007-06-15 04:41:34', 'Pianists are music specialists, that\'s why you hired them, so use this to your advantage (why buy a dog and bark yourself?). e.g.

    \nThe more you ask for help and involve the pianist this way, the more likely it is that they\'ll feel open to ask you questions about what you want, and that\'s how great collaborations and friendships begin.\n', '100 tips for working with ballet pianists #18: Ask your pianist for help', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-18-ask-your-pianist-for-help', '', '', '2007-06-15 04:41:34', '2007-06-15 04:41:34', '', 0, 'http://jonathanstill.com/?p=226', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (227, 1, '2007-06-16 01:08:04', '2007-06-16 01:08:04', 'One of the hardest things for new ballet pianists to know is what sort of music you want. Talk about your favourite songs, ballets, composers, film music and singers with the pianist to give them an idea about what will keep you happy.\n', '100 tips for working with ballet pianists #19: Talk about music you like', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-19-talk-about-music-you-like', '', '', '2007-06-16 01:08:04', '2007-06-16 01:08:04', '', 0, 'http://jonathanstill.com/?p=227', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (228, 1, '2007-06-17 22:36:45', '2007-06-17 22:36:45', 'Teach by example and show your response to the music that is played. Think of class as a kind of \'guided discovery\' of music for your students. Staying unmoved and unmoving while the pianist plays sends a signal to the students – and the pianist – that there is nothing in the music worth responding to. And even if it\'s old hat to you - remember that it isn\'t to them.\n\nI was awestruck by the late great Raissa Struchkova teaching one of the girls\' Pas de Trois solos from Act I of Swan Lake. It\'s not the greatest music Tchaikovsky wrote, but Struchkova taught the dancer how to be moved (literally!) by every semiquaver of the music. She treated the melody of the music exactly as a violinist would - paying enormous effort and attention to every nuance of articulation, and dancing as if her feet were playing the floor like a violin string.\n', '100 tips for working with ballet pianists #20: Respond to music with your class', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-20-respond-to-music-with-your-class', '', '', '2007-06-17 22:36:45', '2007-06-17 22:36:45', '', 0, 'http://jonathanstill.com/?p=228', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (229, 1, '2007-06-18 01:01:01', '2007-06-18 01:01:01', 'Don’t ask pianists for a given number of bars unless you are both working from a score in a repertoire rehearsal, or unless an examination procedure specifically requires you to. Use counts in the tempo that you want – bars are confusing, and often irrelevant, both to teachers and pianists.\n', '100 tips for working with ballet pianists #21: Forget about bars', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-21-forget-about-bars', '', '', '2007-06-18 01:01:01', '2007-06-18 01:01:01', '', 0, 'http://jonathanstill.com/?p=229', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (230, 1, '2007-06-19 08:20:22', '2007-06-19 08:20:22', 'Occasionally – once a term, perhaps – set aside time with your pianist when you will simply experiment with different ideas for using music in class. An hour spent talking, reflecting and experimenting will bring generous rewards in the classroom.\n', '100 tips for working with ballet pianists #22: Take time to experiment', 0, '\n', 'publish', 'open', 'closed', '', '100-tips-for-working-with-ballet-pianists-22-take-time-to-experiment', '', '', '2007-06-19 08:20:22', '2007-06-19 08:20:22', '', 0, 'http://jonathanstill.com/?p=230', 0, 'post', '', 0); INSERT INTO `wp_posts` VALUES (231, 1, '2007-06-20 01:01:01', '2007-06-20 01:01:01', 'Although it\'s great to have music for class, be sure in your own mind what role it plays, so that you know when not to use it. Some examples: