Nothing to do with music, except that I have to go to Leicester Square several times a week on my way to piano playing jobs, so when something changes about the station, I notice it. Recently though, I couldn’t quite put my finger on why I felt calmer on the way up the escalator from the Northern Line, until I realized it was because for the first time I can remember in all the years I’ve travelled on the tube, I could just stay with my own thoughts instead of being distracted by adverts every few centimetres, and I was reminded of the long rant I wrote about the “attentional commons” and New Street Station in Birmingham.
For once, I had a sense of place rather than that feeling that you could be absolutely anywhere, followed by the same adverts wherever you go. Even though it’s nothing but a cavernous white space, you notice the whole space, its shape, volume and colour, and can live in it and enjoy it for a bit, rather than being drawn at face level into the forced intimacy of those advertising panels, that do the opposite—they nobble your sense of who and where you are and what you’re doing. Leicester Square tube station suddenly felt like a place, rather than an advertising space. Other cities do this much better: just look at this station in Prague, Staroměstská, for an idea of how different things could be (and see this page for more pictures and descriptions of the Line A stations in Prague which have similar designs, in different colours)
It’s just a guess, but I think that you could probably reduce stress levels exponentially if you were to turn tube stations into places, rather than billboards.
- 12 of Europe’s most beautiful and impressive metro stations.
- 150 London Underground facts (Daily Telegraph trigger warning, but it’s interesting all the same)
- Matthew Crawford on the attentional commons