Archive for the ‘London’ Category

Musical surprises #23: Vauxhall, Strauss & Tchaikovsky

Wednesday, December 23rd, 2009

Vauxhall Gardens Estate. The name lives on, if not the splendour.

Although the light and popular dance rhythms of Johann Strauss II seem a sociocultural world away from the ‘classical’ Tchaikovsky, they’re not. It’s our own snobbery that obscures the connections in the music, for what is Tchaikovsky most famous for if not the Waltz of the Flowers, and the waltzes from Sleeping Beauty and Swan Lake?

But there is a physical and geographical connection too.  For in 1865, Strauss – who was a regular guest conductor at summer concerts at the Pavlovsk station in Russia – conducted the first public performance of Tchaikovsky’s Characteristic Dances.

At a station? Well yes. The station at Pavlovsk was no ordinary railway terminus – it had been fashioned on the magnificent Vauxhall Pleasure Gardens in London, and included a concert hall in formal gardens, amongst other Imperial extravagances.   And it’s that connection with Vauxhall that, to this day, gave rise to the Russian word for ‘train station’ – vokzal. By the strangest of coincidences, I’m now off to Vauxhall to play for class for the Strauss Gala.

And as someone has wittily pointed out since reading this post, Tchaikovsky would have been very at home in today’s Vauxhall, which is gayer than Old Compton Street.

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Home sweet home

Monday, September 21st, 2009
The Kabuki-za theatre in Ginza, Tokyo

The Kabuki-za theatre in Ginza, Tokyo

Home again at last, after a week in which I spent 36 hours in the air (Singapore-London-Tokyo-London). I was giving a seminar for ballet pianists at the remarkable Showa University in Tokyo, one of the highlights being the young star violinist who’d agreed to play for the bit of the seminar where I wanted someone to illustrate the effect of violin accompaniment for ballet, just like mother made it.

On Sunday night, on the recommendation of a colleague in Tokyo, I went to the Kabuki-za theatre (ably assisted by my translator Fumiko),  to catch a performance before the theatre closes for renovation (rebuilding) next May.  Extraordinary stuff.

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Tooting postcards

Sunday, August 23rd, 2009

tooting-lovely

And a few more:

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London-Brighton bike ride

Sunday, June 21st, 2009
Cyclists on the London to Brighton bike ride passing through Tooting this morning

Cyclists on the London to Brighton bike ride passing through Tooting this morning

Watching them cycle past up Garratt Lane this morning is as near as I got to taking part, but it’s on the to-do list.

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Taking sides

Thursday, June 18th, 2009

When one of my friends says ‘I saw this and thought of you’, you can bet it’s not a kiss-me-quick hat or Behind the scenes at The Apprentice. ‘It’s a play about music and nazis!’ was what Chris said when he announced he was taking me out for a birthday treat, and oh boy, was it right up my street.  Taking Sides is Ronald Harwood’s exploration of the moral, social, political and philosophical questions surrounding music and power, seen through the lens of the interrogation of the conductor Wilhelm Furtwängler by an American officer in Berlin after the war.

For as long as I’ve disliked Wagner and Wagnerites, and especially since I read Fred K Priebke’s Musik und Macht I’ve had countless arguments about this subject, partcularly with people who claim music is pure, beyond politics, and independent of the person or context that gave rise to it. And yet, just when you think you’ve banged the last logical nail in the argument, up comes a piece of music that you want to dislike, and it just hits you straight in the gut nevertheless. Or vice versa – knowing the context of a piece that you’ve liked all your life has the power to change your view instantly.  Taking Sides dealt with the complexity of this enormous subject brilliantly.

The subject won’t go away, either. Only last year, Gary Glitter’s music was removed from a GCSE paper. While not condoning child abuse, I do wonder why Gary Glitter’s music doesn’t transcend his personal life, whereas the music of other composers with known tendencies to anti-semitism or pederasty isn’t given the same treatment. It is well documented that those panels depicting the stations of the cross at Westminster Cathedral were created by a sculptor who abused his own daughters, yet they’re still there.  Discuss…

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Customer service

Monday, June 15th, 2009

Seen at the Chelsea branch of Barclays Bank just now: a visitor’s book with pen at the door, and a big sign asking the public for suggestions on how Barclays could improve their customer service.

The most recent suggestion?  “Topless cashiers“.

More classics of the public imagination welcome in the comments box below.

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Audiomulch for Mac

Saturday, June 6th, 2009
Audiomulch  for Mac screen. Picture from Audiomulch.

Audiomulch for Mac screen. Picture from Audiomulch.

It’s not often that technology makes me this happy, but it’s time to celebrate: as of yesterday, with the launch of Audiomulch 2.0, the previously PC-only Audiomulch is now available for Mac.

Audiomulch release page

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